Richard Hawley: Wearing red at Live At York Museum Gardens to honour the Liverpool footballer Diogo Jota, who died in a car crash on July 3. Picture: Andy Hughes
FUTURESOUND Group could not have put together a better show for Live At York Museum Gardens 2.0 than Richard Hawley with strings attached and more besides.
Not one, not two, but three support acts after the addition of droll Scottish singer and songwriter Hamish Hawk, who was billed for a 5.40pm start but made his entry at evening news time, Bowie- dapper in dark jacket and cream trousers.
Keep your eye on Hawk, a frontman as natural as Jarvis Cocker, as witty and observant as The Divine Comedy’s Neil Hannon in his lyrics, with a line in gay love declarations rather more overt than in the days of Gershwin’s The Man I Love.
Hamish Hawk opening Saturday’s line-up at Live At York Museum Gardens. Picture: Andy Hughes
The Mauritian Badminton Doubles Champion 1973 has probably the best opening couplet to a song ever penned: “To write a cathedral, I’ll need a ballpoint pen/It’ll sound like ‘Common People’, written by Christopher Wren”. Yes, he’s that good, and there were plenty more where that came from in a 25-minute set, over all too soon.
B C Camplight – B C stands for Brian Christinzio – is a favourite of The Crescent, York, who took to the outdoors as a man on a mission. Living in Manchester now but still very much a son of New Jersey, he has followed up 2023’s relationship break-up record, The Last Rotation On Earth, with A Sober Conversation, “doing well”, he says, since its June 27 release.
A big jack-in-a-box behind – and often not behind – his piano, B C was bursting with vigour and vitality, putting it all in the open after confronting childhood trauma and being clean from drugs for two years. His songs were candidly tragic-comic, liberating too, his arrangements unpredictable and thrilling, not averse to kicking up a storm but, equally, as adroit as Squeeze or Teenage Fanclub at gorgeous melody.
B C Camplight: Arms outstretched at the piano at Live At York Museum Gardens. Picture: Andy Hughes
From the red rose of Manchester to the white of Yorkshire, or Leeds more precisely, in the Mercury Prize-winning form of English Teacher. What’s this for a choice of walk-on music? The volume suddenly sounded louder – as if we were at the Cardiff Principality Stadium – for a blast of Supersonic to tease an entry of the magnitude of the omnipresent Gallaghers’ revived love-in.
If that took chutzpah, so did starting with their best-known number, the one that Lily Fontaine ends with “I am The World’s Biggest Paving Slab/And the world’s smallest celebrity”: a typical Leeds shrug of a sentiment, in keeping with bands from The Wedding Present to Yard Act.
The world’s smallest celebrity? It will not stay that way for Fontaine and her rising, rousing band whose backdrop stated “This Could Be English Teacher” in another splash of Leeds humour in a nod to their debut album title, This Could Be Texas.
This could be the future: Lily Fontaine of English Teacher, the Mercury Prize-winning Leeds band making waves at York Museum Gardens. Picture: Andy Hughes
Schooled at the Leeds Conservatoire, they are musically skilled, able to swap between instruments, like the drummer switching to piano, or Fontaine from guitar to keys, but there is nothing arid or academic about their compositions.
Fontaine’s lyrics fizz with attitude and cultural smarts, the songs jab and jab, then deliver the knock-out punch, and now ‘Paving Slab’ has a rival with the unveiling of Toothpick, a sugar rush of a new song that will surely stick around.
Richard Hawley would play for 90 minutes, whereas Elbow performed for two hours on Thursday, but if that was the price of cramming in four acts, rather than three on the opening night, so be it. What Hawley delivered in his more concentrated, sublime set surpassed the lulls in Elbow’s graceful ebb and flow.
One of Richard Hawley’s myriad guitars in close-up at York Museum Gardens. Picture: Andy Hughes
Better still, unlike Elbow, Hawley used projections. Sometimes showing him close up in his humorously abrasive yet also heartfelt conversation between songs. Sometimes showing his band members and the aforementioned string quartet. Other times complementing songs with nostalgic, black-and-white photographs of Sheffield, its streets, buildings, shops, city lights, even his parents by the sea, along with footage of musicians of the past. Later, those projections would spark into life as images of fire and flashing, speeding lights.
This concert was the first of a series to mark the 20th anniversary of Coles Corner, or to cash on it as he joked. His fourth and arguably still his supreme solo album has had its double CD re-issue put back a month to August 1, but on Saturday night we could revel on those songs of romance, longing, water, lost loves and decaying decades once more, with its echoes of the past running deeper than a South Yorkshire spin on Roy Orbison.
The string quartet augmenting Coles Corner with Richard Hawley at York Museum Gardens. Picture: Andy Hughes
Ever the dandy at 58, Hawley was dressed in red; so too fellow guitarists Shez Sheridan and Bryan Day. He had not suddenly started supporting Sheffield United, explained the Sheffield Wednesday fan, but this was his tribute to Liverpool footballer Diogo Jota and his brother Andre Silva, football united in grief.
If those Made-in-Sheffield songs, played in album order, were not already tugging at the heart strings, that moment of collective commemoration could not have been more fittingly conducted. From title track opener, through Just Like The Rain and Darlin’ Wait For Me, to the epic The Ocean, song surpassed song.
Richard Hawley working his guitar magic at York Museum Gardens. Picture: Andy Hughes
He dedicated Born Under A Bad Sign to his father, with whom he had first played at The Leadmill at 16, and onwards he crooned and we swooned: I Sleep Alone, Tonight, and Who’s Gonna Shoe Your Pretty Little Face?, learnt from his mother and played solo as a goodnight lullaby.
It was already ten o’clock, and so Richard had to cram in as many Hawley highlights as he could by the 10.30pm curfew. Moonlight greeted She Brings The Sunlight, and we danced giddily to Prism In Jeans and felt the heart pound to Open Up Your Doors before Heart Of Oak made a mighty finale. Hawley at his best, Futuresound’s excellent gig management at its best too.
Red light bathing Richard Hawley and his band in the finale to his Live At York Museum Gardens concert. Picture: Celestine Dubruel
Richard Hawley’s set list at Live At York Museum Gardens
1. Coles Corner; 2. Just Like The Rain; 3. Hotel Room; 4. Darlin’ Wait For Me; 5. The Ocean; 6. Born Under A Bad Sign; 7. I Sleep Alone; 8. Tonight; 9. (Wading Through) The Waters Of My Time; 10. Who’s Gonna Shoe Your Pretty Little Face?; 11. Last Orders; 12. She Brings The Sunlight; 13. Galley Girl; 14. Prism In Jeans; 15. Open Up Your Door; 16. Alone; 17. Heart Of Oak.
Precision in jeans: A close-up of Richard Hawley’s choice of stitching at York Museum Gardens. Picture: Andy Hughes
Richard Hawley: Going back to Coles Corner in his York Museum Gardens concert On Saturday. Picture: Dean Chalkley
SHEFFIELD singer-songwriter Richard Hawley’s visit to York could not be better timed.
His appearance in Futuresound Group’s second summer of Live At York Museum Gardens concerts on July 5 coincides with the 20th anniversary reissue of his fourth album, Coles Corner, a day earlier on Parlophone/Rhino.
Hawley, 58, will perform his Mercury Music Prize-nominated 2005 album in full for the first time with a string section, alongside a selection of favourites from his 11 albums, from 2001’s Late Night Final to 2024’s In This City They Call You Love.
“I’ve been going to York on and off since childhood,” says Richard. “I’m from Yorkshire, so you don’t have to join the dots. In fact I used to busk in York, anywhere by the Shambles, but it was tricky [to find a pitch], so you’d have to get on the 5.30/6.30 train from Sheffield.
“Going back 35-40 years ago, I remember a time I got there for 7 o’clock, got my stuff out, but found I was competing with this big Scottish guy with bagpipes – and you can’t compete with a jet pilot!”
That said, Hawley prefers the tuneful playing of bagpipes to the irritating sounds emerging from headphones on trains. “That’s becoming more and more common in public, as sounds around us become louder and louder but more and more irrelevant,” he says.
By way of contrast, “let’s hope we can communicate some good vibes in the Museum Gardens. I know it’s built on the site of Eboracum and was added to by the Yorkshire Philosophical Society,” says the cultural history enthusiast .
“Maybe Coles Corner [in Sheffield] is like one of those ruins in the gardens. Obsolete, but from a distance quite beautiful. It’s weird, because of the nature of what I do, I try to preserve things that are lost or are being lost, and at one time Coles Corner was a meeting place for friends, lovers, whatever.
“John Lewis ended up taking over the family-run haberdashers there. The original building was knocked down, and there’s a picture of these guys taking the lead off in 1969. That was two years after I was born, but the ripples of its very existence carry on – though the irony of it is that I tried to preserve something that now people think more about the record than the place.”
The romance of the title track is captured in sweeping strings and swooning chorus on a universal paean to the loneliness of the city at night. “The council wanted to out the lyrics to Coles Corner on the street corner but I said ‘No’ because Coles Corner doesn’t belong to me, but to the people of Sheffield. I think there’s a vape shop there now.”
Coles Corner was former Longpigs and Pulp guitarist Hawley’s fourth album and first for Mute Records. Recorded in Sheffield’s Yellow Arch Studios and co-produced with his long-time bassist Colin Elliot and Mike Timm, it featured Shez Sheridan (guitars), Jon Trier (keyboards), Jonny Wood (upright bass) and Andy Cook (drums).
Richard Hawley’s sleeve artwork for his 1995 album Coles Corner, featuring the Stephen Joseph Theatre vintage frontage in Scarborough
Inspired by Hawley’s love of vintage 1940s and 1950s’ chamber pop, country, blues and rock’n’roll, they conjured a set of intimate love songs full of nostalgia, regret, sadness and a bittersweet atmosphere that bore witness to Hawley’s abiding love and passion for his home city of Sheffield.
From next Friday, the expanded edition will be available on Half-Speed master black vinyl, housed in a gatefold sleeve, 2CD deluxe edition, featuring B-sides and previously unreleased acoustic tracks, and limited-edition bundles.
Describing the experience of revisiting his original recordings, Richard says: “It’s a weird place, but occasionally you’re allowed to glance over your shoulder. Going back to figure out how to play half of those songs is difficult because we’re different human beings now, even from a year ago.
“I like to move forward all the time, to seek new experiences, but by the very nature of what I do, as an older person, a 58-year-old musician, I create music that has the vibe of something lost.”
The album sleeve does not feature Coles Corner, but the art deco frontage of the Stephen Joseph Theatre, the former Odeon cinema building in Scarborough. “It fitted more with what I had in mind with that album, and like most cities and towns, inch by inch, day by day, we are losing those values of what we were.
“Now it’s vape shops and Poundland, and that’s more to do with being in the north. There’s not a lot of sharing going on in this country.”
Hawley sums up his songwriting in the words of a former girlfriend. “She once said ‘you’re one of the few men that deals with male grief’. (My nan would have called me ‘a moany ****’!) I hadn’t thought of it that way; it was quite a shock.
“I don’t think it’s a curious thing, though, because the best kind of music opens us up to our very core. Gender is kind of irrelevant to that”
Looking ahead to July 5, Richard says: “My wife’s going to turn up at the gig, but she says it’ll ruin the day because York’s a nice place to visit without you playing!”
Futuresound Group presents Richard Hawley at Live at York Museum Gardens, York, July 5; gates open at 5pm.Tickets update: still available at futuresound.seetickets.com/event/richard-hawley/york-museum-gardens/3237716.
Hawley’s 9pm to 10.30pm set will be preceded by 2024 Mercury Music Prize-winning Leeds band English Teacher from 7.45pm to 8.30pm; Manchester-based New Jersey songwriter and multi-instrumentalist BC Camplight, promoting his new album, A Sober Conversation (Bella Union, June 27), 6.30pm to 7.15pm, and Scottish musician Hamish Hawk, 5.40pm to 6.10pm.
Olly Murs: Returning to familiar turf at York Racecourse’s first Summer Music Saturday meeting this afternoon
AS the outdoor concert season awakens, a festival goes to heaven and hell and a koala tries something new in Charles Hutchinson’s list for the upcoming week.
Back on track: Olly Murs, York Racecourse, Summer Music Saturday, today, first race at 1.55pm; last race, 5.25pm, followed by concert
ESSEX singer, songwriter, actor and television personality from Olly Murs completes his hat-trick of appearances at York Racecourse this weekend, having played the Knavesmire track in 2010 and 2017.
Performing after today’s race card, his set list will draw on his seven albums and 25 singles, including the number ones Please Don’t Let Me Go, Heart Skips A Beat, Dance With Me Tonight and Troublemaker. Race day tickets: yorkracecourse.co.uk.
Marcelo Nisinman: Argentinean bandoneon player, performing Martin Palmeri’s Misatango at York Guildhall today
Reverence and rhythm of the week: Prima Choral Artists presents Scared Rhythms: From Chant To Tango, York Guildhall, The Courtyard, Coney Street, York, tonight, 7.30pm
ARGENTINEAN bandoneon maestro and composer Marcelo Nisinman performs Martin Palmeri’s Misatango as the finale to director Eve Lorian’s Sacred Rhythms – From Chant To Tango concert.
He joins the 60-strong Prima Choral Artists choir, pianist Greg Birch, Yorkshire mezzo-soprano soloist Lucy Jubb and the New World String Quintet for tonight’s journey through sacred and spiritual choral music. Box office: primachoral.com.
Justin Moorhouse: Giving two of the greatest performances of his life at Pocklington Arts Centre this weekend
Comedy gigs of the week: Justin Moorhouse, The Greatest Performance Of My Life, Pocklington Arts Centre, today, 3pm and 8pm
ASHTON-UNDER-LYNE comedian, radio presenter and actor Justin Moorhouse covers subjects ranging from pantomimes to dreams, how to behave in hospitals, small talk, realising his mum is a northern version of Columbo, and how being a smart-mouthed child saved him from a life of continually being beaten up. Funny, interesting, perhaps it will warm the soul too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Bluebird Bakery: Makers’ Summer Fair on Sunday in Acomb
Arts and crafts of the week: Makers’ Summer Fair, Bluebird Bakery, Acomb Road, Acomb, Sunday, 10am to 3pm; The Fox Summer Craft Market, The Fox Inn, Holgate Road, York, Sunday, 1pm to 5pm
ARTISAN baker and cafe Bluebird Bakery plays host to York artists and makers’ craft, jewellery, print, ceramic, plant, candle and woodwork stalls under one roof. Meanwhile, The Fox Inn holds its second annual Summer Craft Market, featuring live music, handmade gifts, craft stalls and street food vendors.
Swift service: Xenna pays homage to Taylor in Miss Americana at York Barbican
Tribute gig of the week: Miss Americana: The Eras Experience, A Tribute To Taylor Swift, York Barbican, Sunday, 7.30pm
STEP into Step into world ofTaylor Swift and her Eras experience in Xenna’s homage to the Pennsylvania pop sensation’s music, style and stage presence, from her country roots to such hits as Love Story, Blank Space and Shake It Off. Cue replica costume changes, storytelling and dancers too. Box office: yorkbarbican.co.uk.
Dawn Landes: Amplifying the voices of women who fought for equality at Rise@Bluebird Bakery, Acomb
Country gig of the week: Dawn Landes, Rise@Bluebird Bakery, Acomb, York, July 2, 8pm
AMERICAN country roots singer-songwriter Dawn Landes showcases The Liberated Woman’s Songbook, her March 2024 album that re-imagines music from the women’s liberation movement.
Inspired by a 1971 songbook of the same name, Landes breathes new life into powerful songs spanning 1830 to 1970, amplifying the voices of women who fought for equality throughout history. Box office: seetickets.com/event/dawn-landes/rise-bluebird/.
James Sheldon’s Mr Darcy and Rosa Hesmondhalgh’s Lizzy Bennet in Pride And Prejudice at the SJT, Scarborough
Introducing America’s most performed living playwright to North Yorkshire: Pride And Prejudice, Stephen Joseph Theatre, Scarborough, July 3 to 26, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
LOTTE Wakeham directs American writer Kate Hamill’s adaptation of Jane Austen’s story of love, misunderstandings and second chances, staged with music, dancing, humour aplenty and a cast led by Rosa Hesmondhalgh’s Lizzy Bennet (CORRECT) and James Sheldon’s Mr Darcy in a whirl of Regency parties and courtship as hearts race, tongues wag and passions swirl around the English countryside. Box office: 01723 370541 or sjt.uk.com.
The Koala Who Could: Up a tree at York Theatre Royal for three days next week. Picture: Pamela Raith
Children’s show of the week: The Koala Who Could, York Theatre Royal, July 3, 1.30pm; July 4, 10.30am and 4.30pm; July 5, 11am and 2pm
JOIN Kevin the koala, Kangaroo and Wombat as they learn that “life can be great when you try something new” in this adaptation of Rachel Bright and Jim Field’s picture book, directed by Emma Earle, with music and lyrics by Eamonn O’Dwyer.
Danny Hendrix (Wombat/Storyteller 1), Sarah Palmer (Cossowary/Storyteller 2) and Christopher Finn (Kevin/Storyteller 3) perform this empowering story of embracing change – whether we like it or not. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Richard Hawley: Playing Coles Corner with strings attached at Live At York Museum Gardens on July 5. Picture: Dean Chalkley
Open-air concerts of the week: Futuresounds presents Live At York Museum Gardens, Elbow, July 3; Nile Rodgers & CHIC, July4; Richard Hawley, July 5; gates open at 5pm
LEEDS promoters Futuresound Group’s second summer of outdoor concerts in York begins with Bury band Elbow’s sold-out show next Thursday, when Ripon singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution support.
New York guitarist, songwriter and producer Nile Rodgers and CHIC revel in Good Times, Le Freak, Everybody Dance and I Want Your Love next Friday, supported by Maryland soul singer Jalen Ngonda. Sheffield guitarist and crooner Richard Hawley revisits his 1995 album Coles Corner with a string section on its 20th anniversary next Saturday, preceded by Leeds band English Teacher and Manchester-based American songwriter BC Camplight. Box office: seetickets.com.
Le Consort: French orchestral ensemble, making York debut with Vivaldi concert at National Centre for Early Music on July 6
Festival of the week: York Early Music Festival, Heaven & Hell, July 4 to 11
EIGHT days of classical music adds up to 19 concerts featuring international artists such as The Sixteen, The Tallis Scholars, Academy of Ancient Music, viol consort Fretwork & Helen Charlston and the York debut of Le Consort, performing Vivaldi’s Four Seasons “but not quite as you know it”.
Directed by Delma Tomlin, the festival weaves together three main strands: the 400th anniversary of Renaissance composer Orlando Gibbons, the Baroque music of Vivaldi and Bach and reflections on Man’s fall from grace, from Heaven to Hell. Full programme and tickets at ncem.co.uk/whats-on/yemf/. Box office: 01904 658338.
In Focus: Harry Baker, Wonderful 2.0, The Crescent, York, Sunday (29/6/2025)
Poet, mathematician and world slam champ Harry Baker
YOUNGEST ever World Poetry Slam champion Harry Baker’s two Wonderful 2.0 shows at The Crescent , York, tomorrow have sold out. Wonderful news for Harry; not so wonderful if you were yet to book for either bite of the poetic cherry, the 3.30pm all-ages matinee or 7pm evening event.
Enough negativity. Let this preview be suffused with positivity. “One thing that I know that I will always find amazing is what a thing it is to live a life,” posits Maths graduate Harry, who always looks for plus signs. “P.S. Let’s also do this loads before we die.” Good, because that means Baker will be back and next time you can be quicker off the mark.
Baker, the 34-year-old poet, mathematician, writer and comedy turn from Ealing, London, first spread his Wonderful wings from April to August 2024, visiting The Crescent on May 20 with poems about wellies, postcodes and his favourite German wheat beer Schöfferhofer on his sold-out 40-date itinerary.
At the time, the “Maths-loving, TED-talking, German-speaking, battle-rapping, happy-crying, self-bio-writing unashamed human” said: “After the mental health struggles I shared in my last show, this time around the plan was to have a fun time touring a fun show full of fun poems to celebrate coming out of the other side. But it hasn’t quite worked out like that.
“For the first time ever I have been to more funerals than weddings in the last year. I have hit the age where everyone around me is either having babies or talking about having babies or definitely not having babies, and found out first-hand how complicated and painful that can be. And yet I am more fascinated and amazed by the world around me than ever before.”
Harry added: “From the transformational power of documenting moments of everyday joy to the undeniable raw energy of performing a garage song about Greta Thunberg, I am learning more than ever that life can indeed be incredibly hard sometimes, but that doesn’t make it any less incredible.
“If anything, it is the darkness that helps us to appreciate the light, just as it is the puddles that help us to appreciate the wellies. And what could be more wonderful than sharing all of this with the glorious folk who come along after reading about it here.”
Now he returns with a new message to accompany his poems about “all the important stuff, like hope, dinosaurs and German falafel-spoons”. “May one thing match the gravity of all you’ve ever done. This wonderful reality: The best is yet to come,” Harry pronounces.
“More full of wonder than ever”, he will celebrate wellies and postcodes once more, funerals and fertility journeys too, in his trademark amalgam of the playful, the vulnerable and the hopeful.
How would he sum up Wonderful 2.0? “I like ‘Wonderfuller’. It doesn’t quite roll off the tongue, but I like the connotation,” he says.
“Wonderful 2.0 hopes to make you cry with laughter, laugh through tears, or, dream scenario: both. The show will contain old faves as well as brand new work, celebrating what a thing it is to live a life.”
“What I ended up doing was I started writing a poem a day for the first 100 days of my son’s life, though ‘poems’ would be a generous description of the first ones,” says Harry
For all his popularity on TikTok and Instagram, Baker’s favourite place to be is still on stage in front of an audience, sharing his words in person. “By its very nature, I don’t think it makes sense for poetry to go viral,” he says.
“It is all about taking the time out of your day-to-day to stop and pay attention to the world and the wonder it contains, which it feels like so many of us are too busy to be able to carve out time to do. And yet I think it is precisely this reason why people have been able to connect with my work so much.
“From the vulnerability of sharing my own personal struggles with trying to conceive a baby, to the power of making list of requests in advance of what I would like to happen when I die (an obnoxious amount of sunflowers and negronis all round, please), or even just a stupid (yet subversive?) poem about how great my knees are, there is a playfulness and poignancy that has changed the way others look at the world too.”
Harry continues: “I have been performing for 15 years now and last year’s tour was my favourite by far, because of the openness audiences were willing to bring and share in, so that we could all have a cry and a laugh and go away feeling slightly more connected to one another and the world, and I am so excited for a chance to do this all over again.”
Assessing where he fits in as a performer, Harry decides: “I think I fall somewhere in between a band (where you hope they will do your favourite songs) and a stand-up (where you expect new material!). So, as well as keeping in the classics, I have updated the show with new poems about everything that has happened in the meantime, including (finally and joyfully) having a baby.”
Wonderful 2.0 picks up where Wonderful left off, knowing his “whole life was about to change but not knowing how he would feel”. It turns out that becoming a father, and experiencing a deep love for his child, has heightened his connection with the world around him, rather than numbed it.
“What I ended up doing was I started writing a poem a day for the first 100 days of my son’s life, though ‘poems’ would be a generous description of the first ones!
“People say ‘it’s the best thing in the world’ or that ‘you’re going to lose everything you’ve enjoyed’, so I thought to be able to have all these snapshots in the poems means you can have days where you were in the moment, thinking how fragile and precious life is, but also have days where it doesn’t feel like that, especially in those early days, when if feels like ‘this is it, it will never change’.
“But having written these things, less than a year later, I look back and feel like ‘I think you’re being a bit dramatic’…but that’s fine because some of it felt amazing, sometimes it felt raw and spiky.
“Hopefully these poems will feel precious to me and my wife, and by sharing them, anyone who has recently has a baby will connect with them, or, like my parents, they can relate with them, and those who haven’t had a kid can connect with these basic emotions.”
Harry’s aim was to “capture the newness, the helplessness and the tenderness, not to create a parenting manual”. To detach from the practice of finding punchlines to jokes felt important in his writing. “I wanted to lean into the emotional side of it and that’s something that changes from day to day,” he says.
“This is the point in between where you can say ‘life can be difficult but also amazing, and if anything, one heightens the other’,” says Harry
Harry had written candidly about how long it took the couple to become pregnant. “To be so honest about that painful experience gave permission to connect with that, and now these new poems feel like an evolution,” he says.
“People have thanked me for ‘saying things they couldn’t’. I’ve been trying to open up in a way that is safe for me and safe for others, and having honed those skills, or muscles, I was ready to apply it to the new poems.
“It’s also trying to acknowledge that just because I have this child and this joyful outcome, it doesn’t negate the experience I’ve been through.”
The sequel to his Wonderful poetry collection will be published by Canongate next March. “This is the point in between where you can say ‘life can be difficult but also amazing, and if anything, one heightens the other’. If you can share the hard times with people, just as you share the joyous times, they’re more bearable for that.”
Poems have an intensity that suits the combative nature of slams. “When I started out, I was entering these poetry slams where you have to say everything in three minutes, win over the audience, be funny, get them on board, deliver a message, wrap it up and send it off into the sunset,” says Harry.
“That was such a good training ground because you have to convey things in such a short space of time. That’s why these Wonderful shows are such a joy to do, particularly when the poems can feel vulnerable and heartfelt, and it’s up to you where you take it next.”
Next year’s poetry collection, Tender, will reflect that. “Why ‘Tender’? I think it was that thing of wanting to lean into the feeling of vulnerability, but as well as the connotation of being tender where you feel bruised, there’s the ripeness and readiness too.”
Did you know?
HARRY Baker’s honest, heartfelt and hopeful poems have reached more than ten million people on TikTok and Instagram.
Raised in a Christian community, Baker is a regular contributor to BBC Radio 2’s Pause For Thought.
He tours the UK in comedy-rap-jazz duo Harry and Chris Baker, also appearing on The Russell Howard Hour.
Baker released his third poetry collection, Wonderful, in May 2024, featuring fan favourites Wellies, Sunflowers and Sticky Toffee Pudding. Published by Burning Eye, copies are available at gigs, all good bookshops and www.harrybaker.co.
REVIEW: Through It All Together, Leeds Playhouse, until July 19 *****
Reece Dinsdale’s Howard and Shobna Gulati’s Sue in Through It All Together. Picture: Charlie Swinbourne
THROUGH It All Together is the third play about Leeds United after Anders Lustgarten’s ubiquitous, damnable The Damned United and Anthony Clavane and Nick Stimson’s lesser-spotted Promised Land, A Northern Love Story, staged in a community production with Red Ladder at Leeds Carriageworks Theatre in Summer 2012.
“About Leeds United” tells only half the story. The Damned United, adapted from David Peace’s literary psycho-drama, was rather more about Brian Clough, the Richard III of Leeds managers, and his 44-day impact on Revie’s champions versus their corrosive, longer-rooted impact on “Old Big ‘ead”.
A Promised Land, adapted from Clavane’s non-fiction book, interwove the repeat pattern of the rise and fall of Leeds United and the industries of Leeds with the story of the city’s Jewish community, who provided the club’s most successful chairmen, Manny Cussins and Leslie Silver.
Now Leeds United is only half the story once more in Chris O’Connor’s Through It All Together, a title taken from the club anthem Marching On Together (originally entitled Leeds! Leeds! Leeds! as the B-side to the official 1972 FA Cup Final song, Top Ten hit Leeds United, as the Courtyard theatre audience would all know!).
Forever Leeds fan O’Connor – known as “Leeds” at his London school – “could write one strand in his sleep”, and so the Leeds United story, a love letter to sainted Argentine maverick Marcelo Bielsa and his 2020 Championship champions, is indeed penned with all the self-deprecating humour, in-jokes, reverence and irreverence of a battle-hardened yet defiantly optimistic Peacocks supporter.
The other strand, drawn from the impact of dementia on the grandmother who helped to raise him, again is written from the inside track. “One aspect we really wanted to get right was making sure the show is dementia friendly and accurate to what people go through,” he told Graham Smyth [the Yorkshire Evening Post’s Leeds United reporter since 2019] in his interview for the Playhouse premiere’s excellent programme.
Your reviewer writes with investment too: both as a long-suffering Leeds United addict since 1969 and having experienced his father’s seven-year decline with dementia – it is never a battle – that ended in relief and release in January 2016.
O’Connor said he could be “incredibly confident and happy” with the Leeds United angle. He has taken every care – like the remarkable staff at dementia care homes – to bring similar authenticity to the dementia thread, backed by the work of Playhouse theatre and dementia research consultant Dr Nicky Taylor and the Courtyard corridor exhibition that rewards early arrival for perusal.
Director Gitika Buttoo says O’Connor’s play is “for the people of Leeds, showing how football ripples through all the corners of life…but that story, while rooted in Leeds, is universal”. She’s right. You could transplant the structure to any football club’s origin story, such is the ubiquity of a supporter’s jam-side-down relationship with fate, while dementia is becoming pervasive.
In this story, Reece Dinsdale’s life-long Leeds United fan Howard Wright is in the early throes of dementia, his life-changing diagnosis coinciding with director of football Victor Orta’s left-field pursuit and recruit of Marcelo Bielsa to end LUFC’s wilderness years amid the Championship tundra.
The volcanic Orta is represented physically by one of two Paul Madeleys in Buttoo’s cast, the multi-role-playing Dean Smith (regular “Championship will Championship” contributor to The Square Ball podcast, by the way).
He teams up with Everal A Walsh in three partnerships, representing the club management (Orta and a calmer presence alongside); the fans, a diehard Elland Road attendee and a disaffected deserter newly magnetised by Bielsa’s beautiful game; and the media, podcasting and match dissecting much in the healthily cynical/sceptical/supportive style of The Square Ball, quirky adverts et al.
Unlike the omnipresent Clough in The Damned United, Bielsa is not portrayed physically (save for a delightful fantasy sequence where he dances the Argentine Tango with Shobna Gulati’s Sue in Newell’s Old Boys kit in his 1970s’ defender days). Nor is he symbolised by Bielsa’s Bucket (on which he would surely perch if the club were ever to bestow him a statue).
Instead, as mystical as Clint Eastwood’s Man With No Name turning up out of nowhere, and more in keeping with Irek “Tankpetrol” Jasutowicz’s Bielsa mural at Hyde Park Corner, St Marcelo appears in a stained glass window, beatific, aura aglow, high above his Peacock flock, within set designer Amanda Stoodley’s open-plan framework of a church. How fitting!
Church structure meets the kitchen-sink drama of the Wright household’s kitchen and sitting room, home to Dinsdale’s Howard and fellow Leeds devotee Sue (Gulati), joined regularly by daughter and putative chef Hazel (Natalie Davies).
They will, in the words of the club anthem, go through it all together, both Howard’s descent into dementia and Leeds United’s typically flattering-to-deceive yet, hardly a spoiler alert, ultimately sublime rise to the Premiership’s golden gates that coincided with Covid’s lockdowns.
Two forms of distancing then play out: the fans consigned to listening to Adam Pope on BBC Radio Leeds, and Howard’s losing his sentient powers to dementia’s corrosion and erosion.
O’Connor writes brilliantly and so movingly of this struggle: the “forgetfulness”, the sudden moments of lucid clarity (such as naming Don Revie’s champion team); Howard’s wish to not be a burden to his family by listing preparations to move to a care home while he still has the mental minerals to make that decision.
More and more sticker messages are placed around the house to help Howard navigate his way through each day’s routines; daughter Hazel starts to question whether the measures they take are worth it; Sue is consigned to hospital with Covid, at which point Dinsdale’s performance hits new heights.
All the while, he and Sue will sing Marching On Together as the couple’s love song, “We love you, Leeds, Leeds, Leeds” replaced by “I love you Sue, Sue, Sue”.
We know how it ended for LUFC, with promotion, only to be followed inevitably by Leeds falling apart again (as Walsh’s fan laments to the biggest knowing laughs).
We know how it will end for Howard, so we don’t need to see it. They will go through it all together, like Leeds United’s motto, side before self.
Dinsdale, a Playhouse luminary since 1990’s debut production of Wild Oats after the Quarry Hill relocation, is terrific in his King Lear for the football masses, all the more so for putting his Huddersfield Town allegiances to one side to embrace Leeds United.
The ever supportive Gulati, always a hit with Leeds audiences, the doughty Davies and the Smith-Walsh double act at the treble are tremendous too under Buttoo’s direction that makes the play work for fan and theatre lover alike.
You will laugh, you will cry, you will cheer and groan, you will sing the songs, just like at Elland Road; you will miss Marcelo and you will know someone like Howard. At some we shall all have to go through it together, as we have our ups and downs.
Chris O’Connor has told a story of the everyman (Howard) and the extraordinary (Bielsa) with dignity, distinction and devotion.
Through It All Together, Leeds Playhouse, at least until the world stops going round, or more precisely July 19. Box office: 0113 213 7700 or leedsplayhouse.org.uk.
Richard Hawley: Made in Sheffield, played in York. Picture: Dean Chalkley
SHEFFIELD singer-songwriter Richard Hawley is the latest addition to Futuresound Group’s second summer of Live At York Museum Gardens concerts, confirmed for July 5.
Hawley, 58, will be marking the 20th anniversary of Coles Corner by performing his Mercury Music Prize-nominated 2005 album in full for the first time with a string section, alongside a selection of favourites from his 11 albums, from 2001’s Late Night Final to 2024’s In This City They Call You Love.
Hawley will be joined by 2024 Mercury Music Prize-winning Leeds band English Teacher and England-based New Jersey songwriter and multi-instrumentalist BC Camplight. Gates will open at 5pm. The show poster offers the promise of “More To Be Announced”. Watch this space.
Leeds band English Teacher
York exclusive postcode presale (YO1, YO24, YO30, YO31 and YO32) will go on sale from 10am on Thursday (6/3/2025) at futuresound.seetickets.com/event/richard-hawley/york-museum-gardens/3237716?pre=postcode. General sale tickets will be available from 10am on Friday (7/3/2025) at https://futuresound.seetickets.com/event/richard-hawley/york-museum-gardens/3237716.
Hawley’s open-air York gig will coincide with the 20th anniversary re-issue of Coles Corner, available on Parlophone/Rhino from July 4 on Half-Speed master black vinyl, housed in a gatefold sleeve, 2CD deluxe edition, featuring B-sides and previously unreleased acoustic tracks, and limited-edition bundles. To pre-order, go to http://lnk.to/RichardHawleyCC20
Leeds-based promoters Futuresound Group already have announced Elbow, Ripon-born, London-based singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution for July 3 (SOLD OUT) and Nile Rodgers & CHIC and Jalen Ngonda for July 4 (tickets: seetickets.com/event/nile-rodgers-chic/york-museum-gardens/3257099).
New Jersey singer, songwriter and multi-instrumentalist BC Camplight
Coles Corner was former Longpigs and Pulp guitarist Hawley’s third studio album and his first for Mute Records. Recorded in Sheffield’s Yellow Arch Studios and co-produced with his long-time bassist Colin Elliot and Mike Timm, it featured Shez Sheridan (guitars), Jon Trier (keyboards), Jonny Wood (upright bass) and Andy Cook (drums).
Inspired by Hawley’s love of vintage 1940s and 1950s’ chamber pop, country, blues and rock’n’roll, they conjured a set of intimate love songs full of nostalgia, regret, sadness and a bittersweet atmosphere that bore witness to Hawley’s abiding love and passion for his home city of Sheffield.
Nowhere is this better exemplified than on title track Coles Corner, named after a former Sheffield department store where couples met, its romance captured in sweeping strings and swooning chorus on a universal paean to the loneliness of the city at night.
Futuresound Group’s poster for Richard Hawley’s Live At York Museum Gardens concert on July 5
Beautiful balladry in Born Under A Bad Sign and Darlin’ Wait For Me rubbed shoulders with Hawley’s love of country and early rock’n’roll in Hotel Room, I Sleep Alone and Just Like The Rain.
The most epic number was The Ocean, to this day a fan favourite in concert. Written on a family holiday in the shadow of Cornwall’s Minack Theatre (with a video later filmed at the same location), the recording featured one of Richard’s best baritone vocals.
The vinyl and CD1 track listing will be: Coles Corner; Just Like The Rain; Hotel Room; Darlin’ Wait For Me; The Ocean; Born Under A Bad Sign; I Sleep Alone; Tonight; (Wading Through) The Waters Of My Time; Who’s Gonna Shoe Your Pretty Little Feet? and Last Orders.
Richard Hawley in Coles Corner days in 2005. Picture: Joe Dilworth
The second CD of single versions, B-sides and acoustic versions comprises: The Ocean – Single Version; Just Like The Rain – Single Version; Born Under A Bad Sign – Single Version; Hotel Room – Single Version; Long Black Veil; Room With A View; I’m Absolutely Hank Marvin; Dark Road; Kelham Island; Some Candy Talking; Young And Beautiful; I’m Just Here To Get My Baby Out Of Jail; Can You Hear The Rain Love?; Coles Corner – Acoustic Version; Hotel Room – Acoustic Version; Darlin’ Wait For Me – Acoustic Version; I Sleep Alone – Live at Sheffield City Hall and A Bird Never Flew On One Wing.
Tickets will go on sale on March 14 for further performances of Coles Corner with a string section at Boston Gliderdrome, September 5; Portmeirion Village, Wales, September 6; Blackpool Tower Ballroom, September 12; Margate Dreamland, October 3, Worthing Assembly Hall, October 4, and Weston-super-Mare Grand Pier, October 10. Box office: seetickets.com.
Richard Hawley’s album cover artwork for 2005’s Coles Corner, photographed outside the Stephen Joseph Theatre, Scarborough
The Delma Tomlin sculpture in the York Trailblazers trail of tansy beetle artworks
TRAILBLAZERS in beetle form, Georgian festivities, colliery band dramas, and riverside art take Charles Hutchinson in different directions in the week ahead.
Trail of the week: York Trailblazers, around York city centre, August 1 to September 30
FACT of the day: the river Ouse has the largest population of tansy beetles in the United Kingdom. Now sculptures of these insects form a new trail, York Trailblazers, a celebration of York’s unsung heroes mounted by York Civic Trust and Make It York with National Lottery Heritage Fund support.
Nominated by the public and community groups, the Trailblazers project highlights remarkable individuals who have made a difference to people’s lives either locally or globally.
Author Terry Deary: Introducing his new novel at the York Georgian Festival this evening
Festival of the week: York Georgian Festival, today to Sunday
THE second York Georgian Festival opens tomorrow, when Horrible Histories author Terry Deary’s 6pm showcase of his new novel, A History Of Britain In Ten Enemies, will be an early highlight.
Tours, talks and fascinating hidden Georgian gems will be at the heart of the festival. The first York Georgian Ball will be held at the Grand Assembly Rooms (now home to the ASK Italian restaurant) on Saturday at 7pm. Look out for Mad Alice’s Rogues Gallery Tour around the city at 4pm on Saturday and Sunday. For the full programme and tickets, head to: yorkgeorgianfestival.co.uk.
Brass band blues: A scene from Brassed Off at the Stephen Joseph Theatre, Scarborough
Play of the week outside York: Brassed Off, Stephen Joseph Theatre, Scarborough, tomorrow (2/8/2024) to August 31
ADAPTED for the stage by Paul Allen from the 1996 screenplay by York filmmaker Mark Herman, Brassed Off takes to the stage in a co-production by Keswick’s Theatre by the Lake, Scarborough’s Stephen Joseph Theatre and Bolton’s Octagon Theatre, directed by Liz Stevenson.
The setting is 1994, ten years after the miners’ strike, when the tight-knit mining community of Grimley, Yorkshire, is fighting to keep the colliery open. Once the uncertainty around the pit’s future becomes too much for the pit band members, loyalty is tested, pressure mounts and the community begins to break apart. Can the band find a way to play on? Box office: 01723 370541 or sjt.uk.com.
Yard Act: Leeds art rock band play in their backyard on Saturday. Picture: Phoebe Fox
Leeds gig of the week: Yard Act, Here’s Our Utopia, Leeds Millennium Square, August 3, doors 6pm; 10.30pm finish
LEEDS art rock band Yard Act play their biggest gig yet on home turf at Leeds Millennium Square this weekend in the wake of the March release of second album Where’s My Utopia?.
Co-produced by James Smith’s indie quartet and Gorillaz member Remi Kabaka Jr, the album peaked at number four, following the number two success and Mercury Prize shortlisting of 2022 debut The Overload. Support acts will be English Teacher, Fat Dog and Ultimate Thunder. Box office: 0113 376 0318 or millsqleeds.com/whatson-event/yard-act/.
Laura Joy’s poster design for the 2024 York River Art Market weekends. She will be participating in all six days. Check out her work at laurajoydesign.co.uk
York’s answer to the Left Bank in Paris: York River Art Market, August 3 and 4; August 10 and 10; August 17 and 18, 10am to 5pm
ORGANISED by jewellery designer and York College art tutor Charlotte Dawson, York River Art Market returns to the riverbank at Dame Judi Dench Walk for a ninth summer season from this weekend.
Up to 30 artists and makers per day will be exhibiting ceramics, jewellery, paintings, prints, photographs, clothing, candles, T-shirts, shaving products and more. “We care that each of the six events are never the same, so we host a different variety of creatives at each one,” says Charlotte. Admission is free.
Richard Hudson’s Unwind: On show at Thirsk Hall Sculpture Garden. Picture: Celestine Dubruel
Exhibition of the week: Thirsk Hall Sculpture Garden, Kirkgate, Thirsk, open Wednesdays to Saturdays, 11am to 5pm, last entry 4pm
THIRSK Hall Sculpture Garden showcases modern and contemporary sculptures in 20 acres of walled gardens and parkland at the grade II-listed town house, complemented by artwork in Gallery One and The Orangery.
Artists on show include Farnoush Amini, Kenneth Armitage, Tere Chad, Tim Ellis, Laura Ford, Richard Hudson, Jeff Lowe, Gerald Laing, Michael Lyons, Trory Menage, Zak Ové, Tim Pomeroy, William Tucker, Austin Wright and Emily Young. To find out more about the 2024 exhibition, visit willoughnygerrish.com. Tickets: thirskhall.com/sculpture-garden.
Chris Hagyard, pictured in Guys And Dolls mode, will sing in Bev Jones Music Company’s One Night Of Broadway Hits
Musical revue of the week: Steve Coates and Bev Jones Music Company present One Night Of Broadway Hits, Joseph Rowntree Theatre, York, August 3, 2.30pm and 7.30pm
BEV Jones Music Company performs hits from 26 musicals, including Guys And Dolls, in an unashamedly traditional fashion under the musical direction of James Rodgers.
His band is joined in this moving, lively and at times funny show by vocalists Chris Hagyard, Annabel Van Griethuysen, Anthony Pengelly, Ruth McNeil, Sally Lewis, Stephen Wilson, Geoff Walker and producer Lesley Jones, back on stage for this show, wearing a silver cat suit unseen since 2010, when she played Vera in Stepping Out. Box office: 01904 501395 or josephrowntreetheatre.co.uk.
Hurry up Harry: The Three Inch Fools cast for The Secret Diary Of Henry VIII at Helmsley Walled Garden
Ryedale play of the week: The Three Inch Fools in The Secret Diary Of Henry VIII, Helmsley Walled Garden, August 6, 7pm; gates 6pm
THE Three Inch Fools, founded by the Cumbrian Hyde brothers, producer James and writer, composer and director Stephen, present an essential guide on how to keep your head in the Tudor Court in a new comical take on Henry VIII and his six-pack of infamous wives.
Unexpectedly thrust into the limelight, Henry must navigate the ups and downs of courtly life, all while fighting the French yet again and re-writing religious doctrine. Bring chairs, blankets, picnics, but not umbrellas. Park in the Cleveland Way car park. Box office: 01439 771700, helmsleyarts.co.uk or threeinchfools.com.
Korn-ucopia of heavy metal hits at Scarborough Open Air Theatre on August 8
Coastal gig of the week: Korn, Scarborough Open Air Theatre, August 8, gates 6pm
FORMED in California in 1993, Korn continue to push the limits of alt. rock and heavy metal after 40 million album sales, two Grammy awards and countless tours. Expect to hear such anthems as Blind, Falling Away From Me, Here To Stay, Freak On A Leash, Twisted Transistor, Make Me Bad and Did My Time as their European tour arrives in Yorkshire. Support acts will be Wargasm and Loathe. Box office: scarboroughopenairtheatre.com/korn.
Riley Catherall: Playing Pig & Pastry, York, on a tour that takes the Australian singer-songwriter to Nayland, Kirton in Lindsay, High Wycombe and Stockholm, Uddevalla and Oland in Sweden
Introducing: Riley Catherall, Pig & Pastry, Bishopthorpe Road, York, August 8. Doors: 7.30pm for 8pm start
MELBOURNE singer-songwriter Riley Catherall’s graceful trajectory into the Australian alt-country world has not gone unnoticed. So much so that he will be playing in York on Thursday, promising songs of poetic sincerity from his June 14 sophomore album The Light, The Beautiful Liar and his 2021 debut When I Go, a record focused on leaving, losing love and finding somewhere to settle down. Box office: wegottickets.com/event/624233/.
Anastacia: Playing York Barbican next May on her Not That Kind 25th Anniversary Tour
Gig announcement of the week: Anastacia, Not That Kind 25th Anniversary Tour, York Barbican, May 4 2025
CHICAGO singer-songwriter Anastacia will play York Barbican as the only Yorkshire concert of the 13-date British and Irish leg of her Not That Kind tour next year, marking the 25th anniversary of her debut album.
“I didn’t get to do a tour for my first album, which makes this all the more special,” says Anastacia. “I can’t believe it’s been 25 years since Not That Kind; we will be sure to celebrate in true Anastacia style. It’ll be one big anniversary party. I can’t wait to see you all there !” Box office: yorkbarbican.co.uk/whats-on/anastacia-2025/.
In Focus:The Magpies Festival, Sutton Park, near York, August 9 and 10
Actress, vocalist and accordion player Natalia Tena fronts Molotov Jukebox at The Magpies Festival, backed by Balkan fiddle, Latin trumpet and a pounding rhythm section, on Friday
RUN by transatlantic folk band The Magpies, The Magpies Festival is rooted in the trio’s native Yorkshire, where they first met. Now in its fourth year, the 2024 event will be headlined on Friday on the main stage by bi-lingual six-piece Molotov Jukebox at 10pm, preceded by Chris While & Julie Matthews, 6pm, and Jim Moray, 8pm.
Friday’s Brass Castle Stage bill features Em Risley, 5pm; Taff Rapids Stringband, 7pm; The Turbans, 9pm, and Easingwold musician Gary Stewart’s Graceland, 11pm.
Saturday’s main stage bill will be topped by Sam Kelly & The Lost Boys at 10pm, preceded by Charm Of Finches, 12 noon, The Often Herd, 2pm, Jesca Hoop, 4pm, The Magpies, 6pm, and Nati (formerly known as Nati Dreddd), 8pm. Saturday’s Brass Castle Stage line-up comprises Painted Sky, 1pm; Suntou Susso, 3pm; Northern Resonance, 5pm; Awkward Family Portraits, 7pm, and Marvara, 9pm.
Festival organisers The Magpies
The all-female The Magpies – Bella Gaffney (singer, songwriter, guitarist and banjo player), fellow founder Holly Brandon (fiddle player and tunesmith) and Ellie Gowers (guitarist, singer and songwriter) – are set on championing gender equality in the music industry, achieving gender parity in both line-up and staff, as well as providing a safe and comfortable environment for female musicians and festival goers.
Festival director Holly Brandon says: “We are so excited to put on The Magpies Festival. We’ve been over the moon at the response to the festival, from the incredible performances from world-class folk musicians to the high-energy spirit that our attendees brought along. It’s felt like a whole new feel to a folk festival.”
Box office: themagpiesfestival.co.uk/tickets.
Sam Kellly & The Lost Boys: To be found at The Magpies Festival at Sutton Park on Saturday
The best things in life are free…or on offer: York Residents’ Festival 2024
TWO days of York celebrating all things York lead off Charles Hutchinson’s tips for cultural fulfilment, from Eighties’ nostalgia to a monster musical, a ghost story’s return to a singing French iconoclast.
York Residents’ Festival 2024, today and tomorrow
YORK Residents’ Festival returns this weekend with free entry or offers on more than 50 York attractions, restaurants, bars and retailers.
For the weekend organised by Make It York, historical attractions such as York Minster, Jorvik Viking Centre, Clifford’s Tower, Fairfax House, Barley Hall, Merchant Adventurers’ Hall and Treasurer’s House will be opening their doors for free to residents across the weekend.
Residents can also take advantage of a free river cruise with City Cruises, free wizard golf at The Hole In Wand, in Coppergate Walk, and the first 100 visitors can visit for free at York’s Chocolate Story, King’s Square.
Offers at York eateries and restaurants include The Grand, Rio Brazilian Steakhouse York, Ambiente Tapas and Pearly Cow. Retail offers exclusive to residents are available at Avorium, York Gin, Love Cheese, Potions Cauldron and more besides.
For those preferring to explore by foot, offers and discounts apply to walking tours and outdoor activities. Mountain Goat will be taking residents off the beaten path to explore the beautiful Yorkshire countryside, while the family-friendly Wizard Walk of York promises to be spellbinding. Or why not learn to abseil and climb Brimham Rocks, at Brimham Moor Road, Summerbridge, Harrogate?
Step this way for The Wizard Walk of York
To take advantage of York Residents’ Festival offers, you must present a valid York Card, student card or identity card (e.g. driving licence or bus pass) that proves York residency by clearly stating ‘York’.
Make It York managing director Sarah Loftus says: ‘We’re delighted that we have so many York businesses providing fantastic offers for Residents’ Festival weekend. This is a great opportunity for residents to rediscover some of the brilliant attractions, retail and food offers on their doorstop.
“A huge thank-you to our Visit York members for coming together to provide so many brilliant offers; there’s something for everyone during this fun-packed weekend.”
Meanwhile, Ann Petherick is reopening Kentmere House Gallery, in Scarcroft Hill, York, for a new year of exhibitions in time to coincide with the second day of York Residents’ Festival: tomorrow, from 11am to 5pm.
On show are original works of York and Yorkshire by more than 50 professional artists, plus prints, books and cards exclusive to the gallery. The first full weekend opening in 2024 will be on February 3 and 4, 11am to 5pm. Admission is free.
For the full list of offers, and for booking information for York Residents’ Festival, visit visityork.org. Please note, some venues and activities require pre-booking.
Celia Crwys Finnigan and Laura Sillett: On song for The 80’s Movie Mixtape at the Joseph Rowntree Theatre, York
Nostalgic gig of the week: The 80’s Movie Mixtape, Joseph Rowntree Theatre, York, tonight, 7.30pm
THE 80’s Movie Mixtape is a truly independent theatre show showcasing West End singers and musicians from around London and Surrey in a new tribute to Eighties’ blockbuster movies and their electrifying soundtracks.
A band of six actor-musicians – Jamie Ross, lead vocals, keyboard; Celia Crwys Finnigan, lead vocals, keyboard, alto saxophone; Laura Sillett, lead vocals, keyboard, baritone saxophone; Dom Gee-Burch, lead guitar; Ed Hole, bass, and Luke Thornton, drums – combine songs from Footloose, Top Gun, The Breakfast Club, Ferris Bueller’s Day Off, Dirty Dancing, Back To The Future, American Gigolo, Ghostbusters, Flashdance, Against All Odds and Electric Dreams with Eighties’ party anthems. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Percy: Performing at Navigators Art & Performance’s Basement Sessions 3 night of music, comedy, spoken word and poetry
On the move: Navigators Art & Performance, The Basement Sessions 3, The Basement, City Screen Picturehouse, York, February 23, 7.30pm
YORK creative collective Navigators Art & Performance is moving this weekend’s Basement Sessions 3 bill to next month. “Unfortunately, the Basement is ankle deep in flood water and we’re going to have to postpone the gig this Saturday,” says co-founder Richard Kitchen.
Taking part will be poet and actor Danae, from Mexico via York; “punk/jazz riot” Neo Borgia Trio, from the University of York Big Band; writer, poet, performer and multi-instrumentalist JT Welsch; comedian Will Glitch, from Norwich via Hull; left-field post-punk favourites Percy; acoustic duo The Jammingtons Experience and transatlantic guitar band Fat Spatula. Box office: https://bit.ly/nav-events-all.
English Teacher: Leeds band heading for York tomorrow
Independent Venue Week gig of the week: English Teacher, The Crescent, York, tomorrow, 7.30pm
“LEEDS’ music scene is the best in the world,” proclaims Lily Fontaine, English Teacher’s vocalist, guitarist and synthesiser player, without a blink of hesitation. This weekend she heads to near-neighbour York with bassist Nicholas Eden, drummer Doug Frost and lead guitarist Lewis Whitling, who she first met at house parties while they all studied at Leeds College of Music (now Leeds Conservatoire).
After tinkering with projects of their own, they settled on playing together, developing their fusion of dream pop and post-punk noise. Coming next? Writing new songs “somewhere between Adele, Jockstrap and Fontaines D.C.”. Box office: for returns only, thecrescentyork.seetickets.com.
Mark Hawkins as The Actor, left, and Malcolm James as Arthur Kipps in The Woman In Black, on tour at the Grand Opera House, York. Picture: Mark Douet
Haunting return of the week: The Woman In Black, Grand Opera House, York, Tuesday to Saturday, 7.30pm; 2.30pm Wednesday and Saturday matinees
STEPHEN Mallatratt’s stage adaptation of Scarborough author Susan Hill’s spine-chiller returns to York for the umpteenth time, directed as ever by Robin Herford. As he did at York Theatre Royal in November 2014, Malcolm James plays lawyer Arthur Kipps, who engages a sceptical young actor (Mark Hawkins) to help him tell his terrifying story and exorcise the fear that grips his soul. Box office: atgtickets.com/york.
Following the science: James Willstrop’s Dr Frederick Frankenstein in Pick Me Up Theatre’s Young Frankenstein. Picture: Jennifer Jones
Musical of the week: Pick Me Up Theatre in Young Frankenstein The Musical, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee
WHEN the infamous Victor Frankenstein’s grandson, Dr Frederick Frankenstein (James Willstrop), inherits the family castle in Transylvania, will he be doomed to repeat the same mistakes in Mel Brooks’s musical adaptation of his 1974 monster horror-movie spoof?
Andrew Isherwood directs York company Pick Me Up Theatre as Frankenstein’s experiment yields both madcap success and monstrous consequences with the help and hindrance of hunchback henchman Igor (Jack Hooper), Scandinavian assistant Inga (Sanna Jeppsson), mysterious housekeeper Frau Blucher (Helen Spencer) and needy fiancee Elizabeth (Jennie Wogan-Wells). Box office: 01904 501395 or josephrowntreetheatre.co.uk.
Guz Khan: York and Leeds gigs this winter
Comedy gig of the week: Guz Khan Live!, York Theatre Royal, Wednesday, 7.30pm
COVENTRY comedian, impressionist and actor Guz Khan is on his way to selling out York Theatre Royal after his February 25 gig at Leeds City Varieties already did so. Raised on a housing estate in Hillfields, he graduated from Coventry University and taught Humanities at Grace Academy in his home city before focusing on stand-up.
Khan, 38, is best known as the creator and star of the BBC Three comedy drama Man Like Mobeen, wherein he played a former Small Heath drug dealer now trying to live a good life as a Muslim. Box office: “Last tickets” on 01904 623568 or yorktheatreroyal.co.uk.
Cantona Sings Eric: Maverick footballer-turned-musician returns to Leeds for April concert. Poster picture: supplied by Academy Music Group
Most unexpected Yorkshire gig announcement of the week: Eric Cantona, Cantona Sings Eric, Leeds O2 Academy, April 16, doors, 7pm
ERIC Cantona once told Leeds United fans from the balcony of Leeds Town Hall, “why I love you, I don’t know why, but I love you” as the 1992 league champions paraded the Division One trophy. Only 207 days later, he was gone…to bitterest rivals Manchester United. Never to be forgiven.
Now 57, the avant-garde French footballer, sardine philosopher, actor, English advert regular and painter “to the rhythm of jazz” is to return to the city. Not in one of those “An Evening With” shows full of nostalgic football chat but as Eric Cantona, singer and musician, performing solo, with piano and cello for company. Box office: academymusicgroup.com/o2academyleeds/events or ticketmaster.co.uk/eric-cantona-tickets.
David Hammond: Performing works by work by Erik Satie, Brian Eno, Federico Mompou, Howard Skempton, David Power and Derek O’Connell
Piano recital of the week: Late Music presents David Hammond, St Saviourgate Unitarian Chapel, York, Friday, 1pm
DAVID Hammond performs a crossover of ambient and classical solo piano music centred on work by Erik Satie, Brian Eno, Federico Mompou and Howard Skempton, with new works by David Power and Derek O’Connell in the first Late Music recital of 2024.
The full programme will be: Erik Satie, Gnossiennes 1-3; Harold Budd/Brian Eno, The Plateaux Of Mirror; Derek O’Connell, Je mesure le son (first performance); John White, Sonata 95; David Power, Seven Paces Of Stillness (first performance); Erik Satie, Pièces Froides: No.2 Danses de travers; Federico Mompou, Cants Mágics; Howard Skempton, Well, Well Cornelius; Howard Skempton, Rumba; Howard Skempton, Quavers; Budd/Eno/Power mash-up, Remembered, and Erik Satie, Gnossiennes 4-5. Tickets: £5, latemusic.org/david-hammond-piano-2/ or on the door.
In focus: Exhibition launch of the week: Pyramid Gallery, York, from 11am today
One of Linda Combi’s 52 Postcards, painted in 2023
FOUR exhibitions are opening simultaneously today at Pyramid Gallery: Gomery & Braganza, ceramics and painting; Linda Combi’s 52 Postcards; glassmaker Jo Kenny’s What Lies Beneath and Ringleaders’ contemporary handmade rings.
Di Gomery, Loretta Braganza, Linda Combi and Jo Kenny all will be attending the 11am to 2.30pm launch. “Come along to the opening and enjoy a glass of wine or soft drink with the artists,” says gallery owner and curator Terry Brett.
Di’s studio is at South Bank Studios, Southlands Methodist Church, in Bishopthorpe Road, York. Her paintings are lyrical responses to landscape, still life and the human form, painted primarily in oil on canvas or board, often large in scale. Her approach is one of playful energy with an underlying structure and solidity.
Di, who worked in the design industry for Courtaulds (England) and Jakob Schlaepfer couture fabric design (Switzerland), has exhibited previously at Pyramid Gallery, Partisan café, in Micklegate, York, HartLaw Solicitors, in Wetherby, Dean Clough Gallery, Halifax, and the Fronteer Gallery, Sheffield.
Paintings created specifically for this Pyramid exhibition explore edges and volume, make reference to other artists, and generally play with surface and colour combinations. Her artistic influences include the work of British and American women abstract expressionists.
Loretta was born in Mumbai, India, came to Great Britain in 1965 and lives and works in York. She began her practice as a ceramicist in 1990 via a career in dance, graphic arts, textile design and sculpture, as well as teaching drawing and painting at York College.
Loretta Braganza and Di Gomery
Her distinctive style comprising taut edges, clean lines and complex mark making swiftly earned her exhibitions and commissions, as well as awards from the Crafts Council and the Arts Council.
Artist and illustrator Linda Combi, raised in a California desert, now settled in York, returns to Pyramid Gallery, this time with 52 Postcards, a series of original collage paintings, print cards and booklets that reflect on migration.
“I was inspired to create 52 postcards around the theme of displacement,” she says. “I decided to create postcards as you’d typically send them when you’re on holiday to family and friends back home, but for refugees, they can have very different connotations. It’s grounded in the concept of refugees being in another place, writing a letter to home or to their former self.
“In many of my postcards I use birds as a symbol for people forced to flee. They’re innocent, and they’re on the move.”
Linda’s postcards are mixed media, primarily hand painted and printed papers, but also incorporating coloured pencil, pen, stickers and crayon.
“Refugees and other displaced people have to endure so much,” she says. “Everyone should support refugees – not only do they enrich society, but more than anything, it’s just basic kindness and human empathy to understand how frightening it must be to be to have to flee.”
Glassmaker Jo Kenny at work in her studio
Fifty per cent of Linda’s sale proceeds will go to UNHRC, the United Nations High Commissioner for Refugees agency mandated to aid and protect refugees, and the Lemon Tree Trust, an organisation that works alongside displaced people to transform refugee camps through gardening.
Glassmaker Jo Kenny creates pieces at the furnace inspired by exploring the beaches at Whitby, where she now lives. Such a simple childhood pleasure revisited, she finds a contemplative quality in the act of poking around in rock pools. “I feel the joy and excitement of discovery under each pebble,” she says.
Her What Lies Beneath series encourages the viewer to “look a little deeper and maybe feel a little of that childlike excitement making their own discoveries”.
Awarded an Arts Council England grant, Jo was able to develop the series further in collaboration with Scottish master craftsman Gordon Taylor, who completed pieces with his cutting and polishing skills.
Jo splits her time between making and teaching. Her key themes are the effect of the passage of time, erosion, entropy, persistence of image and all things pertaining to the ocean.
Di Gomery and Loretta Braganza’s exhibition runs until March 11; Linda Combi’s 52 Postcards until March 9; Jo Kenny’s glass until March 7, at Pyramid Gallery, Stonegate, York. Gallery opening hours are:Monday to Friday, 10am to 5pm; Saturdays, 10am to 5.30pm. The project can be viewed at Linda’s website, lindacombi.biz, from where purchases can be made too.
