More Things To Do in and around York, on a bench and at home, courtesy of The Press, York. List No. 11

One man and his bench: Director Matt Aston in place for the Park Bench Theatre summer season at Rowntree Park, York. Picture: Livy Potter

OUTDOOR theatre is taking to a park bench and a mill garden. Museums and galleries, and even car boots sales, are re-opening.

Spanish holidays may be off the Brexiteer Prime Minister’s list of To Do’s in August, but York is stretching its limbs, dusting off the cobwebs, and saying welcome back.

Maybe Andy Burnham, Greater Manchester’s Mayor, should test-drive his eyesight by paying a visit to “a part of the north that looks most like the south,” he says. Really, Andy?

As we all turn into masketeers, CHARLES HUTCHINSON makes these recommendations for days out and days in.

Cassie Vallance: Performing Teddy Bears’ Picnic in Rowntree Park’s Friends Garden

Outdoor theatre number one: Engine House Theatre’s Park Bench Theatre, Friends Garden, Rowntree Park, York, August 12 to September 5

HERE come Samuel Beckett’s rarely performed monologue, First Love, artistic director Matt Aston’s brand new play, Every Time A Bell Rings, and something for all the family inspired by a classic song, Teddy Bears’ Picnic, all staged on and around a park bench in a Covid-secure outdoor theatre season in York.

Each production will be presented in carefully laid out and spacious gardens, allowing audiences to keep socially distanced from each other. Chris Hannon will perform the Beckett piece; Lisa Howard, the play premiere; Aston’s co-creator, Cassie Vallance, the new children’s show.

Headphones or earphones will be required to hear the dialogue, sound effects and music in performances. All audience members will be given a receiver on entry; takeaway headphones cost £1 when booking a ticket online. Bring blankets or chairs.

Alexander Flanagan-Wright, left, and Phil Grainger swap sunnier climes on the other side of the world for Stillington Mill for their At The Mill shows

Outdoor theatre number two: The Flanagan Collective and Gobbledigook Theatre, “Six Days of Work”, Stillington Mill, near York, August 2 to 7, 7pm

“WE’RE doing some Orpheus, some Eurydice, and one night of New Stuff We Haven’t Done Before,” say Alexander Flanagan-Wright and Phil Grainger, introducing their raft of At The Mill two-handers.

Performances will take place in Alex’s back garden at Stillington Mill to a maximum, socially distanced, audience of 30 per show.

The new work, on August 5, will be a reading of Alex’s This Story Is For You and a fresh set of songs by Clive (Phil’s name for his solo music, Clive being his middle name and his father’s name). Orpheus and Eurydice will be all Greek to you, but in a good way.

Train coming: National Railway Museum to re-open next week

York galleries, museums and attractions leaving Lockdown hibernation

THE York Dungeon has re-opened already; York Art Gallery and Castle Museum will do so from Saturday.

Back on track next will be the National Railway Museum, in Leeman Road, going full steam ahead from August 4.

“To manage visitor numbers, we are introducing free, timed and guided routes around the museum to ensure you have a relaxed visit and can maintain social distancing,” says the NRM. To book, go to:

Senior operations assistant Charlotte Mundey prepares for the re-opening of the Rotunda Museum. Picture:
Tony Bartholomew

Museum re-opening of the week ahead outside York: Rotunda Museum, Scarborough, from August 8

SCARBOROUGH’S Rotunda Museum will re-open with a new booking system that gives small groups exclusive access.

Visiting slots will be every half hour across the day, allowing groups – or social bubbles – of up to six people at a time to explore the museum without having to follow prescriptive routes.

In the Ancient Seas Gallery, visitors will come face to face with prehistoric creatures that once roamed this coastline. In the Rotunda Gallery are displays of fossils, taxidermy, fine art and ceramics. 

Crash, from a new wave of seascape works by Carolyn Coles, at Village Gallery, York

New exhibition of the week: Carolyn Coles, “Oh I Do Like To Be Besides The…”, Village Gallery, York, from August 4 to September 19

YORK seascape artist Carolyn Coles, once of The Press graphics department, should have been exhibiting at York Open Studios in April and the Staithes Festival of Art and Heritage in September. Enter Covid, exit Carolyn’s two big showcases of 2020.

Enter Simon Main at Village Gallery, Colliergate, York, who says: “We saw Carolyn’s work at her first York Open Studios show back in 2019 and were so taken with her seascapes – many inspired by and maybe giving a different perspective of the Yorkshire coastline – that we started talking about a show.

“So, we’re delighted we have finally made it and are really looking forward to hanging Carolyn’s beautiful work. And who doesn’t love Filey?”

Joker: Closing film at Daisy Duke’s Drive-in Cinema at Knavesmire, York, this weekend

Open-air film experience of the week: Daisy Duke’s Drive-In Cinema, Knavesmire, York, Friday to Sunday

LATER than first trailed, Daisy Duke’s Drive-In Cinema will park up on Knavesmire for screenings of Grease, Rocketman, Toy Story, Mamma Mia!, 28 Days Later, Pulp Fiction, Shrek 2 and A Star Is Born.

Sunday’s closing film will be Joker. Tickets are selling fast so, no joke, prompt booking is recommended at

Interaction between staff and customers will be kept to a minimum, with cars parked two metres apart and those attending expected to remain within their vehicles for the duration of the screenings on LED screens with the sound transmitted to car radios.

Colin Moncrieff in Badapple Theatre’s 2014 production of The Daily Bread, a performance he now reprises for a podcast

Home entertainment of the week: Badapple Theatre’s The Daily Bread podcast

THE Daily Bread rises again as the latest free Podbean podcast from Green Hammerton company Badapple Theatre.

Glaswegian actor, clown and raconteur Colin Moncrieff reprises his 2014 stage performance in artistic director Kate Bramley’s comedy about a master baker who is the talk of the tiny village of Bottledale, thanks to his sumptuous sponges and beautiful buns, this time giving a relaxed reading from home, accompanied by Jez Lowe’s songs.

Go to to discover whether the baker’s cheery façade hides a dark secret.

Fishwife, Emma Stothard’s new scuplture, takes up residence by the harbour swing bridge in Whitby

And what about…

The rockumentary Rockfield: The Studio On The Farm on BBC iPlayer. New albums by Rufus Wainwright, Courtney Marie Andrews, Seasick Steve and The Psychedelic Furs, their first in 29 years. Emma Stothard’s new Whitby sculpture, Fishwife, Selling Cod, Mackerel and Crab, by the harbour swing bridge. A walk at Wheldrake Ings, followed by Sicilian flatbreads and piadini at the re-opened Caffé Valeria in Wheldrake. York Racecourse Saturday car boot sale, re-launching from August 8.

Let’s leap ahead and hope that Emma Stothard’s 366 Leaping Hares may yet have their day again at Nunnington Hall

Hare, there and everywhere: Whitby sculptor Emma Stothard surrounded by her 366 Leaping Hares at Nunnington Hall. Picture: Anthony Chappel-Ross

WHITBY sculptor Emma Stothard’s wildlife work has come on leaps and bounds over the past year for her latest show at Nunnington Hall, Nunnington, near Helmsley.

To mark 2020 being a leap year, she has created a one-off installation of 366 Leaping Hares, one for each day of the year, combining sculptures, illustrations and paintings, all for sale, on display amid the historic collection in the Smoking Room of the National Trust country house.

Alas, Nunnington Hall is now closed with effect from this Wednesday (May 18), in response to Government advice on the Coronavirus pandemic. “The safety of our staff, volunteers and visitors is our priority,” says senior visitor experience officer Laura Kennedy.

Out of the top drawer: four of Emma Stothard’s 366 Leaping Hares emerging from the Smoking Room furniture at Nunnington Hall. Picture: Anthony Chappel-Ross

Let’s take a leap of faith, however, beyond the month of the Mad March Hare and leap ahead to later in the year when hopefully you can still see 366 Leaping Hares. “The idea came first, doing something for 2020, for Leap Year, rather than responding to a particular space, and I thought ‘let’s do 366 hares’,” says Emma. “Given that number, I knew some would need to be small, with some bigger ones for contrast.”

Emma spent the past year creating each work, whether clay, wire or willow sculptures, textiles hangs and cushions, drawings and ceramic tiles.

All have been individually hand-finished and dated by the sculptor, not least a special Leap Day Hare to mark Saturday, February 29. “Each of those 366 days is going to be special for someone – a birthday, an anniversary, maybe even a proposal of marriage on the Leap Day itself!” says Emma.

Emma Stothard working in her studio on her 366 Leaping Hares. Picture: Tony Bartholomew

She has responded too to Nunnington Hall’s “rich sense of history”. “Generations have lived here, and you can feel their presence in the furniture, the wallpaper and the textiles,” she says.

Consequently, Emma’s installation explores the array of materials that embodies the ever-changing architecture and fabric of the historic building, while experimenting with contemporary methods too in her hotchpotch of hares that range from four-foot willow sculptures to four-inch miniature wire and clay collectables.

Placed by Emma amid the historic collection, some are in full view; others are in the Smoking Room’s hidden spaces, nooks and crannies, even emerging from drawers or to be spotted under furniture.

Hare, there, everywhere, yes, Emma loves hares. “They’re just so wonderful to see, aren’t they,” she enthuses. “I see them quite a lot when I’m walking across the fields with my dog.

Going to the wire: A close-up of Emma Stothard’s handiwork as she makes a hare. Picture: Tony Bartholomew

“I love spotting them because they’re so elusive, so quick moving. They’re magical to sculpt, and it’s the same with roe deer. I find them fascinating, beautiful, because you can never get that close to them.

“We’re steeped in their history and it feels a real privilege to be in their presence when they run out of front of me.”

The large number of hares required was the green light for Emma to broaden her working practices. “Like casting in bronze for the first time. I’d been recommended by (the late) Sally Arnup to use Aron McCartney, who has a metal-casting foundry at  Barnard Castle, but there never came a time to be able to cast anything until now,” she says. “Now that I have, hopefully we can continue with the relationship.”

Taking shape: hares lined up for the next stage of sculptor Emma Stothard’s creative process. Picture: Tony Bartholomew

This is not the first time that Nunnington Hall has had an impact on Emma’s work. “I first exhibited here in 2012 on the Rievaulx Terrace, when I was also commissioned to make my first wire sculpture of a horse, which you can still see here,” she says. “They like to move it around the gardens to keep people on their toes.

“The wire horse was the first time I moved away from working in willow and has led me to doing more public commissions in wire and now bronze wire. There are 12 little galvanized ones in the new exhibition, coated in zinc in the galvanizing process.”

Her outdoor willow sculptures, meanwhile, must be treated at regular intervals. “Think of it as a seasonal chore in the garden,” she says. “Four times a year; 50 per cent linseed oil; 50 per cent Turps substitute, which is a traditional way to protect the strength of the willow.

“There’s no reason you can’t get ten years out of them if you look after them properly, as linseed oil builds a layer of varnish, like shellac. So, remember, four times a year, once a season.”

Start counting: 1,2, 3, 4, 5, 6….366 Leaping Hares in Nunnington Hall’s Smoking Room. Hope to see them again some time in 2020. Picture: Anthony Chappel-Ross

In Staithes, you can spot Emma’s coral and coronation blue lobsters, her 9ft marine crustaceans first exhibited in the Sculpture By The Sea exhibition at the 2015 Staithes Festival of Arts and Heritage, and now she has made Withernsea Crab, a three metre-high sculpture of a brown crab for the Withernsea Fish Trail.

Emma also had been working on sculptures for Jardin Blanc at May’s now cancelled 2020 Chelsea Flower Show, her fourth such commission for the hospitality area, where Raymond Blanc is the executive chef. More Emma work, by the way, can be found at Blanc’s Oxfordshire restaurant, the Belmond Le Manoir au Quat’Saisons.

At the time of this interview, Emma was on the cusp of signing a contract to create seven life-size sculptures celebrating Whitby’s fishing heritage on the east side of the East Coat harbour. ”I’m hoping to have the first piece installed in time for the Whitby Fish & Ships Festival in May,” she said. The 2020 festival has since been cancelled, but look out for Emma’s sculptures at the 2021 event on May 15 and 16 next spring.

Looking ahead, where would Emma most love to exhibit? “My dream is to do an exhibition at the Yorkshire Sculpture Park [at West Bretton, near Wakefield], particularly as I did my teacher-training there at Bretton Hall,” she says.

One final question for Emma: is it true that boxing hares are not male rivals scrapping over a female in hare-to-hare combat but in fact, contrary to myth, jack versus jill (as hares were known). “That’s right: it’s male against female, and in my boxing-hare couples, it’s always a female fending off a male,” she says.

As and when Nunnington Hall re-opens, Emma Stothard’s installation 366 Leaping Hares would then be on view and on sale until November 1.