Tag: Everybody's Talking About Jamie

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What’s On in Ryedale, York and beyond. Hutch’s List No. 43, from Gazette & Herald

Teacher Miss Hedge (Katie Spencer) steps in between school bully Dean Paxton (Cain Branton), left, and dreamer Jamie New (Frankie Bounds) in York Stage’s Everybody’s Talking About Jamie

FROM a couple all at sea at the SJT to Yorktoberfest in a circus big top,  a piratical twist on The Comedy Of Errors to Bison Hip’s blues, Charles Hutchinson recommends ways to stay cheerful.

Bold and unapologetic musical of the week: York Stage in Everybody’s Talking About Jamie, Grand Opera House, York, until Saturday; 7.30pm plus 2.30pm Saturday matinee

TOM MacRae and Dan Gillespie’s Sheffield musical plays the Grand Opera House for the first time in Nik Briggs’s production for York Stage that restores the grit to both complement and counter the glitz in the uplifting underdog story of Jamie New (Frankie Bounds), a 16-year-old schoolboy from a Steel City council estate with big dreams and the courage to stand out when it would be easier to stay quiet.

Equipped with the strength to face the world head on, Jamie fights prejudice, finds his voice and discovers the freedom of stepping into the spotlight on his own terms. Box office: atgtickets.com/york.

Over-reaching strategy: Phil Corbitt’s Colin puts yet another plan to Sarah Belcher’s exhausted Deborah in Alison Carr’s All At Sea

Premiere of the week: Stephen Joseph Theatre and Live Theatre, Newcastle, present All At Sea, Stephen Joseph Theatre, Scarborough, until October 31

MARIA Crocker directs Phil Corbitt and Sarah Belcher in All At Sea, Alison Carr’s new play inspired by the real-life escapades of John and Anne Darwin in the early 2000s.

Colin and Deborah are a couple with spiralling debt, a sky-high mortgage and seemingly nowhere to turn. Then Colin comes up with the idea of faking his own death in a canoeing accident in the North Sea for an insurance payout. Box office: 01723 370541 or sjt.uk.com.

Amelia Bullmore’s Penelope comes face to face with Charlie Russell’s Odysseus in Margaret Atwood’s The Penelopiad at York Theatre Royal. Picture: Pamela Raith Photography

Greek tragedy twist of the week: Margaret Atwood’s The Penelopiad, Odyssey: Her Story, York Theatre Royal, until October 31

BOOKER Prize winner Margaret Atwood revisits Homer’s The Odyssey in an exuberantly irreverent and darkly humorous retelling where she gives voice to Odysseus’s silenced wife, Penelope – still awaiting his return 20 years after the Trojan War – and her chorus of maids in a tale of injustice, betrayal and revenge that exposes the truth behind the myth. Creative director Juliet Forster’s cast is led by Happy Valley and Riot Women star Amelia Bullmore. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ben Reeves-Rowley and Harry Summers in rehearsal for York Shakespeare Company’s piratical The Comedy Of Errors

Shakespeare shake-up of the week: York Shakespeare Project in The Comedy Of Errors, Theatre@41, Monkgate, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee

KATIE Leckey and Emily Carhart co-direct York Shakespeare Project in “ an exciting take on Shakespeare’s shortest and possibly funniest play”, giving a piratical, gender-swapping twist to The Comedy Of Errors in a convergence of the original text with slapstick, farce and physical comedy and a “celebration of relationships of many kinds, platonic, familial and romantic”.

“The morally questionable, yet still comedic, nature of many (if not all) of the characters put us in mind of some of our favourite piratical anti-heroes,” they say. “We felt like the framing device of piracy gave us the chance to include slapstick violence between ‘masters and servants’ in a way that wouldn’t seem too brutal or alien to a modern audience.” Box office: tickets.41monkgate.co.uk.

The poster for The Amy Winehouse Band’s Back To Black 20th Anniversary Tour

Going back to Back To Black: The Amy Winehouse Band, York Barbican, tomorrow, 7.30pm

AMY Winehouse’s original band, who played with her from the very start, are marking the 20th anniversary of her iconic second album, Back To Black, the one that brought her five awards at the 2008 Grammy Awards. Performing with Amy that evening, as these musicians had done since her earliest gigs in London pubs, was her band. 

Led by Amy’s long-time musical director and bass player, The Amy Winehouse Band features members who both toured and recorded with her throughout her career. Box office: yorkbarbican.co.uk.

Hudson & Hudson: Combining the magical and the marital at Helmsley Arts Centre

Magic show of the week: Hudson & Hudson Magicians: Married At First Sleight, Helmsley Arts Centre, Friday, 7.30pm

ORIGINALLY from Hull, husband-and-wife magicians Alan and Kat Hudson appeared separately on Britain’s Got Talent before eventually forming a double act. Ant & Dec had suggested they should work together while they were on the show, but they both said no at the time. Between them, they have appeared on Penn & Teller: Fool Us, ITV’s The Next Great Magician and in the West End production Wonderville.

Married At First Sleight mixes magic, mind-reading, comedy and audience participation with the realities of being married to the person with whom you also rehearse, tour and perform. Cue marital banter alongside the tricks. Box office: 01439 771700 or helmsleyarts.co.uk.

York drag diva Velma Celli leading the Yorktoberfest celebrations in the Big Top with The Bavarian Strollers at York Racecourse

Festival of the week: Jamboree Entertainment presents Yorktoberfest, Clocktower Enclosure, York Racecourse, Friday, 7pm to 1pm; Saturday, 1pm to 5pm & 7pm to 11pm

FOR the first time, James Cundall’s Jamboree Entertainment is staging Yorktoberfest, York’s traditional Bavarian beer festival, inside a Big Top, launched last weekend by aerial artist Zoe Kulyk twisting and tumbling from the rooftop. 

Look out on Friday and Saturday for outrageous York drag diva Velma Celli’s powerhouse singing and quick-fire critique of the costumes on display and oompah band The Bavarian Strollers’ traditional drinking songs and disco classics. The Bavarian Bar and the Dog Haus serve up drinks and German-inspired food. Tickets: www.ticketsource.co.uk/yorktoberfest and at the entrance, subject to availability.

Bison Hip: A dose of the Glasgow blues at Ryedale Blues Club

Blues gig of the week: Ryedale Blues Club presents Bison Hip, Milton Rooms, Malton, October 29, 8pm

BISON Hip were formed by long-time friends Paul Sloway, Malcolm Button, Steven Radziwonik, John Gilmour Smith and Graeme Carswell during a lockdown Zoom call in 2020. “Maybe it was the mid-life crisis at play,” says vocalist Sloway.

“We wanted to take our love of blues and rock and mix it up with our experiences of life. Between us, we’ve been through so many things in life, ups and downs, some successes and plenty of failures, we wanted all that in the music. We needed to wrap it up in the DNA of our hometown, Glasgow, and hopefully that’s what we’ve achieved.” Box office: 01653 696240 or themiltonrooms.com.

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REVIEW: York Stage in Everybody’s Talking About Jamie, Grand Opera House, York, grit and polish until Saturday *****

Teacher Miss Hedge (Katie Spencer) steps in between school bully Dean Paxton (Cain Branton) and dreamer Jamie New (Frankie Bounds) in York Stage’s Everybody’s Talking About Jamie

THIRD time, even luckier. After York Stage’s Teen Version at Theatre@41 in June 2023 and Pick Me Up Theatre’s Joseph Rowntree  Theatre run in July 2025, Sheffield musical Everybody’s Talking About Jamie is being re-made in York for the third time.

This one is the best yet, wholly justifying Nik Briggs’s decision to revisit Tom MacRae and Dan Gillespie Sells’ musical after directing the York premiere in 2023. “When the full version became available I knew I had to bring it to the Grand Opera House,” he said, promising a “truly beautiful, bold and gritty new production, capturing the electricity, humour and heart that has made ‘Jamie’ a modern British classic”.

Electricity. Tick. Humour. Tick. Heart. Tick, tick, ticker. They are all here in abundance in a production driven by Briggs’s thrilling direction, bold and beautiful performances and A J Powell’s choreography, full of punch and panache. What lifts it even higher, to five- star status, is Briggs’s costume and especially set design.

In a story so fast moving, where Jamie’s life is always on the edge of being out of control, where he wants to run before he can strut in heels, Briggs’s revolving stage is the perfect way to encapsulate the commotion. It enables the next scene to be set up out of sight, in transitions from Mayfield School classroom to Jamie’s house; classroom to Victor’s Secret clothes shop; a street bench to Jamie’s house; outside Legs Eleven nightclub to inside.

Nik Briggs: Director-designer of York Stage’s Everybody’s Talking About Jamie

There is no need for stage hands to be in view, save to push the merry-go-round for the next triangular stage to lock into place. It is so quick and efficient that the only things not to be on the move are the hands of the classroom clock. Then again, time waits for no man, or rather teenage boy in this case.

After Ryan Addyman, at the age of 17 in 2023, and Harvey Stephens, at 15 in 2025, now 16-year-old Sheffield council estate schoolboy Jamie New is played by Huby professional actor Frankie Bounds, who is fully ten years older than Harvey at 25, but still boyish of frame, cherubic in his cheekiness and lithe of limb to complement boundless mischievous energy and singing skills honed by his training in both opera and musical theatre.

Inspired by the Firecracker documentary Jamie: Drag Queen At 16, composer Gillespie Sells (from Horsham pop practitioners The Feeling) and writer/lyricist MacRae draw on an original idea by co-writer Jonathan Butterell for the unapologetic story of the boy who sometimes wants to be a girl, wear a dress to the school prom and be a drag queen in this classic teen rebel story.

Withering wit, northern nous and sassy social awareness all pepper their unflinching account of societal and classroom attitudes towards gender, bigotry, bullying, homophobia, absentee fathers and the right to self-expression. Nine years on from the Sheffield Crucible premiere, post-Covid strictures and the rise of right-wing intolerance, ‘Jamie’ hits home all the harder.

Mum Margaret New (Joanne Theaker), left, and friend Ray (Julie-Ann Smith) organising the 16th birthday party for Jamie (Frankie Bounds) in York Stage’s Everybody’s Talking About Jamie

Significantly, every Jamie putdown of loathsome, self-loathing school bully Dean Paxton (Cain Branton) is met with cheers, cheers that grew even louder to greet Bounds’ exit from the Stage Door after Saturday’s matinee. Likewise, Jamie’s best friend, assured York Stage debutante Roxanne Hall’s Priti Pasha, the Muslim student destined to study Medicine at Cambridge, puts dunderhead Dean in his place too. This bravura musical not only celebrates difference but what a difference for the better it makes too.

Among the Year 11 pupils of Mayfield School, a typical northern comprehensive classroom of hope-filled, yet cynical and unruly 16-year-olds, Bounds’ Jamie is a restless Yorkshire dreamer in need of escape. He wants to be a performer, not the fork lift driver his  career advisor suggests.

Breaking rules and hearts alike, this lippy kid in lip gloss is outwardly confident but he is naive and vulnerable too, wounded by the barbs of  his stay-away father (Adam Thompson) and discouraged by his narrow-minded  teacher Miss Hedge (Katie Spencer).

The grit promised by Briggs is delivered through the kitchen-sink drama frankness not only of blinkered teacher and bigoted father but also of Jamie’s world-weary, self-sacrificial, ever-supportive mum Margaret (Joanne Theaker, whose rendition of heartfelt ballad He’s My Boy is the Act Two show-stopper).

Class act: Frankie Bounds in his glittering yet shattering performance as teenager Jamie New at the heart of Everybody’s Talking About Jamie

High quality is guaranteed by the presence of both Theaker and Julie-Ann Smith’s Ray, who brings a sharp tongue and kind heart to every domestic drama. Together they form a formidably forthright duo taking on both authority and convention.

To go with the grit, here comes the glitz and bravado of dress-shop boss Hugo/veteran drag act Loco Chanelle (Grant McIntyre) and the drag-queen veterans Sandra Bollock (Thompson’s second role),  Tray Sophisticay (George Cornell, reprising his Teen Version role) and Laika Virgin (the thoroughly fabulous Stu Hutchinson), in Sheffield’s answer to The Adventures Of Priscilla, Queen Of The Desert.

Supporting roles and ensemble cast are in fine form too, as is Jessica Viner’s band, where James Lolley’s trumpet is particularly potent. Briggs has hit new heights in his director-designer double whammy, bringing out the best in his cast, boosted by Powell’s fabulous choreography, where even the cans on a schoolroom table dance in rhythm.

York Stage presents Everybody’s Talking About Jamie, Grand Opera House, York, until Saturday, 7.30pm plus  2.30pm Saturday matinee. Box office: atgtickets.com/york.

Year 11 pupils, led by Frankie Bounds’ Jamie New in red nail varnish, turn the classroom into a dancefloor of defiance in York Stage’s Everybody’s Talking About Jamie

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More Things To Do in York and beyond. Hutch’s List No. 42, from The York Press

In the spotlight: Frankie Bounds’ Jamie New, front, in York Stage’s Everybody’s Talking About Jamie

FROM added grit in Everybody’s Talking About Jamie to a piratical twist on The Comedy Of Errors, Brandon Flowers in full bloom at York Barbican to drag diva Velma Celli rocking out, Charles Hutchinson spots pearls aplenty.

Bold and unapologetic musical of the week: York Stage in Everybody’s Talking About Jamie, Grand Opera House, York, until October 24; 7.30pm, Tuesday to Saturday, plus 2.30pm Saturday matinees and 4pm Sunday

TOM MacRae and Dan Gillespie’s Sheffield musical plays the Grand Opera House for the first time in Nik Briggs’s production for York Stage that restores the grit to both complement and counter the glitz in the uplifting underdog story of Jamie New (Frankie Bounds), a 16-year-old schoolboy from a Steel City council estate with big dreams and the courage to stand out when it would be easier to stay quiet.

Equipped with the strength to face the world head on, Jamie fights prejudice, finds his voice and discovers the freedom of stepping into the spotlight on his own terms. Box office: atgtickets.com/york.

Amelia Bullmore’s Penelope comes face to face with Charlie Russell’s Odysseus in The Penelopiad. Picture: Pamela Raith Photography

Greek tragedy twist of the week: Margaret Atwood’s The Penelopiad, Odyssey: Her Story, York Theatre Royal, until October 31

BOOKER Prize winner Margaret Atwood revisits Homer’s The Odyssey in an exuberantly irreverent and darkly humorous retelling where she gives voice to Odysseus’s silenced wife, Penelope – still awaiting his return 20 years after the Trojan War – and her chorus of maids in a tale of injustice, betrayal and revenge that exposes the truth behind the myth. Creative director Juliet Forster’s cast is led by Happy Valley and Riot Women star Amelia Bullmore. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Kristin Hersh: Queen of the alternative scene

Recommended but sold out already: An Evening With Kristin Hersh, National Centre for Early Music, York, tonight,7.30pm

OVER  three decades, Atlanta, Georgia singer, songwriter and guitarist  Kristin Hersh, 60, has been heralded queen of the alternative scene with Throwing Muses, 50Foot Wave and on her own, releasing her latest 12th solo album, Sugar On Blackstone, on Fire Records on September 18. Recorded at Stable Sound Studio in Portsmouth, Rhode Island, with Steve Rizzo, it features Rob Ahlers on drums and Pete Harvey on cello.

Since signing to Fire Records in 2018, the prolific Hersh has released tenth studio album Possible Dust Clouds, Throwing Muses’  Sun Racket in 2020, 50Foot Wave’s Black Pearl in 2022, her book Seeing Sideways in 2022 and self-produced 11th solo album, the cinematic road trip and personal vignettes of Clear Pond Road, in September 2023.

Velma Celli: Drag diva delights…including a tribute to Dolly Parton RIP

Drag delights of the week: The Velma Celli Show, with special guest Jessica Steel and guitarists Stuart Allan and Olly Chilton, Joseph Rowntree Theatre, York, Sunday, 6pm

YORK vocal drag act deluxe and international cabaret superstar Velma Cell moves to a new location for her camp, spectacular song and comedy home-city performances. “My last two shows at York Theatre Royal – Snow Queen and Rock Queen – had been among my favourites, so this one will be a mixture of Snow Queen and Rock Queen and musical theatre material,” says Velma’s creator, actor and West End star Ian Stroughair.

 “The first set will be musical theatre favourites, songs from my career in West End musicals – Cats, Fame, Chicago and Rent – and an homage to Judy Garland and Barbra Streisand. In the second set we’ll rock out with York. There’ll be songs by David Bowie, Freddie Mercury, Bryan Adams, Bonnie Tyler, Guns N’ Roses, Roxette, Alanis Morissette, Chris Isaak’s Wicked Game – and I’ll do a Dolly Parton section too. There has to be!” Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Imperial Classical Ballet in Swan Lake

Ballet of the week: Imperial Classical Ballet presents Swan Lake, York Barbican, October 19, 7.30pm

IMPERIAL Classical Ballet  performs Swan Lake, the powerful tale of Princess Odette, cursed to live as a swan by day and a woman by night. When Prince Siegfried discovers her under the moonlight, he vows to break the spell, yet the evil sorcerer Rothbart and his daughter Odile plot a deception that threatens them both.

From the haunting beauty of the lakeside scenes to the electrifying Black Swan pas de deux, Swan Lake is a visual delight, performed to Tchaikovsky’s soaring score, played live by an orchestra. Box office: yorkbarbican.co.uk.

Brandon Flowers: In full bloom at York Barbican. Picture: Chris Phelps

Gig of the week: Brandon Flowers, York Barbican, October 21, 7.30pm

THE Killers’ frontman, Brandon Flowers, plays York Barbican as the only Yorkshire venue on his nine-date UK and Ireland tour, promoting Thrasher, his third solo album and first since 2015, which peaked at number three on release in August.

Fans can look forward to hearing songs from Thrasher, played live for the first time, alongside highlights from his British chart-topping solo albums, 2010’s Flamingo and 2015’s The Desired Effect, as well as beloved tracks from The Killers’ catalogue. No support. Ticket update: Sold out; for returns only, go to https://www.yorkbarbican.co.uk/whats-on/brandon-flowers.

Pirate reboot ahoy: York Shakespeare Project in The Comedy Of Errors. Picture: John Stead

Shakespeare shake-up of the week: York Shakespeare Project in The Comedy Of Errors, Theatre@41, Monkgate, York, October 21 to 24, 7.30pm plus 2.30pm Saturday matinee

KATIE Leckey and Emily Carhart co-direct York Shakespeare Project in “ an exciting take on Shakespeare’s shortest and possibly funniest play”, giving a piratical, gender-swapping twist to The Comedy Of Errors in a convergence of the original text with slapstick, farce and physical comedy and a “celebration of relationships of many kinds, platonic, familial and romantic”.

“The morally questionable, yet still comedic, nature of many (if not all) of the characters put us in mind of some of our favourite piratical anti-heroes,” they say. “We felt like the framing device of piracy gave us the chance to include slapstick violence between ‘masters and servants’ in a way that wouldn’t seem too brutal or alien to a modern audience.” Box office: tickets.41monkgate.co.uk.

The poster for the Amy Winehouse Band’s Back To Black 20th Anniversary Tour, visiting York Barbican

Going back to Back To Black: The Amy Winehouse Band, York Barbican, October 22, 7.30pm

AMY Winehouse’s original band, who played with her from the very start, are marking the 20th anniversary of her iconic second album, Back To Black, the one that brought her five awards at the 2008 Grammy Awards. Performing with Amy that evening, as these musicians had done since her earliest gigs in London pubs, was her band. 

Led by Amy’s long-time musical director and bass player, The Amy Winehouse Band features members who both toured and recorded with her throughout her career. Box office: yorkbarbican.co.uk.

A Fate Worse Than Death: Premiering at Everyman Harrogate on Thursday

In Focus: Film premiere of the week: A Fate Worse Than Death, Everyman Harrogate, Harrogate, October 22, 7.30pm

AFTER three years of production, Abraham Fieldsend will premiere his feature film A Fate Worse Than Death at Everyman Harrogate on Thursday.

Made in North and West Yorkshire for £12,000, this 70-minute psychological horror-drama was produced independently by Wayside Trinity, using primarily local cast, crew and locations.

Written by co-producers Zachary Fieldsend, Steve Jones-Robertson and Abraham Fieldsend, the story explores the effects of grief through a couple struggling to cope with the loss of their child. As the mother’s debilitating headaches intensify, they are forced to confront the possibility that the darkness consuming their home is more than grief alone.

A Fate Worse Than Death’s production team

“A bold title, a tragic story, a horrifying series of events, A Fate Worse Than Death promises to be a horror film of different forms, assaulting your comfort, scarring your emotions, and engaging your mind when the credits roll,” says Fieldsend. “Our first foray into the world of feature film-making will be sure to shock even the most hardened horror fans.”

The cast comprises Susan Fieldsend as Elizabeth; Lyndsey Craine, Doctor Kent; Jake Fireman, Group Therapy Speaker; Kay Gartland, Doctor Armstrong; Martin Turner, Keith; Evan “T-Rex” Singleton,  Paramedic 1; Zachary Fieldsend, Paramedic 2; Natalie Fieldsend, Pyschologists’ Receptionist (voice); Neil Fieldsend, Unnamed Doctor; Mike Blackburn, The Figure and Burn Victim, and Matthew Chan, James’s Work Colleague.

Thursday’s running order will be: 7:30pm, complimentary drink on arrival; 8pm, short introduction in Screen 2; 8:15pm, film screening; 9.3pm, screening ends, followed by drinks and a chance to mingle in the bar area.

For more details, go to: https://www.everymancinema.com/venues-list/x0x9k-everyman-harrogate/.

The poster for A Fate Worse Than Death

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York Stage pumps up the grit on the path to the glitter in return to Everybody’s Talking About Jamie at Grand Opera House

A shoe-in for standing out: Frankie Bounds’s Jamie New, centre, with his classmates in York Stage’s Everybody’s Talking About Jamie

WHY will York Stage be returning to Everybody’s Talking About Jamie from tomorrow to October 24 only three years since staging the Teen Edition?

“‘Jamie’ is one of my favourite musicals,” reasons director Nik Briggs. “Having seen it in its early development at the Sheffield Crucible, I always knew I wanted to bring it to York, which we did with the premiere of the Teen Version in June 2023 at Theatre@41, Monkgate, but when the full version became available I knew I had to bring it to the Grand Opera House.

“Having spoken to the then theatre director, Laura McMillan, she knew we’d create a truly beautiful production. Being able to bring this story to York’s biggest theatre for the first time ever is truly an honour, and the bold and gritty new production we’ve created is one I can’t wait to share with York.”

Director Briggs re-imagines Tom MacRae and Dan Gillespie Sells’s award-winning musical with a raw, authentic edge to “capture the electricity, humour and heart that has made ‘Jamie’ a modern British classic”.

Everybody’s Talking About Jamie director Nik Briggs

Inspired by a north-eastern true story, Everybody’s Talking About Jamie follows the path of 16-year-old council estate schoolboy Jamie New, who never quite fits in. Supported by his loving mum and his friends, Jamie overcomes prejudice, defeats the bullies and, spoiler alert, steps into the spotlight to become the star he was born to be.

Staged by a vibrant cast and professional production team, Briggs’s 2026 show will blend Gillespie Sells’s infectious pop score and MacRae’s fearless, funny book and lyrics with York Stage’s trademark theatrical grit and emotional honesty.

“This is a story about identity, courage and the power of self-expression,” says Nik. “Our new production will dive deeper into Jamie’s world – its highs, its heartache and its hope – and celebrate the beautiful mess of growing up different in a small city,” says Nik. 

Taking the role of Jamie New will be professional Huby actor Frankie Bounds, still boyish looking at 25. “Playing a 16-year-old schoolboy will be a good challenge,” he says. “It’s a real beast of a role as Jamie doesn’t ever really leave the stage – and it’s not like anything I’ve done before, having played these super-muscular men!

“I said ‘it’s not my usual cup of tea’, but Nik said he wanted to bring something of that broody demeanour back to Jamie,” says lead actor Frankie Bounds, front

“So when Nik messaged me, I replied very honestly and said ‘it’s not my usual cup of tea’, but he said he wanted to bring something of that broody demeanour back to Jamie, which definitely adds to it as it goes back  to the core of the original Sheffield Crucible production, with Jamie being gay and having to find himself when his mum’s going through difficult things and his [absent] dad has said terrible things about him.

“There’s a lot of myself in my performance, where I like to challenge myself and other people too – the audience – at the shows.”

York Stage’s design for ‘Jamie’ will be “ever-circling”. “The show has the feel of everything unravelling around Jamie and the set mirrors that,” says Frankie, who has carried that sense of unpredictability into rehearsals.

“Working with Jo [Joanne Theaker-Spencer], who plays Jamie’s mum [Margaret] is just so inspiring. We’ve had several conversations where we’ve built up the trust to try things out.

Ryan Addyman’s Jamie New in York Stage’s June 2023 production of Everybody’s Talking About Jamie: Teen Version at Theatre@41, Monkgate, York

“I trained in the Meisner Technique [before graduating with an MA in musical theatre from Mountview Academy of Performing Arts], which is all about being different each time and responding to what’s in front of you. Jo gets that, knowing that I’ll do the work, but it will be different each night, to make it both joyful and heartbreaking.

“There’ll be belly laughs one minute, then you’ll get gut-punched the next, with that special energy in the room, where we’ve really bonded together as a cast that comes from different generations.”

Frankie has been familiarising himself with wearing Jamie’s high heels. “They’re in the car right now!” he says, mid-interview at the Angel on the Green, in Bishopthorpe Road. “For the first ‘performance’ we did at York Pride, Nik said, ‘I’ve got something for you’ – and I saw the shoebox!

York Stage’s cast for Everybody’s Talking About Jamie, including Joanne Theaker-Spencer’s Margaret (striped top) and Frankie Bounds’ Jamie New (front, centre)

“Bearing in mind I’d never worn heels before, it was almost like a rites of passage. You don’t walk ‘heel first’; it has to be ‘toe first’ – and it means I’m now over six feet tall! They’re much more comfortable now; bright red, of course. What else could they be?!”

Frankie’s dogs Billy and Bob [both of the small white Coton de Tulear breed, originally from Madagascar] were initially circumspect on encountering him in six-inch heels. “They didn’t like the sound of the shoes, or maybe it was my height in them. Hearing me stomping around in them as I cooked lunch, they would cower away,” he says.

Audiences surely will react very differently at the sight of Frankie, when everybody will be talking about more than Jamie’s shoes at the Grand Opera House.

York Stage in Everybody’s Talking About Jamie, Grand Opera House, York, October 16 to 24, 7.30pm except October 18 and 19; 2.30pm Saturday matinees; 4pm, Sunday. Box office: atgtickets.com/york.

York Stage’s poster for Everybody’s Talking About Jamie at the Grand Opera House, York

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What’s On in Ryedale, York and beyond. Hutch’s List No. 42, from Gazette & Herald

Weaving a different spin on The Odyssey: Amelia Bullmore’s Penelope in Margaret Atwood’s The Penelopiad at York Theatre Royal. Picture: Pamela Raith Photography

FROM The Penelopiad’s feminist twist on The Odyssey to Miller’s Death Of A Salesman, the Brontë sisters’ other story to Jamie’s blossoming, Charles Hutchinson watches autumn find its fifth gear.

Greek tragedy twist of the week: Margaret Atwood’s The Penelopiad, Odyssey: Her Story, York Theatre Royal, until October 31

BOOKER Prize winner Margaret Atwood revisits Homer’s The Odyssey in an exuberantly irreverent and darkly humorous retelling where she gives voice to Odysseus’s silenced wife, Penelope – still awaiting his return 20 years after the Trojan War – and her chorus of maids in a tale of injustice, betrayal and revenge that exposes the truth behind the myth. Creative director Juliet Forster’s cast is led by Happy Valley and Riot Women star Amelia Bullmore. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jess Murray’s Emily, left, Lara Stafford’s Charlotte and Millie Rhodes’s Anne Brontë in York Settlement Community Players’ Underdog: The Other Other Brontë. Picture: John Saunders

York premiere of the week: York Settlement Community Players in Underdog: The Other Other Brontë, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

CHARLOTTE Brontë (played by Lara Stafford) has a confession about how one sister (Emily, Jess Murray) became an idol and the other became known as the third sister. You know the one. No, not that one. The other, other one: Anne (Millie Rhodes).

Claire Morley directs Settlement Players in Sarah Gordon’s irreverent retelling of the life and legend of the Brontë sisters as you have never seen the Yorkshire scribbling sisters before. Premiered at the National Theatre in 2024, this is not a story of well-behaved women but of the power of words, sisters and sisterhood, love and jealousy, support and competition. Box office: tickets.41monkgate.co.uk.

The poster for Jeff Wayne’s Musical Version of The War Of The Worlds – Live! The Concert Experience! at York Barbican

Iconic score of the week: Jeff Wayne’s Musical Version of The War Of The Worlds – Live! The Concert Experience!, York Barbican, tonight, 7.30pm

FOR the first time, audiences can experience a concert rendition of Jeff Wayne’s score for The War Of The Worlds, presented by Kilimanjaro, who bring the double album to life with West End performers, live band, orchestra and animation.

“For this concert tour, I’ll be stepping back from the podium,” says Wayne. “But the production will showcase exceptional artists from the West End and other major performing mediums, supported by a band, orchestra, animation and other concert elements. It will stand as a true companion to my arena tours.” Box office: yorkbarbican.co.uk.

Andy Studdart, as Willie Loman, and Linda Tester, as The Woman, Willy’s mistress, in 1812 Theatre Company’s Death Of A Salesman. Picture: Joe Coughlan

Ryedale play of the week: 1812 Theatre Company in Death Of A Salesman, Helmsley Arts Centre, tomorrow until Saturday, 7.30pm plus 2.30pm Saturday matinee

DIRECTED by Julie Lomas,  Helmsley’s 1812 Theatre Company presents Arthur Miller’s Death Of A Salesman, charting the last 24 hours of struggling salesman Willie Loman (played by Andy Studdart), who cannot understand how he failed to win success and happiness.

Through a series of tragic soul-searching revelations of the life he has lived with his wife, sons and business associates, we discover how his quest for the “American Dream” kept him blind to the people who truly loved him. Box office: 01439 771700 or helmsleyarts.co.uk.  

Jonathan Agnew: Cricket chat in An Evening With Aggers at Kirk Theatre, Pickering, tomorrow

Not just cricket: Jonathan Agnew, An Evening With Aggers, Kirk Theatre, Pickering, tomorrow, 7.30pm

TEST Match Special broadcaster and former BBC cricket correspondent Jonathan Agnew presents an evening of candid insights and anecdotes packed with humour and cricketing gold, iconic archive clips and previously unseen footage. 

From covering the Olympic Games in Rio to commentating on the unforgettable Super Over finale of the 2019 Cricket World Cup, he reflects on the defining moments of his career and his days in the commentary box with Brian Johnston and Sir Geoffrey Boycott, with surprises aplenty too. Box office: 01751 474833 or kirktheatre.co.uk

York Stage’s cast for Everybody’s Talking About Jamie, led by Frankie Bounds as Jamie New, the Sheffield schoolboy with dreams

Bold and unapologetic musical of the week: York Stage in Everybody’s Talking About Jamie, Grand Opera House, York, Friday to October 24; 7.30pm, Tuesday to Saturday, plus 2.30pm Saturday matinees and 4pm Sunday

TOM MacRae and Dan Gillespie’s Sheffield musical plays the Grand Opera House for the first time in Nik Briggs’s production for York Stage that restores the grit to both complement and counter the glitz in the uplifting underdog story of Jamie New (Frankie Bounds), a 16-year-old schoolboy from a Steel City council estate with big dreams and the courage to stand out when it would be easier to stay quiet.

Equipped with the love of his mum, the support of his friends and the strength to face the world head on, Jamie fights prejudice, finds his voice and discovers the freedom of stepping into the spotlight on his own terms. Box office: atgtickets.com/york.

Tom Stade: Dismantling rules and redefining them his way at York Barbican

Come and see for yourself why…Tom Stade Rules, YO1 Radio Live Lounge, York Barbican, Friday, 7.30pm

CANADIAN free spirit Tom Stade takes aim at the absurdities of modern times with his incisive, gloriously unfiltered wit as he grapples with rebellion, responsibility and the tension between the old and the new. From unspoken social codes to cultural divisions, identity to marriage, Stade dismantles all the rules and redefines them his way. Box office: yorkbarbican.co.uk.

Ben Bowman in Michael Starring Ben

Recommended but sold out already: Michael Starring Ben, York Barbican, Friday, 7.30pm

TAKE a journey back in time to recall Michael Jackson’s music and magic in Michael Starring Ben, featuring “the UK’s ultimate Michael Jackson tribute star”, Ben Bowman.

Neither associated with nor endorsed by the Michael Jackson Estate, this tribute to the King of Pop features a live band, dazzling costumes and Jackson’s iconic dance routines in its showcase of Michael Jackson and The Jackson 5’s greatest hits.

Samuel Moore: Flamenco guitarist in concert at Milton Rooms, Malton

Flamenco guitarist of the week: Samuel Moore, Milton Rooms, Malton, Saturday, 7.30pm

MESMERISING West Yorkshire flamenco guitarist, tutor and author Samuel Moore transports you to the heart of Spain in Saturday’s concert. Winner of the Manhattan International Music Competition in 2023 and Vienna International Music Competition in 2025,  he has performed across the UK, Europe and North America, playing solo at New York’s Carnegie Hall and Ronnie Scott’s Jazz Club in London.

Bringing to life the rich colours, rhythms, and sounds of Andalucía, his repertoire encompasses original compositions, traditional flamenco forms and masterworks by Ramón Montoya, Niño Ricardo and Sabicas. His 2019 debut album with classical guitarist Michael Christian Durrant, Guitar, The Heart Of Spain, was recorded at Abbey Road Studios, London; his solo debut, Camino Flamenco, will be released on November 20. Box office: 01653 696240 or themiltonrooms.com.

Alex Voysey: Leading Faux Bonamassa blues concert at Kirk Theatre, Pickering

Blues gig of the week The Alex Voysey Blues Band presents Faux Bonamassa, Kirk Theatre, Pickering, Saturday, 7.30pm

ALEX Voysey was nominated for Contemporary Blues Artist of the Year, Album of the Year and Emerging Artist of the Year in the 2025 UK Blues Federation Awards. Now his band re-imagines the musicianship of blues titan Joe Bonamassa, blending Bonamassa’s greatest songs of the past two decades with Voysey’s virtuosity, improvisation and contemporary blues mastery. Expect to hear Sloe Gin, The Ballad Of John Henry, Athens To Athens, Woke Up Dreaming, Dustbowl, A Conversation With Alice and Stop. Box office: kirktheatre.co.uk/events/alex-voysey.

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More Things To Do in York and beyond. Hutch’s List No. 41, from The York Press

Amelia Bullmore in rehearsal for her lead role as Penelope in The Penelopiad at York Theatre Royal. Picture: Pamela Raith Photography

FROM The Penelopiad’s feminist twist on The Odyssey to Alan Carr testing new material, the Brontë  sisters’ other story to Jamie’s blossoming, Charles Hutchinson Hutchinson watches autumn find its fifth gear.

Greek tragedy twist of the week: Margaret Atwood’s The Penelopiad, Odyssey: Her Story, York Theatre Royal, today until October 31

BOOKER Prize winner Margaret Atwood revisits Homer’s The Odyssey in an exuberantly irreverent and darkly humorous retelling where she gives voice to Odysseus’s silenced wife, Penelope – still awaiting his return 20 years after the Trojan War – and her chorus of maids in a tale of injustice, betrayal and revenge that exposes the truth behind the myth. Creative director Juliet Forster’s cast is led by Happy Valley and Riot Women star Amelia Bullmore. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Nancy Cadogan: Exhibiting At The Bend In The River at Beningbrough Hall from today

Exhibition opening of the week: At The Bend In The River: Paintings by Nancy Cadogan, Beningbrough Hall, Beningbrough, near York, today 11am to 4pm

LONDON figurative artist Nancy Cadogan explores how a place is shaped by memory, artistry and human connection in At The Bend In The River, an exhibition spread across four rooms of Beningbrough’s Reddihough Galleries that brings together newly commissioned large-scale  paintings, drawings and immersive creative spaces that respond  to the National Trust  estate’s Ouse riverside setting, historic house and changing landscape.

Through art, film, drawing and creative writing, Cadogan invites visitors to “pause and reflect on the journeys we take and the places and memories that sustain us”. Look out too for intimate works that reflect on women, time and storytelling. Tickets (as part of National Trust admission): nationaltrust.org.uk/beningbrough.

Alan Carr: Two gigs in one day at Pocklington Arts Centre

Comedy gigs of the week: Alan Carr, Work In Progress, Pocklington Arts Centre, tomorrow, 3pm and 7.30pm

THE Celebrity Traitors 2026 winner, comedian, television presenter and quiz host Alan Carr is heading to Pocklington for a brace of “very special work-in-progress shows” ahead of his Have I Said Too Much? tour, when  he will play York Barbican on March 13 2027. Box office: Pocklington, pocklingtonartscentre.co.uk; York, yorkbarbican.co.uk.

James Fountain: Trumpet soloist for York Guildhall Orchestra’s concert at York Barbican

Classical concert of the week: York Guildhall Orchestra, York Barbican, tomorrow, 3pm

YORK Guildhall Orchestra launches its new season with a Sunday afternoon programme of works by Malcolm Arnold, William Walton and Spanish composer and pianist Manuel de Falla.

Arnold’s ebullient Trumpet Concerto, composed in 1981, will be played by soloist James Fountain after the opening orchestral fanfare of Walton’s Crown Imperial. De Falla adapted his 1919 ballet Three Cornered Hat, featuring Spanish folk and dance music, into two orchestra suites; the second will be performed tomorrow. Box office: yorkbarbican.co.uk.

Jess Murray’s Emily, left, Lara Stafford’s Charlotte and Millie Rhodes’s Anne Brontë in York Settlement Community Players’ Underdog: The Other Other Brontë

York premiere of the week: York Settlement Community Players in Underdog: The Other Other Brontë, Theatre@41, Monkgate, York, October 13 to 17, 7.30pm plus 2.30pm Saturday matinee

CHARLOTTE Brontë (played by Lara Stafford) has a confession about how one sister (Emily, Jess Murray) became an idol, and the other became known as the third sister. You know the one. No, not that one. The other, other one: Anne (Millie Rhodes).

Claire Morley directs Settlement Players in Sarah Gordon’s irreverent retelling of the life and legend of the Brontë sisters as you have never seen the Yorkshire scribbling sisters before. Premiered at the National Theatre in 2024, this not a story of well-behaved women but of the power of words, sisters and sisterhood, love and jealousy, support and competition. Box office: tickets.41monkgate.co.uk.

Henry Raby: Wrestling with the twin emotions of hope and anger at The Old Paint Shop

Poetry gig of the week: The Old Paint Shop presents Henry Raby, Hope and Anger, York Theatre Royal Studio, October 14, 8pm

YORK punk poet and Say Owt artistic director Henry Raby wrestles through the twin emotions of hope and anger with a spoken-word cocktail of poetry and comedy as he seeks to understand the righteous and the rotten. “Come and share in fist-clenched frustration and celebrate examples of the world, and the heartfelt people in it, at their shiniest and brightest,” says Henry. Box office: 01904 623568 or yorktheatreroyal.co.uk.

“Reaching 25 years in music is incredibly emotional,” says York Barbican-bound Katherine Jenkins

“Reunion with old friends” of the week: Katherine Jenkins, 25 Year Anniversary Tour, York Barbican, October 15, 7.30pm

WELSH mezzo-soprano Katherine Jenkins, 46, the biggest-selling classical artist of the 21st century, plays York Barbican as the only Yorkshire venue on her 25 Year Anniversary Tour, her first in five years. “Reaching 25 years in music is incredibly emotional, but this tour is truly a celebration of the fans who have been there from the very beginning,” she says. 

“To be heading out across the UK and Ireland for 18 special shows feels less like a celebration of a career and more like a reunion with old friends, and I can’t wait to stand on stage, look out into those familiar faces and share it all over again.” Jodok Cello supports. Box office: yorkbarbican.co.uk.

York Stage’s cast for Everybody’s Talking About Jamie, starring Frankie Bounds as Jamie New

Bold and unapologetic musical of the week: York Stage in Everybody’s Talking About Jamie, Grand Opera House, York, October 16 to 24, 7.30pm, Tuesday to Saturday, plus 2.30pm Saturday matinees and 4pm Sunday

TOM MacRae and Dan Gillespie’s Sheffield musical plays the Grand Opera House for the first time in Nik Briggs’s production for York Stage that restores the grit to both complement and counter the glitz in the uplifting underdog story of Jamie New (Frankie Bounds), a 16-year-old schoolboy from a Steel City council estate with big dreams and the courage to stand out when it would be easier to stay quiet.

Equipped with the love of his mum, the support of his friends and the strength to face the world head on, Jamie fights prejudice, finds his voice and discovers the freedom of stepping into the spotlight on his own terms. Box office: atgtickets.com/york.

Tom Stade: Playing by his rules at York Barbican

Come and see for yourself why…Tom Stade Rules, YO1 Radio Live Lounge, York Barbican, October 16, 7.30pm

CANADIAN free spirit Tom Stade takes aim at the absurdities of modern times with his incisive, gloriously unfiltered wit as he grapples with rebellion, responsibility and the tension between the old and the new. From unspoken social codes to cultural divisions, identity to marriage, Stade dismantles all the rules and redefines them his way. Box office: yorkbarbican.co.uk.

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Pick Me Up Theatre ponders what is “Next To Normal” in family life at Theatre@41

Family matters: Niamh Rose (Natalie), left, Monica Frost (Diana), Matthew Warry (Gabe) and Dale Vaughan (Dan) in a scene from Next To Normal. Picture: Emma Darbyshire

YORK company Pick Me Up Theatre follows up Christmas hit Anything Goes with Next To Normal’s  intimate exploration of family and illness, loss and grief at Theatre@41, Monkgate, York.

Running from March 25 to April 4, this winner of three 2009 Tony Awards and the 2010 Pulitzer Prize combines book and lyrics by Brian Yorkey with music by Tom Kitt in its musical account of how one suburban household copes with crisis and mental illness.

Andrew Isherwood directs Pick Me Up’s cast of Monica Frost, Dale Vaughan, Niamh Rose, Matthew Warry, Fergus Green and Ryan Richardson in the story of architect Dad, Mom rushing  to pack lunches and pour cereal, and their bright, wise-cracking teenage daughter and son.

Outwardly, they appear to be a typical American family, and yet their lives are anything but normal, because the mother has been battling manic depression for 16 years. 

“Next To Normal takes audiences into the minds and hearts of each character, presenting their family’s story of dealing with mental illness with love, sympathy and heart,” says Andrew, who is joined in the production team by musical director James Robert Ball and producer/designer Robert Readman.

“It’s a relatively new work that’s not been done in York before, chosen by Robert [company founder and artistic director Robert Readman], who had this great idea to segue The Curious Incident Of The Dog In The Night-Time [April 2025], Everybody’s Talking About Jamie [July 2025] and now – after the festive hiatus for Anything Goes – Next To Normal as three musicals that tackle mental health.

Dale Vaughan, front, and Ryan Richardson in rehearsal for Pick Me Up Theatre’s Next To Normal. Picture: Emma Darbyshire

“‘Curious Incident’ was told through the mind of a child [who called himself  a ‘mathematician with some behavioural difficulties’]; ‘Jamie’ was a coming-of-age story of  a teenage drag queen facing bigotry; Next To Normal is told through the parents’ eyes and deals with mental illness and facing a crisis. All three have incredible family  drama at their core, even family dysfunction.”

Monica Frost plays Diana, the mother with a bipolar condition. “Monica has a huge task, but for all of the cast it’s such an emotionally taxing show, where we’ve discussed at length dealing with the grief of loss, processing it, and how it might have exacerbated her bipolar condition,” says Andrew.

He is delighted by the contribution of Dale Vaughan too as husband Dan. “He’s been terrific from the moment he came into the audition, having seen him for the first time in Pick Me Up’s Fun Home last September, when I thought, ‘blimey, where have you been hiding?’!”

Diana is undergoing Electroconvulsive Therapy (ECT). “There’s a scene that depicts that,  and because this show can be quite dark, we’re trying to find moments of light too, otherwise it could be  ‘misery porn’,”  says Andrew.

“Thought we don’t show it, there’s a heavy revelation of suicidal tendencies, and because the subject is very complex, we need to handle it with care. The story is told with references to the past, shown through flashbacks, to show how Diana hasn’t addressed the loss of her child before or dealt with her grief.”

Matthew Warry and Niamh Rose in the rehearsal room

In putting the show together in rehearsals, “the way I like to work and the way I’ve worked with musical director James Robert Ball was to give him the show for the first four weeks because the music is such a massive component,” says Andrew.

“So we’ve focused on that first, learning the music and the lyrics, before we started building in the lighting, the costumes, the props, the entries and the exits, getting the skeleton together for the songs, ” says Andrew.

Then he set about “moving the cast around the stage, getting them to move with my interpretation,” he adds. “It’s not choreography of sorts, but if you sit in a chair for too long, it can swallow you up, but by moving them around it helps to tell the story.”

Dialogue between songs is as important as the big numbers. “It’s what the actor James Willstrop calls ‘my detail work’,” says Andrew, who won the Best Direction prize in February’s York Theatre Community Awards for The Curious Incident Of The Dog In The Night-Time.

Meanwhile, Readman’s set design and Adam Moore’s lighting enable a physical manifestation of Diana’s state of mind, such as stairs representing transition or the use of a box for the ECT treatment as a manifestation of the world closing in on her.

Analysing the title of Next To Normal, Andrew says: “What is our interpretation of ‘normal’ when you have a family trying to function with all the complexities of life? But you also want the audience to leave the theatre feeling uplifted, so if it’s not ‘normal’ , then this life is considered to be ‘next to normal’ for the family. That’s what works for them.”

Pick Me Up Theatre in Next To Normal, Theatre@41, Monkgate, York, March 25 to April 4, 7.30pm except March 29 and 30; 2.30pm, March 28 & 29 and April 4. Box office: https://tickets.41monkgate.co.uk.

Pick Me Up Theatre’s poster artwork for Next To Normal

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York Stage to take deeper dive into “beautiful mess of growing up different in a northern city” in new staging of Everybody’s Talking About Jamie next October

York Stage’s poster to announce next October’s production of Everybody’s Talking About Jamie at the Grand Opera House, York

YORK Stage will present a “bold and gritty” new production of Sheffield-forged musical Everybody’s Talking About Jamie at the Grand Opera House, York, from October 16 to 24 2026.

Hold on. Didn’t York Stage perform Dan Gillespie Sells and Tom MacRae’s award-winning show at Theatre@41, Monkgate, York, in June 2023? Yes indeed, but that was the York premiere of the Teen Version, starring Ryan Addyman, from Knaresborough, in the title role in his York Stage debut.

Now, director Nik Briggs has decided to re-imagine the award-winning musical with a “raw, authentic edge, capturing the electricity, humour and heart that has made Jamie a modern British classic”. How? By diving deeper into Jamie’s world.

Ryan Addyman as Jamie New in York Stage’s June 2023 York premiere of Everybody’s Talking About Jamie, Teen Edition. Picture: Matthew Kitchen

Inspired by the Firecracker documentary Jamie: Drag Queen At 16, composer Dan Gillespie Sells (from Horsham’s finest pop practitioners The Feeling) and writer/lyricist Tom MacRae worked their magic from an original idea by director and co-writer Jonathan Butterell for the 2017 Sheffield Crucible Theatre premiere.

Inspired by a true story, Everybody’s Talking About Jamie follows 16-year-old Jamie New, who doesn’t quite fit in. Supported by his loving mum and his friends, Jamie overcomes prejudice, beats the bullies and steps into the spotlight to become the star he was born to be.

York Stage’s 2026 production promises a fresh take on the hit West End show, blending Gillespie Sells’s infectious pop score and MacRae’s fearless, humorous book with York Stage’s trademark theatrical grit and emotional honesty.

 Nik Briggs: Directing York Stage’s 2026 production of Everybody’s Talking About Jamie

“This is a story about identity, courage and the power of self-expression,” says Nik. “Our new production will dive deeper into Jamie’s world – its highs, its heartache and its hope – and celebrate the beautiful mess of growing up different in a northern city. We can’t wait to share this version with York audiences.”

Next October’s full-scale production will feature a vibrant cast and professional creative team, marking another landmark moment for York Stage at the Grand Opera House. Tickets will go on sale soon at atgtickets.com/york.

Did you know?

EVERYBODY’S Talking About Jamie was last staged in York by Pick Me Up Theatre at the Joseph Rowntree Theatre in July 2025, when 15-year-old York schoolboy Harvey Stevens took the lead role of Jamie New.

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REVIEW: Pick Me Up Theatre in Everybody’s Talking About Jamie, Joseph Rowntree Theatre, York, until Saturday ****

Everybody’s talking about Harvey Stevens’ Jamie: the break-out star of Pick Me Up Theatre’s production

MADE in Sheffield and exported to the musical theatre world, Everybody’s Talking About Jamie has its second York run this week after Nik Briggs’s Teen Edition for York Stage in June 2023.

Young actors are no less prominent in York company Pick Me Up Theatre’s production, led by Harvey Stevens, even younger at 15 than Ryan Addyman  was when fronting Briggs’s cast of 13 to 19-year-olds at 17.

Harvey has been dancing since his first class at the Yorkshire Rose Academy of Dance aged three and will begin musical theatre studies at SLP College in Garforth in September. He is a stage natural, tall and lithe and mischievously energetic, here bringing his dream role of Jamie New to life with cheek and chutzpah.

There to watch him on the first night was his father, Antonie Williams-Browne, who had travelled up from Plymouth specially for the show. Twenty years ago, Antonie had shown off his own dance moves in Robert Readman’s UK amateur premiere of The Full Monty for Shipton Theatre Company at the JoRo, “lifting the first half to new heights” (York Press, July 27 2005) when playing the veteran, arthritic-limbed Horse.

Harvey Stevens’ Jamie New, front left, and his Mayfield School classmates in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Picture: Matthew Kitchen

Son Harvey is a colt by comparison, with room for expansion in both his vocal and acting range, but already he has a thrilling presence on stage: everybody will be talking about his Jamie this week.

Inspired by the Firecracker documentary Jamie: Drag Queen At 16, composer Dan Gillespie Sells (from Horsham pop practitioners The Feeling) and writer/lyricist Tom MacRae drew on an original idea by co-writer Jonathan Butterell for the 2017 Sheffield Crucible Theatre premiere of a show that completed a populist trilogy of Steel City comedy dramas.

First came the defiant spirit and sheer balls of The Full Monty; next, the classroom politics and fledgling frustrations of Alan Bennett’s The History Boys, and lastly “Jamie”,  the unapologetic story of the boy who sometimes to be wants to be a girl, wear a dress to the school prom and be a drag queen.

Eight years on, “Jamie” still lives up to its billing as “the hit musical for today”, replete with bold humour, withering wit, northern nous and sassy social awareness, in a barometer of our changing times and attitudes towards gender, bigotry, bullying, homophobia, absentee fathers and the right to self-expression. Jamie’s reverence for RuPaul, whose Drag Race was not aired on BBC Three until 2019, affirms how  the show has kept  an eye on cultural shifts.

First we meet the Year 11 pupils of Mayfield School, a typical comprehensive classroom of 16-year-olds full of hopes and aspirations, but filtered through the realities of life in a northern town that makes them cynical and unruly too, typified by Stevens’ Jamie, draped languidly over his chair, bored and inattentive.

Zander Fick’s feisty drag queen Loco Chanelle in Everbody’s Talking About Jamie Picture: Matthew Kitchen

In the wake of Billy Liar’s Billy Fisher and Kes’s Billy Casper, here is another young, restless Yorkshire dreamer in need of escape from the grey grime of a Sheffield council estate in a classic teen rebel story.

A breaker of rules and hearts alike, this lippy kid in lip gloss oozes confidence on the surface, graceful in high heels, but Jamie is naive and vulnerable too, desperate to strut before he can walk, especially when his stay-away father (Andrew Isherwood) is so disapproving and teacher Miss Hedge (Alexandra Mather) is so narrow-minded.

Stevens’ Jamie will be the teen star of the show, but gold stars also go to Fergus Green’s loathsome, self-loathing bully, Dean Paxton, and Ruby Salter’s quietly self-assured doctor-in-waiting Pritti Pasha, Jamie’s best friend, whose rendition of It Means Beautiful lives up to its title.

Everybody’s Talking About Jamie is told from more than the teen perspective, giving it the grit of a kitchen-sink drama, where the adult viewpoint of father and teacher is compounded by Jamie’s world-weary, self-sacrificial, ever supportive mum Margaret (Rowntree Players’ pantomime clown Gemma McDonald revealing a deeper  side, her voice cracking under the emotion of singing her second heartfelt ballad, He’s My Boy.

Meet Sheffield drag queens Loco Chanelle, Tray Sophisticay, Laika Virgin and Sandra Bollock, alias Zander Fick, Andrew Isherwood, Mark Simmonds and Ryan Richardson, in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Make-up: Renee Delait. Hair: The Birdcage, Brighton. Picture: Matthew Kitchen

She forms a defiant double act with Lottie Farmer’s Ray, her blunt but sharp friend, who is always popping round with a market stall bargain, backed up by a choice putdown for authority.

Equally supportive too is dress-shop boss Hugo/veteran drag act Loco Chanelle (Zander Fick, continuing his year of outstanding performances), in tandem with the bantering drag-queen veterans Sandra Bollock (Ryan Richardson),  Tray Sophisticay (Andrew Isherwood at the double) ) and Laika Virgin (Mark Simmonds), Sheffield’s variation on The Adventures Of Priscilla, Queen Of The Desert.

Posted high above the stage, musical director Adam Tomlinson and his band, trumpet, trombone, tenor sax et al, are in top form throughout, for big numbers and instrumental interludes alike, while Ilana Weets’s choreography hits the mark, from And You Don’t Even Know It opening to Out Of The Darkness (A Place Where We Belong) finale.

Readman wears his director and designer hats with elan,  aside from a misbehaving, overworked  central door* that opens to Margaret’s kitchen, Loco Chanel’s studio, school classroom and Dad’s house alike. His triumphant production epitomises this musical’s call to “celebrate being yourself and find a place where you belong”: the stage for Jamie New and Harvey Stevens alike.

Pick Me Up Theatre, Everybody’s Talking About Jamie, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Gemma McDonald’s Margaret, left, Harvey Stevens’ Jamie New and Lottie Farmer’s Ray in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Picture: Matthew Kitchen

* Footnote from director-designer Robert Readman:

“JUST a quick note to say the misbehaving centre door is now fixed! It was originally going to swing both ways but it just decided to come out…”

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What’s On in Ryedale, York and beyond. Hutch’s List No. 32, from Gazette & Herald

Harvey Stephens’ Jamie New, front left, with his Sheffield schoolmates in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Picture: Matthew Kitchen

FROM dazzling dancing to doodling, disco favourites to an orchestral festival debut, Charles Hutchinson highlights summer delights that lie ahead.

Musical of the week: Pick Me Up Theatre in Everybody’s Talking About Jamie, Joseph Rowntree Theatre, York, until Saturday, 7.30pm and 2.30pm Saturday matinee

AT 16, Sheffield schoolboy Jamie New has no interest in pursuing a traditional career. He wants to be a drag queen. Supported by his loving mum and encouraged by friends, can Jamie overcome prejudice, beat the bullies and step out of the darkness into the spotlight?

Written by Tom MacRae and The Feeling’s Dan Gillespie Sells, this joyous underdog story is staged by York company Pick Me Up Theatre with Harvey Stevens, 15, and Gemma McDonald leading the cast. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Helmsley Arts Centre’s poster for Doodle Fest’s creative workshops

Summer holiday activity of the week: Doodle Fest, The Art of Doodling Art Festival Creative Workshops, Helmsley Arts Centre, today, 10am to 3pm, ages eight to 11; tomorrow, 9.30am to 11am, ages five to seven; tomorrow, 1pm to 4pm, ages 12 to 16

ARTIST Nicola Hutchinson guides participants through taking doodling skills to the next level, from experimenting with different forms and techniques to discovering new ways to express yourself through art. Turn your sketches into articulated characters; design giant doodled picture frames to showcase your masterpieces; let your imagination run wild as your doodles come to life in beautiful works of art.

All materials will be provided, but bring a sketchbook if you have one at home. All levels and abilities are welcome; snacks and drinks are provided; dress to get messy. Tickets: 01439 771700 or helmsleyarts.co.uk.

Sharleen Spiteri: Fronting Texas at Scarborough Open Air Theatre

Coastal gigs of the week: TK Maxx Presents Scarborough Open Air Theatre, Judas Priest, tonight; Texas, Saturday. Gates open at 6pm

JUDAS  Priest, formed in Birmingham in 1969, are still receiving a Grammy nomination in 2025 for Best Metal Performance, on top of being inducted into the Rock & Roll Hall of Fame, appointed by shock rocker Alice Cooper, in 2022. Their 19th studio album, Invincible Shield, was released in March 2024. Tonight’s support act will be Phil Campbell & The B**stard Sons.

This weekend, Sharleen Spiteri leads Glasgow band Texas through five decades of hits, from I Don’t Want To Be A Lover, Say What You Want and Summer Sun to Inner Smile, Mr Haze and Keep On Talking. Rianne Downey supports. Box office: scarboroughopenairtheatre.com.

Steve Steinman’s Love Hurts: Feel the power of ballads and anthems at Grand Opera House, York

Jukebox show of the week: Steve Steinman’s Love Hurts, Power Ballads & Anthems!, Grand Opera House, York, tomorrow, 7.30pm

FROM  the producers of Anything For Love and Vampires Rock comes the latest Steve Steinman venture, this one built around power ballads and anthems performed by a powerhouse cast of singers and a seven-piece band.

Love Hurts embraces Fleetwood Mac, Heart, Whitesnake, Billy Idol, Aerosmith, Tina Turner, Cutting Crew, Foreigner, REO Speedwagon, Rainbow, Van Halen, Europe, Air Supply and more. Box office: atgtickets.com/york.

Sophie Ellis-Bextor: On course for the York Racecourse Music Showcase Weekend

Dancefloor double bill of the week: Sophie Ellis-Bextor and Natasha Bedingfield, York Racecourse Music Showcase Weekend, Friday. Gates, 4pm; first race, 5.30pm; last race, 8.23pm

AT the only evening meeting of the Knavesmire racing calendar, kitchen disco queen  Sophie Ellis-Bextor and fellow Londoner Natasha Bedingfield each play a set after the seven-race sporting action.

Ellis-Bextor, 46, draws on her five top ten albums and eight top ten singles, such as Murder On The Dancefloor and Take Me Home. Bedingfield , 43, has the hits Unwritten, Single, These Words, I Wanna Have Your Babies and Soulmate to her name. For race-day tickets, go to: yorkracecourse.co.uk.

Fifties and Sixties’ tribute gig of the week: Music Masters, Kirk Theatre, Pickering, Friday, 7.30pm

MUSIC Masters’ time machine of a five-piece band transport Friday’s audience back to 1950s and 1960s’ pop with their dedication to vintage vocal harmonies, instrumental prowess and revival of the spirit of a golden age when music was the heartbeat of a generation. As the old saying goes, “be there or be square”. Box office: 01751 474833 or kirktheatre.co.uk.

Ronan Keating: Returning to York Racecourse Music Showcase Weekend on Saturday

Irish craic of the week: Ronan Keating, York Racecourse Music Showcase Weekend, Saturday. Gates open at 11.15am; first race, 1.25pm; last race, 5pm

IRISH singer, presenter and talent-show judge Ronan Keating returns to the York Racecourse Music Showcase Weekend, back on the Knavesmire track where he performed with Boyzone in July 2018.

Expect both solo and boy band favourites. “If you’re going to a festival or a racecourse, you have to give the people what they want, what they’re expecting, and because of the Boyzone documentary that’s on Sky and NOW TV, I’ll be doing more Boyzone hits than normal this time,” he says. For race-day tickets, go to: yorkracecourse.co.uk.

Helena Mackie: Soloist for Mozart’s Oboe Concerto at Royal Liverpool Philharmonic Orchestra’s Ryedale Festival debut

Ryedale Festival finale: Royal Liverpool Philharmonic, Final Gala Concert, Hovingham Hall, Sunday, 6.30pm

THE ‘Liverpool Phil’ make their Ryedale Festival debut this weekend, exploring the Italian vistas of Mendelssohn’s Symphony No 4, complemented by Mozart’s Oboe Concerto(featuring soloist Helena Mackie), Faure’s serene Pavane and Poulenc’s mischievous, charming Sinfonietta. For the full festival programme and tickets, go to: ryedalefestival.com. Box office: 01751 475777.

Alan Fletcher: Heading to Pocklington with his band in September

Show announcement of the week: Alan Fletcher, Pocklington Arts Centre, September 19, 8pm

NEIGHBOURS soap star Alan Fletcher will swap Ramsay Street for Pocklington Arts Centre for an evening of song. Known to millions as Dr Karl Kennedy in the long-running Australian series, he has carved out a career as a musician too, first fronting rock band Waiting Room, then as an Americana and alt-country singer-songwriter.

In 2024, singer and guitarist Fletcher’s five-piece band sold out 22 British dates promoting his album The Point. Now they return to showcase latest album Back To School. His compositions blend humour (For The Love Of Lager, How Good Is Bed) and poignant reflections on love, life and everything in between (Hey You, The Point, Back To School). Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Kate Rusby: Performing with the Singy Songy Session Band at Ryedale Festival. Picture: David Angel  

In Focus: Ryedale Festival, Kate Rusby, When They All Looked Up, Milton Rooms, Malton, July 25, 7pm, sold out

BARNSLEY folk nightingale Kate Rusby makes her Ryedale Festival debut on Friday, performing songs from her new album with her Singy Songy Session Band.

Released on Pure Records on April 25, When They All Looked Up is Kate’s first studio set of new material since 2019’s Philosphers, Poets & Kings. In that time, she has delivered the Christmas albums Holly Head in 2019 and Light Years in 2023 and the covers collection Hand Me Down in 2020.

Combining original compositions with re-imagined traditional songs, When They All Looked Up spans a dynamic sonic landscape, from intimate acoustic arrangements to rich, immersive soundscapes, on intimate, uplifting, joyous and profoundly moving songs that explore human stories, themes of resilience, self-discovery and connection.

First single Let Your Light Shine is a heartfelt message to Kate’s teenage daughters, Daisy and Phoebe, and to all in need of encouragement, elevated by the addition of Barnsley Youth Choir’s Senior Choir. 

The album cover artwork for Kate Rusby’s When They All Looked Up

“This song is my advice to my daughters, but also to anyone who might need to hear it,” says Kate. “It’s about embracing who you are, having faith in your unique gifts, and letting the world see your light. Be strong, be positive and be kind.”

The full track listing is: How The World Goes; Today Again; Ettrick; Let Your Light Shine; The Moon Man; Judges And Juries; The Barnsley Youth And Temperance Society; The Girl With The Curse; Master Kilby; The Yorkshire Couple and Coal Not Dole.

On December 20, Kate will bring her Christmas Is Merry tour – her 20th anniversary celebration of festive folk joy – to York Barbican. As ever, she will perform traditional South Yorkshire carols, Christmas chestnuts and her own winter songs, drawn from her six Christmas albums, in the company of her regular band and the “Brass Boys” at 7pm. Box office: yorkbarbican.co.uk.

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