It’s a Cracker:Holly Cassidy with the puppet dog in A Christmas Cracker. Picture: Tom Jackson
WRITER and artistic director Paul Birch is staging his first play since taking the reins of Riding Lights Theatre Company at Friargate Theatre, York, in July.
On tour from November 25 to December 18, A Christmas Cracker will conclude its travels with a home run in York from December 21 to 24.
Introducing a magical show packed with comedy, puppetry and seasonal storytelling for all the family, Paul says: “Things are not going well for world-famous storyteller Ebenezer Sneezer. She’s lost. There is snow in her wellies and her wise and faithful dog, Cracker, has some strange ideas about Christmas.
“Caught taking shelter in Mrs McGinty’s barn, she allows them to stay on condition that Ebenezer warm up her Christmas with some of her seasonal stories. If they bring her enough glad tidings, there’s a hot supper on the cards. If not, they will be thrown back out into the storm.
“With Mrs McGinty’s frozen heart in need of a magnificent miracle and Deadly the dastardly donkey ready to kick comfort and joy out of his stable, will Ebenezer triumph? Despite turbulent turkeys and hysterical hay fights, she has a plan and some tremendous tales to turn things around.”
Full of Birch’s trademark humour, “it’s kind of an alternative, unusual way into the Nativity story,” he says. “I would say it’s like a cross between Wallace & Gromit and Chicken Run in its tone, and hopefully it pulls off that Pixar trick, where the whole family can sit down and enjoy it together.
Riding Lights artistic director Paul Birch, right, with executive director Oliver Brown outside Friargate Theatre
“It’s a play about communicating the importance of love, the importance of perseverance and the wonder and power of storytelling.
“So it’s a re-working of the Christmas story that also recognises that the act of storytelling itself has such a powerful effect on people. Part of the play shows how stories can be harmful too, where we have the ‘villains of the piece’ not actually being villains but playing out roles when they’ve been treated as villains, but then they discover that’s not the true story at all.”
Paul continues: “Stories are not just something we tell to each other but they also shape us. It’s about re-discovering the stories we tell and how we tell them to each other.
“It’s very difficult to live with the cynicism of our age. One of the things I think about the Creation story, whether you think the story is true or not, is that people can be transformed for the better and there is hope in that.
“Christian stories or stories of other faiths have hope embedded in them, and we have to come back to the hope that we can be better, we can make things better. What links His Last Report [next summer’s community play about the life and legacy of Seebohm Rowntree that Riding Lights will be doing with York Theatre Royal] and A Christmas Cracker is the common theme of the power of human beings to change things for the better.
“Maybe that is the case with all theatre: that thing of what happens as a result of that change into a new story. It’s not that stories simply go, ‘here is the message’, but that it is a point of connection between audience members and connection between theatre-makers and their audience.
Grace Hussey-Burd and Holly Cassidy in a scene in Riding Lights Theatre Company’s winter show A Christmas Cracker. Picture: Tom Jackson
“We’re trying to make sense of the world, not providing answers, but seeing new opportunities through new ideas.”
Paul points to the ever-changing shape of theatre being one of its prime strengths. “The difference between film or other recorded media and theatre is that they cannot be changed, but theatre can do that with each performance. It will change and shift, and not only the performers, but the audience too – and when theatre is good, it’s a dialogue between the two. That’s not to say it might not have clear provocations within it, but it always needs to be responsive.”
Paul first wrote A Christmas Cracker more than a decade ago. “I did re-write it for this production and even now I would re-work it again. We are always re-tuning. Watching with a young audience is always really interesting because they will tell you when it’s working and when it’s not.”
Paul’s hour-long play is directed by Erin Burbridge, retaining the Burbridge family involvement in Christian theatre company Riding Lights after the death of company founder Paul in May 2023. Her cast features Grace Hussey-Burd as Ebeneezer Sneezer and Holly Cassidy as Cracker and Mrs McGinty, with York actress Claire Morley on understudy duty.
Time to get cracking to secure tickets.
Riding Lights Theatre Company in A Christmas Cracker, Friargate Theatre, Lower Friargate, York, December 21 to 24. Performances: 11am, 1.30pm and 6pm, December 21 to 23; 11am, 1.30pm and 4pm, December 24. Box office: 01904 655317or ridinglights.org/achristmascracker.
Pocklington Arts Centre cast members Levi Payne, left, Caitlin Townend and Dylan Allcock in Jack Frost’s Christmas Wish
CHRISTMAS shows dominate Charles Hutchinson’s recommendations but there is still room to fit in comedy and a homeward-bound singer-songwriter too.
East Riding Christmas play of the week: Jack Frost’s Christmas Wish, Pocklington Arts Centre, until December 24
ELIZABETH Godber’s second Christmas show for Pocklington Arts Centre invites everyone aged three to 103 to join Jack Frost (Levi Payne) and his friends Oslo the Rabbit (Dylan Allcock) and Blue the Winter Sprite (Caitlin Townend) as they race across the world to make his one wish come true: to be home for Christmas. Could that home be in East Yorkshire?
Wrap up warm for a frosty adventure from the team who delivered The Elves And The Shoemaker: Save Christmas last winter, steered by director Jane Thornton. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Saving Scarborough:Stephen Brailsford’s Captain Cliff in Captain Cliff & The Seagull Squad at the SJT. Picture: Tony Bartholomew
Coastal children’s play of the week: Captain Cliff & The Seagull Squad, The McCarthy, Stephen Joseph Theatre, Scarborough, until December 21
ON a busy day at Scarborough’s South Bay, judges from Britain’s Best Beach are soon to arrive, but after a big rush of tourists, the bins are overflowing with rubbish in a play for children aged up to six, written and directed by Rob Salmon for the SJT and CU (Coventry University), Scarborough.
Faced by litter everywhere and a pile of something sticky by the rock shop, who can save Scarborough? Step forward Captain Cliff and the Seagull Squad, who must complete four missions, one for each season. Cue a rescue adventure full of songs, silliness and festive fun. Box office: 01723 370541 or sjt.uk.com.
Mike Newall: Laidback storytelling at Laugh Out Loud Comedy Club
Comedy gigs of the week: Laugh Out Loud Comedy Club Christmas Specials, York Barbican, Michael Legge, tonight; Mike Newall, December 20, both 8pm
TONIGHT’S headliner, Michael Legge, combines improvised irreverence with spiky tongue-in-cheek antics. “This livewire performer has ‘funny’ popping out of him at every opportunity,” says promoter and master of ceremonies Damion Larkin.
Mancunian Mike Newall, who appeared on Britain’s Got Talent, takes top billing on Friday with his laidback storytelling, Swiss clock timing and tack-sharp turn of phrase. “He’s like your best, most humorous friend – only funnier,” says Larkin. Both nights will feature two support acts too. Box office: lolcomedyclubs.co.uk or yorkbarbican.co.uk.
Ian Stroughair: Performing at York’s Annual Community Carol Concert
York’s Annual Community Carol Concert, York Barbican, Sunday 2pm
YORK RI Golden Rail Band, Knavesmire Primary School, Heworth Community Choir and Ian Stroughair, York’s West End showman behind drag diva Velma Celli, join forces for an afternoon of Christmas carols and songs.
Regular participant Steve Cassidy will sing with the ensemble, while the community singing will be led by musical director Mike Pratt. Proceeds go to the Lord Mayor and Sheriff of York’s Christmas Cheer Fund and York Hospital Radio. Box office: yorkbarbican.co.uk.
Snow queen of folk:Kate Rusby’s Winter Light tour arrives at York Barbican on December 17
Christmas folk concert of the week: Kate Rusby, Winter Light Tour, York Barbican, December 17, 7pm
BARNSLEY folk songstress Kate Rusby draws on her seven Christmas albums – she released her latest, Light Years, in 2023 – for her annual celebration of South Yorkshire carols sung in pubs through the winter months.
Spreading Yuletide joy, Kate will be joined by her regular band, featuring her husband, producer, guitarist and banjo player Damien O’Kane, bolstered by the Brass Boys quintet. Look out for the fancy-dress finale. Box office: yorkbarbican.co.uk.
Sam Griffiths: Singer, songwriter and frontman of The Howl And The Hum. Picture: Stewart Baxter
Christmas double joy of the week: Please Please You & Brudenell Presents present The Howl & The Hum, The Crescent, York, full band band show, December 17, 7.30pm; solo show, December 18, 7pm
IN the wake of a sublime sold-out gig at Leeds Irish Centre on November 15 and the autumn release of second album Same Mistake Twice, York band The Howl & The Hum end the year with their now obligatory festive celebrations at The Crescent.
Frontman and songwriter Sam Griffiths will be joined by his full band – saxophonist and keyboard player Matthew Herd, drummer Dave Hamblett, guitarist Arun Thavasothy and bass player Naomi McLeod – on Tuesday night and will then play an intimate, stripped-back, seated solo show on Wednesday. Box office: thecrescentyork.com.
The poster for Step Into Christmas at York Barbican
Christmas songs galore: Step Into Christmas, York Barbican, December 19, 7.30pm
THIS feel-good Christmas show brings all the magic of the season to musical life with favourite festive songs, from All I Want For Christmas Is You, Last Christmas, Jingle Bell Rock, Stay Another Day and Let it Snow to White Christmas, Do They Know It’s Christmas, A Winter’s Tale and Merry Xmas Everybody.
Meanwhile, the Barbican’s 7.30pm screening of the Christmas rom-com The Holiday with a live orchestra on December 16 has sold out. Box office: yorkbarbican.co.uk.
Homeward bound: Benjamin Francis Leftwich will make a sold-out return to York on December 19
Homecoming of the week: The Crescent & Brudenell presents Benjamin Francis Leftwich, National Centre for Early Music, York, December 19, 7.30pm
“I FEEL like there’s nowhere for me to hide on this record,” says York-born singer-songwriter Benjamin Francis Leftwich of Some Things Break, his fifth album, released in February. “I’m proud of so much of my earlier work, but trying to replicate that now would feel very obsequious and fake. I’m proud of this – it’s from the heart.”
Now living in London, Leftwich heads back to his home city for a sold-out show in the quietude of St Margaret’s Church, Walmgate. Nadia Kadek supports. Box office for returns only: 01904 658338 or ncem.co.uk.
Chapter House Choir: Choral music old and new in Carols By Candlelight
Carol concert of the week: Chapter House Choir, Carols By Candlelight, York Minster Nave, December 20, 7.30pm, doors 6.45pm
THE Chapter House Choir, directed by musical director Benjamin Morris, combine with the Chapter House Youth Choir, directed by Charlie Gower-Smith, for this ever-popular candle-lit concert, first performed in 1965 and now held in the Nave. In addition to traditional choral music old and new, festive music will be played by the chamber choir’s Handbell Ringers. For returned tickets only, check yorkminster.org/whats-on/event/carols-by-candlelight/or contact 01904 557256.
Holly Cassidy with the puppet of Cracker in A Christmas Cracker at Friargate Theatre
Alternative Nativity play of the week: Riding Lights Theatre Company in A Christmas Cracker, Friargate Theatre, York, December 21 to 24, 11am and 1.30pm each day; 6pm, first three days; 4pm, last day
IN Paul Birch’s first play as artistic director of Riding Lights, world-famous storyteller Ebenezer Sneezer is lost, with snow in her wellies and faithful canine companion Cracker full of strange ideas about Christmas.
When caught taking shelter in Mrs McGinty’s barn, she allows them to stay on the condition that Ebenezer brings her glad tidings with her stories. If so, a hot supper awaits. If not, exit pronto. Ebenezer must triumph over not only Mrs McGinty’s frozen heart but also Deadly, a dastardly donkey ready to kick comfort and joy out of his stable. Box office: 01904 613000 or ticketsource.co.uk/ridinglights.
The Corrs: Heading to the Scarborough coast next summer
Gig announcement of the week: The Corrs and Natalie Imbruglia, TK Maxx presents Scarborough Open Air Theatre, June 11 2025
THE Corrs, Irish sibling purveyors of sleek pop rock, lush harmonies and Celtic folk trimmings, will line up as ever with Andrea on lead vocals, piano and tin whistle, Sharon on violin, piano and vocals, Caroline, on drums, piano and vocals, and Jim on guitar, keyboards and vocals.
Former Neighbours soap actress, Torn hit-maker and The Masked Singer 2022 winner Natalie Imbruglia will support. Box office: ticketmaster.co.uk.
Ensemble Augelletti: BBC Radio 3’s New Generation Baroque Ensemble present their new Christmas programme, The Morning Star, at the NCEM on December 13at 7pm
CHRISTMAS festivities gather pace with a community pantomime, Early music festival, cabaret, Strictly dance king and a Muppet movie, as Charles Hutchinson reports.
Festival of the week: York Early Music Christmas Festival, National Centre for Early Music, Bedern Hall and Sir Jack Lyons Concert Hall, University of York, until December 15
YORK Early Music Christmas Festival 2024 is under way, presenting 12 concerts and one (sold-out) choral workshop led by I Fagiolini founder Robert Hollingworth in a celebration of the winter season, its festivities, traditions, darkness and light, mulled wine and mince pies.
Concerts by Solomon’s Knot (Sunday), Stile Antico (December 12), Intesa (December 15) and Awake Arise (December 15) have sold out but tickets are available for Love And Melancholy with soprano Emilia Bertolini (today, 12 noon); Siglo de Oro (today, 6.30pm); Sean Shibe & Aidan O’Rourke (December 9, 7.30pm); Green Matthews (December 11, 7.30pm); Ensemble Augelletti (December 13, 7pm); Contre le Temps (December 14, 12noon) and Yorkshire Bach Choir (December 14, 7.30pm). Box office: 01904 658338 or ncem.co.uk.
Micklegate Singers: A White Christmas lunchtime concert for York Late Music at Unitarian Chapel, St Saviourgate, York
Christmas concert of the week: York Late Music presents Micklegate Singers, A White Christmas, Unitarian Chapel, St Saviourgate, York, today, 1pm
MICKLEGATE Singers chart a journey from Joanna Marsh’s In Winter’s House through wintry landscapes to arrive at a Christmas prelude courtesy of Poulenc, Tallis, Vaughan Williams and more, including the world premiere of York composer James Else’s A Little Snow.
Among further works will be Holst’s Bring Us In Good Ale; Oliver Tarney’s The Waiting Sky and John Harle: Mrs Beeton’s Christmas Plum Pudding (Average Cost 3 Shillings And 6d). Box office: latemusic.org.
Rowntree Players’ principal panto players in Mother Goose, opening today at the JoRo
Let the egg puns get cracking: Rowntree Players in Mother Goose, Joseph Rowntree Theatre, York, Saturday, 2pm and 7.30pm, Sunday, 2pm and 6pm; December 10 to 13, 7.30pm; December 14, 2pm and 7.30pm
MEET Jack (Gemma McDonald), head of hens at Chucklepatch Farm, with its newest addition to the coop, Priscilla the goose (American Abbey Follansbee). Joined by mum Gertrude Gander (alias Mother Goose, Michael Cornell) and his sister Jill (Laura Castle), they head out on their panto adventure.
Desperate for showbiz, Gertrude gives up the Wolds for the bright lights of Doncaster. However, ever-nasty landlord Demon Darkheart (Jamie McKeller) and his assistant Bob (Laura McKeller) will stop at nothing to collect rent, but dishy farmer Kev, the King of Kale (Sarah Howlett) and Fairy Frittata (Holly Smith) will not let the dark side rule in a rollicking romp directed by co-writer Howard Ella. Tickets update: Down to last few tickets or limited availability for most performances on 01904 501935 or josephrowntreetheatre.co.uk.
Velma Celli: Xmas Roast cabaret songs, comedy and festive fruitiness at Impossible York
Christmas cabaret of the week: Velma Celli’s Xmas Roast, Impossible York, St Helen’s Square, York, Sunday 6pm, doors 5pm
YORK’S international drag diva deluxe, Velma Celli, hosts a fabulous evening of music, comedy and festive frolics. “Come and have yourself a merry Christmas,” says Velma, the Best Cabaret at Perth Fringeworld 2024 award-winning alter ego of West End musical actor and Atlantis Gay Cruises headline act Ian Stroughair, who promises “cabaret meets a partaaaaaay”. Box office: ticketweb.uk/event/velmas-xmas-roast-impossible-york-tickets/13855143.
The Hollywood Sisters: Cat Foster, left, Rachel Higgs, Henrietta Linnemann and Helen “Bells” Spencer
Fundraising festive concert of the week: The Hollywood Sisters & Friends, Theatre@41, Monkgate, York, Sunday, 7pm
THE Hollywood Sisters, the York vocal harmony group with vintage Hollywood vibes, have added extra tickets after selling out Sunday’s show. Expect a cabaret evening of music, song and a sprinkle of festive cheer featuring the luscious close harmonies of Helen “Bells” Spencer, Cat Foster, Rachel Higgs and Henrietta Linnemann and guest appearances by The Rusty Pegs, Mark Lovell, Phoebe Breeze and Anthony Sargeant.
All profits will go to the fundraising campaign for a new sensory room for dementia patients at Foss Park Hospital, in Haxby Road, York. Box office: tickets.41monkgate.co.uk.
Anton du Beke: Christmas song and dance with the Strictly Come Dancing judge and Friends at York Barbican
Dance show of the week: Anton du Beke in Christmas With Anton & Friends, York Barbican, December 10, 7.30pm
STRICTLY Come Dancing judge and dashing dancer Anton Du Beke glides into York in his new festive tour show, joined as ever by elegant crooner Lance Ellington, a live band and a company of dancers for an evening of song and dance with added Christmas dazzle.
“I’ve always dreamed of doing a big Christmas show as it’s the best time of the year, so this is a real treat for me,” says the ballroom king. “It’s the show I’ve always wanted to do with some old faces and some new!” Box office: yorkbarbican.co.uk.
Jools Holland: Playing to a full house at York Barbican
No year would be complete without…Jools Holland and His Rhythm & Blues Orchestra, York Barbican, December 11, 7.30pm
BOOGIE woogie pianist supreme Jools Holland makes his obligatory winter outing to York in the company of his top-notch rhythm & blues players and vocalists Ruby Turner, Louise Marshall and Sumudu Jayatilaka.
His special guests will be Soft Cell singer Marc Almond, who previously toured with Holland in 2018, and blues guitar prodigy Toby Lee, his guest on last year’s tour too. Holland will be performing songs from the former Squeeze keyboardist and television presenter’s long-running solo career. Box office for returns only: yorkbarbican.co.uk.
Marc Almond: Jools Holland’s special guest at York Barbican. Picture: Mike Owen
Christmas film double bill: Friargate Theatre, York, presents The Muppet Christmas Carol (U), today, 2.30pm, and Die Hard (15), today, 8pm
FRIARGATE Theatre serves up a double dose of holiday cheer and action-packed excitement, opening with Kermit, Miss Piggy and the Muppet gang being joined by Michael Caine’s Ebenezer Scrooge as they re-tell the Dickens tale with a whimsical and heart-warming twist.
Let’s leave the debate over whether John McTiernan’s Die Hard is or is not a Christmas film to another day. Instead, revel in Bruce Willis’s John McClane battling with terrorists in a high-rise building on Christmas Eve. Box office: 01904 613000 or friargatetheatre.co.uk.
Christmas Cinema at St Saviourgate
Pop-up film event of the month: City Screen Picturehouse presents Christmas Cinema at Saint Saviourgate, The Great Hall, Central Methodist Church, St Saviourgate, York, December 12 to 23
CITY Screen Picturehouse, York, is setting up a pop-up screen at Central Methodist Church for the Christmas season, kicking off on December 12 with The Muppet Christmas Carol (U) at 4pm and Bridget Jones’s Diary (15) at 7PM.
Next come Home Alone (PG) at 4pm and Love Actually (15) at 7pm on December 13; Harry Potter And The Philosopher’s Stone (PG) at 4pm and Elf (PG) at 7.20pm on December 14, then Ali Plumb’s Untitled Christmas Film Quiz Project at 5pm and The Nightmare Before Christmas (PG) at 8.30pm on December 15.
Paddington In Peru (PG) will be shown at 4pm on December 16; Die Hard (15) at 7pm that night; The Polar Express (U) at 4pm and It’s A Wonderful Life (U) at 7pm on December 17; The Muppet Christmas Carol (U) at 4pm and Harry Potter And The Philosopher’s Stone (PG) at 6.45pm on December 18, then Home Alone (PG) at 4pm and Wonka (PG) at 7pm on December 20.
Paddington In Peru (PG) returns at 4pm on December 22, followed by Elf (PG) at 7pm, before the season concludes with The Polar Express (U) at 4pm and It’s A Wonderful Life (U) at 7pm on December 23. Box office: picturehouses.com/YorkXmas.
Mat Jones in A Christmas Carol for two nights at Friargate Theatre. Picture: Vintage Verse
Solo show of the week: Mat Jones in A Christmas Carol, Friargate Theatre, York, December 13 and 14, 7.30pm
RING in the Christmas season with Mat Jones’s spellbinding rendition of Charles Dickens’s Victorian festive classic, brought to life in vivid detail from Dickens’s original performance text as Scrooge encounters the Spirits of Christmas Past, Present and Yet To Come en route to the redemption of London’s most miserable miser.
“A Christmas Carol is not just a story; it’s a celebration of the human spirit and the power of kindness,” says Jones. Box office: 01904 613000 or friargatetheatre.co.uk.
York artist Jo Walton setting up her exhibition at Bluebird Bakery, Acomb
Exhibition of the week: Jo Walton, Steel, Copper, Rust, Gold, Verdigris, Wax, Bluebird Bakery, Acomb Road, Acomb, York, until January 23 2025
WHEN Rogues Atelier artist, interior designer, upholsterer and Bluebird Bakery curator of exhibitions Jo Walton asked poet Nicky Kippax to put words to images she had sent her, she responded with “The heft of a cliff and a gathering of sea fret”. Spot on, Nicky.
Into the eighth month of recovery from breaking her right leg, Jo is exhibiting predominantly large works that utilise steel, copper, rust, gold, verdigris and wax in the bakery, cafe and community centre, whose interior she designed in 2021.
Actor Jeremy Muldowney, with Her Majesty’s The Queen’s raven, Gabriel, when playing Noah in The Noah Project in 2012. Picture: Copyright of The Press, York
THE funeral of York Shakespeare Project founding member and stalwart Jeremy Muldowney will be held at Holy Trinity, East Parade, Heworth, York, tomorrow at 2pm.
In a Facebook statement announcing his death aged 70 on August 3, YSP’s committee said: “Jeremy was a great supporter of YSP and took part in Richard III in 2002 – our very first show – as well as eight further productions, including King John in 2006, which he directed.
“Many will also remember him as the first port of call for any prop, no matter how exotic or obscure. This was a role he first filled as early as our second play, The Taming Of The Shrew, in 2003. He returned to the committee in 2022 to help shape the new Project. A lovely man, much missed.”
Theatre@41, Monkgate, posted: “Having been part of York Shakespeare Project from its first ever production – Richard III in 2002 – to the beginning of its second act with a new production of Richard III in 2023, Jeremy embodied so much of what community theatre is about, pitching in all sorts of roles on stage and off, and finding creative ways to bring plays to life – no matter the setting or budget.
“At Theatre@41 particularly, he was involved as cast and crew on YSP’s productions of The Merchant Of Venice, Richard II, Troilus And Cressida and Julius Caesar. Our thoughts are with Jeremy’s family and friends.”
York Shakespeare Project actor and lawyer Clive Lyons commented on Facebook: “I can’t adequately express my sense of shock and loss – Jeremy was a friend, a teacher and a perfect gentleman.
“Though almost pathologically ‘nice’, he was never bland, and he wore his great learning so very lightly. Though his wisdom could be profound, in my own first YSP production, Merry Wives Of Windsor, he was Shallow. And infinitely kind, helpful and welcoming as I returned to acting in a new town among strangers after many years’ gap.
“At one rehearsal, I accidentally clobbered him in a staged fight. I was mortified – but Jeremy’s only, immediate and overwhelming concern was to reassure me.
“The more recent YSP Richard III #2, could be rather fraught backstage at times – but Jeremy’s calm, competent, good-humoured and reassuring presence in the wings just somehow made it all OK. In every best sense of the word, Jeremy Muldowney was a gentleman. And ‘was’ feels incomprehensible.”
Jeremy’s roles for York Shakespeare Project included Ratcliffe in Richard III, Prince Escalus in Romeo And Juliet, a Messenger in King John, Tubal in The Merchant Of Venice, Cicero and a Poet in Julius Caesar and Richard Scroop, Archbishop of York, in Henry IV.
In December 2006, he directed what Kenneth McLeish and Stephen Unwin’s A Pocket Guide To Shakespeare’s Plays described as “something of the runt in the litter of Shakespeare’s plays on English history”, King John, at Friargate Theatre.
The York Press review commented: “Director Jeremy Muldowney most certainly did not have such an attitude [to the play]. What others saw as unappealing as a fat chav’s tattoo, he viewed as the perfect opportunity for his debut Shakespeare show.
“Here were virgin fields to explore, and explore them he does within an idiosyncratic production where the most unlikely stage footwear, the docile slipper, is adapted for medieval, even militaristic purposes and swords have the look of toys from the children’s playpen.
“King John is not a tragedy – the king never rises before the self-inflicted fall – and so it has to fight its corner as a black political satire on the ineptitude of a regal buffoon. Rightly, Muldowney and his lead actor, Pulak Sahay, do not play for farcical laughs.”
In August 2012, Jeremy appeared in York company HidDen Theatre’s production of The Noah Project under the direction of Charles Hunt, York ghost walker, foreign student tutor and Mystery Plays enthusiast.
“Jeremy had the unique challenge of working with Her Majesty’s raven, Gabriel, and several doves in his role as Noah, and he did so admirably!” recalls HidDen’s tribute.
“Our big coup de theatre is a real raven and real doves,” said Mr Hunt at the time. “The raven is Her Majesty The Queen’s raven, Gabriel, from the Tower Of London, who now lives at Knaresborough Castle, where they have their own ravens, and the doves come from Dovejoy in Batley, where they’ll fly back to. We couldn’t get a real one to fly back to the ark, so that’ll have to be a stuffed one.”
The role of Noah was apt: Jeremy was an experienced sailor with his own boat and once sailed to America on the Golden Hind.
Beyond his contributions to the York stage scene as a playwright, director, performer and prop maker – drawing on his collection of objects, weaponry, muskets and swords for YSP – he was a teacher and linguist too.
Jeremy, of Second Avenue, Heworth, served as church warden at Holy Trinity for 30 years and worked as the learning and participation officer for more than 20 years at the York Minster Centre for School Visits, the young person’s educational service, where he specialised in looking at medieval texts.
Jeremy’s funeral will be taken by Holy Trinity’s vicar, the Reverend Michael Woodmansey, and will be streamed at the request of his family at https://www.youtube.com/watch?v=-Oslo1PFwT0. Donations in memory of Jeremy may be made to the R.N.L.I (Royal National Lifeboat Institution).
Leading lights: Riding Lights’ new executive director Oliver Brown, left, and artistic director Paul Birch outside Friargate Theatre in York
RIDING Lights Theatre Company today announces the appointment of its new artistic director, Paul Birch, and executive director, Oliver Brown.
They will serve as joint chief executive officer of the national touring theatre company, based at Friargate Theatre, Lower Friargate, York.
Playwright, sketch writer, improv comedy trailblazer and theatre director Paul Birchrejoins the company as artistic director after holding early roles as its youth theatre director and associate director of education and community.
He succeeds Paul Burbridge, co-founder of the Christian theatre company and artistic director since its foundation in 1977, who died after a short illness in April 2023.
As a freelance writer-director, his work has been produced in many theatres nationwide, expanding into audio dramas and a practice focused on improvisation, collaborating with improvisers from all over the world.
Paul has developed a track record of applied theatre-making and was artistic director of Out Of Character, a York company comprising artists with lived experience of mental illness, for eight years.
“I’ve had the privilege of working with Riding Lights for over 20 years. Paul Burbridge was a great mentor to me and offered me many early opportunities in acting, writing and directing,” he says. His influence and inspirational teaching in theatre-making has had a profound and lasting impact on my work.
“The creativity of Riding Lights has always been about making work with and for all kinds of people in all kinds of places; often those hardest to reach. I’m looking forward to finding new artistic ways to create powerful and joyful theatre in that spirit.”
Riding Lights’ new executive director, Oliver Brown, left, and artistic director Paul Birch in the black-box studio theatre at Friargate Theatre, York
Oliver Brown FRSA, at present associate director at Riding Lights,takes up the post of executive director after holding senior leadership roles in production and operations at venues including Hull Truck Theatre and CAST in Doncaster. He is the elected vice-chair and trustee director of the Association of British Theatre Technicians.
His first encounter with Riding Lights was in 1999, when the teenage Oliver knocked on the door of Friargate Theatre, soon after it opened, asking for a technical work placement. Over the subsequent decades, he has worked as a freelance technical and stage manager for the company on many occasions.
“After being a part of Riding Lights for nearly 25 years, I am delighted to be joining the company once again as executive director, having spent my summers at its annual residential summer school, my early years up a ladder amongst the lights in Friargate Theatre, and out on national tours,” he says.
“Along with Paul, I am looking forward to Riding Lights’ 50th anniversary in 2027 and planning for the future.
“I am passionate about communicating faith and social justice issues through theatre and community work – a tradition in which Riding Lights is a leader, and one in which I will be honoured to play a part as we develop the evolving vision of Riding Lights.”
Riding LightsTheatre Companyhas been making and touring theatre informed by a Christian faith for 47 years, making it one of Great Britain’s most productive and long-serving independent theatre companies. Its productions have been seen across the world, from the United States of America, through Europe, to Israel and Palestine.
John Emmett, chair of the board of directors, says: “I am delighted that Paul and Ollie have agreed to join Riding Lights. Both of them have a long association with the company and understand well Paul Burbridge’s remarkable legacy. I am confident that they will build on this in fresh and exciting ways to create theatre which entertains, challenges and inspires.”
Friargate Theatre has announced an autumn season of theatre, stand-up and improv comedy, storytelling, music, film and family shows that opens on September 5. For full details and bookings, head to: friargatetheatre.co.uk. Box office: 01904 613000.
Riding Lights is in rehearsal for Cups On A String, a new play by York playwright Bridget Foreman, directed by David Gilbert for an eight-week autumn tour across the UK, to be staged in partnership with Transforming Lives for Good, a charity that brings hope and a future to struggling children.
The brochure cover artwork for Friargate Theatre’s autumn return
Riding Lights: the back story
RIDING Lights Theatre Company was founded in 1977 by Paul Burbridge, Murray Watts and Nigel Forde and has been based in York ever since.
Riding Lights opened Friargate Theatre, in Lower Friargate, York, in 1999. It has since operated as the company’s office and rehearsal space and has two performance spaces: one a ground-floor cabaret-style space seating around 60 people; the other an upstairs black-box studio theatre seating 100.
World premieres in recent years have includedAfrican Snow, a co-production with York Theatre Royal (York Theatre Royal, West End transfer and national tour); Augustus Carp Esq. by Himself (Friargate Theatre); Dick Turpin (Friargate Theatre) and an adaptation of Jerome K Jerome’s Three Men In A Boat (national tour, co-produced with Northcott Theatre, Exeter).
In Summer 2012, Riding Lights, in tandem with York Theatre Royal and York Museums Trust, produced the epic-scale, outdoor production of the York Mystery Plays in York Museum Gardens.
Frequently characterised by quirky satire, Riding Lights’ productions challenge audiences to engage with topical themes and issues, often examining the reverberations of historical events in today’s society.
Classic plays such as Shakespeare’s The Winter’s Tale (two national tours), Ben Jonson’s The Alchemist (the inaugural production at Friargate Theatre), Dario Fo’s Mistero Buffo (Friargate Theatre and national tour) and Max Frisch’s The Fire Raisers (Bridewell Theatre, London) have found fresh and arresting relevance in Riding Lights productions.
Friargate Creative Hub:New venture for York’s arts community
THE Friargate Creative Hub will be launched at 6pm this evening (2/5/2024) at Friargate Theatre, Lower Friargate, York.
This new space for York’s creative community to connect, collaborate and create will be hosted by Riding Lights Theatre Company and fellow York theatre-makers Four Wheel Drive.
An initial two-week phase will run from May 4 to 18, when the hub will be open daily at Friargate Theatre as a free-to-access creative workspace, complemented by a programme of workshops and evening events, all tailored to emerging artists in York.
“The Creative Hub comes at a poignant time for our city, offering a much-needed space for emerging creatives to develop their craft and work,” says Four Wheel Drive’s Joly Black. “At this evening’s launch, we want your input, support and collaboration, creating spaces to develop and retain creative talent in York.”
The flexible workspace for creatives offers “space to focus on your script, find creative inspiration or get something up on its feet. All centred around collaboration.
“Enjoy the cafe space with creative break-out areas for free. Tea, coffee and snacks will be available to purchase if you’d like.” Opening hours will be Tuesday to Saturday, 11am to 6pm, and Sundays, 11am to 4pm.
Workshops run by professionals will have a Pay What You Feel charge; community workshop sessions will be held for free.
Creative Hub highlights in the fortnight ahead at Friargate Theatre include: Grab The Mic Night, Saturday, 6.30pm; Theatre: A Setting Up Surgery, May 8, 6pm; Stand-Up Comedy Beginners Workshop, May 12, 1pm, and Vocal Workshop, May 15, 6pm.
See the full programme and book tickets at https://www.ticketsource.co.uk/whats-on?q=friargate%20theatre
Louise Jones: Tutor for Beginners Improv course at Theatre@41, Monkgate, York
EVER wanted to learn improv comedy? Whether you are a seasoned performer or have never stepped on a stage, Louise Jones’s improv course at Theatre@41, Monkgate, York, is for you.
“Please note this beginners’ course is for performers and non-performers who identify as female, non-binary or trans,” says comedy tutor Louise.
“The six to eight-week course has been designed to welcome people with any experience, including no experience whatsoever, to learn improvised comedy. From spontaneity to building outrageous characters, exploring unknown rooms, and working with others, it’s guaranteed to put a huge smile on your face and increase your confidence on stage.
The poster for Beginners Improv, now beginning on April 15
“There’ll be a showcase at the end of the course for you to show the world your new fantastic skills and enjoy the fun of performing with your fellow improvisers.”
After running a free workshop during York International Women’s Week, Louise will roll out the course from April 15 on Monday evenings, excluding May 20, from 7pm to 9pm.
Sessions cost £10 each or £64 for the full course. If you are interested, please email louiseasimprov@gmail.com promptly. “We’d love to see you there,” she says.
Louise Jones performing with Any Suggestions Improv
Louise is an improviser and co-founder of Any Suggestions Improv, the team behind Any Suggestions, Doctor?, An Improvised Adventure in Space and Time, a show nominated for Best Improv Show at Leicester Comedy Festival 2023.
Latest show Suggestions Of The Unexpected will be heading to the Edinburgh Fringe this summer.
Louise also has appeared in The Silliad and performs with Right Here Right Now, Riding Lights Theatre Company’s short-form improv night at Friargate Theatre, York.
Boundary breakers: Kevin Clifton’s Scott Hastings and Faye Brookes’s Fran in Baz Luhrmann’s Strictly Ballroom The Musical, on tour at Grand Opera House, York. Picture: Pamela Raith
SHAKESPEARE all shook up, a trio of musicals, a singular Magic Number, orchestral Potter and Tolkien and rocking Goths put Charles Hutchinson’s week ahead in good shape.
Dance show of the week: Strictly Ballroom The Musical, Grand Opera House, York, Monday to Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees
STRICTLY Come Dancing champ Kevin Clifton is joined by Dancing On ice runner-up and Coronation Street soap star Faye Brookes in Baz Luhrmann’s Australian romantic comedy musical.
Directed by Strictly’s Aussie-born judge Craig Revel Horwood, it follows rebellious ballroom dancer Scott Hastings (Clifton) as he falls out with the Australian Federation and finds himself dancing with Fran (Brookes), a beginner with no moves at all. Inspired by one another, this unlikely pairing gathers the courage to defy both convention and families. Box office: atgtickets.com/york.
From Ukraine, with love: Kyiv National Academic Molodyy Theatre, from Ukraine, will perform A Midsummer Night’s Dream at York International Shakespeare Festival on April 28. Picture: Oleksii Tovpyha
Festival of the week and beyond: York International Shakespeare Festival, various venues, running until May 1
THIS festival’s fifth edition combines more than 40 live events with others online, taking in international, national and York-made performances, talks, workshops, exhibitions and discussions.
Look out for the Kyiv National Academic Molodyy Theatre, from Ukraine, performing A Midsummer Night’s Dream (April 28); Flabbergast Theatre’s The Tragedy Of Macbeth (April 26); artists from Poland, Croatia and Romania and Tim Crouch’s exploration of King Lear in a post-pandemic world, virtual-reality head set et al, in Truth’s A Dog Must To Kennel (April 29). For the full programme and tickets, go to: yorkshakes.co.uk.
Virtual reality meets King Lear: Tim Crouch in Truth’s A Dog Must To Kennel at the York International Shakespeare Festival. Picture: Stuart Armitt
Soundtracks of the week: The Music Of The Lord Of The Rings and The Hobbit and The Rings Of Power In Concert, York Barbican, Monday, 4pm; The Magical Music Of Harry Potter Live In Concert, Monday, 8pm
THIS brace of concerts has been rearranged from April 6 to 24, both featuring a symphonic orchestra, choir, star soloists and an original actor. The first, a two-hour matinee celebrating the music inspired by the work of J R R Tolkien, spans the threatening sounds of Mordor, the shrill attack of the black riders and the beautiful lyrical melodies of the elves.
The second showcases the Harry Potter film soundtracks by John Williams, Patrick Doyle, Nicholas Hooper and Alexandre Desplat, complemented by music from the Harry Potter And The Cursed Child stage show. Box office: yorkbarbican.co.uk.
Crowning gory: Harry Summers’ Richard, seated, becomes king in a York Shakespeare Project rehearsal for Richard III. Picture: John Saunders
“Petty, narcissistic and vengeful psychopath” of the week: York Shakespeare Project in Richard III, Friargate Theatre, Lower Friargate, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee
PHASE Two of York Shakespeare Project, projected to run for 25 years, is launched with former British diplomat Daniel Roy Connolly’s modern-day account of “the York play”, Richard III, set amid the frenetic, calculating and brutal politicking of the House of Commons.
“Telling Shakespeare through what is comfortably the most corrupt institution in the country, the play explores the cut and thrust of power’s crucible, with laws ignored and lies sown,” he says. Harry Summers leads the cast. Box office: ticketsource.co.uk/ridinglights.
Romeo Stodart: Solo night at the Fulford Arms for the Magic Numbers singer
Low-key gig of the week: An Evening With Romeo Of The Magic Numbers, Fulford Arms, York, Sunday, 7.30pm
O ROMEO, Romeo, wherefore art thou Romeo Stodart on Sunday night? The lead vocalist, guitarist and principal songwriter of indie rockers The Magic Numbers will be in lonesome mode at the Fulford Arms. Expect Magic Numbers gems and equally magic numbers from 2011 solo album The Moon And You. Box office: thecrescentyork.seetickets.com.
Steve Tearle: Director, Narrator and Mystery Man in NE’s Into The Woods
Bewitching show of the week: NE in Stephen Sondheim’s Into The Woods, Joseph Rowntree Theatre, York, Tuesday to Saturday, 7.30pm and 2.30pm Saturday matinee
STEPHEN Sondheim’s darkly witty musical is a grown-up twist on the classic fairytales of Cinderella, Little Red Riding Hood, Rapunzel and Jack And The Beanstalk, here narrated by NE director Steve Tearle.
After the curse of a once-beautiful witch (Pascha Turnbull) leaves a baker (Chris Hagyard) and his wife (Perri-Ann Barley) childless, they venture into the woods to find the ingredients needed to reverse the spell. Encounters with all manner of fairytale favourites ensue, each on a quest to fulfil a wish. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Mayflies writer-composer Gus Gowland, seated with cast members Emma Thornett, left, Rumi Sutton and Nuno Queimado
Musical premiere of the week: Gus Gowland’s Mayflies, York Theatre Royal, April 28 to May 13, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
THREE into two will go when York Theatre Royal stages the world premiere of resident artist Gus Gowland’s musical Mayflies, wherein he explores how people present different versions of themselves in relationships and how it can then all come crashing down.
Three actors, Nuno Queimado (May), Rumi Sutton (May/Fly) and Emma Thornett (Fly), will alternate the roles, with each pairing offering a different perspective on the relationships within this contemporary love story, traced by Gowland from first flourish on a dating app to the last goodbye in person. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Cold Cave: Headlining the Friday bill at the Tomorrow’s Ghosts Festival in Whitby
Goth gathering of the week: Tomorrow’s Ghosts Festival Spring Gathering 2023, Whitby Pavilion, Whitby, April 28 and 29
BACK in black in the home of Dracula, Whitby’s premier gothic music and alternative arts festival returns with headline appearances by Cold Cave (April 28) and New Model Army (April 29) and a Friday club night into the early hours by Leeds living legends Carpe Noctum.
The Friday bill features a rare performance from American goth rock special guests Christian Death, alongside sets by The Rose Of Avalanche and Siberia. Saturday features special guests Lebanon Hanover, Ist Ist and The Nosferatu. Box office: ticketweb.uk.
Harry Summers: Title role in York Shakespeare Project’s Richard III this spring
REHEARSALS are under way for Richard III, the first production of York Shakespeare Project’s phase two.
Dr Daniel Roy Connelly’s cast will be led by Harry Summers in the winter-of-discontent role of Richard Duke of Gloucester/Richard III.
Further roles will go to Rosy Rowley, Duke of Buckingham; Miranda Mufema, Lady Anne; Emily Hansen, Queen Margaret; Andrea Mitchell, Queen Elizabeth; Frankie Hayes, Duchess of York/Sir William Catesby; Matt Simpson, Duke of Clarence, and Jack Downey, Sir Richard Ratcliffe.
Clive Lyons will play Lord Hastings; Michael Peirce, Young York/Lord Grey/Murderer; Nell Frampton, Prince Edward/Rivers; Frank Brogan, King Edward IV/Stanley; Thomas Jennings, Sir James Tyrell; Nick Jones, Earl of Richmond; James Tyler, Archbishop, and Anna Kedge, Marquis of Dorset.
Dr Daniel Roy Connelly: Making his York Shakespeare Project debut as director of Richard III
As was the case when YSP began its 20-year mission to present all 37 of the Bard’s works with the 2002 production of Richard III at the Joseph Rowntree Theatre, so Richard III will be the opening play once more, this time at Friargate Theatre, Lower Friargate, York from April 26 to 29.
A newcomer to York, theatre director, actor, poet, professor and former British diplomat Dr Connelly is at the helm after directing in places as diverse as Shanghai, Rome, America and the Edinburgh Festival. He will refract Richard’s turbulent tale of politics, power and corruption through today’s lens.
Richard III will be one of two YSP productions at the 2023 York International Shakespeare Festival, along with Liz Elsworth’s semi-staged version of Shakespeare’s narrative poem The Rape Of Lucrece.
YSP begins a new chapter in 2023 with a 25-year project to stage not only those plays again, but also the best works by his Elizabethan and Jacobean contemporaries.
York Light Opera Company performers and production team for A Night With The Light. From the left, musical director Martin Lay, producer Helen Eckersall and director Jonny Holbek are pictured in the centre
YORK Light Opera Company’s summer show, A Night With The Light, runs at Friargate Theatre, Friargate, York, from tomorrow until Saturday.
In the wake of York Light’s production of Evita, directed by Martyn Knight at York Theatre Royal in February, the amateur company presents a feel-good programme of powerful, funny, emotive and irreverent numbers from favourite musicals and new ones too.
Under the direction of Jonny Holbek and musical direction of Martin Lay, the show features songs from Hamilton, Waitress, Wicked, Chicago, Chess, Avenue Q, The Phantom Of The Opera, Les Misérables, The Sound Of Music and plenty more.
Jonny Holbek: Directing York Light Opera Company in A Night With The Light
Taking part will be: Abby Wild; Alexa Chaplin; Al Elmes; Annabel van Griethuysen; Chloe Chapman; Clare Meadley; Emily Hardy; Emma Louise Dickinson; Grace Harper; Helen Eckersall; Henry Fairnington; Kathryn Tinson; Kirsten Griffiths; Matt Tapp; Pascha Turnbull; Paul Hampshire; Pippa Elmes; Rachael Cawte; Ruth Symington; Ryan Richardson; Tom Menarry and Victoria Rimmington. The producer is Helen Eckersall.
“Come join us as we have Magic To Do!” say Jonny and Martin ahead of this week’s 7.30pm evening shows and 2.30pm Saturday matinee.
Tickets cost £10 upwards on 01904 655317 or at ridinglights.org/a-night-with-the-light/.
