Richard Hawley: Wearing red at Live At York Museum Gardens to honour the Liverpool footballer Diogo Jota, who died in a car crash on July 3. Picture: Andy Hughes
FUTURESOUND Group could not have put together a better show for Live At York Museum Gardens 2.0 than Richard Hawley with strings attached and more besides.
Not one, not two, but three support acts after the addition of droll Scottish singer and songwriter Hamish Hawk, who was billed for a 5.40pm start but made his entry at evening news time, Bowie- dapper in dark jacket and cream trousers.
Keep your eye on Hawk, a frontman as natural as Jarvis Cocker, as witty and observant as The Divine Comedy’s Neil Hannon in his lyrics, with a line in gay love declarations rather more overt than in the days of Gershwin’s The Man I Love.
Hamish Hawk opening Saturday’s line-up at Live At York Museum Gardens. Picture: Andy Hughes
The Mauritian Badminton Doubles Champion 1973 has probably the best opening couplet to a song ever penned: “To write a cathedral, I’ll need a ballpoint pen/It’ll sound like ‘Common People’, written by Christopher Wren”. Yes, he’s that good, and there were plenty more where that came from in a 25-minute set, over all too soon.
B C Camplight – B C stands for Brian Christinzio – is a favourite of The Crescent, York, who took to the outdoors as a man on a mission. Living in Manchester now but still very much a son of New Jersey, he has followed up 2023’s relationship break-up record, The Last Rotation On Earth, with A Sober Conversation, “doing well”, he says, since its June 27 release.
A big jack-in-a-box behind – and often not behind – his piano, B C was bursting with vigour and vitality, putting it all in the open after confronting childhood trauma and being clean from drugs for two years. His songs were candidly tragic-comic, liberating too, his arrangements unpredictable and thrilling, not averse to kicking up a storm but, equally, as adroit as Squeeze or Teenage Fanclub at gorgeous melody.
B C Camplight: Arms outstretched at the piano at Live At York Museum Gardens. Picture: Andy Hughes
From the red rose of Manchester to the white of Yorkshire, or Leeds more precisely, in the Mercury Prize-winning form of English Teacher. What’s this for a choice of walk-on music? The volume suddenly sounded louder – as if we were at the Cardiff Principality Stadium – for a blast of Supersonic to tease an entry of the magnitude of the omnipresent Gallaghers’ revived love-in.
If that took chutzpah, so did starting with their best-known number, the one that Lily Fontaine ends with “I am The World’s Biggest Paving Slab/And the world’s smallest celebrity”: a typical Leeds shrug of a sentiment, in keeping with bands from The Wedding Present to Yard Act.
The world’s smallest celebrity? It will not stay that way for Fontaine and her rising, rousing band whose backdrop stated “This Could Be English Teacher” in another splash of Leeds humour in a nod to their debut album title, This Could Be Texas.
This could be the future: Lily Fontaine of English Teacher, the Mercury Prize-winning Leeds band making waves at York Museum Gardens. Picture: Andy Hughes
Schooled at the Leeds Conservatoire, they are musically skilled, able to swap between instruments, like the drummer switching to piano, or Fontaine from guitar to keys, but there is nothing arid or academic about their compositions.
Fontaine’s lyrics fizz with attitude and cultural smarts, the songs jab and jab, then deliver the knock-out punch, and now ‘Paving Slab’ has a rival with the unveiling of Toothpick, a sugar rush of a new song that will surely stick around.
Richard Hawley would play for 90 minutes, whereas Elbow performed for two hours on Thursday, but if that was the price of cramming in four acts, rather than three on the opening night, so be it. What Hawley delivered in his more concentrated, sublime set surpassed the lulls in Elbow’s graceful ebb and flow.
One of Richard Hawley’s myriad guitars in close-up at York Museum Gardens. Picture: Andy Hughes
Better still, unlike Elbow, Hawley used projections. Sometimes showing him close up in his humorously abrasive yet also heartfelt conversation between songs. Sometimes showing his band members and the aforementioned string quartet. Other times complementing songs with nostalgic, black-and-white photographs of Sheffield, its streets, buildings, shops, even his parents by the sea, along with footage of musicians of the past. Later, those projections would spark into life as images of fire and flashing, speeding lights.
This concert was the first of a series to mark the 20th anniversary of Coles Corner, or to cash on it as he joked. His fourth and arguably still his supreme solo album has had its double CD re-issue put back a month to August 1, but on Saturday night we could revel on those songs of romance, longing, water and loss once more, with its echoes of the past running deeper than a South Yorkshire spin on Roy Orbison.
The string quartet augmenting Coles Corner with Richard Hawley at York Museum Gardens. Picture: Andy Hughes
Ever the dandy at 58, Hawley was dressed in red; so too fellow guitarists Shez Sheridan and Bryan Day. He had not suddenly started supporting Sheffield United, explained the Sheffield Wednesday fan, but this was his tribute to Liverpool footballer Diogo Jota and his brother Andre Silva, football united in grief.
If those Made-in-Sheffield songs, played in album order, were not already tugging at the heart strings, that moment of collective commemoration could not have been more fittingly conducted. From title track opener, through Just Like The Rain and Darlin’ Wait For Me, to the epic The Ocean, song surpassed song.
Richard Hawley working his guitar magic at York Museum Gardens. Picture: Andy Hughes
He dedicated Born Under A Bad Sign to his father, with whom he had first played at The Leadmill at 16, and onwards he crooned and we swooned: I Sleep Alone, Tonight, and Who’s Gonna Shoe Your Pretty Little Face?, learnt from his mother and played solo as a goodnight lullaby.
It was already ten o’clock, and so Richard had to cram in as many Hawley highlights as he could by the 10.30pm curfew. Moonlight greeted She Brings The Sunlight, and we danced giddily to Prism In Jeans and felt the heart pound to Open Up Your Doors before Heart Of Oak made a mighty finale. Hawley at his best, Futuresound’s excellent gig management at its best too.
Red light bathing Richard Hawley and his band in the finale to his Live At York Museum Gardens concert. Picture: Celestine Dubruel
Richard Hawley’s set list at Live At York Museum Gardens
1. Coles Corner; 2. Just Like The Rain; 3. Hotel Room; 4. Darlin’ Wait For Me; 5. The Ocean; 6. Born Under A Bad Sign; 7. I Sleep Alone; 8. Tonight; 9. (Wading Through) The Waters Of My Time; 10. Who’s Gonna Shoe Your Pretty Little Face?; 11. Last Orders; 12. She Brings The Sunlight; 13. Galley Girl; 14. Prism In Jeans; 15. Open Up Your Door; 16. Alone; 17. Heart Of Oak.
Precision in jeans: A close-up of Richard Hawley’s choice of stitching at York Museum Gardens. Picture: Andy Hughes
Nile Rodgers: Stirring everybody and every body to dance at York Museum Gardens . Picture: Paul Rhodes, reporting from ‘the photographers’ pit ‘
WHAT an amazing display of musical power to send Friday night to the stars.
Kicking things off at 6 o’clock as the crowd filled, Durand Bernarr really sold his performance. Even if his nu-soul material sounded similar, this expressive, energetic singer was eminently watchable. His concern for our wellbeing also fitted well into this warm-hearted event.
Durand Bernarr: “Really sold his performance”. Picture: Paul Rhodes
The second support act, Jalen Ngondo was perhaps the individual stand-out of the evening. This willowy soul singer from Maryland, now based in Liverpool, was amazing. His voice and music recalled the best of the great Sixties and Seventies’ soul artists.
Curtis Mayfield was the closest comparison (during his time with the Impressions) while the groove and songs drew on the spirit of Marvin Gaye and Tammi Terrell (his voice somehow a sweet blend of the two).
We are one big soul family: Friday’s audience enjoying good times at Nile Rodgers & Chic’s Live At York Museum Gardens party. Picture: Paul Rhodes
The crowd loved him – and as he played his heart out at the piano on The Look Of Love, with the trees swaying in full sail off to the side, it was a breathtaking moment.
Nile Rodgers is a superstar, no question. Since the 1970s, he has ridden wave after wave as a performer and producer, and his imprint is all over many of the biggest hits of the past 40 years.
Jalen Ngonda: “Recalled the best of the great Sixties and Seventies’ soul artists”
Luckily he shows no sign of slowing down at 72. Fresh from their well received – and it turned out similar – Glastonbury set, the nine-piece band were all superb musicians playing for the greater good.
The two lead singers were eye catching and glamourous, clearly enjoying themselves enormously. Audrey Martells handled the lead vocals for Diana Ross’s I’m Coming Out and Upside Down and Kimberly Davis shone on Sister Sledge’s He’s The Greatest Dancer and We Are Family.
Nile Rodgers: “Distinctive guitar playing sat at the centre of the sound”
Rodgers’ distinctive guitar playing sat at the centre of the sound. From the selection of CHIC songs, he found his signature style early on. We were taken on a tour that included Madonna, Duran Duran, Daft Punk’s Get Lucky and David Bowie’s commercial peak, Let’s Dance.
Now bedded into York’s social calendar, there was a lovely atmosphere to this Live At York Museum Gardens event all evening. The rain held off and as the sun went down behind St Mary’s Abbey over a sea of arms waving for yet another smash hit from the Rodgers songbook, everybody did dance.
Audrey Martells: Handled the lead vocals for Diana Ross’s I’m Coming Out and Upside Down on Friday night. Picture: Paul Rhodes
It wasn’t perfect. A little less bragging from Rodgers, a little more full songs, and the energy of the set tailed off somewhat in the last third, not regaining the earlier peaks. Even so, this was a wonderful, full evening’s entertainment.
Review by Paul Rhodes
Oh, what a wow: Nile Rodgers and CHIC cutting a rug at Live At York Museum Gardens. Picture: Paul Rhodes
Richard Hawley: Revisiting Coles Corner with strings attached at Live At York Museum Gardens today. Picture: Dean Chalkley
WHAT happens when York Museum Gardens turns into Coles Corner and the same play opens in two places at once? Find out in Charles Hutchinson’s leisure list.
Open-air concert of the week: Futuresound Group presents Live At York Museum Gardens, Richard Hawley, today; gates open at 5pm
SHEFFIELD guitarist, songwriter and crooner Richard Hawley revisits his 1995 album Coles Corner with a string section on its 20th anniversary this evening, complemented by Hawley highlights from his 2001 to 2024 albums (9pm to 10.30pm).
He will be preceded by Mercury Prize-winning Leeds band English Teacher (7.45pm to 8.30pm); Manchester-based American songwriter BC Camplight, introducing his new album, A Sober Conversation (6.30pm to 7.15pm), and Scottish musician Hamish Hawk, whose latest album, A Firmer Hand, emerged last August (5.40pm to 6.10pm). Box office: seetickets.com.
The Tallis Scholars: Performing Glorious Creatures, directed by Peter Philips, at York Minster at 7.30pm tonight at York Early Music Festival. Picture: Hugo Glendinning
Festival of the week: York Early Music Festival, Heaven & Hell, until July 11
EIGHT days of classical music are under way featuring international artists such as The Sixteen, The Tallis Scholars, Academy of Ancient Music, Helen Charlston & Toby Carr and the York debut of Le Consort, performing Vivaldi’s Four Seasons “but not quite as you know it” on Sunday.
Directed by Delma Tomlin, the festival weaves together three main strands: the 400th anniversary of Renaissance composer Orlando Gibbons, the Baroque music of Vivaldi and Bach and reflections on Man’s fall from grace, from Heaven to Hell. Full programme and tickets at ncem.co.uk/whats-on/yemf/. Box office: 01904 658338.
Bridget Christie: Late replacement for Maisie Adam at Futuresound Group’s inaugural York Comedy Festival. Picture: Natasha Pszenicki
Comedy event of the week: Futuresound Group presents Live At York Museum Gardens, York Comedy Festival, Sunday, 2.30pm to 7.30pm
HARROGATE comedian Maisie Adam will not be playing the inaugural York Comedy Festival this weekend after all. The reason: “Unforeseen circumstances”. Into her slot steps trailblazing Bridget Christie, Gloucester-born subversive stand-up, Taskmaster participant and writer and star of Channel 4 comedy-drama The Change.
The Sunday fun-day bill will be topped by Dara Ó Briain and Katherine Ryan. Angelos Epithemiou, Joel Dommett, Vittorio Angelone, Clinton Baptiste and Scott Bennett perform too, hosted by “the fabulous” Stephen Bailey. Tickets update: last few still available at york-comedy-festival.com.
Justin Panks: Headlining Laugh Out Loud Comedy Club at The Basement, City Screen Picturehouse
The other comedy bill in York this weekend: Laugh Out Loud Comedy Club presents Justin, Panks, Tony Vino, Liam Bolton and MC Damion Larkin, The Basement, City Screen, York, tonight, 8pm
COMEDIAN and podcaster Justin Panks tops tonight’s Laugh Out Loud Comedy Club with his skewed observational eye and ability to approach seemingly ordinary subjects from extraordinary angles in his raw, honest tales of relationships, parenthood and life in general.
Tony Vino bills himself as “the only half-Spanish, half-Scottish hybrid working comic in the world”; experimental Liam Bolton favours a bewildering, train-of-thought approach to unpredictable stand-up comedy; Damion Larkin hosts in improvisational style. Box office: lolcomedyclubs.co.uk or on the door.
The Script: Returning to Scarborough Open Air Theatre this weekend
Coastal gig of the week: The Script and Tom Walker, Scarborough Open Air Theatre, today; gates open at 6pm
THE Script head to the Yorkshire coast this weekend as part of the Irish rock-pop act’s Satellites UK tour, completing their hat-trick of Scarborough Open Air Theatre visits after appearances in 2018 and 2022. Special guest Tom Walker, the Scottish singer-songwriter, performs songs from 2019 chart topper What A Time To Be Alive and 2024’s I Am. Box office: scarboroughopenairtheatre.com.
Dianne Buswell and Vito Coppola: Red Hot and Ready to dance at York Barbican
Dance show of the week: Burn The Floor presents Dianne & Vito, Red Hot & Ready!, York Barbican, Sunday, 7.30pm
STRICTLY Come Dancing’s stellar professional dancers, 2024 winner Dianne Buswell and 2024 runner-up Vito Coppola are Red Hot and Ready to perform a dance show with a difference, choreographed by BAFTA award winner Jason Gilkison. The dream team will be joined by a cast of multi-disciplined Burn The Floor dancers from around the world. Box office: yorkbarbican.co.uk.
Florence Poskitt’s Margaret Watson, left, Jennifer Jones’s Elizabeth Watson and Livy Potter’s Emma Watson in Black Treacle Theatre’s The Watsons at the JoRo
Play of the week times two: The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, July 9 to 12, 7.30pm and .30pm Saturday matinee; The Watsons, 1812 Theatre Company, Helmsley Arts Centre, July 9 to 12, 7.30pm
TWO productions of Laura Wade’s The Watsons open on the same night in York and Helmsley. What happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.
One problem: Jane Austen did not finish this story. Who will write Emma’s happy ending now? Step forward Wade, who takes her incomplete novel to fashion a sparklingly witty play that looks under Austen’s bonnet to ask: what can characters do when their author abandons them? Bridgerton meets Austentatious, Regency flair meets modern twists, as Jim Paterson directs in York; Pauline Noakes in Helmsley. Box office: York, 01904 501935 or josephrowntreetheatre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk.
An old story told in a new way: Russell Lucas’s Titanic tale of Edward Dorking in Third Class at Theatre@41, Monkgate. Picture: Steve Ullathorne
Titanic struggle of the week: Russell Lucas in Third Class at Theatre@41, Monkgate, York, July 12, 3pm
EDWARD Dorking was openly gay. On Wednesday, April 10 1912, he set sail for New York on a ticket bought for him by his mother in the hope his American family could put him “right”.
Writer-performer Russell Lucas’s Third Class charts Dorking’s journey from boarding the Titanic to swimming for 30 minutes towards an already full collapsible lifeboat, and how, on arrival in New York, he toured the vaudeville circuit as an angry campaigner against the injustices of the shipping disaster. Using music, movement, projection and text, Lucas gives a “thrilling new perspective on what feels a familiar tale”, topped off with a Q&A. Box office: tickets.41monkgate.co.uk.
In Focus:Contentment Productionsin Second Summer Of Love, Theatre@41, Monkgate, York, July 10, 7.30pm
Second Summer Of Love: Emmy Happisburgh’s coming-of-age and midlife-recovery tale at Theatre@41, Monkgate
ORIGINAL raver Louise wonders how she went from Ecstasy-taking idealist to respectable, disillusioned, suburban Surrey mum. Triggered by her daughter’s anti-drugs homework and at peak mid-life crisis, Louise flashes back to the week’s emotional happenings and the early Nineties’ rave scene.
Writer-performer Emmy Happisburgh’s play addresses the universal themes of coming of age and fulfilling potential while offering a new perspective for conversations on recreational drug use, raising palms to the skies in fields, recovery from addiction and embracing mid-life.
Originally Second Summer Of Love was developed with producers Pants On Fire as a 15-minute and showcased by Emmy at the SHORTS Festival 2020.
“The play premiered as a one-woman performance at the 2022 Edinburgh Fringe,” she says. “Then it was refreshed in 2023; some scenes were re-written, taking into consideration reviewers’ practical criticisms and audience responses.
“We enlisted two more actors and Scott Le Crass to direct and tested out this new version for Contentment Productions on a three-night run in Worthing and Guildford where it sold out.”
In this 60-minute performance, Emmy’s Louise is joined by Molly, played by Emmy’s daughter, Rosa Strudwick, and Christopher Freestone’s Brian, prompted by Louise’s flashbacks,
“Now our cast of three is playing 15 dates this summer and autumn, from York to Penzance, to connect with our target audiences, build partnerships, give us feedback and raise awareness of of our play to help us develop and upscale it into a fully cast production for larger auditoriums.”
Memories around Sterns nightclub in Worthing – a venue that Carl Cox once called “100 per cent equivalent to the Hacienda in Manchester” – wove themselves into Emmy’s play. “Second Summer Of Love isn’t a ‘true story’ but it’s inspired by real-life events and real people from when I was luckily, and very accidentally, right in the middle of the rave zeitgeist,” she says.
“It’s not a tale I’ve seen authentically told in theatres; especially not by a mid-life woman. I’m grateful to bring the ‘one love’ message of the original rave movement to the stage. I’m excited to play several different characters, using the physical skills of Le Coq again and genuinely overjoyed to be in scenes opposite Rosa and Christopher.”
Director Scott Le Crass adds: “I’m excited to direct Second Summer Of Love as it’s a fresh voice. It’s a perspective which I’ve never seen on stage. Older female voices are something we need to champion more and in a way which is strong, dynamic and playful. This play embodies that.”
Happisburgh trained at the Poor School and Guildford School of Acting; Le Crass trained as an actor at Arts Ed and was a director on Birmingham Rep’s first Foundry Programme; Freestone trained with Actor in Session, and Strudwick was trained through the LAMDA examination syllabus by Happisburgh.
Here for the cheers: Guy Garvey leading Elbow at Live At York Museum Gardens on Thursday night. Picture: Andy Hughes
NOT all eyes are on Cardiff Principality Stadium for the “rock’n’roll reunion of the century”. York has its own fiesta of outdoor delights this week: Elbow on Thursday, Nile Rodgers and CHIC on Friday, Richard Hawley tonight and the inaugural York Comedy Festival in a Sunday fun-day finale.
Welcome to Leeds promoters Futuresound Group’s second summer of Live At York Museum Gardens, where one big change from Shed Seven’s 30th anniversary revels last summer greets you on arrival.
The stage has moved: no longer in front of the Yorkshire Museum, from where the slope down to the Ouse made viewing more difficult from the back. Now, it is sited against the backdrop of the St Mary’s Abbey ruins, as was the custom with the four-yearly cycle of the York Mystery Plays from their revival for the 1951 Festival of Britain.
And, on the evidence of your 5ft 7ins reviewer’s (disad)vantage point for the first three songs, viewing was still elusive from the rear ranks of a sold-out 4,000 crowd. A case of more heads than Elbow as Starlings, 2024 album Audio Vertigo’s best song, Lovers’ Leap, and new number Adriana Again passed out of sight.
Elbow room only: Thursday’s packed crowd in York Museum Gardens. Picture: Andy Hughes
One chap cannily resorted to placing his phone camera above his head to watch. Meanwhile, determined to avoid a feeling of “what an imperfect waste of time”, a request to move to the seating by the museum was very kindly accommodated by event staff, facilitating the full picture for this review from Station Approach onwards: now Elbow could “be everything to me tonight” in the Bury band’s “34th year together” .
You may disagree, but Station Approach, from 2005’s Leaders Of The Free World, is still Guy Garvey’s finest lyric, his best distillation of life and love in a northern town. He is up there with Jarvis Cocker as the north’s supreme gift of the gab as a frontman too, his wit as dry as this summer’s grass.
He reaches regularly for “beautiful”: “beautiful” singalongs; “beautiful night”, “beautiful historic city”, then teases York by suggesting that this “history”, the Jorvik past, the 10th century abbey ruins, are nothing but manufactured tourist attractions, constructed in 1962, like a northern Milton Keynes.
Later he would make a joke of his singing causing a temporary sound malfunction: “I like to think I destroyed it with that last performance,” he says.
Elbow’s Guy Garvey joining Ripon folk singer-songwriter Billie Marten – regularly featured on his Guy Garvey’s Finest Hour show on BBC 6Music on Sunday afternoons – during her supporting set. Picture: Andy Hughes
Far from it, you can add Garvey’s singing to that list of the beautiful. He is very much the fulcrum, the focus, the master of ceremonies, especially as Elbow – as unglamorous as their name and body part – don’t really do Las Vegas “showbiz”. Well, aside from a five-piece choir, a trio of brass players and a gleaming, huge mirror ball, stage front, for Mirrorball (yes, yes, I know, what did the Romans ever do for us?).
The dark blue stage backdrop, reminiscent of a fossil and Leeds United’s third kit last season, does not change, like those abbey ruins to either side. That is not a problem in itself, although projections of the band’s performance would have been beneficial for those further away from the stage, just as they had such an impact in the Sheds’ shows in 2024.
The problem is more when some songs hover close to dirges: Great Expectations, Her To The Earth, The Birds, for example, while Balu, Puncture Repair and Things I’ve Been Telling Myself For Years are graceful but glide by.
The audience chatter rises notably on those occasions, before either Garvey’s humorous banter or a change of pace for the blood-stirring Good Blood Mexico City, from Audio Vertigo, makes its mark.
Robin Hood’s Bay folk luminary Eliza Carthy opening Thursday’s Live At York Museum Gardens bill with The Restitution. Picture: Andy Hughes
On an evening that had begun with sets by Eliza Carthy & The Restitution and Ripon singer-songwriter Billie Marten, by now the night was darkening and stage lights brightening as Elbow hit their stride with “the whistling song”, Lippy Kids. “Build a rocket, boys,” comes the audience refrain en masse. Mirrorball, Magnificent (She Says); they are on a roll now, and it’s all gonna be magnificent from here on in.
Even Sober, from their new Audio Vertigo Echo elbow EP, elicits the most unlikely singalong, its perkiness at odds with the sobriety within. The crowd chanting rises for set-closer Grounds For Divorce, before being surpassed by the encore double delight of My Sad Captains (“Oh my soul”), Station Approach’s contender for Best Elbow Song Ever, and One Day Like This, the one more commonly crowned with that title.
It took its time, but from Lippy Kids onwards, “one night like this a year did see me right”.
Elbow’s set list, Live At York Museum Gardens, July 3 2025, 8.30pm to 10.30pm
1. Starlings (from The Seldom Seen Kid); 2. Lovers’ Leap (Audio Vertigo); 3. Adriana Again (new, Audio Vertigo Echo elbow EP); 4. Station Approach (Leaders Of The Free World); 5. Kindling (Little Fictions); 6. Puncture Repair (Leaders Of The Free World); 7. Great Expectations (Leaders Of The Free World); 8. Her To The Earth (Audio Vertigo); 9. Balu (Audio Vertigo); 10. Good Blood Mexico City (Audio Vertigo); 11. The Seldom Seen Kid (Flying Dream 1); 12. Things I’ve Been Telling Myself For Years (Audio Vertigo); 13. The Birds (Build A Rocket Boys!); 14. Lippy Kids (Build A Rocket Boys!); 15. Mirrorball (The Seldom Seen Kid); 16. Magnificent (She Says) (Little Fictions); 17. Sober (new, Audio Vertigo Echo elbow EP); 18. Grounds For Divorce (The Seldom Seen Kid). Encores: 19. My Sad Captains (The Take Off And Landing Of Everything); 20. One Day like This (The Seldom Seen Kid).
No songs from 2001’s Asleep In The Dark, 2003’s Cast Of Thousands or 2019 chart topper Giants Of All Sizes.
Night and Day: One Day Like This turns into ‘one night like this a year would see me right’ in the finale to Elbow’s concert at York Museum Gardens. Picture: Andy Hughes
Billie Marten: Releasing fifth album Dog Eared on July 18
RIPON folk singer-songwriter Billie Marten will showcase her fifth album in her support slot at Elbow’s sold-out Live At York Museum Gardens concert tomorrow evening.
Released on Fiction Records on July 18, Dog Eared has been trailed by five singles, Swing, Crown, Feeling, Leap Year and now Clover, a song built out of contradictions and oxymorons.
“Clover is a song about feeling small but needing to appear big,” says Billie, 26, who now lives in London. “It’s a note on power and inequality. Most of this record talks about age and experience and relevance, something that’s clogged my mind since I began music.
“I carry a lot of premature worry with me, and that’s something that comes from starting an adult life as a teenager I suppose. I gained the human affliction of inventing things before they happen. I’m a multitude of anxieties.”
The cover artwork for Billie Marten’s new album, Dog Eared
Billie released her debut album, Writing Of Blues And Yellows, at the age of 17 in 2016, since followed Feeding Seahorses By Hand in 2019, Flora Fauna in 2021 and Drop Cherries in 2023.
She headed to New York last summer to record with producer Phil Weinrobe (Adrianne Lenker, Laura Veirs) at his Sugar Mountain studio, alongside an all-star cast of musicians.
Catalan singer-songwriter/guitarist Núria Graham, bassist Josh Crumbly, virtuosic guitarist Mike Haldeman, multi-instrumentalist Shahzad Ismaily, indie-rock musician Sam Evian, former Dirty Projectors vocalist/folk musician Maia Friedman, Brazilian percussionist Mauro Refosco, drummer/multi-instrumentalist Vishal Nayak, keys/synth player Michael Coleman and Vermont folk musician Sam Amidon all sprinkle their gold dust over Dog Eared.
Together they add up to a band with credits across records by Cassandra Jenkins, Kamasi Washington, Moses Sumney, Robert Glasper, Tune-Yards, Empress Of, Nick Hakim, David Byrne, Atoms For Peace, Feist, Bonnie “Prince” Billy and now Billie Marten.
Billie Marten’s Record Store Tour: Visiting Sheffield and Huddersfield
Since 2023’s Drop Cherries, Billie has spent her time largely on the road, honing her craft as a deeply instinctual artist and songwriter. Living and learning. Playing and writing. Collaborating with gifted strangers. Exploring questions of identity and self. All the while, sending demos and voice-notes across the Atlantic to Weinrobe and watching those embryonic songs come to life and flourish fully realised in the studio.
The resulting Dog Eared track listing comprises Feeling; Crown; Clover; No Sudden Changes; The Glass; Leap Year; Goodnight Noon; Planets; You And I Both and Swing.
Producer Weinrobe enthuses: “Dog Eared is a miracle. This record feels like what music is supposed to be: a creative dialogue between wide-open musicians, all pushing in the exact same direction. And that direction is clear – the controls are set for the heart of Billie’s incredible songs.
“Yes, the record was recorded live. Yes, Billie sang the lead vocals as it was going down. Yes, we were huddled up in a circle – no headphones, no walls, no playback, nothing separating each person from the next, and nothing separating the performers from their performances.
“I’ve discovered that I have a really particular long-term memory,” says Billie Marten
“But that’s not why this record is a monument. It’s a monument because Billie walked into the studio every morning and opened her mouth and sang these incredible melodies and gorgeous lyrics without any worries or fears or desires to control the art. She was the art. And everyone surrounded her, and lifted her up, and in turn she lifted the music to heights that we are all lucky to get to listen to, on repeat, forever.”
Billie highlights the opening track, Feeling. “I’ve discovered that I have a really particular long-term memory: I have specific sensory recollections from when I was two onwards, that I can recall easily now,” she says.
“One of these is marking out roads in my grandmother’s patterned carpet, for my Dad’s old 1950/60s’ toy cars to drive on. I used to trace patterns in everything: fabric seats at the dentist, carpets, wallpaper and walls, raindrops on car windows. Everything had a pattern to be noticed.”
Billie Marten’s Dog Eared Tour 2025 itinerary Billie adds: “Another strong memory is the feeling of big, warm hands when you’re a child and how comforting and safe that feels. The notion of age being so far away from you, but you know it’s a future inevitability, and that you’re on your way there. The inarticulateness of that ‘feeling’ you can’t describe yet, but you’re aware of a push in the world that you don’t yet understand.”
“Feeling is really set alight by Núria Graham’s guitar part, the one you hear from the outset. It sparks the album info life and really sets a benchmark in terms of rhythm. This is an album of rhythmic focus.”
Billie will be supporting Elbow tomorrow fresh from performing on the Acoustic Stage at Glastonbury last Friday. She will play Yorkshire acoustic sets at Beartree, Sheffield (afternoon show), and Vinyl Tap, Huddersfield (evening show), on her solo Record Store Tour itinerary, followed by Leeds Irish Centre on November 14 on her eight-date Dog Eared headline tour, when Le Ren supports. Tickets are on sale at billiemarten.com.
Futuresound Group presents Elbow, Billie Marten and Eliza Carthy & The Restitution at Live At York Museum Gardens, York, tomorrow. Gates open at 5pm. SOLD OUT.
Richard Hawley: Playing Coles Corner with strings attached at Futuresound Group’s Live At York Museum Gardens concert on Saturday. Picture: Dean Chalkley
AS the outdoor concert season awakens, a festival goes to heaven and hell and Jane Austen has unfinished business in Charles Hutchinson’s list for the upcoming week.
Open-air concerts of the week: Futuresound Group presents Live At York Museum Gardens, Elbow, tomorrow; Nile Rodgers & CHIC, Friday; Richard Hawley, Saturday; gates open at 5pm
LEEDS promoters Futuresound Group’s second summer of outdoor concerts in York begins with Bury band Elbow’s sold-out show tomorrow, when Ripon singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution support.
New York guitarist, songwriter and producer Nile Rodgers and CHIC revel in Good Times, Le Freak, Everybody Dance and I Want Your Love on Friday, supported by Maryland soul singer Jalen Ngonda and Durand Bernarr. Sheffield guitarist and crooner Richard Hawley revisits his 1995 album Coles Corner with a string section on its 20th anniversary on Saturday, preceded by Leeds band English Teacher and Manchester-based American songwriter BC Camplight, introducing his new album, A Sober Conversation. Box office: seetickets.com.
Bridget Christie: Late replacement for Maisie Adam at York Comedy Festival on Sunday. Picture: Natasha Pszenicki
Comedy bill of the week: Futuresound Group presents Live At York Museum Gardens, York Comedy Festival, Sunday, 2.30pm to 7.30pm
HARROGATE comedian Maisie Adam will not be playing the inaugural York Comedy Festival this weekend after all. The reason: “Unforeseen circumstances”. Into her slot steps trailblazing Bridget Christie, Gloucester-born subversive stand-up, Taskmaster participant and writer and star of Channel 4 comedy-drama The Change.
More than 90 per cent of tickets have sold for the Sunday fun-day bill topped by Dara Ó Briain and Katherine Ryan. Angelos Epithemiou, Joel Dommett, Vittorio Angelone, Clinton Baptiste and Scott Bennett feature too, hosted by “the fabulous” Stephen Bailey. Tickets are on sale at york-comedy-festival.com.
The Sixteen: Performing Angel Of Peace programme at York Minster on July 7 at York Early Music Festival
Festival of the week: York Early Music Festival, Heaven & Hell, Friday to July 11
EIGHT days of classical music add up to 19 concerts featuring international artists such as The Sixteen, The Tallis Scholars, Academy of Ancient Music, viol consort Fretwork & Helen Charlston and the York debut of Le Consort, performing Vivaldi’s Four Seasons “but not quite as you know it”.
Directed by Delma Tomlin, the festival weaves together three main strands: the 400th anniversary of Renaissance composer Orlando Gibbons, the Baroque music of Vivaldi and Bach and reflections on Man’s fall from grace, from Heaven to Hell. Full programme and tickets at ncem.co.uk/whats-on/yemf/. Box office: 01904 658338.
Belle Voix Trio: Nostalgic night of Motown and Northern Soul at Kirk Theatre, Pickering, on Friday
Tribute show of the week: Belle Voix Trio, A Night Of Motown & Northern Soul, Kirk Theatre, Pickering, Friday, 7.30pm
BELLE Voix Trio bring 30 Motown and Northern Soul hits to the Pickering dancefloor, from Do I Love You (Indeed I Do) to Tainted Love, Ain’t No Mountain High Enough to The Night. Sandy Smith, Sophie Mairi and Briony Gunn’s singing credits include London’s West End, cruise liners and luxury hotels. Box office: 01751 474833 or kirktheatre.co.uk.
The Script: Making third appearance at Scarborough Open Air Theatre on Saturday
Coastal gig of the week: The Script and Tom Walker, Scarborough Open Air Theatre, Saturday; gates open at 6pm
THE Script head to the Yorkshire coast this weekend as part of the Irish rock-pop act’s Satellites UK tour, completing their hat-trick of Scarborough Open Air Theatre visits after appearances in 2018 and 2022.
Danny O’Donoghue (vocals), Glen Power (drums), Ben Sargeant (bass) and Ben Weaver (guitar) have six number one albums to their name. Special guest Tom Walker, the Scottish singer-songwriter, performs songs from 2019 chart topper What A Time To Be Alive and 2024’s I Am. Box office: scarboroughopenairtheatre.com.
Dianne Buswell and Vito Coppola: Red Hot and Ready to dance at York Barbican with the Burn The Floor dancers
Dance show of the week: Burn The Floor presents Dianne & Vito, Red Hot & Ready!, York Barbican, Sunday, 7.30pm
STRICTLY Come Dancing’s stellar professional dancers, 2024 winner Dianne Buswell and 2024 runner-up Vito Coppola are Red Hot and Ready to perform a dance show with a difference, choreographed by BAFTA award winner Jason Gilkison.
The dream team will be joined by a cast of multi-disciplined Burn The Floor dancers from around the world. Box office: yorkbarbican.co.uk.
Ione Harrison: Mounting Season Songs exhibition at Helmsley Arts Centre
Exhibition launch of the week: Ione Harrison, Season Songs, Helmsley Arts Centre, July 8 to September 5; private view,July 6, 2pm to 4pm
WELBURN landscape painter and watercolour workshop leader Ione Harrison’s Season Songs exhibition depicts the rhythm of the year in serene, dynamic and joyful paintings that explore seasonal changes in mood, colour and light in the natural world.
Ione, whose teaching career has taken her to France, the Middle East, Turkey and Nepal, creates vibrant, atmospheric paintings, working primarily in watercolour and ink. She is influenced in particular by the heat-soaked colours of Asia and the Middle East.
Vicki Mason’s Margaret Watson, Beaj Johnson’s Tom Musgrave and Becca Magson’s Emma Watson in 1812 Theatre Company’s production of The Watsons
Play of the week: 1812 Theatre Company in The Watsons, Helmsley Arts Centre, July 9 to 12, 7.30pm
WHAT happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.
If not, they face poverty, spinsterhood, or worse: an eternity with their boorish brother and his awful wife. Luckily there are plenty of potential suitors, from flirtatious Tom Musgrave to castle-owning, awkward Lord Osborne.
One problem: Jane Austen did not finish the story. Who will write Emma’s happy ending now? Step forward Laura Wade, who takes her incomplete novel to fashion a sparklingly witty play that looks under the bonnet of Jane Austen to ask: what can characters do when their author abandons them? Pauline Noakes directs resident company 1812 Theatre Company’s production. Box office: 01439 771700 or helmsleyarts.co.uk.
Richard Hawley: Going back to Coles Corner in his York Museum Gardens concert On Saturday. Picture: Dean Chalkley
SHEFFIELD singer-songwriter Richard Hawley’s visit to York could not be better timed.
His appearance in Futuresound Group’s second summer of Live At York Museum Gardens concerts on July 5 coincides with the 20th anniversary reissue of his fourth album, Coles Corner, a day earlier on Parlophone/Rhino.
Hawley, 58, will perform his Mercury Music Prize-nominated 2005 album in full for the first time with a string section, alongside a selection of favourites from his 11 albums, from 2001’s Late Night Final to 2024’s In This City They Call You Love.
“I’ve been going to York on and off since childhood,” says Richard. “I’m from Yorkshire, so you don’t have to join the dots. In fact I used to busk in York, anywhere by the Shambles, but it was tricky [to find a pitch], so you’d have to get on the 5.30/6.30 train from Sheffield.
“Going back 35-40 years ago, I remember a time I got there for 7 o’clock, got my stuff out, but found I was competing with this big Scottish guy with bagpipes – and you can’t compete with a jet pilot!”
That said, Hawley prefers the tuneful playing of bagpipes to the irritating sounds emerging from headphones on trains. “That’s becoming more and more common in public, as sounds around us become louder and louder but more and more irrelevant,” he says.
By way of contrast, “let’s hope we can communicate some good vibes in the Museum Gardens. I know it’s built on the site of Eboracum and was added to by the Yorkshire Philosophical Society,” says the cultural history enthusiast .
“Maybe Coles Corner [in Sheffield] is like one of those ruins in the gardens. Obsolete, but from a distance quite beautiful. It’s weird, because of the nature of what I do, I try to preserve things that are lost or are being lost, and at one time Coles Corner was a meeting place for friends, lovers, whatever.
“John Lewis ended up taking over the family-run haberdashers there. The original building was knocked down, and there’s a picture of these guys taking the lead off in 1969. That was two years after I was born, but the ripples of its very existence carry on – though the irony of it is that I tried to preserve something that now people think more about the record than the place.”
The romance of the title track is captured in sweeping strings and swooning chorus on a universal paean to the loneliness of the city at night. “The council wanted to out the lyrics to Coles Corner on the street corner but I said ‘No’ because Coles Corner doesn’t belong to me, but to the people of Sheffield. I think there’s a vape shop there now.”
Coles Corner was former Longpigs and Pulp guitarist Hawley’s fourth album and first for Mute Records. Recorded in Sheffield’s Yellow Arch Studios and co-produced with his long-time bassist Colin Elliot and Mike Timm, it featured Shez Sheridan (guitars), Jon Trier (keyboards), Jonny Wood (upright bass) and Andy Cook (drums).
Richard Hawley’s sleeve artwork for his 1995 album Coles Corner, featuring the Stephen Joseph Theatre vintage frontage in Scarborough
Inspired by Hawley’s love of vintage 1940s and 1950s’ chamber pop, country, blues and rock’n’roll, they conjured a set of intimate love songs full of nostalgia, regret, sadness and a bittersweet atmosphere that bore witness to Hawley’s abiding love and passion for his home city of Sheffield.
From next Friday, the expanded edition will be available on Half-Speed master black vinyl, housed in a gatefold sleeve, 2CD deluxe edition, featuring B-sides and previously unreleased acoustic tracks, and limited-edition bundles.
Describing the experience of revisiting his original recordings, Richard says: “It’s a weird place, but occasionally you’re allowed to glance over your shoulder. Going back to figure out how to play half of those songs is difficult because we’re different human beings now, even from a year ago.
“I like to move forward all the time, to seek new experiences, but by the very nature of what I do, as an older person, a 58-year-old musician, I create music that has the vibe of something lost.”
The album sleeve does not feature Coles Corner, but the art deco frontage of the Stephen Joseph Theatre, the former Odeon cinema building in Scarborough. “It fitted more with what I had in mind with that album, and like most cities and towns, inch by inch, day by day, we are losing those values of what we were.
“Now it’s vape shops and Poundland, and that’s more to do with being in the north. There’s not a lot of sharing going on in this country.”
Hawley sums up his songwriting in the words of a former girlfriend. “She once said ‘you’re one of the few men that deals with male grief’. (My nan would have called me ‘a moany ****’!) I hadn’t thought of it that way; it was quite a shock.
“I don’t think it’s a curious thing, though, because the best kind of music opens us up to our very core. Gender is kind of irrelevant to that”
Looking ahead to July 5, Richard says: “My wife’s going to turn up at the gig, but she says it’ll ruin the day because York’s a nice place to visit without you playing!”
Futuresound Group presents Richard Hawley at Live at York Museum Gardens, York, July 5; gates open at 5pm.Tickets update: still available at futuresound.seetickets.com/event/richard-hawley/york-museum-gardens/3237716.
Hawley’s 9pm to 10.30pm set will be preceded by 2024 Mercury Music Prize-winning Leeds band English Teacher from 7.45pm to 8.30pm; Manchester-based New Jersey songwriter and multi-instrumentalist BC Camplight, promoting his new album, A Sober Conversation (Bella Union, June 27), 6.30pm to 7.15pm, and Scottish musician Hamish Hawk, 5.40pm to 6.10pm.
Olly Murs: Returning to familiar turf at York Racecourse’s first Summer Music Saturday meeting this afternoon
AS the outdoor concert season awakens, a festival goes to heaven and hell and a koala tries something new in Charles Hutchinson’s list for the upcoming week.
Back on track: Olly Murs, York Racecourse, Summer Music Saturday, today, first race at 1.55pm; last race, 5.25pm, followed by concert
ESSEX singer, songwriter, actor and television personality from Olly Murs completes his hat-trick of appearances at York Racecourse this weekend, having played the Knavesmire track in 2010 and 2017.
Performing after today’s race card, his set list will draw on his seven albums and 25 singles, including the number ones Please Don’t Let Me Go, Heart Skips A Beat, Dance With Me Tonight and Troublemaker. Race day tickets: yorkracecourse.co.uk.
Marcelo Nisinman: Argentinean bandoneon player, performing Martin Palmeri’s Misatango at York Guildhall today
Reverence and rhythm of the week: Prima Choral Artists presents Scared Rhythms: From Chant To Tango, York Guildhall, The Courtyard, Coney Street, York, tonight, 7.30pm
ARGENTINEAN bandoneon maestro and composer Marcelo Nisinman performs Martin Palmeri’s Misatango as the finale to director Eve Lorian’s Sacred Rhythms – From Chant To Tango concert.
He joins the 60-strong Prima Choral Artists choir, pianist Greg Birch, Yorkshire mezzo-soprano soloist Lucy Jubb and the New World String Quintet for tonight’s journey through sacred and spiritual choral music. Box office: primachoral.com.
Justin Moorhouse: Giving two of the greatest performances of his life at Pocklington Arts Centre this weekend
Comedy gigs of the week: Justin Moorhouse, The Greatest Performance Of My Life, Pocklington Arts Centre, today, 3pm and 8pm
ASHTON-UNDER-LYNE comedian, radio presenter and actor Justin Moorhouse covers subjects ranging from pantomimes to dreams, how to behave in hospitals, small talk, realising his mum is a northern version of Columbo, and how being a smart-mouthed child saved him from a life of continually being beaten up. Funny, interesting, perhaps it will warm the soul too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Bluebird Bakery: Makers’ Summer Fair on Sunday in Acomb
Arts and crafts of the week: Makers’ Summer Fair, Bluebird Bakery, Acomb Road, Acomb, Sunday, 10am to 3pm; The Fox Summer Craft Market, The Fox Inn, Holgate Road, York, Sunday, 1pm to 5pm
ARTISAN baker and cafe Bluebird Bakery plays host to York artists and makers’ craft, jewellery, print, ceramic, plant, candle and woodwork stalls under one roof. Meanwhile, The Fox Inn holds its second annual Summer Craft Market, featuring live music, handmade gifts, craft stalls and street food vendors.
Swift service: Xenna pays homage to Taylor in Miss Americana at York Barbican
Tribute gig of the week: Miss Americana: The Eras Experience, A Tribute To Taylor Swift, York Barbican, Sunday, 7.30pm
STEP into Step into world ofTaylor Swift and her Eras experience in Xenna’s homage to the Pennsylvania pop sensation’s music, style and stage presence, from her country roots to such hits as Love Story, Blank Space and Shake It Off. Cue replica costume changes, storytelling and dancers too. Box office: yorkbarbican.co.uk.
Dawn Landes: Amplifying the voices of women who fought for equality at Rise@Bluebird Bakery, Acomb
Country gig of the week: Dawn Landes, Rise@Bluebird Bakery, Acomb, York, July 2, 8pm
AMERICAN country roots singer-songwriter Dawn Landes showcases The Liberated Woman’s Songbook, her March 2024 album that re-imagines music from the women’s liberation movement.
Inspired by a 1971 songbook of the same name, Landes breathes new life into powerful songs spanning 1830 to 1970, amplifying the voices of women who fought for equality throughout history. Box office: seetickets.com/event/dawn-landes/rise-bluebird/.
James Sheldon’s Mr Darcy and Rosa Hesmondhalgh’s Lizzy Bennet in Pride And Prejudice at the SJT, Scarborough
Introducing America’s most performed living playwright to North Yorkshire: Pride And Prejudice, Stephen Joseph Theatre, Scarborough, July 3 to 26, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
LOTTE Wakeham directs American writer Kate Hamill’s adaptation of Jane Austen’s story of love, misunderstandings and second chances, staged with music, dancing, humour aplenty and a cast led by Rosa Hesmondhalgh’s Lizzy Bennet (CORRECT) and James Sheldon’s Mr Darcy in a whirl of Regency parties and courtship as hearts race, tongues wag and passions swirl around the English countryside. Box office: 01723 370541 or sjt.uk.com.
The Koala Who Could: Up a tree at York Theatre Royal for three days next week. Picture: Pamela Raith
Children’s show of the week: The Koala Who Could, York Theatre Royal, July 3, 1.30pm; July 4, 10.30am and 4.30pm; July 5, 11am and 2pm
JOIN Kevin the koala, Kangaroo and Wombat as they learn that “life can be great when you try something new” in this adaptation of Rachel Bright and Jim Field’s picture book, directed by Emma Earle, with music and lyrics by Eamonn O’Dwyer.
Danny Hendrix (Wombat/Storyteller 1), Sarah Palmer (Cossowary/Storyteller 2) and Christopher Finn (Kevin/Storyteller 3) perform this empowering story of embracing change – whether we like it or not. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Richard Hawley: Playing Coles Corner with strings attached at Live At York Museum Gardens on July 5. Picture: Dean Chalkley
Open-air concerts of the week: Futuresounds presents Live At York Museum Gardens, Elbow, July 3; Nile Rodgers & CHIC, July4; Richard Hawley, July 5; gates open at 5pm
LEEDS promoters Futuresound Group’s second summer of outdoor concerts in York begins with Bury band Elbow’s sold-out show next Thursday, when Ripon singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution support.
New York guitarist, songwriter and producer Nile Rodgers and CHIC revel in Good Times, Le Freak, Everybody Dance and I Want Your Love next Friday, supported by Maryland soul singer Jalen Ngonda. Sheffield guitarist and crooner Richard Hawley revisits his 1995 album Coles Corner with a string section on its 20th anniversary next Saturday, preceded by Leeds band English Teacher and Manchester-based American songwriter BC Camplight. Box office: seetickets.com.
Le Consort: French orchestral ensemble, making York debut with Vivaldi concert at National Centre for Early Music on July 6
Festival of the week: York Early Music Festival, Heaven & Hell, July 4 to 11
EIGHT days of classical music adds up to 19 concerts featuring international artists such as The Sixteen, The Tallis Scholars, Academy of Ancient Music, viol consort Fretwork & Helen Charlston and the York debut of Le Consort, performing Vivaldi’s Four Seasons “but not quite as you know it”.
Directed by Delma Tomlin, the festival weaves together three main strands: the 400th anniversary of Renaissance composer Orlando Gibbons, the Baroque music of Vivaldi and Bach and reflections on Man’s fall from grace, from Heaven to Hell. Full programme and tickets at ncem.co.uk/whats-on/yemf/. Box office: 01904 658338.
In Focus: Harry Baker, Wonderful 2.0, The Crescent, York, Sunday (29/6/2025)
Poet, mathematician and world slam champ Harry Baker
YOUNGEST ever World Poetry Slam champion Harry Baker’s two Wonderful 2.0 shows at The Crescent , York, tomorrow have sold out. Wonderful news for Harry; not so wonderful if you were yet to book for either bite of the poetic cherry, the 3.30pm all-ages matinee or 7pm evening event.
Enough negativity. Let this preview be suffused with positivity. “One thing that I know that I will always find amazing is what a thing it is to live a life,” posits Maths graduate Harry, who always looks for plus signs. “P.S. Let’s also do this loads before we die.” Good, because that means Baker will be back and next time you can be quicker off the mark.
Baker, the 34-year-old poet, mathematician, writer and comedy turn from Ealing, London, first spread his Wonderful wings from April to August 2024, visiting The Crescent on May 20 with poems about wellies, postcodes and his favourite German wheat beer Schöfferhofer on his sold-out 40-date itinerary.
At the time, the “Maths-loving, TED-talking, German-speaking, battle-rapping, happy-crying, self-bio-writing unashamed human” said: “After the mental health struggles I shared in my last show, this time around the plan was to have a fun time touring a fun show full of fun poems to celebrate coming out of the other side. But it hasn’t quite worked out like that.
“For the first time ever I have been to more funerals than weddings in the last year. I have hit the age where everyone around me is either having babies or talking about having babies or definitely not having babies, and found out first-hand how complicated and painful that can be. And yet I am more fascinated and amazed by the world around me than ever before.”
Harry added: “From the transformational power of documenting moments of everyday joy to the undeniable raw energy of performing a garage song about Greta Thunberg, I am learning more than ever that life can indeed be incredibly hard sometimes, but that doesn’t make it any less incredible.
“If anything, it is the darkness that helps us to appreciate the light, just as it is the puddles that help us to appreciate the wellies. And what could be more wonderful than sharing all of this with the glorious folk who come along after reading about it here.”
Now he returns with a new message to accompany his poems about “all the important stuff, like hope, dinosaurs and German falafel-spoons”. “May one thing match the gravity of all you’ve ever done. This wonderful reality: The best is yet to come,” Harry pronounces.
“More full of wonder than ever”, he will celebrate wellies and postcodes once more, funerals and fertility journeys too, in his trademark amalgam of the playful, the vulnerable and the hopeful.
How would he sum up Wonderful 2.0? “I like ‘Wonderfuller’. It doesn’t quite roll off the tongue, but I like the connotation,” he says.
“Wonderful 2.0 hopes to make you cry with laughter, laugh through tears, or, dream scenario: both. The show will contain old faves as well as brand new work, celebrating what a thing it is to live a life.”
“What I ended up doing was I started writing a poem a day for the first 100 days of my son’s life, though ‘poems’ would be a generous description of the first ones,” says Harry
For all his popularity on TikTok and Instagram, Baker’s favourite place to be is still on stage in front of an audience, sharing his words in person. “By its very nature, I don’t think it makes sense for poetry to go viral,” he says.
“It is all about taking the time out of your day-to-day to stop and pay attention to the world and the wonder it contains, which it feels like so many of us are too busy to be able to carve out time to do. And yet I think it is precisely this reason why people have been able to connect with my work so much.
“From the vulnerability of sharing my own personal struggles with trying to conceive a baby, to the power of making list of requests in advance of what I would like to happen when I die (an obnoxious amount of sunflowers and negronis all round, please), or even just a stupid (yet subversive?) poem about how great my knees are, there is a playfulness and poignancy that has changed the way others look at the world too.”
Harry continues: “I have been performing for 15 years now and last year’s tour was my favourite by far, because of the openness audiences were willing to bring and share in, so that we could all have a cry and a laugh and go away feeling slightly more connected to one another and the world, and I am so excited for a chance to do this all over again.”
Assessing where he fits in as a performer, Harry decides: “I think I fall somewhere in between a band (where you hope they will do your favourite songs) and a stand-up (where you expect new material!). So, as well as keeping in the classics, I have updated the show with new poems about everything that has happened in the meantime, including (finally and joyfully) having a baby.”
Wonderful 2.0 picks up where Wonderful left off, knowing his “whole life was about to change but not knowing how he would feel”. It turns out that becoming a father, and experiencing a deep love for his child, has heightened his connection with the world around him, rather than numbed it.
“What I ended up doing was I started writing a poem a day for the first 100 days of my son’s life, though ‘poems’ would be a generous description of the first ones!
“People say ‘it’s the best thing in the world’ or that ‘you’re going to lose everything you’ve enjoyed’, so I thought to be able to have all these snapshots in the poems means you can have days where you were in the moment, thinking how fragile and precious life is, but also have days where it doesn’t feel like that, especially in those early days, when if feels like ‘this is it, it will never change’.
“But having written these things, less than a year later, I look back and feel like ‘I think you’re being a bit dramatic’…but that’s fine because some of it felt amazing, sometimes it felt raw and spiky.
“Hopefully these poems will feel precious to me and my wife, and by sharing them, anyone who has recently has a baby will connect with them, or, like my parents, they can relate with them, and those who haven’t had a kid can connect with these basic emotions.”
Harry’s aim was to “capture the newness, the helplessness and the tenderness, not to create a parenting manual”. To detach from the practice of finding punchlines to jokes felt important in his writing. “I wanted to lean into the emotional side of it and that’s something that changes from day to day,” he says.
“This is the point in between where you can say ‘life can be difficult but also amazing, and if anything, one heightens the other’,” says Harry
Harry had written candidly about how long it took the couple to become pregnant. “To be so honest about that painful experience gave permission to connect with that, and now these new poems feel like an evolution,” he says.
“People have thanked me for ‘saying things they couldn’t’. I’ve been trying to open up in a way that is safe for me and safe for others, and having honed those skills, or muscles, I was ready to apply it to the new poems.
“It’s also trying to acknowledge that just because I have this child and this joyful outcome, it doesn’t negate the experience I’ve been through.”
The sequel to his Wonderful poetry collection will be published by Canongate next March. “This is the point in between where you can say ‘life can be difficult but also amazing, and if anything, one heightens the other’. If you can share the hard times with people, just as you share the joyous times, they’re more bearable for that.”
Poems have an intensity that suits the combative nature of slams. “When I started out, I was entering these poetry slams where you have to say everything in three minutes, win over the audience, be funny, get them on board, deliver a message, wrap it up and send it off into the sunset,” says Harry.
“That was such a good training ground because you have to convey things in such a short space of time. That’s why these Wonderful shows are such a joy to do, particularly when the poems can feel vulnerable and heartfelt, and it’s up to you where you take it next.”
Next year’s poetry collection, Tender, will reflect that. “Why ‘Tender’? I think it was that thing of wanting to lean into the feeling of vulnerability, but as well as the connotation of being tender where you feel bruised, there’s the ripeness and readiness too.”
Did you know?
HARRY Baker’s honest, heartfelt and hopeful poems have reached more than ten million people on TikTok and Instagram.
Raised in a Christian community, Baker is a regular contributor to BBC Radio 2’s Pause For Thought.
He tours the UK in comedy-rap-jazz duo Harry and Chris Baker, also appearing on The Russell Howard Hour.
Baker released his third poetry collection, Wonderful, in May 2024, featuring fan favourites Wellies, Sunflowers and Sticky Toffee Pudding. Published by Burning Eye, copies are available at gigs, all good bookshops and www.harrybaker.co.
Bridget Christie: Replacement for former St Aidan’s CE High School, Harrogate head girl Maisie Adam at York Comedy Festival
HARROGATE comedian Maisie Adam will no longer be playing the inaugural York Comedy Festival on July 6. The reason: “Unforeseen circumstances”.
Into her slot on Futuresound Group’s Sunday fun day bill at York Museum Gardens steps trailblazing Bridget Christie, Gloucester-born subversive stand-up, actor, Taskmaster, Have I Got News for You and QI participant and writer and star of BAFTA-nominated Channel 4 comedy-drama The Change.
Expect a stream-of-consciousness style, physical comedy, political rants and astute observation of the everyday.
More than 90 per cent of tickets have sold for the 2.30pm to 7.30pm line-up topped by Dara Ó Briain and Katherine Ryan. Angelos Epithemiou, Joel Dommett, Vittorio Angelone, Clinton Baptiste and Scott Bennett feature too, hosted by “the fabulous” Stephen Bailey.
Tickets are on sale at york-comedy-festival.com.
Maisie Adam, left: Missing out on York Comedy Festival through unforeseen circumstances
Richard Hawley: Made in Sheffield, played in York. Picture: Dean Chalkley
SHEFFIELD singer-songwriter Richard Hawley is the latest addition to Futuresound Group’s second summer of Live At York Museum Gardens concerts, confirmed for July 5.
Hawley, 58, will be marking the 20th anniversary of Coles Corner by performing his Mercury Music Prize-nominated 2005 album in full for the first time with a string section, alongside a selection of favourites from his 11 albums, from 2001’s Late Night Final to 2024’s In This City They Call You Love.
Hawley will be joined by 2024 Mercury Music Prize-winning Leeds band English Teacher and England-based New Jersey songwriter and multi-instrumentalist BC Camplight. Gates will open at 5pm. The show poster offers the promise of “More To Be Announced”. Watch this space.
Leeds band English Teacher
York exclusive postcode presale (YO1, YO24, YO30, YO31 and YO32) will go on sale from 10am on Thursday (6/3/2025) at futuresound.seetickets.com/event/richard-hawley/york-museum-gardens/3237716?pre=postcode. General sale tickets will be available from 10am on Friday (7/3/2025) at https://futuresound.seetickets.com/event/richard-hawley/york-museum-gardens/3237716.
Hawley’s open-air York gig will coincide with the 20th anniversary re-issue of Coles Corner, available on Parlophone/Rhino from July 4 on Half-Speed master black vinyl, housed in a gatefold sleeve, 2CD deluxe edition, featuring B-sides and previously unreleased acoustic tracks, and limited-edition bundles. To pre-order, go to http://lnk.to/RichardHawleyCC20
Leeds-based promoters Futuresound Group already have announced Elbow, Ripon-born, London-based singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution for July 3 (SOLD OUT) and Nile Rodgers & CHIC and Jalen Ngonda for July 4 (tickets: seetickets.com/event/nile-rodgers-chic/york-museum-gardens/3257099).
New Jersey singer, songwriter and multi-instrumentalist BC Camplight
Coles Corner was former Longpigs and Pulp guitarist Hawley’s third studio album and his first for Mute Records. Recorded in Sheffield’s Yellow Arch Studios and co-produced with his long-time bassist Colin Elliot and Mike Timm, it featured Shez Sheridan (guitars), Jon Trier (keyboards), Jonny Wood (upright bass) and Andy Cook (drums).
Inspired by Hawley’s love of vintage 1940s and 1950s’ chamber pop, country, blues and rock’n’roll, they conjured a set of intimate love songs full of nostalgia, regret, sadness and a bittersweet atmosphere that bore witness to Hawley’s abiding love and passion for his home city of Sheffield.
Nowhere is this better exemplified than on title track Coles Corner, named after a former Sheffield department store where couples met, its romance captured in sweeping strings and swooning chorus on a universal paean to the loneliness of the city at night.
Futuresound Group’s poster for Richard Hawley’s Live At York Museum Gardens concert on July 5
Beautiful balladry in Born Under A Bad Sign and Darlin’ Wait For Me rubbed shoulders with Hawley’s love of country and early rock’n’roll in Hotel Room, I Sleep Alone and Just Like The Rain.
The most epic number was The Ocean, to this day a fan favourite in concert. Written on a family holiday in the shadow of Cornwall’s Minack Theatre (with a video later filmed at the same location), the recording featured one of Richard’s best baritone vocals.
The vinyl and CD1 track listing will be: Coles Corner; Just Like The Rain; Hotel Room; Darlin’ Wait For Me; The Ocean; Born Under A Bad Sign; I Sleep Alone; Tonight; (Wading Through) The Waters Of My Time; Who’s Gonna Shoe Your Pretty Little Feet? and Last Orders.
Richard Hawley in Coles Corner days in 2005. Picture: Joe Dilworth
The second CD of single versions, B-sides and acoustic versions comprises: The Ocean – Single Version; Just Like The Rain – Single Version; Born Under A Bad Sign – Single Version; Hotel Room – Single Version; Long Black Veil; Room With A View; I’m Absolutely Hank Marvin; Dark Road; Kelham Island; Some Candy Talking; Young And Beautiful; I’m Just Here To Get My Baby Out Of Jail; Can You Hear The Rain Love?; Coles Corner – Acoustic Version; Hotel Room – Acoustic Version; Darlin’ Wait For Me – Acoustic Version; I Sleep Alone – Live at Sheffield City Hall and A Bird Never Flew On One Wing.
Tickets will go on sale on March 14 for further performances of Coles Corner with a string section at Boston Gliderdrome, September 5; Portmeirion Village, Wales, September 6; Blackpool Tower Ballroom, September 12; Margate Dreamland, October 3, Worthing Assembly Hall, October 4, and Weston-super-Mare Grand Pier, October 10. Box office: seetickets.com.
Richard Hawley’s album cover artwork for 2005’s Coles Corner, photographed outside the Stephen Joseph Theatre, Scarborough
