York puppeteer Freddie Hayes introduces The Magic Lady, wild, bonkers, twisted, cruel yet charming, at Micklegate Social

Freddie Hayes as the dark and mysterious Magic Lady

YORK puppeteer and storyteller Freddie Hayes warms up for her Edinburgh Fringe return with a home-city preview of her outrageous new character comedy show, The Magic Lady, on Monday night at Micklegate Social.

“After a smash-hit run with Potatohead in 2022, I’m thrilled to be going back to the Fringe and really excited about returning to York to perform my full-hour comedy, clown and puppetry magic show,” says the playful yet poignant York performer and theatre-maker, who will head to the Hyde Park Book Club in Leeds on Tuesday for a further preview.

Expect magic and mayhem, hypnotism and ridiculous props as Freddie invites you to “enter the magic circle for your appointment with the Magic Lady in an unforgettable night of comedy, clowning and puppetry”, directed by Ecole Gaulier-trained clown Mikey Bligh Smith of The Lovely Boys.

What lies in store? “After a long and arduous career treading the boards as a glamorous assistant to some of the greats, it is the Magic Lady’s turn to rise from the ashes and dazzle the audience with a mix of chaotic comedy and questionable magic that will leave you spellbound.” says Freddie, 2022 winner of the Most Bizarre Moment in Theatre Award.

“This haphazard showbiz loon will be surprising, exorcising, escapologising and taking back what was hers once before. Watch out for the famous levitation trick! Houdini who?”

Freddie Hayes in the guise of Potatohead

Introducing her Magic Lady, Freddie says: “I’m always creating characters, and she’s sort of been brewing for a while. She wears an Eighties’ cocktail dress, and the dress came before the character. I found it in a vintage shop.

“She’s another alter ego of mine. I was interested in the role of the old Hollywood assistant, who in this case becomes the Magic Lady. That was always her dream, but she’s a deluded illusionist. She believes she was part of the Broadway world when in fact she’s in Blackpool.

“She acts very posh, putting on airs and graces; there’s a bit of Hyacinth Bucket [from Keeping Up Appearances] about her; a bit of Joanna Lumley in there, but maybe underneath all that, she’s a northerner.”

The Magic Lady has been taking shape at London gigs at the Moth Club, Hackney, and the Soho Theatre, along with the Machynlleth Comedy Festival in Wales and her first hour-long full preview at The Wardrobe Theatre in Bristol.

Freddie has shared a bill with puppeteer Nina Conti too. “She’s a bit of a hero of mine. We didn’t swap notes but she did say I was funny,” she recalls.

“I always like to have a bit of the gothic and the macabre in a show,” says puppeteer and theatre-maker Freddie Hayes

“I love using puppets. I think I will always have a puppet in my shows in some sort of way. If it’s a shadow or a sock, it will always be part of my performance style – and I still have a few puppet surprises for this show. I like to keep them as surprises.”

 Does the Magic Lady have a name? “She does but she will never say what it is,” says Freddie. “She’s a dark and mysterious character, quite twisted, and she alludes to the fact that she sawed one of her husbands in half. I always like to have a bit of the gothic and the macabre in a show!

“She’s has loads of affairs and she likes to put it around that she was the understudy to Liza Minnelli and how she broke Bobby Davro’s heart.”  

Expect the unexpected. “Every night will be completely different, playing to how the audience are feeling, or if someone is misbehaving,” says Freddie. “I like to throw the script out of the window as I’m always keen to interact. Watch out!”

Freddie Hayes in The Magic Lady, The Den, Micklegate Social, Micklegate, York, EdFringe preview, July 29, 7.30pm. Box office: billetto.co.uk/e/freddie-hayes. Hyde Park Book Club, 27-29 Headingley Lane, Leeds, EdFringe, July 30, 7.30pm. Box office: billetto.co.uk/e/freddie-hayes; hydeparkbookclub.co.uk. Edinburgh Fringe, Hoots @Potterrow, Big Yurt, August 2 to 11, 6pm. Box office: https://tickets.edfringe.com/whats-on/freddie-hayes-the-magic-lady

Monster won’t be spotted down At The Mill tonight and tomorrow after Alexander Flanagan Wright postpones premiere

What’s that coming over the field? It’s a Monster of a story, but just not yet as Alexander Flanagan Wright postpones this week’s premiere

ALEXANDER Flanagan Wright’s At The Mill premiere of his work-in-progress storytelling piece Monster tonight and tomorrow at Stillington Mill, near York, is delayed until further notice.

“You brilliant folks that have booked to come and see Monster this week – I’m afraid I’ve decided to postpone the show,” apologises Alex. “It’s pretty boring to have to do that, I admit, and I’m sorry for it.

“I’m excited about story, I’m excited about saying out loud. But now isn’t the time, and I’d be very sad to do something that absolutely wasn’t where it needs to be. So, I’d rather give you your money back and look forward to when the time is right. I’ll refund those tickets for you now.” 

What will unfold in Monster…eventually? Bloke in a fancy suit is stood in the Nevada desert. A warrior holding the head of Medusa is stood on top of a hill. The sky is lit bright with the neon lights of Vegas. We are trying to set foot in places no-one has ever been.

Phil Grainger and Alexander Flanagan Wright in the grounds of Stillington Mill, where they will present The Gods The Gods The Gods next month. Picture: Charlotte Graham

So runs Alex’s preamble to “setting out to tell a story about finding places that we should never have found, about the difference between discovery and ownership, and the need to be a hero”.

“Some of that story happens now,” he says. “Some of it happens millennia ago. All of it is to do with people.”

In the immediate absence of Monster, Alex heartily recommends The Gods The Gods The Gods, his collaboration with actor, musician and writer Phil Grainger, programmed for At The Mill’s theatre season on July 23, 24, 27 and 28 at 8.45pm each night.

“It’s a big, loud, weave of mythology, stories, big basslines, spoken word and soaring melodies,” he says. “We’re previewing it here At The Mill before heading up to the Edinburgh Fringe. So, if you fancy your fix of storytelling and myths, I can 100 per cent promise it to you there.”

Tickets can be booked at atthemill.org.