More Things To Do in and around York amid the Christmas merriment. Feast your mince pies on Hutch’s List No. 54, from The Press

Jared More and Katie Coen feeling stressed out at the Bethlehem Inn in Riding Lights’ Christmas Inn Trouble 

CHRISTMAS shows in myriad merry modes dominate Charles Hutchinson’s recommendations for the week ahead.

Magical new twist on the Nativity of the week: Riding Lights Theatre Company in Christmas Inn Trouble, Friargate Theatre, Lower Friargate, York, today, 1.30pm and 4pm, then December 21 to 24, 11am, 1.30pm and 4pm

BOTHER aplenty is afflicting The Bethlehem Inn and Spa, where taps are leaking, the rats are squeaking and the rooms are fit to burst. So many guests have arrived that parking your camel is impossible and, if things were not bad enough already, a rascally Roman soldier has come to make sure everything is above board.

Written by Rachel Price, directed by Riding Lights artistic director Paul Birch and starring Jared More and Katie Coen, festive farce Christmas Inn Trouble “turns the traditional tale on its head” in a slapstick comedy perfect for telling the Nativity story to primary-school aged children and their families. Box office: 01904 655317 or ridinglights.org/christmasinntrouble.

Eve Lorian: Conducting Prima Choral Artists’ Family Christmas Concert at St Olave’s Church, Marygate, York

Choral concert of the week: Prima Choral Artists, Family Christmas Concert, St Olave’s Church, Marygate, York, today, 4pm to 5pm

PRODUCED and conducted by Prima Choral Artists director Eve Lorian, today’s concert unites her choir with the New World String Quartet, organist James Webb and pianist Greg Birch in reflective and cheerful Christmas celebrations.

Here come high-spirited festive classics, modern choral arrangements and string and organ repertoire, including works by Tchaikovsky and Rawsthorne. Box office: primachoral.com and on the door.

The Queeries: Fun, frolicsome fiddling at Navigators Art’s As Yule Like It

All cracker, no cheese festive menu of the week: Navigators Art presents As Yule Like It, The Basement, City Screen Picturehouse, York, tonight, 7.30pm (doors 7pm)

NAVIGATORS Art promises “All cracker, no cheese” at As Yule Like It, tonight’s live, local and loud showcase of “some of York’s finest and most individual sounds”. On the bill are University of York music student Cast Beatbox, racing up the ranks in national contests; Knitting Circle, York’s socially conscious and urgent post-punk trio, and York St John University folkies The Queeries, purveyors of fun, frolicsome fiddling.

Performing too will be Tang Hall Smart tutor and passionate singer-songwriter Toemouse, offering an invitation to a mystical ride, and Weather Balloons with a set of Boschian vignettes and betrayals of guitar music from a soft-rock renegade off duty from regular band Fat Spatula. Some material may not be suitable for young children. Box office: https://www.ticketsource.co.uk/navigators-art-performance.

Hole Of Horcum, 2025, from Donna Maria Taylor’s This Rugged Earth exhibition at Rise@Bluebird Bakery

Exhibition of the week: Donna Maria Taylor, This Rugged Earth, Rise@Bluebird Bakery, Acomb, York, until February 12 2026

SOUTH Bank Studios resident artist Donna Maria Taylor’s latest collection of paintings, This Rugged Earth, is inspired by the world around her and her travels both in the United Kingdom and Europe.

“The majority of the new work nod to my love of rugged hillscapes and mountainous landscapes,” says Donna, who will be exhibiting at York Open Studios and York Hospital in 2026.

Hannah Christina’s Rosie and Emilio Encinoso-Gil’s Rex in Pocklington Arts Centre’s Christmas show, Jingle All The Way

Deer double act of the week: Jingle All The Way, Pocklington Arts Centre, today, tomorrow, 1.30pm; Monday, 4.30pm; Tuesday, 10.30am and 4.30pm  

FROM the team behind The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish comes Elizabeth Godber’s latest Christmas family adventure, co-directed by Jane Thornton with musical direction by Dylan Allcock.

Reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie (Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes. Santa, however, has a position free on his sleigh squad; could this be Rex’s big chance? Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Northern Ballet’s dancers in a flurry of snow in The Nutcracker at Leeds Grand Theatre. Picture: Sophie Beth Jones

Ballet of the week: Northern Ballet in The Nutcracker, Leeds Grand Theatre, until January 4 2026

LEEDS company Northern Ballet’s much-loved festive production of The Nutcracker – premiered in 2007 – is revived anew this winter, featuring lavish costumes and Charles Cusick Smith sets that capture the 19th century Regency England setting beautifully for the timeless story of Clara and her wooden Nutcracker doll. As the clock strikes midnight, she finds herself being whisked away on a magical adventure filled with dancing snowflakes and a whole host of colourful characters. 

Choreographed by former artistic director David Nixon CBE, the ballet is performed to the instantly recognisable music of Russian composer Pyotr Ilyich Tchaikovsky that first accompanied Marius Petipa and Lev Ivanov’s original choreography in 1892. Glory be, that score will be performed live under conductor Yi Wei. Box office: https://northernballet.com/the-nutcracker.

Gemma Curry and her Arctic Fox puppet in Yuletide Tales at Rise@Bluebird Bakery, Acomb

Where the Northern Lights dance and old tales come alive: Hoglets Theatre in Yuletide Tales, Rise@Bluebird Bakery, Acomb Road, Acomb, York, Sunday, doors 4pm

GATHER round as the snow begins to fall and step into a world of wonder, cheeky robins and enchanted polar bears in Yuletide Tales, York company Hoglets Theatre’s heartwarming festive show for families, full of original songs, puppetry and magical storytelling.

Join cheerful storyteller Gemma Curry and her mischievous Arctic Fox friend as they journey through wintery folktales from the icy kingdoms of the North to the shimmer of the Northern Lights. Re-imaginings of traditional stories East Of The Sun And West Of The Moon, The Arctic Fox And The Northern Lights and How The Moon Got Its Cloak are accompanied by gentle audience interaction and a message of warmth and togetherness. Box office: bluebirdbakery.co.uk/rise.

The poster for Anton Du Beke’s festive song-and-dance show with friends at York Barbican

Dandy dancing of the week: Christmas With Anton Du Beke & Friends, York Barbican, Sunday, 5pm

EMBARK on a dazzling journey into a festive wonderland as Strictly Come Dancing judge and ballroom king Anton Du Beke joins forces with his dynamic live band, vocalist Lance Ellington and  troupe of dancers for a magical evening of cherished Christmas songs, captivating dance and festive humour. Box office: yorkbarbican.co.uk.

Recommended but sold out already is Robert Plant’s Saving Grace gig, Ding Dong Merrily, at York Barbican on December 23 (doors 7pm), when Plant, co-vocalist Suzi Dian drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley and cellist Barney Morse-Brown showcase September 26’s Saving Grace album, “a song book of the lost and found”.

David Ward Maclean: Marking Winter Solstice with “iceberg songs with penguins on them”

Solo show of the week: David Ward Maclean Winter Solstice Concert, The Basement, City Screen Picturehouse, York, Sunday, 7.30pm

JOIN York singer-songwriting legend David Ward Maclean for a lovely night of songs to mark the Winter Solstice, drawing on material from the past 20 years for his two sets. “My songs are icebergs. With penguins on them,” he says. “All revenue will go straight to recording my new album Pilgrims.” Box office: https://wegottickets.com/event/668355/.

Copyright of The York Press.

More Things To Do in York and beyond as Carol concerts burst into festive song. Hutch’s List No. 53, from The York Press

Next Door But One movement director Bailey Dowler, left, with writer-director Matt Harper-Hardcastle and cast members Ceridwen Smith, centre, Annie Rae Donaghy and Emily Chattle rehearsing for their Explore York library tour of When Robins Appear

CAROL concerts, festive shows and a musical aboard a Christmas steamer fill Charles Hutchinson’s in-box for December delights.

A different kind of Christmas show of the week: Next Door But One in When Robins Appear, York Explore, today and tomorrow, 11am and 2pm; Tang Hall Explore, December 15, 5.30pm; Clifton Explore, December 18, 5.30pm; York Explore, December 20 and 21, 11am and 2pm

WRITTEN and directed by Next Door But One artistic director Matt Harper-Hardcastle, When Robins Appear follows two friends as they face the big changes of moving house, starting new schools and a first Christmas without Grandma, when the festive sparkle seems to be missing.

Equipped with the help of a magical Robin (played by Ceridwen Smith), 12-year-old Ellis (Annie Rae Donaghy) and Lowen (Emily Chattle) are whisked away on a heart-warming journey through their favourite wintery memories to find the magic again. Soon they discover that the real sparkle of Christmas will not be found under the tree, but in the laughter, love and unforgettable moments we share together and that can live forever in our hearts. Tickets update: Sold out. For returns only, go to: www.nextdoorbutone.co.uk.

Adrian Cook’s Captain, top, Alexandra Mather’s Reno Sweeney and Leo Portal’s Ship’s Purser in Pick Me Up Theatre’s Anything Goes

Full steamer ahead of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, until December 21, then December 27 to 30

DITCH York’s December chills and climb aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.

Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.

Freida Nipples: Hosting tonight’s Baps & Buns Burlesque at Rise@Bluebird Bakery, Acomb

Dr Lara McClure: Weird and wonderful storytelling in Christmas Presence

Cabaret night of the week: Baps & Buns Burlesque, Rise@Bluebird Bakery, Acomb, York, tonight, 7pm

YORK burlesque artiste Freida Nipples hosts her last Baps And Buns Burlesque of 2025 at Bluebird Bakery, joined by drag queens and acrobatic acts for a night of debauched and glamorous cabaret in Acomb. Sorry to raise hopes, but this one is waiting list only at bluebirdbakery.co.uk.

You may have better luck for Christmas Presence, Dr Lara McClure’s weird and wonderful stories for the festive season, on December 17 at 8.30pm. Tickets: bluebirdbakery.co.uk.

Jingle All The Way cast members Emilio Encinoso-Gil and Hannah Christina in rehearsal with musical director Dylan Allcock for Elizabeth Godber’s Christmas play at Pocklington Arts Centre

Deer double act of the week: Jingle All The Way, Pocklington Arts Centre, until December 23; relaxed performance on December 14, 1.30pm

FROM the team behind The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish comes Elizabeth Godber’s latest Christmas family adventure, co-directed by Jane Thornton with musical direction by Dylan Allcock.

Reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie(Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes. Santa has a position free on his sleigh squad; could this be Rex’s big chance? Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Eve Lorian: Conducting Prima Choral Artists in Christmas concerts at St Olave’s Church, Marygate, York tonight and next Saturday

Choral concerts of the week: Prima Choral Artists, Family Christmas Concerts, St Olave’s Church, Marygate, York, today and December 20, 4pm to 5pm; Choirs At Christmas, Joseph Rowntree Theatre, York, December 16 to 18, 7.30pm

PRODUCED and conducted by Prima Choral Artists director Eve Lorian, these concerts combine her choir with the New World String Quartet, organist James Webb and pianist Greg Birch in reflective and cheerful Christmas celebrations. Here come high-spirited festive classics, modern choral arrangements and string and organ repertoire, including works by Tchaikovsky and Rawsthorne. Box office: primachoral.com and on the door.

The Joseph Rowntree Theatre plays hosts to three magical fundraising evenings of Christmas classics from Tuesday to Thursday. The Shepherd Brass Band’s brace of Gala Christmas Concerts on December 19 and 20 at 7.30pm are fully booked. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Christmas Carols composer Don Pears, left, York Guildhall Orchestra leader Fiona Love, producer Bob Whitney and conductor Simon Wright

Album launch of the week: A Christmas Selection Box, A Music Night Production with Don Pears and Singphonia Singers, Joseph Rowntree Theatre, York, tomorrow, 7pm

THE Singphonia Singers, a group of talented performers formed by York composer Don Pears, showcases Don and Jo Pears’ festive album Christmas Carols in A Christmas Selection Box. The album will be on sale at Sunday’s concert or can be downloaded from Spotify, Apple iTunes and Amazon Music. Box office: 01904 501935, josephrowntreetheatre.co.uk or on the door.

Steve Cassidy: Performing at York’s Annual Community Carol Concert at York Barbican

Family festive fun of the week: York’s Annual Community Carol Concert, York Barbican, tomorrow, 2pm  

SUNDAY is the time to don Christmas jumpers and Santa hats for York’s Annual Community Carol Concert, where Shepherd Brass Band, St Paul’s CE Primary School Choir, All Saints RC School Choir andAmber Ford join special guest Ken Humphreys for an afternoon of Christmas cheer.

Carol concert regular Steve Cassidy sings with the ensemble, while the community singing will be led by musical director Mike Pratt.  The Reverend Andrew Foster and Adam Tomlinson will be on hosting duty. Box office: yorkbarbican.co.uk.

The poster for The Bootleg Beatles’ Monday concert at York Barbican, focusing on the Fab Four’s five biggest-selling studio albums

Tribute show of the week: The Bootle Beatles, 5: The Concert, York Barbican, December 15, 7.30pm

THE Bootleg Beatles follow up their celebration of songs from The Beatles’ quintet of films with another Famous Five. This time, the focus is on the Fab Four’s top five-selling albums, the Bob Dylan-influenced Rubber Soul, the experimental Revolver, Sgt. Pepper’s Lonely Hearts Club Band, heralding the Summer of Love and psychedelia, The White Album, with its glorious mish-mash of styles, and their grand finale, Abbey Road. Box office: yorkbarbican.co.uk.

Recommended but sold out already: Jools Holland and His Rhythm & Blues Orchestra with special guests Imelda May, Ruby Turner, Louise Marshall and Sumudu Jayatilaka, at York Barbican on December 17, 7.30pm.

Jools Holland: Sold-out return to York Barbican on December 17

Festive folk concert of the week: Green Matthews, Midwinter Revels, National Centre for Early Music, York, December 16, 7.30pm

FOLK duo Chris Green and Sophie Matthews complete a hat-trick of festive visits to the NCEM on Tuesday, following up A Christmas Carol: In Concert and A Brief History Of Christmas with Midwinter Revels.

Spanning several centuries, this celebration of Yuletide Past promises to warm the cockles of even Scrooge’s heart with Christmas carols, winter folk songs, tunes and weird and wonderful instruments, all  complemented by Green Matthews’ trademark wit. Box office: 01904 658338 or ncem.co.uk.

Chris Green and Sophie Matthews: Returning to NCEM full of Christmas cheer

Recommended but sold out alas: Chapter House Choir, Carols By Candlelight, The Nave, York Minster, December 19, 7.30pm

IN The 60th anniversary of the Chapter House Choir, the candlelit Nave of York Minster will play host to Carols By Candlelight, the York choir’s much-loved seasonal tradition, directed by Ben Morris.

A rich selection of carols both old and new will be complemente by the Chapter House Youth Choir, under Charlie Gower-Smith’s direction, alongside festive favourites from the Handbell Ringers. A new commission by French composer Héloïse Werner, marking the choir’s milestone, receives its world premiere. Doors open at 6.45pm.

Christmas stories of the week: John Osborne presents: There Will Be Tinsel, Rise@Bluebird Bakery, Acomb, York, December 19, 7.30pm

STEP into the magic of the season with theatre-maker and BBC Radio 4 regular John Osborne, who bedecks the Rise stage in tinsel and Christmas lights for a night of festive poems and stories.. Box office: https://bluebirdbakery.co.uk/rise.

Elizabeth Godber’s Christmas show Jingle All The Way opens at Pocklington Arts Centre as reindeers start sleigh school

Jingle All The Way cast members Emilio Encinoso-Gil and Hannah Christina in rehearsal for Pocklington Arts Centre’s Christmas show with musical director Dylan Allcock

TODAY is Angela Stone’s last day as artistic director at Pocklington Arts Centre before moving to Ullapool in the Scottish Highlands.

Her last task in post is to oversee this evening’s opening of PAC’s Christmas show in her capacity as producer of Jingle All The Way.

Scottish-born Angela, who took over as artistic director in October 2022, says of this winter’s festive production: “We’re so proud to be staging our third Christmas adventure for all the family at Pocklington Arts Centre this December! We can’t wait to introduce audiences to our fabulous cast and deliver our trademark festive cheer.

“We take great pride in producing inclusive and engaging stories, bringing magical Christmas spirit to our stage and welcoming returning and new audiences to PAC.”

Suffused with humour, Christmas tunes, original songs, local references and festive fun, Jingle All The Way is written and co-directed by Elizabeth Godber, with Jane Thornton, from the John Godber Company stable, working alongside producer Angela in the same creative team behind PAC’s previous in-house Christmas productions, The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish. 

Dylan Allcock provides the musical direction for this new festive family adventure, wherein reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie(Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes.

The poster for Pocklington Arts Centre’s Christmas show Jingle All The Way

Although Rosie fits in quickly, Rex struggles to find where he belongs, but a school-wide competition might change all that. Santa has a position free on his sleigh squad; could this be Rex’s big chance?

“It’s our third year at Pocklington Arts Centre, and I absolutely love working at Pocklington at Christmas,” says Elizabeth. “The audiences are fabulous, and we’ve really started to establish creating new work for younger-year children: we’re solidly for ten year olds and younger. Some have even come in pyjamas!

“Also, one of the things we were really keen on was to make the shows really accessible by doing half an hour each act. It’s very theatrical with masks and multi-role playing, and we’re very much into wholesome theatre. We make something that’s a little bit different to panto.”

She talks of the responsibility to “make sure that a child’s first experience of theatre is a positive one”. “The first time I went to the cinema I got really scared, because it was dark and scary, so I didn’t go back for a long time,” says Elizabeth, now 30.  “But I did go to the theatre with my parents [John and Jane Godber]: there’s a photo of me in my mum’s arms in the auditorium when I was three weeks old!”

Summing up Jingle All The way’s story, Elizabeth says: “Although reindeer Rex is a bit of a nerd and not very sporty, he decides to train for the competition to join Santa’s sleigh squad, so it’s an underdog story with a sibling rivalry, as twin brother and sister Rex and Rosie don’t always get on!”

Jingle All The Way runs at Pocklington  Arts Centre from December 11 to 23. Performances: December 11,  7pm; December 13, 1.30pm; December 14, 1.30pm (Relaxed Performance) and 4.30pm; December 19, 7pm; December 20 and 21, 1.30pm. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Meet The Cast

Emilio Encinoso-Gil

Part-Spanish actor from Hull who trained at Academy of Live and Recorded Arts (ALRA North).

Theatre credits include Do I Love You? (John Godber Company), On Your Marks (Dramatic Theatre CIC), and Peter Pan (Tony Peers Ltd). Screen work: Right Here In HullThe Memory Project (Smashing Mirrors Theatre) and Scones & Skates (Hull Truck Theatre).

Contributed  voiceover work for Storyboard Media, Stage Door Theatre and Middle Child.

Hannah Christina

2025 graduate from first Acting cohort at Performers College Birmingham, where she appeared in graduate production of Caryl Churchill’s Top Girls, portraying Angie and Dull Gret.

Member of the Godber Theatre Foundation, making her professional debut in Jingle All The Way.

What’s On in Ryedale, York and beyond. Hutch’s List No. 52, from Gazette & Herald

Wanderful: Lisa George’s Fairy Godmother in Cinderella at the Grand Opera House, York

CHRISTMAS music and pantomimes aplenty dominate Charles Hutchinson’s recommendations for December fun-filled fulfilment. 

Having a ball: Cinderella, Grand Opera House, York, until January 4 2026

CORONATION Street star Lisa George’s Fairy Godmother leads the cast of Tobias Turley’s Prince Charming, Bradley Judge’s Dandini and West End actress Rachel Grundy’s Cinderella in UK Productions’ Cinderella, scripted by Jon Monie. 

Directed by Ellis Kerkhoven, West End drag stars Luke Attwood and Brandon Nicholson bring the mayhem in Ugly Sisters mode as Harmony and Melody Hard-Up, joined in the comedy corner by Jimmy Bryant’s Buttons. Box office: atgtickets.com/york.

Radiant: Jennie Dale’s Fairy Moonbeam in Sleeping Beauty at York Theatre Royal. Picture: Pamela Raith Photography

No sleep till January 4: Sleeping Beauty, York Theatre Royal

YORK Theatre Royal creative director Juliet Forster directs returnee dame Robin Simpson’s Nurse Nellie, Jocasta Almgill’s Carabosse, Tommy Carmichael’s Jangles, CBeebies star Jennie Dale’s Fairy Moonbeam, Aoife Kenny’s Aurora and Harrogate actor Christian Mortimer’s Prince Michael of Moravia in Sleeping Beauty.

Written once more by Paul Hendy, the Theatre Royal’s festive extravaganza is co-produced with award-winning Evolution Productions, the same team behind All New Adventures Of Peter Pan, Jack And The Beanstalk and last winter’s Aladdin. Box office: 01904 623568 or yorktheatreroyal.co.uk. 

Hooked: Jamie McKeller savours the role of Captain Hook in Rowntree Players’ The Pantomime Adventures Of Peter Pan at the JoRo. Picture: Matt Hillier

Putting ‘Pan’ into pantomime: Rowntree Players in The Pantomime Adventures Of Peter Pan, Joseph Rowntree Theatre, York, Wednesday to Friday; Saturday, 2pm and 7.30pm

HEAD to the fantastical world of Neverland in Howard Ella and Gemma McDonald’s pantomime for Rowntree Players. Cling on to your seats as Hannah King’s Peter Pan and the Lost Boys do battle with Jamie McKeller’s rather nasty Captain Hook and his even nastier bunch of pirates.

Fear not as Michael Cornell’s Nanny McFlea and McDonald’s ever-eager apprentice Barkly are on hand to assist in the most ridiculous of ways. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Paul Toy: Directing York Mystery Plays Supporters Trust in A Nativity For York

Nativity play of the week: York Mystery Plays Supporters Trust in A Nativity For York, All Saints Church, North Street, York, tonight, 7.30pm

USING medieval scripts from the York Cycle of Mystery Plays and music both medieval and folk in style, Paul Toy’s community cast tells a familiar story of a marvellous birth, threaded with humour, reverence and, sadly, hatred, where candlelight emphasises the constant struggle of the light  against the darkness.

The performance lasts one hour with no interval. Refreshments will be available. Box office: 033 666 3366, ympst.co.uk/york-nativity or on the door.

Kate Rusby: Winter wonderland of South Yorkshire folk carols at York Barbican

Alternative carol concert of the week: Kate Rusby, Christmas Is Merry, York Barbican, tomorrow, 7pm

BARNSLEY folk nightingale Kate Rusby plays her regular festive fixture at York Barbican, returning with her folk band and the Brass Boys for two sets of jolly carols from South Yorkshire’s pubs, Christmas chart chestnuts and original winter songs.

Christmas Is Merry marks her 20th anniversary of these winter warmers, drawing on her six studio Christmas albums: 2008’s Sweet Bells, 2011’s While Mortals Sleep, 2015’s The Frost Is All Over, 2017’s Angels And Men, 2019’s Holly Head and 2023’s Light Years. Box office: yorkbarbican.co.uk.

Musical director Dylan Allcock in rehearsal with cast members Emilio Encinoso-Gil and Hannah Christina for Elizabeth Godber’s Jingle All The Way at Pocklington Arts Centre

Deer duo of the week: Jingle All The Way, Pocklington Arts Centre, tomorrow to December 23; relaxed performance on December 14, 1.30pm

FROM the team behind The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish comes Elizabeth Godber’s latest Christmas family adventure, co-directed by Jane Thornton with musical direction by Dylan Allcock.

Reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie(Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes. Although Rosie fits in quickly, Rex struggles to find where he belongs, but a school-wide competition might change all that. Santa has a position free on his sleigh squad; could this be Rex’s big chance? Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Setting sail in Pick Me Up Theatre’s Anything Goes: Reno Sweeney (Alexandra Mather, second from left) and her Angels, Sophie Curry, left, Chloe Branton and Sophie Kemp. Picture: Felix Wahlberg

Getting a kick out of you musical of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, Friday to December 30

DITCH York’s December chills and climb aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes!, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.

Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.

Swinton & District Excelsior Band: Festive cheer at Milton Rooms, Malton

Afternoon of festive music and joy: Swinton & District Excelsior Band’s Christmas Spectacular, Milton Rooms, Malton, December 14, 2pm

THIS musical matinee with the Swinton & District Excelsior Band features the senior band, training band and beginners’ group, who perform a joyful mix of carols and seasonal favourites with festive cheer for all the family. A raffle and retiring collection will boost band funds. Entry is free but donations are welcome at the close. To book, go to: ticketsource.co.uk/swinton-district-excelsior-band/t-nolgkxa.

Bill Scott & Friends: In concert at Kirk Theatre, Pickering

Yuletide Tales of the week: Bill Scott & Friends, Kirk Theatre, Pickering, December 17, 7.30pm

THIS Christmas celebration “in harmony with a difference” comes to Pickering for the first time as vocal quartet Bill Scott, Lesley Machen, Jan Burtenshaw & Tim Tubbs perform a seasonal programme of carols, songs, poems and readings in every mood, from sacred, secular and lyrical to comic, sad and joyous.

Whether moved by the solemn beauty of a traditional carol or lifted by a light-hearted poem, this Yuletide fusion of music and tales promises to be a magical gathering. Box office: 01751 474833 or kirktheatre.co.uk/events/yuletide-tales/.

‘Tis Halloween, the season for Elizabeth Godber’s werewolf comedy-drama Wolf Country at Beverley’s East Riding Theatre

Nell Baker’s Eddy, left, Jo Patmore’s Alice and Tom Gallagher’s Connor in the John Godber Company’s premiere of Elizabeth Godber’s Wolf Country at East Riding Theatre

FOR Halloween, the John Godber Company unleashes Elizabeth Godber’s country music-dusted werewolf comedy-drama Wolf Country at the East Riding Theatre, Beverley.

Country music mega-fan Alice (played by Jo Patmore) and no-nonsense nurse Eddy (Nell Baker) are best friends who would be happy for things to stay exactly as they are. Unfortunately, a potential werewolf is running rampant around Beverley, and so nothing looks like it will stay the same for long.

Eddy cares not a jot for all the rumours and conspiracies, but Alice is straight down the rabbit hole, especially after meeting self-proclaimed werewolf expert Connor (Tom Gallagher).

As the hot breath of Halloween looms ever closer, the full moon is out and matters are starting to spiral. Surely they know East Yorkshire is Wolf Country – and don’t you?

From the co-writer of the UK Theatre Award-nominated Stephen Joseph Theatre hit The Comedy of Errors (More Or Less) and writer of the ERT premiere of The Remarkable Tale Of Dorothy Mackaill comes a lupine comedy of friendship, ambition and what drives our fears amid the wildness that lurks beneath the surface of modern life in East Yorkshire – all underscored by a Country Western soundtrack.

Nell Baker, left, Jo Patmore and Tom Gallagher in an uplifting scene in Elizabeth Godber’s play about anxiety, East Yorkshire and werewolf folklore

“I first came across the legend of ‘Old Stinker’, Beverley’s very own werewolf, while looking into local folklore and history when studying at the University of Hull,” says Elizabeth.

“I’ve always loved anything a bit whimsical and magical, and the idea really stuck with me. Werewolf legends are very rare in the UK; most come out of Germany, Eastern Europe or the USA, so the concept of a werewolf on Beverley Lock was just too good an idea to put to one side.

“Especially as East Yorkshire was the last place in the UK to have wild wolves, who were said to have died out in the 18th century, so it’s all just a brilliant story that almost wrote itself.”

When Elizabeth looked further into the legend, she was excited to learn there had been a flurry of sightings of the beast in 2015 and 2016. “Even the rock musician Alice Cooper had got involved, posting on social media about it,” she says. “This is where I really started to link the wolf to music and Americana, and I’ve always been a massive country music fan, so including that all made sense to me.”

A real hunt for the beast was conducted by the werewolf hunters of East Yorkshire in 2016. “In researching for this play, I was excited to be able to talk to some of the people who went on it, although they didn’t find anything,” says Elizabeth.

Cue her tale of werewolves, anxiety and growing up in Beverley, accompanied by a country music sound track, whose flavour can be savoured on the East Riding Theatre website with a link to Spotify. Dolly Parton, Tim McGraw, Garth Brooks, Johnny Cash, Shania Twain et al, y’all.

Wolf Country playwright Elizabeth Godber

“From all those East Riding folklores came the idea of this play – though it’s not really about werewolves,” says Elizabeth. “It’s about three friends in their late 20s, living in Beverley, finding themselves at that time in life when they’re discussing adulthood and the move away from being a teenager to that person with a job.

“There’s also romance going on, but all this is happening when there’s a werewolf on the loose in Beverley, creating fear and paranoia, which is reflected in their own lives.

“Learning about the werewolf hunts in 2015 and 2015, I liked the idea of writing about our paranoia that there is something out there in the dark playing on our phobias.”

At 30, “for sure I felt I was ready to write something of my own experience of being a young person growing up in a more rural place,” says Elizabeth. “I live in Beverley, and I see a lot of plays set in London and Manchester, but there are a lot of people like me who grew up and live in the countryside, and I want to tell that story.

“It was really important to me too to have a local cast. Jo Patmore, from The Highwayman last year, and Nell Baker are both from Beverley and Tom Gallagher is from Hull. I wanted to have that authenticity of growing up in East Yorkshire. That’s important when you’re premiering plays to an East Yorkshire audience, who will tell you exactly what they think!”

Mental wellbeing plays its part in Elizabeth’s play. “The lead character that Jo plays, Alice, is overtaken by anxiety about the werewolf legend, to the extent that the hunt takes her over, so it’s also a play about mental health,” she says.

Wolf/Alice: Jo Patmore’s Alice experiences anxiety over the East Yorkshire werewolf stories in Elizabeth Godber’s Wolf Country

“There’s a balance between ‘oh my god, what’s going on?’ and all the laughter, which is reflective of life, so it’s uplifting and positive overall, but there will be highs and lows on the way.

“I hope that the story is both interesting and funny as well – being my father, John Godber’s daughter, I write plays that are comedic too.”

As for the inclusion of country music, “Alice has an obsession with country music. That’s how she deals with her anxiety,” says Elizabeth. “I’ve always been drawn to folklore element of country music, with all that ‘ruralness’ to it, which I wanted to bring from America to East Yorkshire, but also because it has an ‘otherness’ to it that I wanted to bring to the story.”

One final thought from Elizabeth: “Be careful on your travels on your way home as you never know what might be out there!” she says, in the finale to her programme note.

Elizabeth Godber’s Wolf Country, East Riding Theatre, Beverley, until November 1, 7.30pm plus 2.30pm Thursday and Saturday matinees. Age recommendation: 16 plus for strong language and sexual references. Box office: eastridingtheatre.co.uk/wolf-country/

The John Godber Company’s poster for the Halloween premiere of Wolf Country

(More or less) everything you need to know about Love’s Labour’s Lost (More Or Less) as Stephen Joseph Theatre goes to Ibiza

The hen party heading for Menorca: Jo Patmore, left, Alyce Liburd, Annie Kirkman and Alice Imelda in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

A STAG do in Ibiza. A hen do in Menorca. What could go wrong? Everything…in Love’s Labour’s Lost (More Or Less) at the Stephen Joseph Theatre, Scarborough.

The stags have made a solemn promise to each other: this is a boys’ weekend. Don’t talk to any girls, don’t even think about any girls, and most importantly, do not contact the hens.

The hens are ready for fun in the sun when the resort calls to say they’ve had to relocate them…to a hotel in Ibiza. Both groups of revellers are stuck on the same Mediterranean island. Cue shoddy disguises, mislaid love letters and theatrical chaos.

Repeating the Hutch Award-winning formula of 2023’s co-production of The Comedy Of Errors (More Or Less) with Precot’s Shakespeare North Playhouse, set in the heat of a 1980s’ clash of Yorkshire and Lancashire,  Shakespeare’s riotous comedy is brought to life anew in the 1990s with belting musical numbers from the era of boy bands and Girl Power.

The same creative team reunites for Love’s Labour’s Lost (More Or Less): co-writers Nick Lane and Elizabeth Godber (daughter of playwright John Godber), director Paul Robinson and composer and sound designer Simon Slater. In the production team too are designer Jess Curtis, lighting designer Jane Lalljee, musical director Alex Weatherhill and choreographer Stephanie Dattani.

Co-writer Elizabeth Godber says: “I’m so excited to be back working with Nick, the SJT and Shakespeare North on another hilarious Shakespeare adaptation.

Unmasked: Alyce Liburd and Annie Kirkman in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

“Love’s Labour’s Lost is one of my favourite Shakespeare plays, and to get the chance to play around with the language, develop the (already great) female characters, and add in plenty of 1990s’ pop classics, has been an absolute joy!

“I can’t wait for audiences to come and see the show. It’s funny, irreverent, and I’m sure Shakespeare would approve – he would have definitely been a Britpop fan!”

SJT artistic director Paul Robinson says: “We had the most enormous fun making The Comedy Of Errors (More Or Less) in the spring of 2023, and our audiences did too! We couldn’t resist following it up with another of the Bard’s early comedies, this time set a decade later in the midst of the party era that was the 1990s.

“We’ll again be including some great music from the period, and just wait until you see those 90s fashions again!”

Shakespeare North Playhouse creative director Laura Collier says: “After the success of our 2023 co-production – a show so entertaining that people kept coming back for more – we knew we had to join forces again. 

“We’re absolutely thrilled to be working with the Stephen Joseph Theatre again, alongside talented writers Nick Lane and Elizabeth Godber. We all share a deep love for Shakespeare and his timeless tales, and a passion for exploring and presenting fresh, exciting perspectives and reworkings – a perfect foundation for an outrageously fun Love’s Labour’s Lost. We can’t wait to see what lies in store when we’re all transported back to the ’90s. 

Co-writer Elizabeth Godber: “I don’t think of it as a rewriting of Shakespeare; I think we’re twisting it, we’re putting a northern spin on it,” she says

Here co-writers Nick Lane and Elizabeth Godber discuss everything (more or less) about Love’s Labour’s Lost (More Or Less).

How were you  first brought together for The Comedy Of Errors (More Or Less)?

Nick: “I was asked by Paul [SJT artistic director Paul Robinson, the show’s commissioning director] if I’d be interested in teaming up with a writer to do a modern version of Shakespeare.

“He had this idea about making Shakespeare accessible, demystifying it, making it relevant and funny, and playing around with titles that people know but aren’t necessarily plays that people know.

“Independently of each other, we came up with Liz. I wanted to work with Liz because I’ve known her all her life, and I got my wish!”

Elizabeth: “I’d done some writing development work at Scarborough before, so Paul was aware of my work, so when they were looking for someone to team up with Nick, he called me.”

Co-writer Nick Lane: “If Shakespeare was writing now, he’d want to reflect the time and the politics,” he says. Picture: Tony Bartholomew

Do you have any qualms about rewriting Shakespeare?

Nick: “For me, initially, yes, but knowing that Liz knows lots more than I do about Shakespeare, I did feel like I was in safe hands, and it was a good partnership – we share a similar sense of humour. But we were both making it up as we went along.”

Elizabeth: “Yes, I had reservations, of course – it’s a big thing to do! But at the same time we both had this thought in our heads that we wanted to do something different, that was accessible and fresh. I don’t think of it as a rewriting of Shakespeare; I think we’re twisting it, we’re putting a northern spin on it.”

What is your process for writing – together or separately?

Elizabeth: “This time, for Love’s Labour’s Lost (More Or Less),  it’s been much more together than on Comedy Of Errors – we’ve learned and grown from that. We write some things separately, and we send emails and share, and we’ve got about a thousand voice memos on WhatsApp. Then we meet up multiple times, and we’ll spend a day going through everything we’ve written, tweaking and changing each other’s stuff.

Nick:  “And enjoying some very nice meals…

Elizabeth: “And eating lots of biscuits!”

Annie Kirkman and Jo Patmore in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

What different qualities do you both bring to the writing?

Nick: “The fun thing for me is – well, the read-through is a perfect example. I sat through the read-through and laughed heartily at all the stuff Liz put in, and sort of smiled at my own bits and thought, ‘yes, that kind of works’. But I think we both find each other’s stuff funny.”

Elizabeth: “I would say that Nick brings a font of knowledge of random facts! He can pinpoint something exactly: ‘In August 1989, people weren’t doing that’.”

Nick “I do have a silly memory for things, it’s true. And Liz is cracking on all things Shakespeare – and when you have a silent third partner, that’s really, really useful.”

Why have you set Love’s Labour’s Lost (More Or Less) in 1990s’ Ibiza?

Elizabeth: “We knew we wanted to do Love’s Labour’s Lost, and we also had this idea for a stag-and- hen thing, which, if anyone’s read the original, it does kind of fit: there’s this kind of boys versus girls thing. That, and the club scene, and the ’90s, just felt like a good fit for the story.”

David Kirkbride punching the air in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

Nick: “It helps that you’re in an era before mobile phones. It’s fascinating how quickly we’ve adopted these things – they’re so intrinsically linked with our everyday lives now, and only 25 years ago, they existed, of course, but they weren’t the all-encompassing tools that they are now.

“I guess if we’d set it a bit later, it would have been erroneous text messages instead of the misdirected letters, but there’s no romance in texts, is there?”

How difficult was it making the song choices? Any particular favourites?

Elizabeth: “I loved making the song choices! The ’90s are my childhood; it’s very, very nostalgic and takes me back to school discos and primary school and brings me great joy. My favourite is probably the Spice Girls.”

Nick: “The opening number is Girls & Boys by Blur.  If the Spice Girls were the ’90s for Liz, then Blur was kind of my thing – I was in my 20s.”

Where were you in the 1990s?

Elizabeth: “I was in Hull – being born and growing up!”

Nick: “Predominantly Doncaster, but I toured a lot – with Hull Truck, for Liz’s dad [playwright John Godber]!”

Jo Patmore in Love’s Labour’s Lost (More Or Less)

Have you ever acted in Shakespeare?

Nick: “No, I never have. I’ve done verse – I was in Tony Harrison’s Passion and Doomsday, but never a Shakespeare.”

Elizabeth: “I was in a school production, a 20-minute version of Romeo and Juliet – and in that production, I met my now husband!”

Nick: “I can even quote you your one line in that. It was ‘No’.”

Elizabeth: “It was! I think I’m better on Shakespeare when I’m not acting in it.”

Will Shakespeare be spinning in his grave at the prospect of Love’s Labour’s Lost (More Or Less) or giving it a five-star review (more or less)?

Thomas Cotran in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

Nick: “I would hope that if he is spinning, it’s to a 120 bpm dance track. He was a modernist in his day; he was satirical; he referenced things that were very of the time, and I think if he was writing now, he’d want to reflect the time and the politics. I think he’d be all right with it.”

Elizabeth: “We want to make a show that people come to see and have a great time, and I think that Shakespeare wouldn’t be against that – I think that’s what he wanted to do, too.”

Which Shakespeare play would you like to rewrite (more or less) next?

Nick: “One for Liz. I don’t know enough of them!”

Elizabeth: “I think I’d quite like to do A Winter’s Tale, because I really like the Shakespeare plays that are a little less done, that people don’t know as much about. I think that’s interesting. Love’s Labour’s Lost is one that people don’t know as well, and you can bring it to more people – that’s exciting. But my favourite is As You Like It, so…”

Stephen Joseph Theatre and Shakespeare North Playhouse present Love’s Labour’s Lost (More Or Less) at Stephen Joseph Theatre, Scarborough, until April 19, Monday to Saturday, 7.30pm, plus 1.30pm Thursday and 2.30pm Saturday matinees. Box office: 01723 370541 or sjt.uk.com.

An ensemble scene from the Stephen Joseph Theatre and Shakespeare North Playhouse co-production of Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

Who’s in the cast for Love’s Labour’s Lost (More Or Less)?

Thomas Cotran; Alice Imelda; Linford Johnson; David Kirkbride; Annie Kirkman; Alyce Liburd; Timothy Adam Lucas and Jo Patmore. 

Four of the company have appeared at the SJT already: Linford Johnson was in Alan Ayckbourn’s The Girl Next Door in 2021, and Annie Kirkman appeared in 2023’s UK Theatre Award-winning Beauty And The Beast, returning in summer 2024 to play the title role in Dracula: The Bloody Truth. She also starred in John Godber’s Perfect Pitch, on tour.

David Kirkbride and Alyce Liburd were in the SJT’s first co-production with Shakespeare North Playhouse, the UK Theatre Award-nominated The Comedy Of Errors (More Or Less) in Spring 2023. Alice appeared in in Dracula: The Bloody Truth too.

Movin’ and groovin’ in Love’s Labour’s Lost (More Or Less). Picture: Patch Dolan

What’s on the playlist in Love’s Labour’s Lost (More Or Less)

 1. Blur: Girls & Boys

2. Britney Spears: …Baby One More Time

3. Shania Twain: Man! I Feel Like A Woman!

4. Meat Loaf: I’d Do Anything For Love (But I Won’t Do That)

5. iNi Kamoze: Here Comes The Hotstepper

6. No Doubt: Don’t Speak

7. Aerosmith: I Don’t Want To Miss A Thing

8. Boyz II Men: I’ll Make Love To You

9. Backstreet Boys: Everybody (Backstreet’s Back)

10. Spice Girls: Stop

11. Cher: The Shoop Shoop Song (It’s In His Kiss)

12. Prince: 1999

13. Vengaboyz: We’re Going To Ibiza!

14. Take That (feat.Lulu): Relight My Fire

15. Vanilla Ice: Ice Bay Ice

16. Macarena: Los Del Rio

REVIEW: The Elves And The Shoemaker Save Christmas, Pocklington Arts Centre, in ‘elfomatic motion’ until Saturday ***

Matheea Ellerby’s Sparkle, front left, Jade Farnill’s Jingle and Dylan Allcock’s “Daredevil” Dave feeling the full force of “Elfomatic Motion” in Pocklington Arts Centre’s The Elves And The Shoemaker Save Christmas. Picture: Abbi Eliza Photography

THE day before had been the Relaxed performance, watched by 130 people, appreciating Pocklington Arts Centre’s all-embracing community consideration in providing such a no-bounds show.

Attended by CharlesHutchPress, Tuesday’s matinee drew a smaller attendance, concentrated towards the front, with a couple of raucous young gents leading the laughter enthusiastically further back.

Such are the differing challenges that face a cast, in this case a young company featuring Liverpool Institute for Performing Arts graduate Matheea Ellerby in her professional debut alongside 2023 Hammond School musical theatre performance graduate and fellow Godber Theatre Foundation member Jade Farnill.

National Elf Service, Pocklington Division: Matheea Ellerby’s Sparkle, left, Jade Farnill’s Jingle and Dylan Allcock’s “Daredevil” Dave. Picture: Abbi Eliza Photography

Joining them is the more experienced Dylan Allcock, regular contributor to the world’s longest- running comedy sketch show, NewsRevue, and in-house composer for the comedy improv troupe The Noise Next Door.

He collaborates frequently with writer Elizabeth Godber and the John Godber Company, latterly serving as musical director for Elizabeth’s 2023 premiere of The Remarkable Tale of Dorothy Mackaill at East Riding Theatre, Beverley.

Produced by venue director Angela Stone, this Christmas show, the first in-house production in Pocklington Arts Centre’s 23-year history, has the Godbers of East Yorkshire at its core: Elizabeth as writer and her mother, the actress, playwright, director, drama teacher and youth theatre leader Jane Thornton, on playful directorial duty.

Writer Elizabeth Godber

In keeping with John Godber’s plays and productions, Elizabeth and Jane have their actors breaking down theatre’s fourth wall from the off, introducing the elves who work on Santa’s shelves for the National Elf Service, Pocklington Division.

Meet Ellerby’s Sparkle and Farnill’s Jingle, with their East Yorkshire vowels, and Lancashire interloper Allcock’s “Daredevil” Dave, with his Accrington burr and additional credit as keyboard-playing musical director and composer. Teamwork and bags of individual personality pepper their performances.

Survey Rick Kay’s set design, crammed with wooden panels, frost-dusted tree branches, propped-up skis, ladder, candy canes, boxes, battered armchair, patchwork quilt and Christmas stockings, plus Allcock’s keyboard, and everything is there for theatre of the imagination to take off.

What’s inside the box: Matheea Ellerby’s Sparkle, left, Jade Farnill’s Jingle and Dylan Allcock’s “Daredevil” Dave discover the elves’ Christmas presents. Picture: Abbi Eliza Photography

What’s that flashing away at the back?  “It’s an EPS” explains the trio in red & green and trainers. “The Elf Positioning System”. This alarm device will help them carry out their tasks before Christmas Eve turns into Christmas Day in a race against time to help the shoemaker and Santa complete Christmas orders.

Their tasks? They include perking up a Christmas tree and its moody fairy (played delightfully glumly by Ellerby) and helping a girl (Farnill) whose nights are made sleepless by the bumps in her mattress (you will love the explanation). Then coaxing the runaway Gingerbread Man (Allcock in a gingerbread Santa’s hat, courtesy of costume artist Kate Noble) to return to work in a overrun bakery in York.

“GBread”, as he calls himself on social media, has ambitions to be a pop star on East Yorkshire’s Got Talent. Cue Allcock in Elton John glasses knocking out a rather fine song with aplomb.

Jane Thornton: director

The elves propel themselves from task to task, destination to destination, with the aid of Elfomatic Motion: the chance to turn boxes and skis into hair-raising modes of transportation that go down equally well with energetic cast and enthusiastic audience.

The skis, for example, are accompanied by the Ski Sunday theme in the eye of a storm as they confront the Snow Queen with her climate change plans to freeze everywhere from Hull to Howden to Pocklington.

How will the titular but so-far absent Shoemaker, as well as the elves, save Christmas? You will have to see the show to find out, but Elizabeth Godber’s comment on the potentially damaging impact of new technology is a chip off playwright father John’s political block, another tool to writing characterised by impish humour, fun, magic, mystery and a dash of pathos.

Christmas chestnuts such as Jingle Bells and Rockin’ Around The Christmas Tree add to the festive cheer, topped off by a singalong rendition of  Wizzard’s I Wish It Could Be Christmas Everyday beneath a spinning mirror ball.

Christmas 2023 saved, another in-house festive family show surely will follow next winter as Angela Stone continues to put her stamp on Pocklington Arts Centre in the post-Janet Farmer era.

Performances: December 14, 7.30pm; December 15 and 16, 1.30pm and 7.30pm. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

IN FOCUS: Pocklington Arts Centre’s auditorium improvements from Feb 2024

Pocklington Arts Centre’s auditorium: Upgrades incoming

POCKLINGTON Arts Centre is to receive funding from the UK Shared Prosperity Fund to make significant accessibility improvements to the auditorium.

The Government’s Levelling Up funding for PAC will include an upgrade to the existing seating, with a new demountable seating system to be installed that will increase comfort for visitors and be flexible to meet demand for different types of performance.

In addition, access to wheelchair users and those with mobility limitations will be improved and handrails will be installed to offer better support when using the stairs to move around the auditorium.
 
The seating configuration will remain unchanged, enabling regular visitors to continue to  book their favourite seat position, but the scheme also allows for improved usage of the back row area to accommodate up to four wheelchairs with designated companion spaces.

The auditorium design – a former cinema – has been challenging to be inclusive for wheelchair users and those with mobility restrictions to perform on stage, but the new plans include the installation of a stair-lift to the backstage area to make accessibility much more adaptable. This is likely to be complete by mid-2024. 



Pocklington Arts Centre’s Forgotten Voices community choir member Lynn Drury has felt
frustrated at being unable to access the stage easily as a performer alongside her fellow singers.

“I have been campaigning for accessibility improvements to make the performance area more inclusive for those of us who are restricted in getting to the stage due to every direction being reliant on stairs to get on and off,” she says.

“On a good day, I can be assisted, but on a bad day the extra physical effort required can leave me in pain for days. I am so looking forward to these improvements and know that many people in my position will benefit from this.” 

PAC director Angela Stone says: “We are grateful to East Riding of Yorkshire Council, who administer the UK Shared Prosperity Fund, for recognising the significant impact this project will have on our community and our commitment to inclusivity and accessibility.

“20 per cent match funding has been allocated from our reserve funds as a contribution to the overall scheme of works, which will include the replacement of carpeting, decoration and the installation of LED house lights to improve energy efficiency and light quality.”

Pocklington Arts Centre’s stage: Accessibility improvements to be installed

Pocklington Town Council Mayor, Councillor Roly Cronshaw, says: “We support these improvements and look forward to seeing the results when the full scheme concludes by mid-2024.

“A lot of work has already been done to ensure a thorough procurement process and we are very grateful to Councillor Sue Carden, a retired quantity surveyor, for her significant contribution to the management of the project”.

The majority of the building work will begin in January 2024, with preparations for the work scheduled from Monday, December 18. 

“Pocklington Arts Centre staff and volunteers recognise the positive impact these changes will have on the visitor experience, but also wish to respect the heritage of the existing seating,” says Angela.

“A bank of three seats will be retained and, where possible, other seats may be re-utilised elsewhere. It is anticipated that there may be around 180 seats available for collectors to purchase by donation. Anyone interested should contact boxoffice@pocklingtonartscentre.co.uk.

“Any funds received through the sale or auction of these seats will be reinvested in the arts centre for ongoing maintenance and improvements.” 

A number of seat plaques will be retained and a campaign to “sponsor a seat” is being launched today (15/12/2023), offering patrons the opportunity to have their name fixed to the seat for the planned unveiling during next February.  

Pocklington Arts Centre will be closed to the public from Thursday, December 21. The community café will reopen from Tuesday, January 9 and Singing for Fun from Thursday, January 11 in the studio space, which will remain accessible during the works.

PAC’s other community groups will meet in the Studio during this time and new members will be welcomed to: Forgotten Voices on Tuesdays, from 7pm to 8.45pm, from January 9, Wolds Wonders on Wednesdays, 10am to 3pm, from January 10, and Thunk-It Youth Theatre on Wednesdays, 4.30pm to 5.30pm, age six to 11, and 5.30pm to 6.30pm, age 11+, from January 10. Pre-booking is required on 01759 301547 or at pocklingtonartscentre.co.uk.

The first live public performance in the revamped auditorium will be Top Secret: The Magic Of Science on Saturday, February 10 at 2.30pm.  




Pocklington Arts Centre opens debut in-house theatre show The Elves And The Shoemaker Save Christmas tomorrow

The poster for Pocklington Arts Centre’s festive family show The Elves And The Shoemaker Save Christmas

POCKLINGTON Arts Centre’s debut in-house theatre production, The Elves & The Shoemaker Save Christmas, opens tomorrow with the Godber family at the helm.

Jane Thornton, actress and writer wife of playwright John Godber, directs daughter Elizabeth Godber’s original adaptation of the traditional tale of The Elves & The Shoemaker for Christmas 2023.

This 70-minute, family-friendly, fun, festive musical show will feature three cheeky elves, Jingle, Sparkle and Daredevil Dave, as they journey through a variety of well-known fairy tales with a cast of familiar characters, leading to plenty of comedy capers and mishaps along the way.

Put it this way: “‘Twas the night before Christmas and across East Yorkshire land/Excited children count sheep as three cheeky elves lend a hand/Yes, Jingle, Sparkle and Daredevil Dave have gingerbread to cook, peas to find and shoes to make But who gives the Elves their Christmas? Surely they too deserve a break?”

Jade Farnill: Starring as Jingle in The Elves And The Shoemaker Save Christmas

Pocklington Arts Centre (PAC) has committed to supporting East Yorkshire talent with early career creatives and emerging actors to the fore in this show. Alongside Jane and Elizabeth in the production team are Rick Kay, set design and build, Benjamin Wall, production manager and lighting designer, and Kate Noble, wardrobe and props supervisor, while PAC director Angela Stone has been working closely with crew and cast as producer.

Hull born and bred Jade Farnill will step into the role of Jingle. She is a 2023 graduate and Godber Theatre Foundation Award recipient from the Hammond School in Chester, where she completed a degree in musical theatre performance.

Dylan Allcock will play Daredevil Dave with “just the right balance of characterisation and comedy timing”. As an actor/musician, Dylan will be responsible for musical direction and the creation of an original composition for the show.

Liverpool Institute of Performing Arts graduate Matheea Ellerby will complete the cast in her professional debut as Sparkle.

Dylan Allcock: Playing Daredevil Dave

Writer Elizabeth Godber says: “I am so excited to be writing The Elves And The Shoemaker Save Christmas for Pocklington Arts Centre. Being born and raised in East Yorkshire, I grew up visiting the arts centre to see shows and films and attend workshops as a kid, so now, getting to write their Christmas show for children and families, it really feels as if it has come full circle!

“I’ve had so much fun working on the script:  there’s going to be lots of laughs, lots of live music, lots of local references and lots of Christmas fun that can be enjoyed by everyone of all ages and really bring the community together this December.”

The Elves And The Shoemaker Save Christmas will run for 15 performances, including two matinees for schools only. Schools interested in attending those performance should contact the box office on 01759 301547 or email boxoffice@pocklingtonartscentre.co.uk as they are not bookable online.

Matheea Ellerby: Making her professional debut as Sparkle

PAC is offering a relaxed performance on Sunday at 10.30am for families that require a more relaxed environment when going to the theatre. This will include house lights (rather than dark), a relaxed attitude to involuntary sounds and moving around the auditorium during the performance, a straight run through with no interval, and a quiet break-out space available.

For that show, a section of seats with social distancing is reserved to support those who may prefer some spaces between parties. Four blocks of four seats and one block of two seats can be pre-booked through the box office.

The Elves And The Shoemaker Save Christmas, Pocklington Arts Centre, December 7 to 16. Performances: 7.30pm, December 7, 8, 9, 12, 14, 15 and 16; 1.30pm, December 9, 10, 15 and 16; 10.30am, December 10. Tickets (£12 adults, £9 under 25s, £35 family of four) can be booked at pocklingtonartscentre.co.uk or on 01759 301547.

Elizabeth Godber

Elizabeth Godber: the back story

Hull-born writer. Studied BA in Creative Writing and English at University of Hull and MA in Writing for Performance and Publication at University of Leeds. Now PhD student at University of Hull.

Her 2023 adaptation of The Comedy of Errors (More Or Less), co-written with Nick Lane for Stephen Joseph Theatre, Scarborough, and Shakespeare North Playhouse, has been nominated for UK Theatre Award. 

Her 2023 play The Remarkable Tale of Dorothy Mackaill was premiered at East Riding Theatre, Beverley, in September.

Further writing credits: Ruby And The Vinyl (John Godber Company/tour); M&S: Dressed In Time (Leeds Playhouse); Three Emos (tour); The Remarkable Tale Of Dorothy (Hull New Theatre); Festive Spirits” (Hull City Hall/Burton Constable Hall).

Poetry and film/audio credits: Forget Me Not (BBC Radio 6 Music); The Way You Look Tonight (BBC Upload Festival/iplayer); Does This Make Sense?” (Random Acts for Channel 4); Restless Verse (online).

Last chance to see beside the sea: The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough *****

Andy Cryer’s slimy Solinus in The Comedy Of Errors (More Or Less) at the SJT, Scarborough. Picture: Patch Dolan

REVIEW: Stephen Joseph Theatre and Shakespeare North Playhouse in The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough, 7.30pm tonight; 2.30pm and 7.30pm, Saturday. Box office: 01723 370541 or sjt.uk.com

THIS Comedy Of Errors gets everything right. Not more or less. Just right. Full stop.

Shakespeare’s “most bonkers farce” has been entrusted to Nick Lane, madly inventive writer of the SJT’s equally bonkers pantomime, and Elizabeth Godber, a blossoming writing talent from the East Yorkshire theatrical family.  

How does this new partnership work? In a nutshell, Lane has penned the men’s lines, Godber, the female ones, before the duo moulded the finale in tandem.

SJT artistic director Paul Robinson, meanwhile, selected a criminally good play list of Eighties’ guilty pleasures, from Whitesnake’s Here I Go Again to Billy Joel’s Uptown Girl, Nik Kershaw’s Wouldn’t It Be Good to Toni Basil’s Mickey, Cher’s Just Like Jesse James to Kenny Loggins’ Footloose, to be sung in character or as an ensemble with Northern Chorus oomph.

Aptly, the opening number is an ensemble rendition of Dream Academy’s one-hit wonder, Life In A Northern Town, that town being 1980s’ Scarborough, just as Lane always roots his pantomimes in the Yorkshire resort.

From an original idea by Robinson, Lane and Godber’s reinvention of Shakespeare’s comedy is not too far-fetched but far enough removed to take on its own personality and, frankly, be much, much funnier as a result. To the point where one woman in the front row was in the grip of a fit of giggles. Yes, that joyous.

For Ephesus, a city on the Ionian coast with a busy port, read Scarborough, a town on the Yorkshire coast with a fishing harbour, although all the fish and chip cafés were shut without explanation on the evening of the press night. Was something fishy going on?

Ephesus was governed by Duke Solinus; Scarborough is run by Andy Cryer’s vainglorious Solinus. Still the merry-go-round action is spun around mainly outdoor public spaces on Jessica Curtis’s set, where protagonists bump into each other like dodgem cars. Just as Syracusans were subject to strict rules in the original play, now Lancastrians are given the Yorkshire cold shoulder in a new war of the roses, besmirched Eccles Cakes et al.

Sing when you’re twinning: David Kirkbride’s Antipholus of Scarborough and Oliver Mawdsley’s Dromio of Prescot in the SJT’s highly musical The Comedy Of Errors (More Or Less). Picture: Patch Dolan

So begins a tale of two rival states and two sets of mismatched twins (Antipholus and Dromio times two) on one nutty day at the seaside. Cue a mishmash of mistaken identities, mayhem agogo, and merriment to the manic max, conducted at an ever more frenetic lick.

It worked wonders for Richard Bean in One Man, Two Guvnors, his Swinging Sixties’ revamp of Goldoni’s 1743 Italian Commedia dell’arte farce, The Servant Of Two Masters, setting his gloriously chaotic caper, as chance would have it, in another English resort: Brighton. Now The Comedy Of Errors evens up the mathematical equation for two plus two to equal comedy nirvana from so much division.

One ‘guvnor’, Lancastrian comic actor Antipholus of Prescot (Peter Kirkbride) crosses the Pennine divide to perform his one-man show. Trouble is, everyone has booked tickets for the talent show across the bay, starring t’other ‘guvnor’, the twin brother he has never met, Antipholus of Scarborough (David Kirkbride, different first name, but same actor, giving licence for amusing parallel biographies in the programme).

The two ‘servants’ of the piece, Dromio of Prescot and Scarborough respectively (Oliver/Zach  Mawdsley), are equally unaware of the other’s presence, compounding a trail of confusion rooted in Scarborough’s Antipholus owing money everywhere but still promising his wife a gold chain. He needs to win the contest to appease Scarborough’s more unsavoury sorts.

Kirkbride takes the acting honours in his hyperactive double act with himself, Mawdsley a deux  is a picture of perplexity; Cryer, in his 40th year of SJT productions, is comedy gold as ever in chameleon roles; likewise, Claire Eden fills the stage with diverse riotous, no-nonsense character, whether from Lancashire or Yorkshire.

Valerie Antwi, Alyce Liburd and Ida Regan, each required to put up with the maelstrom of male malarkey, add so much to the comedic commotion, on song throughout too.

Under Robinson’s zesty, witty direction, everything in Scarborough must be all at sea and yet somehow emerge as comic plain sailing, breaking down theatre’s fourth wall to forewarn with a knowing wink of the need to suspend disbelief when seeing how the company will play the two sets of twins once, spoiler alert, they finally meet.

Who knew shaken-and-stirred Shakespeare could be this much fun, enjoying life in the fast Lane with Godber gumption galore too. Add the Yorkshire-Lancashire spat and those Eighties’ pop bangers, Wayne Parsons’ choreography and the fabulous costumes, and this is the best Bard comedy bar none since Joyce Branagh’s Jazz Age Twelfth Night for Shakespeare’s Rose Theatre in York in 2019.

When The Comedy Of Errors meets the 1980s, the laughs are even bigger than the shoulder pads. A case of more, not less.

John Godber’s B&B comedy Sunny Side Up! is up for a return to Stephen Joseph Theatre

John Godber and Jane Thornton premiering Sunny Side Up! at the Stephen Joseph Theatre last October. Picture: Martha Godber

THE John Godber Company returns to the Stephen Joseph Theatre next month with Sunny Side Up!, the coastal comedy premiered by the Godbers in a family bubble at the Scarborough theatre last autumn.

Rehearsed at home, John Godber’s play played to socially distanced sell-out audiences at the end of October 2020, just before the start of the second pandemic lockdown. From October 7 to 9, it will be performed before a socially distanced audience once more in the Round.

Writer-director Godber will reprise his role as Barney alongside his wife, fellow writer Jane Thornton, and daughter, Martha Godber. Daughter Elizabeth completes the family line-up as company stage manager; Graham Kirk provides the design and lighting.

In Godber’s moving account of a struggling Yorkshire coast B&B and the people who run it, down-to-earth proprietors Barney, Cath and Tina share stories of awkward clients, snooty relatives and eggs over easy.

Jane Thornton and Martha Godber in a scene from last October’s premiere of John Godber’s Sunny Side Up!. Picture: Elizabeth Godber

“If you’re thinking of holidaying at home this year, why not book into the Sunny Side Boarding House soon,” invites Godber, whose seaside feel-good rollercoaster digs into the essence of “staycations”.

Godber’s play is told in his signature style, blending authenticity and pathos as he addresses the problems of levelling up, leaving home and never forgetting where you come from.

This John Godber Company and Theatre Royal, Wakefield production can be seen at the SJT on October 7 at 1.30pm and 7.30pm, October 8, 7.30pm, and October 9, 2.30pm and 7.30pm.

Tickets, priced from £10, are available on 01723 370541 and at sjt.uk.com.

Barney trouble: John Godber in the role of struggling B&B proprietor Barney in Sunny Side Up!. Picture: Martha Godber