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More Things To Do in York & beyond when Beethoven project goes public for first time. Hutch’s List No. 38, from The Press, York

York Beethoven Project: Reassembling today to workshop and play Symphony No. 3, Eroica

A BIG orchestra, a psychedelic inflatable crab, veteran singers, a blues troubadour and a  Spanish guitarist rub shoulders in Charles Hutchinson’s cultural diary.

Groundbreaking concert of the week: York Beethoven Project, An Evening of Revolutionary Music, Joseph Rowntree Theatre, York, today, 7.30pm

TODAY’S York Beethoven Project Come and Play workshop day climaxes with tonight’s performance of Beethoven’s No. 3 in Eb Major Op 55: Eroica in the project’s first pubic concert. The 40-piece orchestra will be the biggest ever to play the JoRo.

In addition, The White Rose Singers will be performing revolutionary musical theatre songs from Les Miserables, West Side Story, Carousel, James Robert Brown and more. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Artist Jason Wilsher-Mills at work in Peashom Park for his Jason Beside The Sea exhibition at Woodend Gallery, Scarborough. Picture: Tony Bartholomew

Exhibition launch of the week: Jason Wilsher-Mills: Jason Beside The Sea, Woodend Gallery, The Crescent, Scarborough, today until January 4 2025, Monday to Friday, 10am to 5pm; Saturdays, 10am to 4pm.

LOOK out for a giant inflatable sculpture of a psychedelic crab and colourful digital wallpaper featuring a pair of lovers inspired by Scarborough’s Peasholm Park in Jason Wilsher-Mills’s larger-than-life exhibition, a colourful explosion of artwork characters that reveals the stories of his memories of childhood seaside holidays, 1970s’ working-class experience and disability.

Scarborough Triptych, a three-panel wallpaper of argonaut characters, includes the Manchester Argonaut, inspired by Joy Division singer Ian Curtis. Wilsher-Mills, a Yorkshire-based disabled artist, will give a gallery talk on October 12. Gallery entry is free.

How long ago? Paul Carrack celebrates the 50th anniversary of his first hit at York Barbican. Picture: Nico Wills Cornbury

Ace memoir of the week: Paul Carrack, How Long: 50th Anniversary Tour 2024, York Barbican, tonight, 7.30pm

IN 1974, Sheffield musician Paul Carrack was in “fun London band” Ace when he wrote How Long, a song that would reach number three in the US Billboard Hot 100 and the Top 20 in the UK Singles Chart. Phil Collins named it among his top ten favourites in a 1981 issue of Smash Hits.

“‘How Long is probably the first song I wrote,” recalls Carrack, now 73. I wrote the song about a real situation, a situation that many people could relate to. Little did I know that it would become a classic and touch the hearts of so many.”  His 50th anniversary tour takes a journey through his career, from his days with Ace, Squeeze and Mike + The Mechanics to his solo years. Box office: yorkbarbican.co.uk.

David Essex: Career-spanning concert at York Barbican

Rocking on: David Essex, York Barbican, September 17, doors 7pm

PLAISTOW singer, composer and actor David Essex, 77, plays York on his 20-date British tour, his first since 2022. His set list will span his entire repertoire, drawing on his 23 Top 30 hits and a career that has taken in playing Jesus in Godspell, Che in Evita, That’ll Be The Day, Silver Dream Machine and his own musicals Mutiny! And All The Fun Of The Fair.

The likes of Rock On, Lamplight, Hold Me Close, Gonna Make You A Star, A Winter’s Tale and Oh, What A Circus will surely feature. Box office: yorkbarbican.co.uk.

Charlie Parr: Showcasing blues and folk songs of community and communing with nature at Pocklington Arts Centre

Troubadour of the week: Charlie Parr, Pocklington Arts Centre, September 19, 8pm

RAISED in Austin, Texas, and now living in the Lake Superior port town of Duluth, folk troubadour and bluesman poet Charlie Parr has recorded 19 albums since 2002, this year releasing Little Sun, full of stories celebrating music, community, and communing with nature.

Taking to the road between shows, this American guitarist, songwriter, and interpreter of traditional music writes and rewrites songs as he plays, drawing on the sights and sounds around him, his lyrical craftsmanship echoing the songs of his working-class upbringing, notably Folkways legends Lead Belly and Woody Guthrie. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Iago Banet: Fingerstyle acoustic guitarist plays solo in Helmsley. Picture: Sue Rainbow

Guitarist of the week: Iago Banet, Helmsley Arts Centre, September 20, 8pm

IAGO Banet, “the Galician King of Acoustic Guitar” from northern Spain, visits Helmsley on the back of releasing his third album, the self-explanatory Tres, in 2023.

Featured on BCC Radio 2’s The Blues Show With Cerys Matthews, this solo fingerstyle acoustic guitarist has played such festivals as Brecon Jazz, Hellys International Guitar Festival and Aberjazz, displaying skill, complexity and versatility in his fusion of gypsy jazz, blues, Americana, country, Dixieland, swing, pop and folk. Box office: 01439 771700 or helmsleyarts.co.uk.

Ryans Adams: Heading back to York Barbican

Return of the week: Ryan Adams, Solo 2024, York Barbican, September 20, doors 7pm

NORTH Carolina singer-songwriter Ryan Adams returns to York Barbican next week after playing a very long, career-spanning set there with no lighting – by choice – in April last year. This time he will be marking the 20th anniversary of 2004’s Love Is Hell and tenth anniversary of 2014’s self-titled album, complemented by Adams classics and favourites. Adams, who visited the Grand Opera House in 2007 and 2011, will be performing on acoustic guitar and piano. Box office: yorkbarbican.co.uk.

Setting up camp: Julian Clary extends his western-themed tour into 2025. Harrogate and York await

Show announcement of the week: Julian Clary, A Fistful Of Clary, Harrogate Theatre, May 2 2025, 7.30pm; Grand Opera House, York, May 25 2025, 7.30pm

JULIAN Clary is extending his A Fistful Of Clary stand-up tour to next spring. “Oh no, do I have to do this?” he asks. “Rylan and I were going to go back-packing in Wales. Sigh.”

Yee-haw, The Man With No Shame is adding 28 dates, Harrogate and York among them. “Yes, it has a Western theme,” Clary confirms, setting up camp for his comedy. “It was only a matter of time before I eased myself into some chaps.” Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; York, atgtickets.com/york.

In Focus: Rehearsed reading of Alan Ayckbourn’s Father Of Invention, Stephen Joseph Theatre, Scarborough, Sunday, 3pm

The Stephen Joseph Theatre artwork for Alan Ayckbourn’s Father Of Invention

THE first ever public performance of the AI-futuristic Father Of Invention, written by Alan Ayckbourn in lockdown, will be given in a fundraising rehearsed reading at the Stephen Joseph Theatre, Scarborough on Sunday (15/9/2024) at 3pm.

Ayckbourn directs a cast of Bill Champion, Paul Kemp and Frances Marshall from his 90th play, Show & Tell, joined by Ayckbourn alumni Liza Goddard, Elizabeth Boag, Laurence Pears and Naomi Petersen. This will be the first time the Scarborough writer-director, 85, has heard the work read aloud.

“Take a look at their rollcall of Ayckbourn-written-and-directed shows – we reckon they’ve racked up an impressive 39 between them,” says SJT press officer Jeannie Swales. “We haven’t counted last year’s reading of Truth Will Out, only shows that had a full production either here at the SJT or at The Old Laundry Theatre, Bowness-on-Windermere, including Show & Tell. Mind you, that’s still not quite half of the Ayckbourn canon of 90!”

One of a handful of dramas penned by Ayckbourn in the creative cocoon of his Scarborough home during the pandemic, Father Of Invention takes its title from its central character of technology magnate Lord Onsett, who has passed away.

“Lord Onsett was an entrepreneur who made billions from the rapid acceleration of Artificial Intelligence,” says Sir Alan. “His company introduced the now ubiquitous Artificial Sentient Lifeforms, which carry out vast swathes of jobs for humanity from cleaning to security.

“His family are gathered to discuss how his enormous estate will be divided but as ever with Lord Onsett, there are a few surprises in store…”

Leading the gaggle of familiar faces will be “our old friend” Liza Goddard, who has appeared in Ayckbourn premieres of If I Were You, Snake In The Grass, Life & Beth, Communicating Doors, Life Of Riley and The Divide.

The omnipresent Bill Champion has roles in Comic Potential, Haunting Julia, GamePlan, FlatSpin, RolePlay, A Chorus Of Disapproval, Intimate Exchanges, Woman In Mind, Absurd Person Singular, Surprises, Arrivals & Departures, Farcicals, Henceforward…, No Knowing, By Jeeves, Season’s Greetings, The Girl Next Door, Welcome To The Family and now Show & Tell to his name.

Paul Kemp has made his mark in This Is Where We Came In, Drowning on Dry Land, Private Fears In Public Places, The Champion Of Paribanou, Woman In Mind, My Wonderful Day and The Divide, this summer adding Show & Tell to that list.

York actress Frances Marshall has appeared in premieres of A Brief History Of Women, Joking Apart, Season’s Greetings, Family Album and Truth Will Out; Elizabeth Boag in Arrivals & Departures, Farcicals, Roundelay, Confusions, Hero’s Welcome, The Divide, Family Album and  Truth Will Out; Naomi Petersen in By Jeeves, Joking Apart, Better Off Dead, Birthdays Past, Birthdays Present, Haunting Julia, The Girl Next Door, Constant Companions and Truth Will Out.

All money raised from the rehearsed reading will go towards the SJT’s New Work Fund, helping the theatre to present new work on its two stages and to nurture new talent.

Ticket availability is “limited”. Hurry, hurry, to book on 01723 370541 or sjt.uk.com.

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Alan Ayckbourn delivers love letter to theatre in 90th play Show & Tell at the SJT

Bill Champion and Paul Kemp in rehearsal for Alan Ayckbourn’s Show & Tell. Picture: Tony Bartholomew

ALAN Ayckbourn’s 90th play, a love letter to theatre delivered under the title of Show & Tell, opens at the Stephen Joseph Theatre, Scarborough, tonight.

Ayckbourn directs Bill Champion, Paul Kemp, Frances Marshall, Richard Stacey and Olivia Woolhouse in a delightfully dark farce that lifts the lid on the performances we act out on a daily basis.

The plot? Jack is planning a big party for his wife’s birthday. Pulling out all pulling the stops, he has booked a touring theatre company to perform in the main hall of the family home. Unfortunately, however, Jack is becoming forgetful in his old age, unable to remember all the details of the booking.

The other side of the story? The Homelight Theatre Company is on its knees, desperately in need of a well-paid gig – and Jack’s booking is very well paid – but pinning him down on the details has been tricky. Something does not feel quite right.

“Show & Tell is about something which has preoccupied me for the last 60 years and probably more – theatre,” says Sir Alan, now 85. “It’s a love letter to theatre.

“The play is a dark farce that reflects that real life is curling around it all the time, with the structure of a play within a play: a play of the sort we would do in my second year with the Stephen Joseph Theatre Company at the Library Theatre, like A Game Of Love And Chance, a French farce. We had such a lark with that play, done as one of our attempts to attract a seaside audience.”

Show & Tell writer-director Alan Ayckbourn in his garden in Scarborough. Picture: Tony Barthlomew

Show & Tell presents an interesting challenge for the cast, says Sir Alan. “Once it starts, they have two challenges: they have to be the persona who comes into the rehearsal room, the actor they are playing, and then the character they’re playing in the play within the play.

 “One of the things we’ll do is go from modern naturalism to French farce, but I don’t much of that leaping in and out. Once they start doing the play within the play, they do the play – and I don’t want to make the farce bad as it’s a celebration of theatre.

“They’re at the level where it’s not laughing out loud at their ineptitude, nor is it making fun of amateurs as then you’ve lost the point of the play. I’ve never tried to do that; I didn’t do that in A Chorus Of Disapproval either. The performance level should remain reasonably high.”

Come the finale, the play and play within a play elide. “There’s a moment at the very end, where the farce and Show & Tell proper coincide, when they’re taking their bow to endless empty rows, at which point a dormant member of the audience wakes with a jolt and joins in the clapping, and in doing so he encourages us all to do so as he breaks through the fourth wall. We get a Pirandelloesque flip there that I’m anxious to pull off.”

Ayckbourn’s love letter to theatre comes in the wake of a General Election where barely a breath was spent on the future of the arts. “Theatre is not a vote catcher,” reasons Sir Alan. “We need to make the arts more valued in the community. You do that by making people want to come and see it, and you don’t do it by pretending it’s something it isn’t.

“It isn’t an educational tool or an organised sing-song in an old people’s home; but it’ s something that is quite expensive to put on, and in order to put it in a space, whether small large, it depends on the financing.

Richard Stacey and Olivia Woolhouse rehearsing a scene from Show & Tell. Picture: Tony Bartholomew

“But we need to make theatre less expensive. A few years ago, when we took Private Fears In Public Spaces to New York and received wonderful reviews, I was approached by the Shubert Organization, the big boys of New York theatre, who said they would like to transfer it to off-Broadway.

“I said the cast had gone on to do other things, but they said we could use American actors, and we put a company together, but then they started saying, ‘you need an assistant director’. ‘No, I don’t,’ I said. They kept adding roles. Fight director. Movement director.”

Size of theatre. Cost of furniture and set design. The list and potential costs grew. “So we abandoned the production in the end because it was too expensive to do, when in fact it was a six-hander with a simple stage and simple sound design. The old expression ‘two planks and a passion’ came to me, and I thought, anything we do has got to go back to basics.”

That thought sparked a memory of Sir Alan directing his first production for the SJT: Patrick Hamilton’s Gaslight at the Library Theatre in 1961. “I asked Stephen [artistic director Stephen Joseph] how much the budget was. ‘Technically nothing,’ he said. “And if you push me, £5’. We scraped and we borrowed, and we still did it. The only cost that came in was the actors’ salaries and stage manager’s salary,” he recalls.

“What Stephen presented, and it comes into my play Show & Tell too, is that theatre is a meeting of audience and performers, and the audience are certainly not interested in who the director is – except with the cult of the director being so important now!”

Alan Ayckbourn’s Show & Tell, Stephen Joseph Theatre, Scarborough, tonight until October 5, 7.30pm plus 2.30pm Saturday matinees and 1.30pm matinees on September 12, 18, 19, 25 and 26, October 2 and 3. Box office: 01723 370541 or sjt.uk.com. 

Alan Ayckbourn in the poster image for Show & Tell

In Focus: Rehearsed reading of Alan Ayckbourn’s Father Of Invention, Stephen Joseph Theatre, Scarborough, 15/9/2024

THE first ever public performance of the AI-futuristic Father Of Invention, written by Alan Ayckbourn in lockdown, will be given in a fundraising rehearsed reading at the Stephen Joseph Theatre, Scarborough, on September 15 at 3pm.

Ayckbourn directs a cast of Bill Champion, Paul Kemp and Frances Marshall from his 90th play, Show & Tell, joined by Ayckbourn alumni Liza Goddard, Elizabeth Boag, Laurence Pears and Naomi Petersen. This will be the first time the Scarborough writer-director, 85, has heard the work read aloud.

“Take a look at their rollcall of Ayckbourn-written-and-directed shows – we reckon they’ve racked up an impressive 39 between them,” says SJT press officer Jeannie Swales. “We haven’t counted last year’s reading of Truth Will Out, only shows that had a full production either here at the SJT or at The Old Laundry Theatre, Bowness-on-Windermere, including Show & Tell. Mind you, that’s still not quite half of the Ayckbourn canon of 90!”

One of a handful of dramas penned by Ayckbourn in the creative cocoon of his Scarborough home during the pandemic, Father Of Invention takes its title from its central character of technology magnate Lord Onsett, who has passed away.

“Lord Onsett was an entrepreneur who made billions from the rapid acceleration of Artificial Intelligence,” says Sir Alan. “His company introduced the now ubiquitous Artificial Sentient Lifeforms, which carry out vast swathes of jobs for humanity from cleaning to security.

“His family are gathered to discuss how his enormous estate will be divided but as ever with Lord Onsett, there are a few surprises in store…”

The Stephen Joseph Theatre artwork for Alan Ayckbourn’s Father Of Invention

Leading the gaggle of familiar faces will be “our old friend” Liza Goddard, who has appeared in Ayckbourn premieres of If I Were You, Snake In The Grass, Life & Beth, Communicating Doors, Life Of Riley and The Divide.

The omnipresent Bill Champion has roles in Comic Potential, Haunting Julia, GamePlan, FlatSpin, RolePlay, A Chorus Of Disapproval, Intimate Exchanges, Woman In Mind, Absurd Person Singular, Surprises, Arrivals & Departures, Farcicals, Henceforward…, No Knowing, By Jeeves, Season’s Greetings, The Girl Next Door, Welcome To The Family and now Show & Tell to his name.

Paul Kemp has made his mark in This Is Where We Came In, Drowning on Dry Land, Private Fears In Public Places, The Champion Of Paribanou, Woman In Mind, My Wonderful Day and The Divide, this summer adding Show & Tell to that list.

York actress Frances Marshall has appeared in premieres of A Brief History Of Women, Joking Apart, Season’s Greetings, Family Album and Truth Will Out; Elizabeth Boag in Arrivals & Departures, Farcicals, Roundelay, Confusions, Hero’s Welcome, The Divide, Family Album and  Truth Will Out; Naomi Petersen in By Jeeves, Joking Apart, Better Off Dead, Birthdays Past, Birthdays Present, Haunting Julia, The Girl Next Door, Constant Companions and Truth Will Out.

All money raised from the rehearsed reading will go towards the SJT’s New Work Fund, helping the theatre to present new work on its two stages and to nurture new talent.

Ticket availability is “limited”. Hurry, hurry, to book on 01723 370541 or sjt.uk.com.