Tag: Federico Pendenza

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More Things To Do in York and beyond unlocked secret spaces & hidden places. Hutch’s List No. 40, from The York Press

Angela Hall’s artwork from York Created at Pyramid Gallery

FROM classic Coward in Present Laughter to Frayn’s finest farce, Noises Off, York’s unlocked buildings to Joe Jackson’s hope and fury, Charles Hutchinson piles up the good stuff for the week ahead.

Exhibition opening of the week: York Created: Paint-Clay-Print-Collage From The Heart Of The City, Pyramid Gallery, Stonegate, York, until November 14

YORK Created: Paint-Clay-Print-Collage From The Heart Of The City features a “collection of talented artists from across our fair city”. “Some have exhibited with us before, others are new to us,” says Pyramid Gallery manager Fiona Macfarlane. “All the works are for sale.”

Taking part are potters Danny Aitkin, Chiu-i Wu, Loretta Braganza, Ben Arnup, Emily Stubbs, Jessica Jenyns  and Ruth King, painters Rory Barke, Carolyn Coles, Jill Tattersall, Ric Liptrot, Lesley Birch, Mick Leach, Lesley Shaw and Angela Hall and stained glass artist Helen Bower. Opening hours are 10am to 5pm, Monday to Saturday.

Dennis Rollins: Delivering Funky-Funk! to YorkJazzFest’s Bishopthorpe Road Car park Finale tomorrow

Festival of the week: YorkJazzFest, today and tomorrow

TODAY, Beppe Lombardo’s inaugural YorkJazzFest features: 6pm, Flowerden, The Winning Post; 6pm, Mutant DJ Jazz, Angel On The Green; 6.30pm, Emma Foulds Quintet, York Arts Barge; 7pm, SwanNek, Young Thugs Studios; 8.30pm, Al Morrison Quartet, The Winning Post;  8.30pm, Olivia Cuttill, York Arts Barge;  9pm, Borgia, Angel On The Green, and 9pm, Lovedancin’ DJ, Young Thugs Studios. For tickets, go to: yorkjazzfestival.com.

Tomorrow,  the Bishopthorpe Road Car Park Finale runs from midday with free entry and no ticket required. On the bill are: 12 noon, YorkJazzFest Orchestra; 1pm, Vipertime; 2.15pm, Big Bamboo; 4.15pm, Fergus Quill Sextet, and 6pm, Dennis Rollins’ Funky-Funk! Ian Chalk concludes the event at The Phoenix Inn at 8pm; free entry.

Federico Pendenza: Two world premieres at this afternoon’s York Late Music concert

Season finale of the week: York Late Music presents Federico Pendenza, Folk Roots To Classical Form, Unitarian Chapel, St Saviouragte, York, today, 1pm

UNIVERSITY of York guitarist Federico Pendenza concludes York Late Music’s concert season with Folk Roots To Classical Form, featuring William Walton’s only piece written for guitar (following a persuasive word from Julian Bream!), two intimate pieces by the “Chopin of the guitar”, Agustín Barrios, and two world premieres, Macey Collins’s Impressions Of Tension and Noor Hingorani’s Pomegranates On My Altar, which draws on the Persian Sofreh wedding ceremony, where pomegranates represent joy, passion and strength. Box office: latemusic.org/federico-pendoza-guitar or on the door.

York Unlocked: Unlocking York’s significant, hidden and secret buildings

Free discoveries of the week: York Unlocked, today and tomorrow

YORK Unlocked opens York’s most interesting, significant, even hidden and secret buildings to the public completely for free, although some buildings require free pre-booked tickets.  This weekend’s festival enables residents and visitors alike to see York in a new way and aims to educate and inspire a love of architecture this weekend. To download the full programme, go to: https://www.york-unlocked.org.uk/_files/ugd/972e50_ba8593730b26433e8b060829ff5bd5ac.pdf.

Michael Shafar: Headlining Laugh Out Loud Comedy Club at The Basement

​Comedy gigs of the week: Laugh Out Loud Comedy Club, The Basement, City Screen Picturehouse, York, today, 4pm and 8pm

LAUGH Out Loud promoter Damion Larkin has added an extra show at 4pm in response to ticket demand for tonight’s 8pm bill of Michael Shafar, Ant Dewson, Mike Carter and Gary Jennison.

Former lawyer Shafar left Australia to ply his comedy trade over here. Dewson is a comedian, mediocre piano player and singer of silly songs, many of them rude. Carter covers everything from living with your nan in your 30s to the realities of engaging in “kinky stuff” when you have a coordination disorder. Jennison promises dance-offs, game shows, magic and unbridled chaos. Box office: lolcomedyclubs.co.uk.

Brian Bilston: Poetic words at Milton Rooms, Malton

Poet of the week: Brian Bilston, How To Lay An Egg With A Horse Inside, Milton Rooms, Malton, tomorrow, 7.30pm

BRIAN Bilston, a poet with more than 500,000 followers on social media, returns to the stage this autumn with his latest book, How To Lay An Egg With A Horse Inside, as he takes a journey through the hows, whys and whats of reading, writing and enjoying poetry every day.

Bilston has published such collections as You Took The Last Bus Home, Alexa, What Is There To Know About Love? and Days Like These, along with debut novel Diary Of A Somebody, poetry for younger readers and his 2025 album of poetry set to music, Sounds Made By Humans, recorded with The Catenary Wires. Box office: 01653 696240 or themiltonrooms.com.

Tracy-Ann Oberman’s Geri Essendine and Seb Carrington’s David Stillington in Present Laughter. Picture: Simon Annand

Coward classic of the week: Theatre Royal Bath Productions and Augusta Productions present Present Laughter, Grand Opera House, York, October 6 to 10, 7.30pm plus 2.30pm Wednesday and Saturday matinees

TRACY-ANN Oberman stars as hugely successful actress Geri Essendine – who has been 39 for the best part of a decade – in Lindsay Posner’s new touring production of Noel Coward’s celebrated portrayal of the temptations and pitfalls of theatrical celebrity. 

On the cusp of departing for a tour of Africa, Geri finds herself besieged by a bevy of would-be lovers, her long-suffering secretary, estranged husband and an obsessed young playwright. Will she ever disentangle herself from their tightening clutches and incessant demands? Then again, deep down, does she really want to? Box office: atgtickets.com/york. 

Pick Me Up Theatre cast members Pearl Mollison, left, Craig Kirby, Alexandra Mather, Andrew Isherwood, Helen Spencer, Adrian Cook and Mark Simmonds, under the withering eye of Rory Mulvihill, right, director of the play-within-the-play in Michael Frayn’s Noises Off

Slamming doors, falling trousers and flying sardines of the week: Pick Me Up Theatre in Noises Off, Joseph Rowntree Theatre, York, October 6 to 10, 7.30pm plus 2.30pm Saturday matinee

MICHAEL Frayn’s backstage farce Noises Off takes a wicked look at the follies of theatre folk, whose susceptibility to out-of-control egos, memory loss and passionate affairs turns every performance into a high-risk adventure.

This play-within-a-play captures a touring theatre troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance and a performance towards the end of a debilitating run. Robert Readman directs a stellar York cast of Helen Spencer, Andrew Isherwood, Alexandra Mather, Rory Mulvihill, Pearl Mollison, Mark Simmonds, Craig Kirby, Jessica Hardcastle and Adrian Cook. Box office:  01904 501935 or josephrowntreetheatre.co.uk.

Joe Jackson: Returning to York Barbican

Gig of the week: Joe Jackson + Band, Hope And Fury Tour 2026, York Barbican, October 7, doors 7pm

JOE Jackson played York for only the second time at York Barbican on July 29 2022 as part of his Sing, You Sinners! Tour, having first shared a bill with Todd Rundgren and improvisational string quartet Ethel at the Grand Opera House in June 2005.

Now, the Portsmouth-raised singer, musician, songwriter, bandleader, producer, author and campaigner, 72, returns with his regular band to perform work from throughout his career and to showcase his 23rd studio album Hope And Fury, released in April. Conner Youngblood supports. Box office: yorkbarbican.co.uk.

Acosta Danza in Andonis Foniadakis’s new work Pearls. Picture: Charlie Kirkpatrick

In Focus: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 3, 2.30pm and 7.30pm

IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance.  Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.

Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.

Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.

“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.

“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first-ever visit to the wonderful York Theatre Royal.”

Acosta Danza in Goyo Montero’s 2011 work Chacona at York Theatre Royal. Picture: Charlie Kirkpatrick

Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”

Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.

Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.

Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.

“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”

Acosta Danza in Goyo Montero’s Chacona. Picture: Charlie Kirkpatrick

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

In addition, Acosta Danza will hold an Open Class today (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

Did you know?

ACOSTA Danza performed Carlos Acosta’s Nutcracker In Havana at the Grand Opera House, York, in January 2026.

Acosta Danza in Pearls at York Theatre Royal. Picture: Charlie Kirkpatrick

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More Things To Do in York and beyond – outside or even in the schoolroom. Hutch’s List No. 19 for 2023, from The Press

Heathers The Musical: Too cool for school at Grand Opera House, York. Picture: Pamela Raith

FROM a dead-cool musical to a ‘Sueperfan’, a Strictly ten to guitar pyrotechnics, Charles Hutchinson has tips on how to have a better week.

School outing of the week: Heathers The Musical, Grand Opera House, York, Tuesday to Saturday, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

WELCOME to Westerberg High, 1989, where Veronica Sawyer (played by Jenna Innes) is just another nobody craving a better day, until she joins the beautiful and impossibly cruel Heathers. Now her dreams of popularity may finally come true.

Enter mysterious teen rebel Jason  ‘JD’  Dean (Jacob Fowler), who teaches her that it might kill to be a nobody, but it is murder being a somebody in Andy Fickman’s touring production with electrifying choreography by Gary Lloyd. Box office: atgtickets.com/york.

Federico Pendenza: Lunchtime concert at St Saviourgate Unitarian Chapel

Tributes of the week:  York Late Music, Reginald Smith Brindle, 1pm today; Sir Harrison Birtwistle: A New Matrix, 7.30pm today, St Saviourgate Unitarian Chapel, York

YORK Late Music pays tribute to two British composers, both Lancastrian, one a major name, the other an unjustly forgotten figure surely due for a revival.

The lunchtime programme celebrates the work of Reginald Smith Brindle, best known for his solo guitar work. Guitarist Federico Pendenza plays four works by Smith Brindle, pieces by Poulenc and a Chris Gander world premiere.

The evening’s tribute to Sir Harrison Birtwistle, based around the clarinet, acknowledges the work of York musician Alan Hacker, his musical associate. Works by Birtwistle, Messaien and Peter Maxwell Davies will be complemented by short pieces composed following Birtwistle’s death in April 2021. Box office: latemusic.org or on the door.

Lulo Reinhardt & Yuliya Lonskaya: Guitar duo at the NCEM

Guitar duo of the week: Lulo Reinhardt & Yuliya Lonskaya, National Centre for Early Music, York, Tuesday, 7.30pm

LULO Reinhardt, from Koblenz, Germany, is the grandnephew of Django Reinhardt. As to be expected, Lulo has a repertoire of gypsy swing, but he has extended his musical horizons to embrace music from North Africa and India.

Yuliya Lonskaya, from Mogilev, Belarus, performs her own style of classic, folk, jazz and bossa nova arrangements. Together they make beautiful music. Box office: 01904 658338 or ncem.co.uk.

Katie Melua: Love & Money tour date at York Barbican

Singer-songwriter gig of the week: Katie Melua, Love & Money Tour, York Barbican, Monday, 7.30pm

KATIE Melua, the Georgian-born, West London-based singer-songwriter, returns to York Barbican to promote her ninth album, March 2023’s Love & Money, 20 years on from her chart-topping debut, Call Off The Search.

Melua, 38, will combine such hits as The Closest Thing To Crazy, Call Off The Search, Nine Million Bicycles and If You Were A Sailboat, with songs from the new release. Box office: yorkbarbican.co.uk.

Sueperfan Eleanor Higgins with her cardboard cutout of Sue Perkins

Sue Perkins superfan of the week:  In PurSUEt, Theatre@41, Monkgate, York, Tuesday, 8pm

IN Eleanor Higgins’s LGBT confessional comedy drama, ‘Woman’ is seated in a therapist’s office, sent there to deal with her drink problem. But she does not have a problem and nor does she need therapy. She needs Sue Perkins. They are meant for each other. If only Sue could see that too, but how can she when she is too busy being a celebrity?

‘Woman’ sets out in pursuit of her love, following Sue’s every move online, breaking in backstage at the BBC. But can she keep it all together while battling her out-of control boozing? Box office: tickets.41monkgate.co.uk.

Chris Singleton: Giving tips on How To Be A Better Human at Theatre@41

Conversation of the week: Chris Singleton in How To Be A Better Human, Theatre@41, Monkgate, York, Wednesday, 7.30pm

THIS spoken-word comedy about grief and self-acceptance tells Chris Singleton’s story of losing two of the biggest relationships in his life – father and wife – in the space of a few months.

Directed by Tom Wright, Singleton uses PowerPoint comedy, autobiographical storytelling and poetry to open conversations on mental health. Finding lightness and humour in death, loss and divorce, he explores how we can lose everything but find strength to rebuild. Box office: tickets.41monkgate.co.uk.

Can you namet them all? Strictly Come Dancing: The Professionals at York Barbican

Dance show of the week: Strictly Come Dancing: The Professionals, York Barbican, Friday (sold out) and May 31, 7.30pm

TEN Strictly professionals – count’em – partner up for a tour directed by the BBC show’s creative director, Jason Gilkison, promising “world-class dance, stunning choreography and sparkling sets and costumes”.

In the theatrical ensemble will be: Dianne Buswell; Vito Coppola; Carlos Gu; Karen Hauer; Neil Jones; Nikita Kuzmin; Gorka Marquez; Luba Mushtuk; Jowita Przystal and Nancy Xu. Tickets for the second performance are still available at yorkbarbican.co.uk.

Pete Oxley and Nick Meier of the Oxley-Meier Guitar Project

Guitars galore: Oxley-Meier Guitar Project, National Centre for Early Music, York, May 18, 7.30pm

THE Oxley-Meier Guitar Project head for York with a new album ready for release. In the line-up are Pete Oxley and Nick Meier, guitars, Raph Mizraki, bass and percussion, and Paul Cavaciuti, drums, who specialise in melodically and texturally driven contemporary jazz.

Oxley-Meier bring ten differing guitars to each concert, including fretless nylon, acoustic and electric 12-strings, sitar-guitar and 11-string fretless. Box office: 01904 658338 or ncem.co.uk.

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Late Music concerts to pay tribute to Sir Harrison Birtwistle and Reginald Smith Brindle at Unitarian Chapel on Saturday

Sir Harrison Birtwistle, 1934-2022

YORK Late Music pays tribute on Saturday to two British composers:  a major name and an unjustly forgotten figure who is surely due for a revival.

The evening concert, A New Matrix,  has been planned as a tribute to Sir Harrison Birtwistle, who died in April 2021. Birtwistle was a colossus in contemporary music, especially opera, whose influence was worldwide.

Based around the clarinet, the 7.30pm programme also acknowledges the work of York musician Alan Hacker, who was a long-term friend and musical associate of Birtwistle, and who taught many of those involved in this weekend’s performance.

Alongside Birtwistle’s work, the programme includes pieces by Messaien (whom Birtwistle acknowledged as an influence) and Peter Maxwell Davies, as well as a series of short pieces composed following Birtwistle’s death.

Guitarist Federico Pendenza

The lunchtime concert (1pm) celebrates the work of Reginald Smith Brindle, who died in 2003. A Lancastrian, like Birtwistle, Smith Brindle’s eclectic output included two symphonies, although he is now best known for his solo guitar work.

Guitarist Federico Pendenza, from the University of York, will be playing four works by Smith Brindle, pieces by Poulenc and a Chris Gander world premiere.

Both concerts are at Late Music’s usual venue, the Unitarian Chapel in St Saviourgate, York. The evening event will follow a 6.45pm talk by composer David Lancaster, with a complimentary glass of wine or juice.

Lunchtime concert tickets cost £5; evening, £12, students £5, at latemusic.org or on the door

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York Late Music season opens on Friday with Delta Saxophone Quartet’s Martland, McCartney and Joy Division programme

Delta Saxophone Quartet: Opening York Late Music’s 2022-2023 season on Friday

YORK Late Music’s 2022/2023 season opens on Friday with the Delta Saxophone Quartet’s evening concert, The Steve Martland Story, at St Saviourgate Unitarian Chapel, York.

The 7.30pm programme takes in Purcell/Martland’s Fantasia 6; Martland’s Remix and Principia; Joe Duddell’s Compacted Grounds and world premieres of Damon Rees’s A Hocket A Day and Stine Solbakken’s Karl Johan’s Gate.  

Further works will be Louis Andriessen’s Slow Birthday; Tom Armstrong’s Damascene Redux; Michael Nyman’s 24 Hours; Mark Anthony-Turnage’s Run Riot (1st Movement) and Paul McCartney’s Golden Slumbers/Carry The Weight, from The Beatles’ album Abbey Road.

The finale comprises David Lancaster’s arrangement of Joy Division’s Love Will Tear Us Apart, followed by Joe Duddell & Nick Williams’s Joy Division/Factory Records-inspired arrangements.

Looking ahead to the season as a whole, administrator Steve Crowther says: “Whether you are a devotee of new music or simply a lover of music itself, our 2022-2023 season promises to be a truly rewarding experience. We have more than 40 world premières, expressing freshness and innovation.

Jakob Fichert: Piano recital on Saturday

“The season embraces a full range of musical styles and genres. The stark immediacy of Xenakis. The hypnotic minimalism of John Adams. Authentic musical arrangements of Joy Division and David Bowie. We also include pieces by composers who deserve to be better known, for example Reginald Smith Brindle.”

This season also marks the 75th birthday of York Late Music patron and composer Nicola LeFanu, the 150th birthday of Ralph Vaughan Williams and the death in April this year of contemporary classical music and opera composer Sir Harrison Birtwistle.

Concerts largely take place at St Saviourgate Unitarian Chapel on the first Saturday of each month from September to December 2022, then February to June 2023. The season’s opening concert, however, falls this Friday, to be followed by lunchtime and evening concerts the next day.

Each evening concert has an informal pre-concert talk at 6.45pm, accompanied by a free glass of wine or juice, usually featuring an interview with one of the evening’s composers and an open discussion. First up, on Friday, will be saxophonist Chris Caldwell: Remembering Steve Martland.

“All of our concerts are informal and family-friendly, offering a chance to talk to composers and performers, which we strongly encourage. They don’t bite!” says Steve. “Students and young musicians are especially welcome.”

Bingham String Quartet: Playing works by Beethoven, Schnittke, LeFanu and Tippett

In Saturday’s lunchtime recital at 1pm, pianist Jakob Fichert focuses on the music of Massachusetts composer John Adams, who turned 75 on February 14 this year. His works China Gates and American Berserk will be complemented by Adolf Busch’s Variations On An Original Theme; Schönberg’s 6 Little Pieces Op. 19; Deborah Pritchard’s The Sun 
and the world premiere of Steve Crowther’s Piano Sonata No.4.

Saturday evening’s 7.30pm programme by the Bingham String Quartet comprises Beethoven’s String Quartet No. 6 in Bb Major (Op.18); Schnittke’s String Quartet No.3
LeFanu’s String Quartet No.2 and Tippett’s String Quartet No.2.

Further concerts will be given this year by pianist Duncan Honeybourne, November 5, 1pm; James Turnbull, oboe, and Libby Burgess, piano, November 5, 7.30pm; Micklegate Singers, And There Were Shepherds, December 3, 1pm, and Gemini, Nicola LeFanu At 75, A Portrait and Celebration, December 3, 7.30pm.

Next year’s programme opens with Music On The Edge: The Lapins, featuring Susie Holder-Williams, flute, Chris Caldwell, saxophone, and James Boyd, guitar, on February 4 at 1pm, followed by the Fitzwilliam String Quartet at 7.30pm.

Ruth Lee presents a harp recital on March 4 at 1pm; the Elysian Singers perform at 7.30pm that night.

Ruth Lee: Harp recital on March 4

On April 1, cellist Ivana Peranic and pianist Rachel Fryer unite for the lunchtime recital; York Late Music regular Ian Pace returns to the piano for the Xenakis Centenary Concert: Composers With A Side Hustle at 7.30pm.

On April 29, Tim Brooks and the York Hub steer the children and young students’ recital in a day-long project from 8am to 5pm.

Guitarist Federico Pendenza presents Reginald Smith Brindle: A Tribute on May 6 at 1pm. The tributes continue that evening when The New Matrix focus on the music of Sir Harrison Birtwistle at 7.30pm.

The Composers Competition Workshop takes place at the Unitarian Chapel from 8am to 5pm on June 2.

Baritone Stuart O’Hara sings to piano accompaniment on June 3; Nick Williams conducts the Late Music Ensemble at 7.30pm.

“We hope this whets your appetite and we look forward to seeing you soon,” says Steve. Full programme and ticket details can be found at latemusic.org. Tickets are available on the door too.

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