What’s On in Ryedale, York and beyond. Hutch’s List No.45, from Gazette & Herald

Courtney Brown: Directing Pickering Musical Society for the first time in My Favourite Things – The Music of Rodgers & Hammerstein. Picture: Robert David Photography

FROM Rodgers & Hammerstein favourites to Caliban’s dancing revenge, Francis Rossi’s songs and stories to German beer festivities, Charles Hutchinson delights in October’s diversity.

Musical revue of the week: Pickering Musical Society presents My Favourite Things – The Music of Rodgers & Hammerstein, Kirk Theatre, Pickering, tonight  to Sunday, 7.30pm plus 2.30pm Saturday matinee

LONG-TIME member Courtney Brown directs Pickering Musical Society for the first time in My Favourite Things – The Music of Rodgers & Hammerstein, a showcase of the very best of Broadway’s most iconic songwriting partnership.

As well as the cheeky charm of Honey Bun, the playful fun of The Lonely Goatherd and the rousing barn-dance energy of The Farmer And The Cowman, the show feature songs from The Sound Of Music, Oklahoma!, Carousel, South Pacific and The King And I. Dancers from the Sarah Louise Ashworth School of Dance take part too. Box office: 01751 474833 or kirktheatre.co.uk.

Eddi Reader: Playing York for the first time in seven years at The Citadel

Seven-year itch of the week: Hurricane Promotions presents Eddi Reader, The Citadel, York City Church, Gillygate, York, tonight, 7.30pm

EDDI Reader, the Glasgow-born singer who fronted Fairground Attraction, topping the charts with Perfect, also has ten solo albums, three BRIT awards and an MBE for Outstanding Contributions to the Arts to her name.

Straddling differing musical styles and making them her own, from the traditional to the contemporary, and interpreting the songs of Robert Burns to boot, she brings romanticism to her joyful performances, this time with her full band in her first show in York for seven years. Eilidh Patterson supports. Box office: ticketsource.co.uk.

Banjo at the double: Damien O’Kane and Ron Block team up at the NCEM, York

Banjo at the double: Damien O’Kane and Ron Block Band, The Banjovial Tour, National Centre for Early Music, York, tonight, 7.30pm

GROUNDBREAKING  banjo players Damien O’Kane and Ron Block follow up their Banjophony and Banjophonics albums with this month’s Banjovial and an accompanying tour.

O’Kane, renowned for his work with Barnsley songstress Kate Rusby, is a maestro of Irish traditional music, here expressed on his Irish tenor banjo; Block, a key component of Alison Krauss & Union Station, infuses his signature five-string bluegrass banjo with soulful depth and rhythmic innovation. Together, their styles intertwine in an exhilarating dance of technical mastery. Box office: 01904 658338 or ncem.co.uk.

Francis Rossi: Shaking up the Status Quo with songs and stories at York Barbican. Picture: Jodiphotography

Hits and titbits aplenty: An Evening of Francis Rossi’s Songs from the Status Quo Songbook and More, York Barbican, tomorrow, 7.30pm

IN his one-man show, Status Quo frontman Francis Rossi performs signature Quo hits, plus personal favourites and deeper cuts, while telling first-hand backstage tales of appearing more than 100 times on Top Of The Pops, why Quo went on first at Live Aid, life with Rick Parfitt, notching 57 hits, fellow stars and misadventures across the world. Box office: yorkbarbican.co.uk.

Natnael Dawit in Shobana Jeyasingh Dance’s We Caliban at York Theatre Royal. Picture: Foteini Christofilopoulou

Dance show of the week: Shobana Jeyasingh Dance in We Caliban, York Theatre Royal, Friday, 7.30pm (with post-show discussion) and Saturday, 2pm and 7.30pm

SHOBANA Jeyasingh turns her sharp creative eye to Shakespeare’s final play The Tempest in a new co-production with Sadler’s Wells. A tale of power lost and regained, the play is the starting point for Jeyasingh’s dramatic and contemporary reckoning, We Caliban.

Written as Europe was taking its first step towards colonialism, The Tempest is Prospero’s story. We Caliban is Caliban’s untold story that started and continued long after Prospero’s brief stay. Performed by eight dancers, complemented by Will Duke’s projections and Thierry Pécou’s music, this impressionistic work draws on present-day parallels and the international and intercultural discourse around colonialism, as well as Jeyasingh’s personal experiences. Box office: 01904 623568 or yorktheatreroyal.co.uk. 

John Bramwell: Playing solo in Pocklington

As recommended by Cate Blanchett: John Bramwell, Pocklington Arts Centre, Friday, 8pm

HYDE singer, song-spinner and sage John Bramwell, leading light of Mercury Prize nominees I Am Kloot from 1999 to 2014 and screen goddess Cate Blachett’s “favourite songwriter of all time”, has been on a never-ending rolling adventure since his workings away from his cherished Mancunian band.

His sophomore solo album, February 2024’s The Light Fantastic, will be at the heart of his Pocklington one-man show. “After both my mum and dad died, I started writing these songs to cheer myself up,” Bramwell admits with trademark candour. “The themes are taken from my dreams at the time. Wake up and take whatever impression I had from what I could remember of my dream and write that.” He promises new material and Kloot songs too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Sam Moss: Heading out on to the moors at The Band Room. Picture: Jake Xerxes Fussell

Moorland gig of the week: Sam Moss, The Band Room, Low Mill, Farndale, North York Moors, Saturday, 7.30pm

FINGERPICKING folk virtuoso guitarist, songwriter and multi-instrumentalist Sam Moss heads to the North York Moors this weekend from Staunton, Virginia, USA, to showcase his February 2025 album Swimming, championed by the scribes of Uncut, No Depression and Paste and Los Angeles online magazine Aquarium Drunkward, no less. “For the record, he is a renowned woodworker too, particularly celebrated for his incredible spoons,” says Band Room promoter Nigel Burnham. Sofa Sofa support (as sofas always do!). Box office: 01751 432900 or thebandroom.co.uk.

Drag diva Velma Celli lights up Yorktoberfest at York Racecourse. Picture: Sophie Eleanor

Festival of the week: Yorktoberfest, Clocktower Enclosure, York Racecourse, Knavesmire, York, Saturday, 1pm to 5pm and 7pm to 11pm; October 24, 7pm to 11pm; October 25, 1pm to 5pm and 7pm to 11pm

MAKING its debut in 2021, Yorktoberfest returns for its fifth anniversary with beer, bratwurst and all things Bavarian. Step inside the giant marquee, fill your stein at the Bavarian bar with beer from Brew York and grab a bite from the German-inspired Dog Haus food stall.

The Bavarian Strollers oompah band will perform thigh-slapping music and drinking songs; York drag diva Velma Celli will add to the party atmosphere with powerhouse songs and saucy patter. Doors open at 6.30pm and 12.30pm. Tickets: ticketsource.co.uk/yorktoberfest.

More Things To Do in York and beyond monsters, ghosts, banjos and bratwurst. Hutch’s List No. 45, from The York Press

Anna Soden: No bum deal, bum steer or bum’s rush, for that would be a bummer at tonight’s hour of comedy, It Comes Out You Bum, at The Old Paint Shop

FROM royal history re-told to Dickens’ ghost stories, magical monsters to banjo brilliance, Charles Hutchinson delights in October’s diversity.

Homecoming of the week: Anna Soden, It Comes Out Your Bum, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm

NOW based in Brighton but very much shaped in York, comedian, actor, writer, TikTok sensation and award-nominated Theatre Royal pantomime cow in Jack And The Beanstalk, Anna Soden delivers her debut hour of madcap comedy, full of brainwaves, songs, revenge and talking out your ass. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Robin Simpson: Monster storyteller and York Theatre Royal pantomime dame, performing at Rise@Bluebird Bakery

Spooky entertainment of the week: Robin Simpson’s Magic, Monsters And Mayhem!, Rise at Bluebird Bakery, Acomb, York, Sunday, doors 4pm

YORK Theatre Royal pantomime dame Robin Simpson – soon to give his Nurse Nellie in Sleeping Beauty this winter – celebrates witches, wizards, ghosts and goblins in his storytelling show.

“The audience is in charge in this interactive performance, ideal for fans of spooky stories and silly songs,” says Robin. “The show is perfect for Years 5 and upwards, but smaller siblings and their grown-ups are very welcome too.” Tickets: bluebirdbakery.co.uk/rise.

Out for revenge: Henry VIII’s wives turn the tables in SIX The Musical, returning to the Grand Opera House, York, from Tuesday. Picture: Pamela Raith

Recommended but sold-out already: SIX The Musical, Grand Opera House, York, October 14 to 18; Tuesday & Thursday, 8pm; Wednesday & Friday, 6pm and 8.30pm; Saturday, 4pm and 8pm

FROM Tudor queens to pop princesses, the six wives of Henry VIII take to the mic to tell their tales, remixing 500 years of historical heartbreak into an 80-minute celebration of 21st century girl power. Think you know the rhyme? Think again. Divorced. Beheaded. LIVE!

Lucy Moss and Toby Marlow’s hit show is making its third visit to York, but it’s third time unlucky if you haven’t booked yet. Like Anne Boleyn’s head, every seat has gone.

Eddi Reader: Performing with her full band at The Citadel

Seven-year itch of the week: Hurricane Promotions presents Eddi Reader, The Citadel, York City Church, Gillygate, York, October 15, 7.30pm

EDDI Reader, the Glasgow-born singer who fronted Fairground Attraction, topping the charts with Perfect, also has ten solo albums, three BRIT awards and an MBE for Outstanding Contributions to the Arts to her name.

Straddling differing musical styles and making them her own, from the traditional to the contemporary, and interpreting the songs of Robert Burns to boot, she brings romanticism to her joyful performances, this time with her full band in her first show in York for seven years. Eilidh Patterson supports. Box office: ticketsource.co.uk.

Damien O’Kane and Ron Block: Banjovial partnership at the NCEM

Banjo at the double: Damien O’Kane and Ron Block Band, The Banjovial Tour, National Centre for Early Music, York, October 15, 7.30pm

GROUNDBREAKING  banjo  players Damien O’Kane and Ron Block follow up their Banjophony and Banjophonics albums with this month’s Banjovial and an accompanying tour.

O’Kane, renowned for his work with Barnsley songstress Kate Rusby, is a maestro of Irish traditional music, here expressed on his Irish tenor banjo; Block, a key component of Alison Krauss & Union Station, infuses his signature five-string bluegrass banjo with soulful depth and rhythmic innovation. Together, their styles intertwine in an exhilarating dance of technical mastery. Box office: 01904 658338 or ncem.co.uk.

Francis Rossi: Solo show of song and chat at York Barbican. Picture: Jodiphotography

Hits and titbits aplenty: An Evening of Francis Rossi’s Songs from the Status Quo Songbook and More, York Barbican, October 16, 7.30pm

IN his one-man show, Status Quo frontman Francis Rossi performs signature Quo hits, plus personal favourites and deeper cuts, while telling first-hand backstage tales of appearing more than 100 times on Top Of The Pops, why they went on first at Live Aid, life with Rick Parfitt, notching 57 hits, fellow stars and misadventures across the world. Box office: yorkbarbican.co.uk.

James Swanton: Halloween beckons, so here comes his double bill of Dickens’ ghost stories at York Medical Society. Picture: Jtu Photography

Ghost stories of the week: James Swanton presents The Signal-Man, York Medical Society, Stonegate, York, October 16, 17, 20 to 23, 7pm; October 27 and 28, 5.30pm and 7.30pm

A RED light. A black tunnel. A waving figure. A warning beyond understanding. Here comes the fear that  someone, that something, is drawing closer. Gothic York storyteller James Swanton returns to York Medical Society with The Signal-Man, “one of the most powerful ghost stories of all time and certainly the most frightening ever written by Charles Dickens”.

Swanton pairs it with The Trial For Murder, wherein Dickens treats the supernatural with just as much terrifying gravity. Tickets update: all ten performances bar October 21 have sold out. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Natnael Dawitin in Shobana Jeyasingh Dance’s We Caliban, on tour at York Theatre Royal. Picture: Foteini Christofilopoulou

Dance show of the week: Shobana Jeyasingh Dance in We Caliban, York Theatre Royal, October 17, 7.30pm (with post-show discussion) and October 18, 2pm and 7.30pm

SHOBANA Jeyasingh turns her sharp creative eye to Shakespeare’s final play The Tempest in a new co-production with Sadler’s Wells. A tale of power lost and regained, the play is the starting point for Jeyasingh’s dramatic and contemporary reckoning, We Caliban.

Written as Europe was taking its first step towards colonialism, The Tempest is Prospero’s story. We Caliban is Caliban’s untold story that started and continued long after Prospero’s brief stay. Performed by eight dancers, complemented by Will Duke’s projections and Thierry Pécou’s music, this impressionistic work draws on present-day parallels and the international and intercultural discourse around colonialism, as well as Jeyasingh’s personal experiences. Box office: 01904 623568 or yorktheatreroyal.co.uk.

John Bramwell: Playing solo in Pocklington

As recommended by Cate Blanchett: John Bramwell, Pocklington Arts Centre, October 17, 8pm

HYDE singer, song-spinner and sage John Bramwell, leading light of Mercury Prize nominees I Am Kloot from 1999 to 2014 and screen goddess Cate Blachett’s “favourite songwriter of all time”, has been on a never-ending rolling adventure since his workings away from his cherished Mancunian band.

His sophomore solo album, February 2024’s The Light Fantastic, will be at the heart of his Pocklington one-man show. . “After both my mum and dad died, I started writing these songs to cheer myself up,” Bramwell admits with trademark candour. “The themes are taken from my dreams at the time. Wake up and take whatever impression I had from what I could remember of my dream and write that.” He promises new material and Kloot songs too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Velma Celli: York drag diva lighting up Yorktoberfest at York Racecourse. Picture: Sophie Eleanor

Festival of the week: Yorktoberfest, Clocktower Enclosure, York Racecourse, Knavesmire, York, October 18, 1pm to 5pm and 7pm to 11pm; October 24, 7pm to 11pm; October 25, 1pm to 5pm and 7pm to 11pm

MAKING its debut in 2021, Yorktoberfest returns for its fifth anniversary with beer, bratwurst and all things Bavarian. Step inside the giant marquee, fill your stein at the Bavarian Bar with beer from Brew York and grab a bite from the German-inspired Dog Haus food stall.

The Bavarian Strollers oompah band will perform thigh-slapping music and drinking songs; York drag diva Velma Celli will add to the party atmosphere with powerhouse songs and saucy patter. Doors open at 6.30pm and 12.30pm. Tickets: ticketsource.co.uk/yorktoberfest.

In Focus: Charlie Higson and Jim Moir: A Very Short But Epic History Of The Monarchy, York Theatre Royal, Oct 13, 7.30pm

In the frame: Author Charlie Higson and artist Jim Moir discuss royalty and comedy at York Theatre Royal on Monday

36 kings. Five queens. Two comedy legends. Join Charlie Higson and Jim Moir (alias Vic Reeves) for the rip-roaring story of every English ruler since Harold was shot in the eye at the Battle of Hastings.

Higson has always been interested in the story of the fabled English monarchy: from the b*stardly to the benevolent,the brilliant to the brutal. “Far from being a nice, colourful pageant of men and women in funny hats waving to adoring crowds, it’s a story of regicide, fratricide, patricide, uxoricide and mariticide (you might have to look those last two up),” he says.

Launched for the coronation of his namesake King Charles III, Charlie’s podcast Willie, Willie, Harry, Stee takes a deep dive into the murky lives of our monarchs. Now, his new book of the show features illustrations by artist Jim Moir, his compadre in comedy.

On Monday, Charlie and Jim will first share stories from their comic collaborations over 30 years, including Shooting Stars, Randell And Hopkirk Deceased and The Smell Of Reeves and Mortimer. Then they will take the plunge into the storied history of this most treasured of institutions. Bloody treachery? Check. Unruly incest? Check. Short parliaments? Check. A couple of Cromwells? Check.

Their rip-roaring journey takes in the Normans, Tudors and Stuarts, not to mention the infamous Blois (how can we forget them?), tin an “utterly engrossing and grossly entertaining primer on who ruled when and why – with never-before-seen illustrations”!

A signed copy of Higson & Moir’s book Willie, Willie, Harry, Stee: An Epically Short History Of Our Kings and Queens (RRP £22) is included when purchasing Band 1 (£55) tickets, available for collection on the night. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Francis Rossi goes down, down, deeper down into Status Quo songbook and stories at York Barbican and Bridlington Spa

Francis Rossi: Going solo with stories to tell. Picture: Jodiphotography

LET Francis Rossi introduce his solo tour show, bound for York Barbican on October 16.

“The show lifts the lid on a lot of what went on in the world of Status Quo, and I build in plenty of songs along the way – lots of my classic hits, but there are also versions of songs that I haven’t tried in the format before, and I have to say they sound fantastic. There’s a lot to get through so don’t be late!”

Welcome to An Evening of Francis Rossi’s Songs from the Status Quo Songbook and More, a chance to feature personal favourites, deeper cuts and songs never played before in this format and to offer first-hand backstage tales of appearing more than 100 times on Top Of The Pops, why Quo opened Live Aid, life with the late Rick Parfitt, more than 100 singles, 57 top forty hits, fellow rock stars and misadventures across the world.

Raconteur Rossi, now 76, is no stranger to chatter on stage, but this time he is featuring more music.

“I did a talk show, and I got asked to play a song and did two after saying I didn’t want to do them, but it made me think,” he says.

“Now doing this new show, it feels like starting again, and there’s a joy in it that I never expected – and I still don’t know what it is, except the intimacy.

“It can over-run, but I don’t mind because the more I’m on there, I so enjoy myself, whereas with Quo, you get up there and do the songs; once it starts it has a certain momentum and has to reach a finale at a certain time.

“But with this show’s audience, I can joke about them and with them, take the mick out of them and me, and if I get on to religion you can hear the breath being drawn in, or if I talk about ‘wokeism’, like saying ‘if I refer to you as ladies and gentlemen, some will be offended’, I get a cheer!”

Status Quo and Rossi himself are still going strong. “Sheer luck,” he says. “Very, very lucky. I think anyone that survives in this business, I don’t know how we do it. It must be an X factor, the way we’re still performing.

“What is it about this band that we were so lucky…and I’m still waffling after all these years! Obviously the tunes are quite good, though there’s a certain amount of ego you have to have, or you could disappear up your derriere.

“I know the tunes are quite simple, but I allude to classical music or Italian arias. Most of them are three chords. It’s still a fantastic melody and the fact you can get something so likeable out of that, whether three, four or five chords, I still love that.”

A new Rossi record is in the pipeline. “I’m going to record with Hannah Rickard. I’ve already done We Talk Too Much with her – she was on the acoustic tour with Quo. I’ve something coming out in January to be recorded with her,” says Francis.

“We’re going to write a bunch of songs together – I’ve got a studio in the garden with a new roof being put on it.”

As trim as ever in jeans, “I still exercise every day,” he says. “I now do those chair exercise, I do crunchies too, and I’ve stepped up the swimming. Everything to keep me alive. I’ll be the fittest thing in a box!”

Why jeans, Francis? “We started wearing jeans in Quo as a fight-back. I was a Mod, which is why I still wear a tie, but when I was told we couldn’t still be Carnaby Street, we rebelled against that by wearing jeans – and it meant we didn’t have to wear stage clothes, so it worked!” he says.

An Evening With Francis Rossi, York Barbican, October 16, 7pm doors. Box office: yorkbarbican.co.uk. Also playing Bridlington Spa, October 11, 7.30pm, and Sheffield City Hall Memorial Hall, November 5, 7.30pm. Box office: Bridlington, bridspa.com; Sheffield, sheffieldcityhall.co.uk.

Did you know?

FRANCIS Rossi will be playing mostly his Acoustasonic guitar at An Evening With Francis Rossi shows. “It’s basically a Telecaster but is more compatible with a show of this nature – it still has the ring and sound of a Tele.”

Status Quo to play Scarborough Open Air Theatre for the fourth time on June 2 next summer. When do tickets go on sale?

Status Quo: First act to be confirmed for Scarborough Open Air Theatre’s 2024 season

ROCK legends Status Quo will play Scarborough Open Air Theatre for the fourth time in the first signing for the 2024 summer season.

Vocalist and lead guitarist Francis Rossi will lead the Quo army of bassist John ‘Rhino’ Edwards, drummer Leon Cave, keyboard and guitar player Andy Brown and rhythm guitarist Richie Malone on the East Coast on Sunday, June 2, when The Alarm will be their special guests. Tickets go on sale at 9am on Friday the 13th via scarboroughopenairtheatre.com.

More than 100,000 fans attended this summer’s record-breaking run of shows at Great Britain’s largest purpose-built open air concert arena, where Blondie, Rag’n’Bone Man, Sting, Paul Heaton, Hollywood Vampires (Alice Cooper, Johnny Depp and co), The Cult, Tom Grennan, Pulp, Dermot Kennedy, NDubz, Pete Tong and Olly Murs performed. Hit musical Mamma Mia! had a five-night run too.

Scarborough OAT programmer Julian Murray, of promoters Cuffe and Taylor, says: “This summer’s shows broke our box-office records and we are looking to top that again next year. We are delighted to announce Status Quo as our first headliners for 2024 – with many, many big names to come.

“Quo are bona-fide rock legends, and we can’t wait to welcome them back here for their fourth headline show. We’ve worked with them many times and what we can guarantee – as anyone who has seen them live will testify – is a great night.

“Quo have a jukebox of classic rock and, together with The Alarm, this is going to be a great show on June 2.”

Status Quo, who headlined Scarborough OAT in 2013, 2014 and 2016, have sold more than 118 million records and spent more than 500 weeks on the UK Album Chart since forming in 1967.

They have notched up 57 varieties of Top 40 hit, such as 1974 chart-topper Down Down, Pictures Of Matchstick Men, Paper Plane, Caroline, Rain, Mystery Song, Rockin’ All Over The World, Whatever You Want, What You’re Proposing, Marguerita Time, The Wanderer, In The Army Now, Burning Bridges and The Anniversary Waltz.

The Scarborough show will be among their first in the UK since their Out Out Quoing European Arena Tour in December 2022.

Co-founder Rossi, 74, is on tour this autumn with his one-man show Tunes & Chat, appearing at the Scarborough Spa on Sunday (8/10/203) at 7.30pm. Expect “a selection of well-known hits and some previously not-performed-live-before tunes”, played on acoustic guitar. Box office: 01723 376774 or scarboroughspa.co.uk.