Tag: Estabrak

SCARBOROUGH Museums Trust is introducing a dynamic approach to its collections, learning and exhibition programming with a series of new digital commissions from artists nationwide in response to the Coronavirus crisis.

The trust, in charge of Scarborough Art Gallery, the Rotunda Museum and Woodend, has been working with Flow Associates to develop a new way of working across the organisation.

This will involve using a method called the “Story of Change”; in a nutshell “defining the change you want before choosing the tools to achieve or measure it”.

Andrew Clay, the trust’s chief executive, says: “We want our work to make an impact. Defining that impact before we plan our exhibitions and wider programme means we can ensure we are relevant and responsive to our communities all the time.”

Key to this progression is a commitment towards diversity, inclusion and equality of access, leading to the trust finding innovative ways to promote this message.

A wide range of artists, among them Lucy Carruthers, Estabrak, Kirsty Harris, Wanja Kimani, Jade Montserrat, Jane Poulton and Feral Practice, have been asked to create digital artworks, to be released online over the next four months across myriad social media platforms.

Clay says: “It’s so important to have access to the arts and culture at this difficult time: for many people, they’re a thought-provoking lifeline and have a proven positive effect on our mental health.”

Simon Hedges, the trust’s head of curation, collections and exhibitions, says: “Museums and galleries have a social responsibility to support communities, now more than ever before.

“We can provide a platform for creative expression that enables artists to share their messages to communities in lockdown. Their artworks can support personal wellbeing or become an opportunity to consider some of these wider issues.”

As part of its commitment to access, the trust has been working with artistic producer Sophie Drury-Bradey and disability activists Touretteshero to ensure people with diverse minds and bodies can become more engaged in its work.

Hedges says: “Before the lockdown, we started to explore how access can be a creative stimulus for our projects and how to extend a warm welcome to our disabled communities.

“We’re now looking at the lockdown as an opportunity to continue this work and find creative and imaginative ways of ensuring people can access our digital content.”

The trust has committed to embrace a range of access “tools” to accompany the digital content to support as many people as possible to connect. Scarborough illustrator Savannah Storm, for example, will create visual guides, or “social stories”, to provide audiences with downloadable information on what to expect before accessing digital content.

Alongside this, subtitles will be used wherever possible, with audio descriptions to follow. The first Gallery Screenings Online event this evening at 7pm will incorporate a live Q&A session being accompanied by live captioning.

Audio descriptions will support children and families with visual access requirements for the first digital commission by Kirsty Harris, narrated by 11-year-old Ruby Lynskey, from Scarborough.

Supporting children and families to access content is important to the trust’s learning manager, Christine Rostron: “We’re looking at a range of ways to help families engage with the learning activities we’re about to launch online in fun, age-appropriate ways,” she says. “Using a local child to produce audio descriptions is much more relatable than the voice of an adult BBC presenter!”

The trust’s intention is to continue this work for the long term, as Clay reasons: “Being inclusive and accessible is not an add-on: it’s becoming part of our DNA.”

The artists involved in the New Digital Commissions project all will be participating in exhibitions at Scarborough Art Gallery and the Rotunda in 2021.

Lucy Carruthers will explore how we forge connections at a time of distancing. Her interest in the relationship between inside and outside is all the more pertinent during lockdown, wherein she asks how social isolation affects museum objects.

Estabrak’s Homecoming is a multi-layered touring and participatory project using community engagement, film, sound and paint for cross-cultural exchanges built around home, identity, and displacement.

The project started in 2019 in Hull and Brighton and now Estabrak will conduct the social experiment Homecoming: A Placeless Place, inviting honest expression and participation through ultraviolet light, invisible ink and dark spaces, introduced digitally to communities in Scarborough. 

Kirsty Harris is constructing a new digital project for children and families during social distancing that imaginatively will bring to life objects in the trust collection to connect with children struggling with social isolation.

Wanja Kimani will be creating walking journeys from a child’s eye view as she spends more time noticing the world around her and her sensory experiences become amplified.

Jade Montserrat will consider the socio-political impact of lockdown and “encourage us to discover new ways of being based on mutual support, rather than a model that exacerbates existing social inequalities”.

Jane Poulton’s series of photographs and text will focus on personal objects she owns in order to consider whether those that mean the most to us are often acquired at times of crisis and what comfort they bring.

Feral Practice will develop a digital artwork leading to a major commission on the theme of extinction for 2021.

The new digital works will be available to view shortly via Scarborough Museums Trust’s:

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