More Things To Do in York and beyond for November 4 onwards. Here’s Hutch’s List No. 45 for 2023, from The Press

Tous Love Me, directed by Victor Claramunt, showing at the Aesthetica Short Film Festival 2023

FIVE days of short films lead off a week long on Latin pop and school rock musicals, plus science and sticks, dance moves and festive designs, as Charles Hutchinson reports.

Festival of the week: Aesthetica Short Film Festival, York city centre, November 8 to 12

THE 13th edition of York’s Aesthetica Short Film Festival combines 300 films and 15 venues in a five-day showcase of worldwide independent film that champions emerging creative talent.

Guest programmes explore the climate crisis, Black British cinema and LGBTQ+ experiences. Look out too for the Aesthetica Games Lab, in celebration of video game culture, plus multiple masterclasses, networking sessions, kids’ workshops, AI workshops and the VR Lab’s selection of 360 (degree) and immersive film experiences. York residents can save 50 per cent each day with the York Days Discount. Full programme and tickets: asff.co.uk.

Shower After Swimming, linocut by Anita Klein, from the Comfort And Joy exhibition at Pyramid Gallery, York

Exhibition launch of the week: Comfort And Joy, Pyramid Gallery, Stonegate, York, November 4, 11am to 3pm, until mid-January 2024

PYRAMID Gallery’s Christmas show, Comfort And Joy, combines paintings, prints, ceramics, sculpture and glass. Look out for needlepoint by Dinny Pocock, jewellery by Joy McMillan and sculpture by Paul Smith, Lynn Muir, Helen Martino, Peter Hayes, Eva Mileusnic, Gwen Vaughan, Fidelma Massey and Louise Connell, among others.

On show too will be paintings and original prints by Sarah Williams, Anita Klein, Lesley Birch, Eliza Southwood, Emma Whitelock, Trevor Price, Mychael Barratt and Hilke Macintyre, porcelain origami by Kate Buckley, plus glass by Keith Cummings, E&M Glass, Hannah Gibson, Tracey Knowles, Will Shakspeare, Morag Reekie, Jo Kenny and more besides. Attending today’s launch will be Smith, Birch, McMillan, Whitelock and Knowles.

York illustrator Elliot Harrison

Inspired event: York Artists & Designer Makers’ Annual Christmas Show, York Cemetery Chapel, Cemetery Road, York, November 4 and 5, 10am to 5pm

YORK artists and designers return to York Cemetery Chapel this weekend for their Inspired festive showcase. Adrienne French will be exhibiting paintings; Jo Bagshaw and Richard Whitelegg, jewellery; Elliot Harrison, illustrations; Catherine Boyne-Whitelegg, pottery; John Watts and Wilf Williams, furniture; Petra Bradley, textiles; Sally Clarke, prints, and Simon Palmour, photography.

Safia Bartley’s Filomina in Tutti Frutti and One Tenth Human’s The Lightbulb Princess at York Theatre Royal

Science show of the week: Tutti Frutti and One Tenth Human in The Lightbulb Princess, Theatre@41, Monkgate, York, November 5, 2pm

LEEDS company Tutti Frutti Productions and Lancaster’s One Tenth Human team up for a magical, fun-filled 50-minute extravaganza for children aged four and upwards that explores the science behind electricity.

Kai’s sister Ray is determined that Mum will enjoy a perfect Christmas. It may be way too early, but already she has Kai and Ali hunting everywhere for decorations. When they find tree-top sparkly fairy Filomina, an unexpected adventure begins, one where they will need your help in a show full of electrifying storytelling and original songs. Box office: tickets.41monkgate.co.uk.

Anton Du Beke: Chat and cha cha cha at York Theatre Royal

Song and dance of the week: An Evening With Anton Du Beke And Friends, York Theatre Royal, November 6, 7.30pm

STRICTLY Come Dancing legend and judge Anton Du Beke sashays into York with his live band, guest singer Lance Ellington and dancers for a fab-u-lous evening of song, dance and laughter. The ballroom king will be combining songs and dances that have inspired him with behind-the-scenes stories from his many years on Strictly. Box office: 01904 623568 or yorktheatreroyal.co.uk.

La Bamba! leaps into the air at Grand Opera House, York, from Tuesday. Picture: Pamela Raith

New musical of the week: La Bamba!, Grand Opera House, York, Tuesday to Saturday, 7.30pm; Wednesday and Saturday, 2.30pm

NOT to be confused with the 1987 film of the same name or Richie Valens’ teenage hit from 1958, La Bamba! is a new musical fiesta of passion, pride and Latin pop anthems starring Strictly Come Dancing champion Pasha Kovalev, The Wanted’s Siva Kaneswaran and rising star Inês Fernandez, choreographed by Strictly’s Graziano Di Prima.

Follow young Los Angeles dreamer Sofia as she takes her first steps toward stardom and witnesses the power of music to unite communities. Box office: atgtickets.com/york.

Stick Man: Freckle Productions head to York Theatre Royal with Julia Donaldson’s story

Children’s show of the week: Freckle Productions in Stick Man, York Theatre Royal, Tuesday, 4.30pm; Wednesday, 10.30am, 1.30pm and 4.30pm

WHAT begins as a morning jog becomes a misadventure for Stick Man: a dog wants to play Fetch, a swan builds a nest with him, and he even ends up atop a fire. How will Stick Man return to the family tree in time for Christmas?  

Adapting Julia Donaldson’s book, Freckle Productions combine puppetry, songs, live music and funky moves in the 55-minute performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Emma Dickinson and Jonny Holbek rehearsing with the York Light Youth ensemble for the York amateur premiere of School Of Rock

Are you ready to rock? York Light Youth in School Of Rock, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm and 2.30pm Saturday matinee

YORK Light Youth’s tenth anniversary show is the York premiere of the technically and musically challenging musical School Of Rock, combining young performers aged ten to 17 and York Light Opera Company adults.

Based on the 2003 film, the storyline follows Jonny Holbek’s Dewey Finn, a failed wannabe rock star, who vows to turn his clueless prep school students into a rock band to enter Battle of the Bands. Along the way, Dewey finds romance, self-worth, a proper job, while initiating the children and their parents in the beauty of rock. Box office: josephrowntreetheatre.co.uk.

Recommended but fully booked

QUEEN of British soul Beverley Knight’s York Barbican concert on Thursday has sold out, as has indie pop trio Scouting For Girls’ gig there the next night.  

In Focus: Gigs of the week: Teenage Fanclub on tour in Leeds and Sheffield with new album Nothing Lasts Forever in tow

Teenage Fanclub: Heading for Leeds and Sheffield on tour. Picture: Donald Milne

GLASGOW indie legends Teenage Fanclub follow up September’s release of 11th full-length studio album Nothing Lasts Forever with a 12-date November tour, taking in Yorkshire gigs in Leeds on Wednesday (sold out) and Sheffield on November 12

On songs looking for positives while faced with the grim realities of the 21st century, songwriters and guitarists Raymond McGinley and Norman Blake are joined by Francis Macdonald on drums, Dave McGowan on bass and Euros Childs on keyboards.

Light is a recurring theme, both as a metaphor for hope and as an ultimate destination further down the road. That said, although McGinley and Blake found themselves covering similar ground, it was pure coincidence.

McGinley says: “We never talk about what we’re going to do before we start making a record. We don’t plan much other than the nuts and bolts of where we’re going to record and when.

“That thing about light was completely accidental; we didn’t realise that until we’d finished half the songs. The record feels reflective, and I think the more we do this thing, the more we become comfortable with going to that place of melancholy, feeling and expressing those feelings.”

Blake reflects: “These songs are definitely personal. You’re getting older, you’re going into the cupboard getting the black suit out more often. Thoughts of mortality and the idea of the light must have been playing on our minds a lot.

“The songs on the last record were influenced by the break-up of my marriage. It was cathartic to write those songs. These new songs are reflective of how I’m feeling now, coming out of that period.

“They’re fairly optimistic, there’s an acceptance of a situation and all of the experience that comes with that acceptance. When we write, it’s a reflection of our lives, which are pretty ordinary.

“We’re not extraordinary people, and normal people get older. There’s a lot to write about in the mundane. I love reading Raymond Carver. Very often there’s not a lot that happens in those stories, but they speak to lived experience.”

While the vocals and finishing touches on Nothing Lasts Forever were added at McGinley’s place in Glasgow, the music was recorded in an intense ten-day period in the bucolic Welsh countryside at Rockfield Studios, near Monmouth, in late August.

This environment led to a record full of soft breezes, wide skies, beauty and space. “We like to get something out of where we go, and you can definitely hear a stamp of Rockfield on the record,” says McGinley.

“We recorded our album Howdy there in the late ’90s. Prior to that, I’d been a bit reluctant to go as everyone seemed to record there, especially if you were signed to Creation, but I thought I’d go and have a look at the place. “

McGinley continues: “When I went down there, I loved the fact that there’s no memorabilia about anyone who’s ever been in the studio. The only visual musical reference is a picture of [pioneering space age record producer} Joe Meek on their office wall.

Teenage Fanclub’s artwork for their 11th studio album, Nothing Lasts Forever

“Anyway, over 20 years after our first visit, we decided to go back. When you’re there, it feels like your place. We’re really rubbish at trying to find words to describe how our music sounds, but maybe because we recorded in Rockfield in late summer, there’s something pastoral about the record.”

Blake, McGinley, Macdonald, McGowan and Childs arrived at the residential studio without a fixed plan. Their confidence and ease with working together meant the record came together quickly. 

McGinley says: “When we got offered ten days in Rockfield, we weren’t ready in our minds but then we just thought, ‘**** it’ and went for it. If you’re sitting around waiting for the stars to align, you can end up never doing anything. We turned up and worked our way through ideas, and came up with some while we were there.

“The song Foreign Land was born in the studio. If we hadn’t gone there at that point through happenstance, that song wouldn’t exist. We like to let things happen. As people, we find a deadline inspiring. We like to put ourselves on the spot and see what happens. We usually get away with it. This record is the cliche of the blank canvas, which thankfully we managed to fill.”

Blake adds: “We’ve all been playing together for such a long time. In the past, whoever had written the song would have been the director. ‘This is how I’m hearing the drums, if you could play the bass like this’…We don’t do that now.

“Raymond or myself would just bring in the idea and people would listen and play what works with it. We’d play for a couple of hours and that would be the arrangement. There’s a trust that comes from knowing each other such a long time, a kind of telepathy. Everyone knows where they fit in the puzzle.”

The seven-minute acoustic closing track, I Will Love You, looks to a point beyond the fury and polarisation of our modern discourse, to a time when “the bigots are gone/after they apologise/for all the harm that they’ve done”. 

McGinley says: “In many ways, us-and-them-ism has taken over the world. I Will Love You is looking for positivity but it’s being totally fatalistic at the same time. This s**t will exist forever, what are you going to do about it?

“I came up with the line ‘I will love you/until the flags are put down/and the exceptionalists are buried under the ground’ while I was playing the guitar. I started wondering what that was all about and where it might go. It’s looking for positives within a fatalistic, negative view of human nature.”

The full track listing is: Foreign Land; Tired Of Being Alone; I Left A Light On; See The Light; It’s Alright; Falling Into The Sun; Self-Sedation; Middle Of My Mind; Back To The Light and I Will Love You.

Teenage Fanclub play Leeds Brudenell Social Club, Wednesday, doors 7.30pm, sold out; Leadmill, Sheffield, November 12, 7.30pm. Support comes from Sweet Baboo. Box office for Sheffield: leadmill.co.uk.

Special screening: Zomblogalypse, South Bank Community Cinema, Clements Hall, Nunthorpe Road, York, November 17, 8pm

The poster for November 17’s screening of Milestone Films’ Zomblogalypse at South Bank Community Cinema

MANY Zomblogalypse cast and crew members will be in attendance to introduce the screening and discuss the York-made zombie comedy in a Q&A afterwards, following its release by Dark Rift Films, the York film company behind festival crowd-pleaser How To Kill Monsters.

Zomblogalypse co-director Miles Watts says: “We love screening Zomblog with an audience because it’s got that trashy late-night Rocky Horror vibe. Usually it’s a bit tough to watch your own films with a crowd of people because all you see is the mistakes.

“But Zomblog is a different beast because this year marks the 15th anniversary of the original web series that launched this whole thing, and we’ve always had an appreciative and supportive fanbase.”

The cast includes Watts and his Milestone Films co-directors Hannah Bungard and Tony Hipwell, as well as seasoned York actors Victoria Delaney, Andrina Carroll and Dinnerladies’ Andrew Dunn.

Look out for a flash sale of film merchandise including posters and blu-rays of the film, with details of special discounts on the Zomblogalypse Facebook page. Tickets cost £4 on the door from 7:30pm.

More Things To Do in York and beyond for those about to rock…or put Spring in their step. Hutch’s List No. 13, from The Press

The return of RSJ: York metalcore band reconvene for one -off reunion at The Crescent

HEAVYWEIGHT comedy, hardcore rock, reshaped Shakespeare and a ‘roarsome’ children’s show fire up Charles Hutchinson’s enthusiasm for the week ahead.

Resurrection of the week: Mr H presents RSJ, The Crescent, York, tonight, doors 7pm

YORK’S mightiest metalcore groovers reunite for a special one-off show, fronted once more by Dan Cook, now of Raging Speedhorn. “RSJ were/are one of the most intense groove and hardcore noise monsters, not just in York but across the UK. It’s no wonder they stormed stages at Bloodstock, Knebworth and Hellfire,” says promoter Tim Hornsby.

RSJ’s spine-rattling polyrhythms and huge guitars will be preceded by the return of much-missed melodic hardcore band Beyond All Reason and Disinfo. Box office: thecrescentyork.com.

Justin Moorhouse: Plenty on his plate to get off his chest at Burning Duck Comedy Club night

Lancastrian in York of the week: Burning Duck Comedy Club presents Justin Moorhouse, Stretch And Think, The Crescent, York, Sunday, 7.30pm

MANCHESTER stand-up, radio presenter and actor Justin Moorhouse is back, “still funny, yet middle aged” (he’s 52), in a new suit for a new show that may contain thoughts on yoga, growing older, Madonna, shoplifters, Labradoodles, cyclists, the menopause, running, hating football fans but loving football…

…not drinking, funerals, tapas, Captain Tom, Droylsden, the environment, self-improvement,  horses, the odd advantages of fundamental religions, the gym and shop-door etiquette. “Come, it’ll be fun,” he says. Box office: thecrescentyork.com.

Royal Shakespeare Company: Linking up with York Theatre Royal for York Associate Schools Playmaking Festival

School project of the week: York Theatre Royal and Royal Shakespeare Company present York Associate Schools Playmaking Festival of The Merchant Of Venice, York Theatre Royal, Tuesday and Wednesday, 6.30pm

SHAKESPEARE’S play is told in six sections by six schools each night, using choral and ensemble approaches to relate Shylock’s story through multiple bodies and voices in a celebration of the joy of performance that explores themes of prejudice, friendship and self-interest.

Participating schools on March 28: Acomb Primary, Applefields School, Millthorpe School, Vale of York Academy, St Barnabas CE Primary; March 29, Clifton Green Primary, Poppleton Road Primary, Brayton Academy, Scarcroft Primary, Fulford School and Joseph Rowntree School. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Big in the Eighties: Andy Cryer in The Comedy Of Errors (More Or Less) at the SJT, Scarborough. Picture: Patch Dolan

Shake-up of the week: The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough, Thursday to April 15

ORIGINALLY by Shakespeare, now messed around with by Elizabeth Godber and Nick Lane, SJT director Paul Robinson’s vibrant new staging of the Bard’s most bonkers farce arrives  in a co-production with Prescot’s Shakespeare North Playhouse.  

The Comedy Of Errors (More Or Less) is brought to life in neon-lit 1980s’ Scarborough. Cue mistaken identities, theatrical chaos and belting musical numbers from the era of big phones and even bigger shoulder pads. Box office: 01723 370541 or sjt.uk.com. SEE REVIEW BELOW.

The poster artwork for Pick Me Up Theatre Company’s Oh! What A Lovely War

Revival of the week: Pick Me Up Theatre in Oh! What A Lovely War, Theatre@41, Monkgate, York, March 31 to April 8, 7.30pm, except April 2 and 3; 2.30pm, April 1, 2 and 8

PICK Me Up Theatre present a 60th anniversary production of Oh! What A Lovely War, a satirical chronicle of the First World War, told through songs and documents in the form of a seaside Pierrot entertainment.

Devised and presented by Joan Littlewood’s Theatre Workshop at the Theatre Royal, Stratford East in 1963 before being turned into a film by Richard Attenborough in 1969, now it is in the hands of Robert Readman’s York cast. Box office: tickets.41monkgate.co.uk.

Feeling hot, hot, hot: Zog is on fire in Freckle Productions’ show at York Theatre Royal

Children’s show of the week: Freckle Productions in Zog, York Theatre Royal, March 31, 4.30pm;  April 1,  10.30am, 1.30pm and 3.30pm 

JULIA Donaldson and Alex Scheffler’s Zog takes to the stage in a magical Freckle Productions show most suitable for age three upwards, although all ages are welcome. Zog is trying very hard to win a golden star at Madam Dragon’s school, perhaps too hard, as he bumps, burns and roars his way through Years 1, 2 and 3.

Luckily plucky Princess Pearl patches him up, ready to face his biggest challenge yet: a duel with knight Sir Gadabout the Great. Emma Kilbey directs; Joe Stilgoe provides the songs. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Roy “Chubby” Brown: Bluer than Stilton at York Barbican

Still in rude health: Roy “Chubby” Brown, York Barbican, March 31, 7.30pm

ROY “Chubby” Brown – real name Royston Vasey, from Grangetown, Middlesbrough – is on the road again at 78, 50 years into a blue comedy career that carries the warning: “If easily offended, please stay away”.

Chubby may not be everyone’s cup of tea but a lot of people like tea, he says. Thirty DVDs in 30 years, thousands of shows worldwide and four books testify to the abiding popularity of a profane joker full of frank social commentary, forthright songs and contempt for political correctness. Box office: yorkbarbican.co.uk.

In the doghouse: Ferocious Dog attack songs with bite at York Barbican

Where there is despair, may they bring Hope: Ferocious Dog, supported by Mark Chadwick, York Barbican, April 1, 7pm

FEROCIOUS Dog, a Left-leaning six-piece from Warsop, Nottinghamshire, slot somewhere between Levellers and early Billy Bragg in their vibrant vein of Celtic folk-infused punk rock.

Fifth album Hope came out in 2021, charting at number 31 in the Official UK Charts. Special guest will be Levellers’ leader Mark Chadwick, joined by Ferocious Dog violinist Dan Booth for part of his 7pm set. Box office: yorkbarbican.co.uk.

Artwork by Cuban painter Leo Morey, one of the new artists taking part in York Open Studios 2023

Early sighter of the week: York Open Studios 2023 Taster Exhibition, The Hospitium, Museum Gardens, York, April 1 and 2, 10am to 4pm

FOR the first time since 2019, York Open Studios will be launched with a taster exhibition next weekend featuring examples of work by most of the 150 artists and makers set to open their studio doors on April 15, 16, 22 and 23.

This free preview gives a flavour of what will be coming up at more than 100 venues next month.  Full details of this year’s artists and locations can be found at yorkopenstudios.co.uk. Look out for booklets around York.

In Focus: Luke Wright, The Remains Of Logan Dankworth, Selby Town Hall, March 30, 8pm

In the Wright place: Luke Wright making his political point in The Remains Of Logan Dankworth

PERFORMANCE poet Luke Wright returns to Selby Town Hall on Thursday to peform his 2022 Edinburgh Fringe political verse play The Remains Of Logan Dankworth.

Columnist and Twitter warrior Logan Dankworth grew up romanticising the political turmoil of the 1980s. Now, as the EU Referendum looms, he is determined to be in the fray of the biggest political battle for years.

Meanwhile, Logan’s wife Megan wants to leave London to better raise their daughter. As tensions rise at home and across the nation, something is set to be lost forever.

The third in Wright’s trilogy of lyrically rich plays looks at trust, fatherhood and family in the age of Brexit. Winner of The Saboteur Award for Best Show, it picked up four and five-star from the Telegraph, the Scotsman, the Stage and British Theatre Guide.

Wright was a founder member of poetry collective Aisle16, who shook up the spoken-word scene in the 2000s, helping to kick-start a British renaissance of the form. He is the regular tour support for John Cooper Clarke and often hosts shows for The Libertines.

He is a frequent guest on BBC Radio 4, a Fringe First winner for writing and a Stage Award winner for performance.

“Luke Wright is an astonishing performer and one of the best political writers around today, whose wonderful, lyrical writing translates really well to full-length plays,” says Selby Town Council arts officer Chris Jones.

“I was lucky enough to see The Remains Of Logan Dankworth in Edinburgh last summer and made sure I booked it for Selby Town Hall straight away. It’s a brilliantly told story by a powerhouse poet.”

For tickets: ring 01757 708449 or book online at selbytownhall.co.uk.

REVIEW: The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough *****

David Kirkbride’s Antipholus of Scarborough in a headlock with Claire Eden’s Big Sandra in The Comedy Of Errors (More Or Less). All pictures: Patch Dolan

Stephen Joseph Theatre and Shakespeare North Playhouse in The Comedy Of Errors (More Or Less), Stephen Joseph Theatre, Scarborough, until April 15, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees. Box office: 01723 370541 or sjt.uk.com

THIS Comedy Of Errors gets everything right. Not more or less. Just right. Full stop.

Shakespeare’s “most bonkers farce” has been entrusted to Nick Lane, madly inventive writer of the SJT’s equally bonkers pantomime, and Elizabeth Godber, a blossoming writing talent from the East Yorkshire theatrical family.  

How does this new partnership work? In a nutshell, Lane has penned the men’s lines, Godber, the female ones, before the duo moulded the finale in tandem.

SJT artistic director Paul Robinson, meanwhile, selected a criminally good play list of Eighties’ guilty pleasures, from Whitesnake’s Here I Go Again to Billy Joel’s Uptown Girl, Nik Kershaw’s Wouldn’t It Be Good to Toni Basil’s Mickey, Cher’s Just Like Jesse James to Kenny Loggins’ Footloose, to be sung in character or as an ensemble with Northern Chorus oomph.

Oh, Dromio, Dromio, wherefore art thy other Dromio? Oliver Mawdsley’s Dromio of Prescot in the SJT’s The Comedy Of Errors (More Or Less)

Aptly, the opening number is an ensemble rendition of Dream Academy’s one-hit wonder, Life In A Northern Town, that town being 1980s’ Scarborough, just as Lane always roots his pantomimes in the Yorkshire resort.

From an original idea by Robinson, Lane and Godber’s reinvention of Shakespeare’s comedy is not too far-fetched but far enough removed to take on its own personality and, frankly, be much, much funnier as a result. To the point where one woman in the front row was in the grip of a fit of giggles. Yes, that joyous.

For Ephesus, a city on the Ionian coast with a busy port, read Scarborough, a town on the Yorkshire coast with a fishing harbour, although all the fish and chip cafés were shut without explanation on the evening of the press night. Was something fishy going on?

Ephesus was governed by Duke Solinus; Scarborough is run by Andy Cryer’s oleaginous Solinus. Still the merry-go-round action is spun around outdoor public spaces on Jessica Curtis’s set, where protagonists bump into each other like dodgem cars. Just as Syracusans were subject to strict rules in the original play, now Lancastrians are given the Yorkshire cold shoulder in a new war of the roses, besmirched Eccles Cakes et al.

In with a shout: Claire Eden, right, meets a Scarborough greeting from Alyce Liburd, left, Valerie Antwi and Ida Regan in The Comedy Of Errors (More Or Less)

So begins a tale of two rival states and two sets of mismatched twins (Antipholus and Dromio times two) on one nutty day at the seaside. Cue a mishmash of mistaken identities, mayhem agogo, and merriment to the manic max, conducted at an ever more frenetic lick.

It worked wonders for Richard Bean in One Man, Two Guvnors, his Swinging Sixties’ revamp of Goldoni’s 1743 Italian Commedia dell’arte farce, The Servant Of Two Masters, setting his gloriously chaotic caper, as chance would have it, in another English resort: Brighton. Now The Comedy Of Errors evens up the mathematical equation for two plus two to equal comedy nirvana from so much division.

One ‘guvnor’, Lancastrian comic actor Antipholus of Prescot (Peter Kirkbride) crosses the Pennine divide to perform his one-man show. Trouble is, everyone has booked tickets for the talent show across the bay, starring t’other ‘guvnor’, the twin brother he has never met, Antipholus of Scarborough (David Kirkbride, different first name, but same actor, giving licence for amusing parallel biographies in the programme).

The two ‘servants’ of the piece, Dromio of Prescot and Scarborough respectively (Oliver/Zach  Mawdsley), are equally unaware of the other’s presence, compounding a trail of confusion rooted in Scarborough’s Antipholus owing money everywhere but still promising his wife a gold chain. He needs to win the contest to appease Scarborough’s more unsavoury sorts.

Comedy gold: Andy Cryer in The Comedy Of Errors (More Or Less)

Kirkbride takes the acting honours in his hyperactive double act with himself, Mawdsley a deux  is a picture of perplexity; Cryer, in his 40th year of SJT productions, is comedy gold as ever in chameleon roles; likewise, Claire Eden fills the stage with diverse riotous, no-nonsense character, whether from Lancashire or Yorkshire.

Valerie Antwi, Alyce Liburd and Ida Regan, each required to put up with the maelstrom of male malarkey, add so much to the comedic commotion, on song throughout too.

Under Robinson’s zesty, witty direction, everything in Scarborough must be all at sea and yet somehow emerge as comic plain sailing, breaking down theatre’s fourth wall to forewarn with a knowing wink of the need to suspend disbelief when seeing how the company will play the two sets of twins once, spoiler alert, they finally meet.

Who knew shaken-and-stirred Shakespeare could be this much fun, enjoying life in the fast Lane with Godber gumption galore too. Add the Yorkshire-Lancashire spat and those Eighties’ pop bangers, Wayne Parsons’ choreography and the fabulous costumes, and this is the best Bard comedy bar none since Joyce Branagh’s Jazz Age Twelfth Night for Shakespeare’s Rose Theatre in York in 2019.

When The Comedy Of Errors meets the 1980s, the laughs are even bigger than the shoulder pads. A case of more, not less.

Review by Charles Hutchinson