Tag: Futuresound

Posted on

REVIEW: Super Furry Animals, Live At York Museum Gardens, July 11 ****

Super Furry Animals’ Gruff Rhys in Power Rangers-style helmet and high-viz jacket at Live At York Museum Gardens on Saturday. Picture: Devon Chambers

REASONS to be cheerful, one, two, three, as the summer sounds of the city changed from John Smith’s race day on Knavesmire to Live At York Museum Gardens and onwards to the pubs of York once Saturday night turned into Sunday morning’s Hey Jude.

Kick-off time for day three of Live At York Museum Gardens had been moved forward by 30 minutes to accommodate England’s 10pm quarter-final clash with Leeds-born Erling Harland’s Norway.

They may be Dai-hard Welshmen, but headliners Super Furry Animals didn’t share the attitude of set-closing anthem The Man Don’t Give A **** in switching their exit time to 9.55pm, rather than 10.30pm.

Saturday’s bill boasted five acts, one more than for Orchestral Manoeuvres In The Dark and Self Esteem’s equally diverse evening line-ups on Thursday and Friday. Three bands from the Land of Song, the Super Furries, fellow seasoned Cardiff combo Los Campesinos! and Pys Melyn, from Pen Llŷn, North Wales, were joined by Nottingham’s Divorce and Buckinghamshire/West London-raised Baxter Dury.

Pys Melyn opening Saturday’s bill at Live At York Museum Gardens. Picture: Devon Chambers

Wistful, harmonious, hazy indie psych-pop five-piece Pys Melyn, whose name translates as ‘Yellow Peas’, took to the stage at 3.55pm, when the day’s temperatures were at their height: weather to turn stressed-out pea pods from green to yellow as the chlorophyll breaks down, as botany boffins would know.

Your reviewer arrived midway through Divorce’s set of confessional indie-folk rock and alt-country songs reminiscent of Mojave 3 and The Broken Family Band, drawn to the fiddle-playing as much as to the double-barrelled duo of bassist Tiger Cohen-Towell and Felix Mackenzie-Barrow alternating lead vocals.

Divorce, by the way, have been living up to their name. On May 12, it was announced that fellow founder members Adam Peter-Smith and Kasper Sandstrom would be leaving the band to “prioritise their personal lives”. Two months later, Saturday’s line-up, showcasing 2025’s debut album Drive To Goldenhammer, looked and sounded happily settled into its new groove.

“Enjoy the rest of the day. Keep drinking water,” advised Mackenzie-Barrow. Messages on the screens to either side of the stage urged the same action: Stay Hydrated, it counselled, highlighting the availability of free water points for re-filling and also of free sun cream in the First Aid tent.

Divorce’s Tiger Cohen-Towell at Live At York Museum Gardens. Picture: Devon Chambers

Such was the roving medical staff’s concern for care in the broiling heat that the sight of your reviewer sitting head bowed, writing notes on a ledge by the Yorkshire Museum walls, attracted the attention of two medics. “Are you OK,” they asked. It spoke volumes of everything about Futuresound and York Museum Trust’s event management being spot-on.

The crowd was yet to peak: the perfect time to take a walk around the site, with its bars and food vendors, First Aid and Wellbeing facilities, multitude of posters for upcoming Futuresound promotions and merchandise stall, offering all manner of Super Furry Animals T-shirts and a lonely brag in the corner, I’m The Sausage Man (which would later form a sizzling high in Baxter Dury’s set).

“Welcome to the rock concert,” announced Los Campesinos! lead singer Gareth David Paisley, drawing attention back to the stage. Billed as “the UK’s first and only emo band”, they specialise in “sleeper hits for weeping dips**ts since 2001”; sleeper hits” in truth that did not awaken memorable hooks on contact with the York air.

Los Campesinos! frontman Gareth David Paisey looks to the skies in his Music Is A Natural High T-shirt at Live At York Museum Gardens. Picture: Devon Chambers

Still favouring emo black attire, albeit in T-shirt and shorts form, they were hard working, earnest, political too in “standing up against the creeping fascism we see around as every day” and Freedom For Palestine banner.

The “Heart Swells” message on their stage backdrop was as much an invocation as the name of their record label, but the songs tended to be laborious, typified by 2008’s We Are Beautiful, We Are  Doomed failing to match the epic promise of its none-more-emo title.

“This is a rare away gig for us,” said Paisley, to the somewhat isolated cheers of Los Campesinos! aficionados, determined to make their presence heard on their big day out, like a non-league club playing at a Premier League big six ground  in the FA Cup third round.

Baxter Dury was in the mood to crack on, his three-piece band taking to the stage two minutes early, to be joined by the front man in yellow shirt and dark suit, strutting like a bull-baiting toreador. Behind him, keyboard player and vocalist Madelaine Hart did much of the melodic heavy-lifting, contrasting with his braggadocio spoken-word outbursts, as he hit you with his rhythm schtick.

Baxter Dury striking a pose in his humorously provocative set at Live At York Museum Gardens. Picture: Devon Chambers

Part-toaster, part-rapper, part jousting court jester, full of jabs and gibes, he was an agent provocateur, like Mark E Smith leading The Fall, or Keith Allen fronting Fat Les’s 1998 World Cup football anthem Vindaloo.

No room for between-song niceties, he built momentum the more his coruscating songs leered and jeered, from Return Of The Sharp Heads, through Allbamone, to the stand-out Baxter (these are my friends). Changing a lyric from “Hotel In Brixton” to “Hotel In York” was a typically sharp touch too.

Super Furry Animals had never played York in 33 years together, but on this year’s return to the concert platform after a ten-year hiatus, what better setting could there be to revive Hello Sunshine (Come Into My Life) than in the botanical York Museum Gardens.

The day’s sunshine had mellowed by the time the Cardiff art-rockers opened with the embracing hug of (Drawing) Rings Around The World at 8.25pm, but their songs are marked as much by an orb of warmth as occasional weird edges, the musical style duly altering as often as frontman Gruff Rhys changed guitars.

Super Furry Animals’ Gruff Rhys chewing celery in Receptacle For the Respectable at Live At York Museum Gardens. Picture: Devon Chambers

As with OMD’s set on Thursday, fast-moving video projections accompanied each number, mixing with live footage of Gruff in shades and peaked cap and linear stage lighting in colours to complement each song’s mood and the imagery on screen.

This was an exemplary outdoor gig, stuffed with SFA highs such as Juxtaposed With U, Northern Lites and God! Show Me Magic, and the Welsh-language wonder of Ymaelodi â’r Ymylon.

Then add the humorously quirky visual flourishes, as impactful as in David Byrne’s shows, such as Rhys’s sign board switching from Applause to Louder And Ape Sh*t! or suddenly sporting a high-viz jacket and Power Rangers-style helmet or chewing on a celery in Receptacle For the Respectable in an homage to Paul McCartney’s “vegetable percussion on The Beach Boys’ 1967 curio Vegetables.

How else could they finish than with the magnificent mayhem of The Man Don’t Give A ***, climaxing with a fantastical return to the stage in long-haired furry animal costumes. Something spectacularly blissful for 4 the weekend indeed.

The Man Don’t Give A **** finale to Super Furry Animals’s set at York Museum Gardens, ending at 9.53pm, well in time for England v Norway’s kick-off. Picture: Devon Chambers

Posted on

REVIEW: Orchestral Manoeuvres In The Dark, Summer Of Hits, Live At York Museum Gardens, July 9 ****

Andy McCluskey leading Orchestral Manoeuvres In The Dark on the first night of Live At York Museum Gardens. All pictures: Devon Chambers

ORCHESTRAL Manoeuvres In The Dark’s Summer Of Hits opened this Summer of Hot’s trio of concerts in Futuresound’s third Live At York Museum Gardens season.

Oh yes, it was hot, absurdly hot, hot enough to bake a pizza on the Yorkshire Museum walls, if you could cook a pizza sideways, as if in a Salvador Dali painting.

There will be no respite for Self Esteem’s Friday bill or today for Super Furry Animals (not a state of fur coverage any would want right now), so come prepared. Spray on Factor 50 sun cream, advises Futuresound project manager Rachel Hill. Look out for the water stations too to top up bottles.

The site lay-out changed from the first festival to the second, when the stage switched architectural backdrop from the Yorkshire Museum to the St Mary’s Abbey ruins, and further changes have come into play for 2026:  a sure sign that Futuresound and York Museums Trust respond positively to suggestions.

Andrew Cushin, in retro football shirt, kicking off day one of Live At York Museum Gardens

Large screens have been placed to either side to enhance the viewing experience (last year, standing at the back, your reviewer struggled to see a head let alone Elbow, before being accommodated most kindly in the Ambulant seated area for Richard Hawley).

The Premium ticket experience has improved vastly too:  separate entry via Exhibition Square; commodious bar (well stocked but no gin, presumably deemed too depressive for a festival) ; Indian and bao bun food vendors; seats and bean bags dotted around the gardens, away from the stage but within hearing range.

The Premium viewing area has expanded too, still by the Yorkshire Museum, still with reserved Ambulant seating, but now with a steeped bank of terracing, like the most spacious football Kop  ever. Out-standing improvement, indeed.

Futuresound make good decisions: first in setting up Live At York Museum Gardens, then adding a Sunday comedy festival, then bettering the festivalgoer’s experience. The Leeds event promoters also pick the headline acts really well, whether home-crowd favourites Shed Seven’s 30th anniversary celebrations and Jack Savoretti in 2024 or Elbow, Hawley and Nile Rodgers & Chic last summer.

China Crisis frontman Gary Daly, dressed for the beach, at Live At York Museum Gardens

In 2026, headliners OMD, Self Esteem and Super Furry Animals each will appeal to a different pop/ rock demographic – Eighties, Gen Z and Nineties respectively – and the supporting bills offer enticement aplenty to arrive well before the 8.30pm last entry.

Andrew Cushin, Newcastle’s latest singer-songwriter protégé, came and went before your reviewer  settled in by the museum wall to see China Crisis lead singer Gary Daly dressed appropriately for the weather: white T-shirt and green shorts (the de rigueur dress code for the men in the crowd too).

The Kirkby synth-poppers would be playing for only 30 minutes, so he would cut “the chat”, said the normally notoriously loquacious Daly after only two songs in the opening ten. Christian, “Jeremy Vine favourite” Arizona Sky, Black Man Ray, Wishful Thinking and King In A Catholic Sky were all reminders of how the Liverpool School of Melody DNA passed through them so delightfully.

We Don’t Need This Fascist Groove Thang T-shirts (without the brackets of the song title) heralded the presence of Heaven 17 devotees in the sold-out crowd. One, called Sumo, had been to 217 gigs (one more than lead singer Glenn Gregory, Glenn revealed, after Sumo turned up for a show in Canada but illness had put paid to the Sheffield electronic pioneers’ appearance).

Heaven 17 fans wearing We Don’t Need This Fascist Groove Thang T-shirts at the front of Friday’s sold-out crowd

Like Daly, Gregory likes to talk, to tell stories, as sharp of tongue as his tailoring in white suit, blue shirt and shades. Keyboardist Martyn Ware favoured sparkling hat and jacket, joined on stage by a drummer and Carrie, Rachel and Florence (keyboards and backing vocals).

We Don’t Need This Fascist Groove Thang, the first song Heaven 17 wrote after Ware and Ian Craig Marsh split from Heaven 17 in 1981, was given a 2026 re-boot, with ‘Trump’ replacing ‘Reagan’ in the lyrics. “We don’t need this Farage groove thang,” Gregory said afterwards, urging support for Count Binface in the Clacton by-election.

Introduced as “Kim Wilde walked down the aisle to this one”, Come Love With Me Come was a particular joy, while the “Giorgio Moroder tribute”,  I’m Your Money, was segued with Donna Summer’s I Feel Love. Gregory and co then went the full cover-version hog on David  Bowie’s Let Dance, rivalled only by the climactic Temptation for impact.

“Enjoy Orchestral Manoeuvres, I know I will,” enthused Gregory, later to be spotted in the crowd doing exactly that. It still wasn’t dark when OMD emerged on stage after a futuristic film projection, and nor would there be any “orchestral manoeuvres”, but all dressed in black (ah, there’s the dark), frontman Andy McCluskey  and keyboardist Paul Humphreys (in specs) were joined by Martin Cooper on keys and saxophone and Stuart Kershaw on drums.

Martyn Ware and Glenn Gregory of Heaven 17: Still playing to win after 45 years together at Live At York Museum Gardens

In this digital age, OMD can replicate their recorded electronic sound to perfection, says McCluskey, although there was still room for him to forget the same words twice in one song, met with an invitation to the audience to jump.

Imagery ran throughout their set on a screen that spanned the whole of the stage, changing for each song, switching between colour and black and white, much in the manner of Public Service Broadcasting’s concerts.

True to their billing, the Summer Of Hits meant playing all, not some of their hits, with the oh-so-familiar standouts of the brace of Joan Of Arcs, Souvenir, Forever Live And Die and Sailing On The Seven Seas,  plenty of peaks, the occasional trough, and a magnificent version of Enola Gay, to the haunting accompaniment of atomic bomb footage.

Walking On The Milky Way was ruefully reflective, if defiant, of the passage of time and what else but Electricity could crackle through the night sky to meet the 10.30pm curfew bang on.

The crowd watching the climax to Orchestral Manoeuvres In The Dark’s set as darkness descends on Live At York Museum Gardens

Posted on

What’s On in Ryedale, York and beyond. Hutch’s List No. 28, from Gazette & Herald

Becca Magson’s Rita and Joe Gregory’s Frank in 1812 Theatre Company’s Educating Rita. Picture: Lauren Wyeth

RYEDALE Festival and 1812 Theatre’s Educating Rita, compact Shakespeare and Live At York Museum Gardens are uppermost in Charles Hutchinson’s recommendations amid the July heatwave.

Ryedale play of the week: 1812 Theatre Company in Educating Rita, Helmsley Arts Centre, tonight to Saturday, 7.30pm

SAMANTHA Hughes directs Helmsley Arts Centre resident troupe 1812 Theatre Company in Willy Russell’s comedy Educating Rita, wherein Frank (Joe Gregory) is a tutor of English Literature in his 50s whose disillusioned outlook on life drives him to drink and bury himself in his books.  

Enter Rita (Becca Magson), a forthright 26-year-old hairdresser who is eager to learn. After weeks of cajoling, she slowly wins over the hesitant Frank with her highly original insights and refusal to accept “No” for an answer. Box office: 01439 771700 or helmsleyarts.co.uk. Picture: Lauren Wyeth.

Michael Flatley’s Irish dancers in the 30th anniversary tour of Lord Of The Dance, in action at York Barbican tonight. Picture: Brian Doherty

Dance show of the week: Michael Flatley’s Lord Of The Dance30th Anniversary Tour, York Barbican, tonight, 7.45pm

THE 30th anniversary tour of Michael Flatley’s Lord Of The Dance promises a grand celebration of the revolutionary Irish dance production’s legacy, after captivating more than 60 million fans in 60 countries since its 1996 debut.

The 30 Years of Standing Ovations tour features “brand-new choreography, stunning costumes, state-of-the-art special effects and cutting-edge lighting, ensuring that the production continues to push boundaries and deliver an unforgettable experience”.  Box office: yorkbarbican.co.uk/whats-on/lord-of-the-dance-30th-anniversary/.

Clive Francis’s Sir Humphrey Appleby in I’m Sorry, Prime Minister. Picture: Johan Persson

Political drama of the week: I’m Sorry, Prime Minister, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

JIM Hacker is back, older, but perhaps not wiser, and still utterly baffled by the real world. Hoping for a quiet retirement from government as the master of Hacker College, Oxford, Jim (Robert Kitson, replacing the indisposed Simon Rouse) instead finds himself facing the ultimate modern crisis: cancelled by the college committee. Enter Sir Humphrey Appleby (Clive Francis), who has lost none of his love for bureaucracy, Latin phrases and well-timed obstruction.

Can Humphrey and Jim outmanoeuvre the hostile students, the Fellows and reality itself? Or is it finally time to say “I’m Sorry, Prime Minister”? Brimming with wit, nostalgia and more double-speak than a press briefing, the final chapter in the evergreen comedy series is written and directed by Jonathan Lynn,co-directed byMichael Gyngell and presented by The Barn Theatre, Cirencester. Box office: atgtickets.com/york.

Reduced Shakespeare Company’s 2026 tour cast for The Complete Works of William Shakespeare (Abridged), squeezing into York Theatre Royal this week

Shakespeare shake-up of the week: Reduced Shakespeare Company in The Complete Works of William Shakespeare (Abridged), York Theatre Royal, until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

MARKING 30 years of performances in the UK, the Reduced Shakespeare Company’s 2026 tour company of Efé Agwele, Woogie Jung, Tom Pavey and Kiran Raywilliams presents Hamlet told backwards, a micro-condensed Othello scored to a ukulele, a carnage-filled Titus Andronicus presented as a YouTube cookery tutorial and the History Plays as a manic football game, passing the crown from king to king.

Californian co-founders Adam Long,  Daniel Singer and Jess Winfield have re-booted, re-imagined, reinvented and updated the restless comedy for a new generation to undertake a rollercoaster ride through all 37 of the Bard’s First Folio of plays. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Stephen Smith’s Claude Monet in A Montage Of Monet at York Medical Society. Picture: Amie Barton-Young

Storytelling actor of the week: Threedumb Theatre presents Stephen Smith in A Montage Of Monet, York Medical Society, Stonegate, York, tonight, 7.30pm and July 11, 3pm; One  Man Poe world premiere, July 11, 7.30pm

THREEDUMB Theatre artistic director and actor Stephen Smith performs Joan Greening’s new play exploring French Impressionist artist Claude Monet’s life and loves: his two marriages, his first wife’s devastating death, his lover’s erratic behaviour, his suicide attempt, his thoughts on fellow Impressionists and the torment of his failing eyesight. The 55-minute Monet montage combines projection design and Joe Furey’s music with Smith’s storytelling in  two York performances.

Smith also presents the world premiere of his latest Poe double bill (The Business Man and The Case of M. Valdemar) ahead of his Edinburgh Fringe residency. Box office: York, 01904 623568 or yorktheatreroyal.co.uk.

Orchestral Manoeuvres In The Dark’s Andy McCluskey and Paul Humphreys: Summer of Hits concert at Live At York Museum Gardens

Rock and pop festival of the week: Futuresound presents Live At York Museum Gardens, Orchestral Manoeuvres In The Dark, tomorrow, gates 5pm; Self Esteem, Friday, gates 5pm, and Super Furry Animals, Saturday, gates 4pm

WIRRAL synth-pop pioneers Orchestral Manoeuvres In The Dark open Futuresound’s third season of Live At York Museum Gardens concerts tomorrow with a Summer of Hits bill featuring Heaven 17, China Crisis and rising Newcastle singer-songwriter Andrew Cushin.

Mercury Prize nominee Self Esteem, aka Rotherham singer, songwriter and actress Rebecca Lucy Taylor, tops Friday’s line-up, featuring London indie group The Big Moon, South African ghetto funk musician Moonchild Sanelly and Nigerian-born musician and spoken-word artist Joshia Idehen.

Welsh psychedelic rock band Super Furry Animals are Saturday’s headliners, joined by singer-songwriter Baxter Dury, indie-pop septet Los Campesinos!, Nottingham alt-country band Divorce and North Wales psychedelic act Pys Melyn.  Box office for July 10 and 11: futuresoundgroup.com/york-museum-gardens-events.

Ross Noble: Playing York Comedy Festival at Live At York Museum Gardens on Sunday

Comedy event of the week: Futuresound presents York Comedy Festival, Live at York Museum Gardens, York, Sunday, gates 3pm

TOPICAL comedian Russell Howard (9.30pm), from Russell Howard’s Good News, and Geordie surrealist Ross Noble (8.35pm) take top billing at the second open-air York Comedy Festival, promoted by Futuresound.

In Sunday’s line-up too will be Irish stand-up and podcast sensation Joanne McNally (7.40pm); stand-up and presenter Russell Kane (7.10pm); Big Kick Energy podcaster and comedian Suzi Ruffell (6.15pm); Barry From Watford (5.45pm), the 82-year-old comic creation of Alex Lowe; cult stand-up hero and viral sensation Jeff Innocent (4.50pm)  and Britain’s Got Talent finalist Nabil Abdulrashid (4.20pm), all hosted by Jared Christmas. Box office: yorkcomedyfestival.com.

The Gesualdo Six: Performing Wishing Tree: A Choral Journey at St Lawrence’s Church, York, on July 14 at 3pm as part of Ryedale Festival. Picture: Ash Mills

Festival of the week: Ryedale Festival, July 10 to 26

RYEDALE Festival presents 60 events this month in 40 different venues, including Tenebrae, pianist Junyan Chen, The Gesualdo Six, Dunedin Consort, John Wilson & Sinfonia of London’s An English Summer, the Royal Liverpool Philharmonic Orchestra, Royal Northern Sinfonia and Opera North.

Taking part too are tenor Mark Padmore and pianist Christopher Glynn, Sheku & Isata Kanneh-Mason, pianist Benjamin Grosvenor, Eliza Carthy and The Restitution, soprano Erika Baikoff, cellist Laura van der Heijden, BBC Radio 3 New Generation Artists and Kirkbymoorside Town Brass Band. For the full festival programme and tickets, go to: ryedalefestival.com.

Hannah Davies and Jack Woods: Re-imagining of the selkie myth in a not-too-distant future in The Ballad Of Blea Wyke. Picture: Matt Jopling

Dystopian vision of the week: Hannah Davies & Jack Woods in The Ballad of Blea Wyke, Rise@Bluebird Bakery, York, July 10, 8.30pm; Helmsley Arts Centre, July 17, 7.30pm

IN North Yorkshire writer and storyteller Hannah Davies and musician Jack Woods’ dystopian re-imagining of the selkie myth in a not-too-distant future, a young woman wants to see the sea. A stranger stands on a cliff. The last grey seal swims towards the shore. 

On her 18th birthday, tough care-leaver Cerys breaks the city’s lockdown and travels to the coastal cliffs that birthed her, the crumbling landscape drawing her back to her mythic past. Cue a haunting interweaving of story, music, poetry and song. Box office: York, https://bluebirdbakery.co.uk/rise; Helmsley, 01439 771700 or helmsleyarts.co.uk.

Posted on

Super Furry Animals make York debut after 33 years at Museum Gardens on Saturday

Super Furry Animals: Flower power amid the botanical gardens of Live At York Museum Gardens on Saturday

WELSH art-rock band Super Furry Animals headline day three of Futuresound’s third season of Live at York Museum Gardens concerts on Saturday.

The botanical gardens are a suitable setting for such a psychedelic act, who have returned to the concert platform after a ten-year hiatus, and will draw on the nine albums recorded since forming in Cardiff in 1993 (originally with Notting Hill and Star City actor Rhys Ifans as their frontman, by the way). 

Expect a choice selection of “ageless multicolour hits and off-piste deep cuts, all lovingly handpicked from an incredible catalogue”.

Joining Super Furry Aniamls in Museum Gardens will be four special guests: unconventional kindred spirit Baxter Dury, compatriot indie-pop septet Los Campesinos!, fast-rising Nottingham alt-country group Divorce and the Welsh Music Prize-nominated woozy, Sixties-inspired psychedelia band Pys Melyn (whose name translates as Yellow Peas, should you be wondering).

“I’m pretty sure we haven’t ever played York before,” says lead guitarist, pedal steel guitarist and cellist Huw Bunford, who will be joined as ever by Cian Ciarán, Daf Ieuan, Guto Pryce and Gruff Rhys.

The Futuresound press release stated that “until now SFA had no plans to reunite live”. Huw puts the flesh on those bones: “We got asked every so often over the past ten years if we’d be playing again. People approached us to do shows, and I think it was more to do with marking 30 years that brought us together again. It seemed like the usual stars aligned and that happened to be at a time when the rest of the band was available to get together.

Super Furry Animals’ poster for Live At York Museum Gardens

“Initially, we had pencilled in about six gigs, going around the UK and Ireland on the Supacabra Tour, but then I think we added a couple more, York and Bristol, so in May we did indoor gigs and the rest of the summer will be outdoor shows.”

Open-air concerts are a “completely different beast”, says Huw. “There’s something about it that’s nice to do outdoor gigs, where you get a cross section of fans and even people who have never seen us before. Whenever we do things like festivals, you know you have a certain amount of time to play, so at certain songs we’ll check the time!”

After signing to era-defining label Creation Records – the home of Oasis – in 1995, Super Furry Animals turned heads with their unorthodox approach to promotion from the famous Super Furry Animals Tank to a suite of bespoke Yeti costumes. In 1996, debut album Fuzzy Logic broke the familiar guitar music mould with a heady mix of literary, musical and narcotic influences before 1997 follow-up Radiator gave them their first UK Top Ten album.

“Welsh band with a weird edge” was one phrase coined to describe their distinctive indie psych-pop sound, not least because they recorded in the Welsh language too. “Maybe a bit of alliteration there, getting excited with that,” says Huw, on hearing that description down the phone line. “I wouldn’t say we were particularly weird. It’s just weird that a reviewer would say that. I’d throw it back at them!”

The rock history books say that label boss Alan McGee signed Super Furry Animals to Creation on the spot after watching their Camden Monarch club gig in London, maybe with expectations of matching the rise of Oasis. “The whole thing of Alan McGee seeing potential, but in the wrong way…but he still saw potential…and he then realised, and maybe over the years, it’s helped, that we’ve never been able to be pigeonholed,” says Huw.

Super Furry Animals will include Welsh-language songs in next Saturday’s set. “We’ve got three or four Welsh songs in the squad,” says Huw, recalling the days 30 years ago when they played a venue with a Welsh-language-only policy. “At that time, we whistled our English songs and gave lyric sheets to the audience!”

“I wouldn’t say we were particularly weird,” says Super Furry Animals’ guitarist, Huw Bunford

Looking ahead to next weekend’s York debut, he says:  “We like to change one or two songs each show. In the festival shows, it depends on how much time we’re playing for, but we always try to play one or two Welsh songs wherever we play.”

Returning to the rehearsal studio for this spring and summer’s shows, “after the first week, there was a bit of muscle memory kicking in and actually it was the same with the energy levels as well,” says Huw. “But it’s one of those weird things in rehearsals that you don’t feel like you’ve ‘got it’, but then you get under the lights.

“The audiences have been amazing so far, like super fans, and very forgiving as well! It’s an amazing thing to see the band back.”

Reflecting on Super Furry Animals’ career path, Huw says: “We don’t do things in a formulaic way, so it’s almost like each album is a reaction to the one before. We take it as being like a craft and we’re blessed that we’re good songwriters. I think the production on the albums stands the test of time as well, which we take to be an important thing, always making sure that the content is good.”

Riding on the wave of Super Furry Animals reuniting for the 2026 series of concerts, could they return to the recording studio too? “If it happens, it happens,” says Huw. “We never say never, but at the moment it’s just a joy to be playing together again.”

Futuresound presents Super Furry Animals, Baxter Dury, Los Campesinos!, Divorce and Pys Melyn at Live At York Museum Gardens, July 11. Gates open at 4pm; last entry, 8.30pm. Tickets: futuresoundgroup.com/york-museum-gardens-info.

Posted on

More Things To Do in York and beyond. Hutch’s List No. 27, from The York Press

SledOne’s mural, What Walks Amongst Us, taking shape at AcombFest. Picture: Art of Protest

MURALS in Acomb, early music beyond borders, Mystery Plays on waggons, a political swansong and compact Shakespeare keep Charles Hutchinson’s thoughts off the July heatwave.

Art event of the week: AcombFest, Acomb, York, today and tomorrow

CURATED by Art of Protest, York’s first international street art festival continues today and tomorrow with its theme of A Return To Nature, featuring 20 art installations, live murals, RARE Collective’s Paint Jam, spray battles and more than 30 bands, DJs and performers, across 22 venues.

Look out too for interactive family-friendly workshops, an art market, history walks and talks, special events and tastings and a community cinema. Muralists taking part include SMUG, from Australia, Sheffield muralist Peachzz, wildlife artist Curtis Hylton and Acomb’s very own SledOne. For full details, go to: https://acombfest.co.uk/.

Baroque collective Solomon’s Knot: Performing Friedrich Nicolaus Bruhns’ St Mark Passion, directed by Jonathan Sells, at The Quire, York Minster, on July 10

50th anniversary event of the summer: 2026 York Early Music Festival, Beyond Borders, until July 11

THE premier British early music festival marks its 50th anniversary with a celebration of “just how far early music has travelled – beyond the borders of the myriad historic venues of our city to a worldwide audience,” says director Delma Tomlin.

The festival welcomes The Sixteen, B’Rock Orchestra & Vocal Consort, Imago Mundi, mezzo-soprano Helen Charlston, Solomon’s Knot and NCEM Platform Artists Anacronia and Contre le temps, among others. Box office: 01904 658338 or ncem.co.uk/yemf.

Bodhan Pitel’s Herod in DSpace Ukrainian Theatre’s The Massacre of the Innocents in the York Mystery Plays 2026. Picture: John Saunders

Theatrical outdoor event of the week: 2026 York Mystery Plays, streets of York, tomorrow, 10.30am to 4.50pm

THE four-yearly staging on the York Mystery Plays on pageant waggons takes place at four locations across the city: free viewing at the Minster Refectory Gardens, Deansgate, (from 10.30am) King’s Square (from 11.10am), St Sampson’s Square (from 11.50am) and ticketed seats at Dean’s Park (from 12.30pm). Ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to yorkmysteryplays.co.uk; tickets, ticketsource.com/york-festival-trust.

Clive Francis as Sir Humphrey Appleby in I’m Sorry, Prime Minister. Picture: Johan Persson

Political drama of the week: I’m Sorry, Prime Minister, Grand Opera House, York, July 7 to 11, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

JIM Hacker is back, older, but perhaps not wiser, and still utterly baffled by the real world. Hoping for a quiet retirement from government as the master of Hacker College, Oxford, Jim (Robert Kitson, replacing Simon Rouse) instead finds himself facing the ultimate modern crisis: cancelled by the college committee. Enter Sir Humphrey Appleby (Clive Francis), who has lost none of his love for bureaucracy, Latin phrases and well-timed obstruction.

Can Humphrey and Jim outmanoeuvre the hostile students, the Fellows and reality itself? Or is it finally time to say “I’m Sorry, Prime Minister”? Brimming with wit, nostalgia and more double-speak than a press briefing, the final chapter in the evergreen comedy series is written and directed by Jonathan Lynn,co-directed byMichael Gyngell and presented by The Barn Theatre, Cirencester. Box office: atgtickets.com/york.

Reduced Shakespeare Company’s 2026 tour cast for The Complete Works of William Shakespeare (Abridged)

Shakespeare shake-up of the week: Reduced Shakespeare Company in The Complete Works of William Shakespeare (Abridged), York Theatre Royal, July 7 to 11, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

MARKING 30 years of performances in the UK, the Reduced Shakespeare Company’s 2026 tour company of Efé Agwele, Woogie Jung, Tom Pavey and Kiran Raywilliams presents Hamlet told backwards, a micro-condensed Othello scored to a ukulele, a carnage-filled Titus Andronicus presented as a YouTube cookery tutorial and the History Plays as a manic football game, passing the crown from king to king.

Californian co-founders Adam Long,  Daniel Singer and Jess Winfield have re-booted, re-imagined, reinvented and updated the restless comedy for a new generation to undertake a rollercoaster ride through all 37 of the Bard’s First Folio of plays. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Stephen Smith’s Claude Monet in A Montage Of Monet

Busiest actor of the week: Threedumb Theatre presents Stephen Smith in A Montage Of Monet, York Medical Society, Stonegate, York, July 8, 7.30pm and July 11, 3pm; One Man Poe, Ripon Theatre Festival, Ripon Arts Hub, July 10, 8pm; One  Man Poe world premiere, York Medical Society, July 11, 7.30pm

THREEDUMB Theatre artistic director and actor Stephen Smith performs Joan Greening’s new play exploring French Impressionist artist Claude Monet’s life and loves: his two marriages, his first wife’s devastating death, his lover’s erratic behaviour, his suicide attempt, his thoughts on fellow Impressionists and the torment of his failing eyesight. The 55-minute Monet montage combines projection design and Joe Furey’s music with Smith’s storytelling in  two York performances.

Smith also presents four of Edgar Allan Poe’s Gothic horror  works (The Tell-Tale Heart, The Pit and The Pendulum, The Black Cat and The Raven) in Ripon, followed by the world premiere of his latest Poe double bill (The Business Man and The Case of M. Valdemar) in York. All six, amounting to 18,000 Poe words, will be performed at the Edinburgh Fringe. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Ripon, ripontheatrefestival.org.

Musical of the week: Top Hat and Tails Theatre in Little Shop Of Horrors!, Friargate Theatre, York, July 9 to 11, 7.30pm plus 2.30pm Saturday matinee

MEEK floral assistant Seymour Krelborn stumbles across a new breed of plant he calls Audrey II, a foul-mouthed carnivore that promises him fame and fortune if he keeps feeding it with blood. Over time, however, Seymour discovers Audrey II’s plans for global domination in Howard Ashman and Alan Menken’s sci-fi B-movie monster spoof, presented here with a live band and professionally hand-crafted puppets.  Box office: ridinglights.org.

Orchestral Manoeuvres In The Dark’s Andy McCluskey and Paul Humphreys: Summer of Hits show at York Museum Gardens on Thursday

Music festival of the week: Futuresound presents Live At York Museum Gardens, Orchestral Manoeuvres In The Dark, July 9, gates 5pm; Self Esteem, July 10, gates 5pm, and Super Furry Animals, July 11, gates 4pm

WIRRAL synth-pop pioneers Orchestral Manoeuvres In The Dark open Futuresound’s third season of Live At York Museum Gardens concerts on Thursday with a Summer of Hits bill featuring Heaven 17, China Crisis and rising Newcastle singer-songwriter Andrew Cushin.

Mercury Prize nominee Self Esteem, aka Rotherham singer, songwriter and actress Rebecca Lucy Taylor, tops Friday’s line-up, featuring London indie group The Big Moon, South African ghetto funk musician Moonchild Sanelly and Nigerian-born musician and spoken-word artist Joshia Idehen.

Welsh psychedelic rock band Super Furry Animals are next Saturday’s headliners, joined by singer-songwriter Baxter Dury, indie-pop septet Los Campesinos!, Nottingham alt-country band Divorce and North Wales psychedelic act Pys Melyn.  Box office for July 10 and 11: futuresoundgroup.com/york-museum-gardens-events.

If I Knew The Way, I Would Take You Home, by Matt Sewell

In Focus: Birds of the week: Matt Sewell exhibition for RARE Collective at WET, Micklegate, York, until mid-July

SHROPSHIRE artist, illustrator and author Matt Sewelll is the latest street art luminary to be showcased in RARE Collective’s collaboration with WET wine bar, in Micklegate, York, in aid of SASH (Safe and Sound Homes), the York youth homelessness charity.

“We’re really chuffed to have Matt return to York with his fabulous Riso prints,” says RARE Collective exhibition organiser Sharon McDonagh. “If you came to the Vandalfest charity street art show last year, you would have seen his cracking bird mural on Floor 3 of the big disused office block in Low Ousegate.

Artist Matt Sewell at work

Sewell is an avid ornithologist, contributing regularly to the Caught By The River website and publishing the books Our Garden Birds, Our Songbirds, Our Woodland Birds, Owls, Penguins and A Charm Of Goldfinches And Other Collective Nouns.

He has illustrated for the Guardian, Barbour, V&A Museums, BBC, National Trust, Greenpeace, Big Issue and Levi’s and painted walls for Helly Hansen, Puma and the RSPB (Royal Society for the Protection of Birds). He has exhibited in Great Britain, New York, old York, Tokyo and Paris.  

Cuckoo Cuckoo Cuckoo, by Matt Sewell

Under RARE Collective’s partnership with WET, artists and photographers exhibit their work in a six-week solo show.  As well as at WET, work can be bought online both during and after the exhibition run at rarecollective.co.uk.

In addition, a selection of Sewell’s prints is featuring in RARE Collective’s exhibition for AcombFest at The Crooked Tap, on show until August 15 in support of SASH.

Matt Sewell’s wall of bird prints for sale at WET

Exhibiting too are: spAm (Sharon McDonagh), Sola, Alison Jagger, Al Murphy, Anthony Appleyard, Boxxhead, HazardOne, Lady Mkei, Lincoln Lightfoot, Liskbot, Michael Dawson, Nicolas Dixon, Slice Of Lino, STATIC and Stephen Bottrill.

“RARE are working in collaboration with the Art of Protest Project, after being invited by AcombFest curator Jeff Clark and the AOP team to curate the live PaintJam at the Carlton Tavern, in Acomb Road, Holgate, today and tomorrow,” says RARE Collective curator Sharon McDonagh.

“This will involve nine artists painting live from 10am to 4pm each day (Boxxhead, HazardOne, Lady Mkei, Lincoln Lightfoot, Liskbot, Nicolas Dixon, Sola, spAm and VYZ); live DJ sets by Alilou, Bob Yenz, Conor Rogan, Free Da Karlos and Sola plus guests, audiovisual artists Fred DWolf, Sonas and JohnManBand on a huge screen, cocktails and mixology by Tulum Spirits Collective and street food by El Chappo, all in support of SASH.”

Did you know?

MATT Sewell is also a musician, performing as Sewell &The Gong with Chris Tate and as the deep-cut compiler of the compilation series A Crushing Glow.

Matt Sewell’s work environment

In Focus too: Michael Flatley’s Lord Of The Dance, 30th Anniversary Tour, York Barbican, July 6 to 8, 7.45pm

THE 30th anniversary tour of Michael Flatley’s Lord Of The Dance promises a grand celebration of the revolutionary Irish dance production’s legacy after captivating more than 60 million fans in 60 countries since its 1996 debut.

The 30 Years of Standing Ovations tour will feature “brand-new choreography, stunning costumes, state-of-the-art special effects and cutting-edge lighting, ensuring that the production continues to push boundaries and deliver an unforgettable experience”. 

Creative manager James Keegan says: “Michael Flatley has taught me that there are no boundaries in the creative space. When he burst onto the scene in the mid-90s, he took traditional Irish dancing to a place nobody had ever dreamed of, and that has been the key to the show’s success.

“Michael often says in rehearsals that we need to push the boundaries as much as we can, and if it’s too far or doesn’t work, we can always pull it back. That mindset is what keeps Lord Of The Dance evolving.”

Lord Of The Dance on its 30th anniversary tour. Picture: Brian Doherty

Keegan believes that the core elements of Flatley’s visionary production – choreography, music and storytelling – remain timeless while still evolving. “What made Lord Of The Dance famous 30 years ago is still what makes it work today: 40 of the greatest Irish tap dancers in the world performing in one line in perfect sync. It’s a spectacle that never loses its magic,” he says.

Reflecting on Flatley’s impact, Keegan says: “Professional Irish dancing didn’t really exist until Michael created his shows and added a more entertaining twist to the art form.

“He wasn’t just a dancer; he was a highly tuned athlete who could perform at astonishing levels for a full two-hour show, seven days a week. Today, we see young competitive dancers around the world striving to reach the levels he set.”

But beyond the footwork and the spectacle, Keegan reckons Flatley’s greatest legacy is his ability to inspire. “Michael’s motto has always been, ‘Nothing is impossible.’ He took an already intricate dance form and pushed it even further, breaking records like 38 taps per second and incorporating upper body movements that defied tradition,” he says.

Michael Flatley

“I’ve seen it time and time again: a dancer who never thought they could be a lead receives Michael’s encouragement, and before long, they are fulfilling their dream on stage.”

For Keegan, one moment stands out above the rest. “In 1997, I was a ten-year-old competitive Irish dancer in Manchester, struggling with the name-callers and the challenges of being a young male dancer,” he says.

“Then Lord Of The Dance came to town. Watching Michael and the cast that night at the Apollo Theatre changed everything for me. The masculinity, the precision, the energy, it was like nothing I’d ever seen before.

“I met Michael at the stage door, and suddenly, I knew that being an Irish dancer could mean being a superstar. Nineteen years later, I had the honour of sharing his final show with him at Caesars Palace, Las Vegas, in 2016. It was a full-circle moment I will never forget.”

Michael Flatley’s Lord Of The Dance dancers

As Lord Of The Dance embark on its 30th anniversary tour, Flatley reflects on the journey. “The magic of Lord Of The Dance lives on in the hearts of our audience, and I am thrilled to bring this iconic show back to the UK in 2026,” he says.

“30 Years of Standing Ovations celebrates the incredible journey we’ve shared with fans over the years. It’s a tribute to the enduring power of dreams, the joy of dance and the unwavering support of our audience. This tour is our way of saying thank you for three decades of unforgettable memories.”

Although Flatley, now 67, retired from performing during his final tour in 2016, he has remained at the helm of Lord Of The Dance, guiding its evolution while preserving its timeless magic.

Now, as the production prepares for its biggest celebration yet, fans can look forward to a breathtaking spectacle that honours the past, embraces the present, and inspires the future of Irish dance.

The 30th anniversary tour also visits Hull New Theatre, July 22 to 25, and Sheffield City Hall, August 20 to 23. For full tour dates and ticket information, go to lordofthedance.com. York tickets:  https://www.yorkbarbican.co.uk/whats-on/lord-of-the-dance-30th-anniversary/.

Posted on

Orchestral Manoeuvres In The Dark to headline Futuresound’s first Live At York Museum Gardens concert next summer. Heaven 17 & China Crisis on bill too

ELECTRONIC new wave trailblazers Orchestral Manoeuvres In The Dark are the first headliners to be confirmed for Futuresound’s third summer of Live At York Museum Gardens concerts.

The Wirral synth-pop duo of Andy McCluskey and Paul Humphreys will be joined on OMD’s Summer Of Hits bill on July 9 bill by two fellow Eighties’ synth-pop luminaries, Sheffield’s Heaven 17 and Kirkby’s China Crisis.

Rising Newcastle-upon-Tyne singer-songwriter Andrew Cushin will open the show, on the back of supporting such acts as Noel Gallagher and Louis Tomlinson.

The York exclusive postcode presale (for postcode prefixes starting with YO1, YO10, YO19, YO23, YO24, YO26, YO30, YO31 and YO32) will go on sale from 10am tomorrow (29/10/2025). General sales will open at 10am on Friday (31/10/2025).

Formed in Meols, Merseyside in 1978 by McCluskey (vocals, bass guitar) and Humphreys (keyboards, vocals), Orchestra Manoeuvres in The Dark (aka OMD) combined chart success with electronic experimentation on albums such as February 1980 debut Orchestral Manoeuvres In The Dark, October 1980’s Organisation, 1981’s Architecture & Morality, 1983’s Dazzle Ships and 1984’s Junk Culture.

China Crisis in concert at The Crescent, York, in 2024

OMD have since released 1985’s Crush; 1986’s The Pacific Age; 1991’s Sugar Tax; 1993’s Liberator; 1996’s Universal; 2010’s History Of Modern; 2013’s English Electronic; 2017’s The Punishment Of Luxury and 2023’s Bauhaus Staircase.

Pioneering 1979 singles Electricity and Red Frame/White Light paved the way for 1980 chart breakthrough Messages, triggering a flow of synth-pop hits with Enola Gay; Souvenir; Joan Of Arc; Maid Of Orleans (The Waltz Of Joan Of Arc); Genetic Engineering; Locomotion; Talking Loud And Clear; Tesla Girls; So In Love; (Forever) Live And Die; Sailing On The Seven Seas; Pandora’s Box; Stand Above Me and Walking On The Milky Way, their last Top 20 entry in 1996.

In 1986, OMD conquered the United States when If You Leave led off the soundtrack to the hit rom-com film Pretty In Pink.

Orchestral Manoeuvres In The Dark last played York on October 27 2019 at York Barbican on their extended 40th anniversary world tour. That anniversary was marked by the reissue of their first four albums on 180g vinyl, housed in their original sleeve designs by Peter Saville.

Summing up five decades of OMD, McCluskey says: “Electronic music is our language. It’s how we talk.”

Posted on

Three Steps To Shed Seven: past, present and future as 30th anniversary rolls on

Shed Seven performing Throwaways with special guest Peter Doherty at York Museum Gardens on July 19. Picture: Barnaby Fairley

Step One: Night two of the Sheds’ 30th anniversary homecoming concerts, Live At York Museum Gardens, presented by Futuresound, on July 20

Set list: Let’s Go; Speakeasy; Where Have You Been Tonight?; High Hopes (with Duke Witter); Dolphin; Devil In Your Shoes; Tripping With You (with Laura McClure); Bully Boy (with Huntington School Choir); Ocean Pie; Parallel Lines; In Ecstasy (with Rowetta); On Standby; Going For Gold; Suspicious Minds; Talk Of The Town; Getting Better; Let’s Go Dancing.

Encores: Room In My House; Throwaways (with Peter Doherty); Disco Down; Chasing Rainbows (with choir, McClure, Rowetta and support acts Doherty, Brooke Combe and Apollo Junction).

CharlesHutchPress viewpoint: As central as a centre-spot, standing with a cluster of chanting York City fans, former manager Michael Morton (February-August 2023) at their core, and a bunch of Sheds-loving former University of York students, meeting up from all over the country for the first time since 1997.

Different set list? Out went She Left Me On Friday (they left it out on Saturday), People Will Talk and The Heroes. In came: Where Have You Been Tonight? and Parallel Lines.

Other differences?

*Shed Seven arrived on stage at 8.30pm rather than 8.40pm.

*Different members of Huntington School Choir sang Bully Boy.

*The Sheds’ friend Stuart Allan, guitarist and vocalist in York band Johnny And The Dunebugs, guested on guitar throughout the Sheds’ set, introduced by Rick Witter as “the fifth Beatle”.

The same on both nights:

*The show-opening recorded poetry reading of The Boys Are Coming Home – a hymn of praise to York’s “characters, cobbles and quirks” – by Matt Abbott, Wakefield poet, educator, activist and former frontman and lyricist of Skint & Demoralised. Commissioned by guitarist Paul Banks.

*Backing singers Mary Pearce and Beverly Skeete, as featured on the Shed Seven albums Instant Pleasures, A Matter Of Time and the upcoming Liquid Gold.

*Special guests Laura McClure, from Reverend And The Makers, Rowetta, from the Madchester Nineties’ scene, and The Libertines’ Peter Doherty, all reprising their contributions to the Sheds’ number one album, A Matter Of Time.

*Brass section of Tim Hurst, trombone; Andy Cox, saxophone; Jamie Brownfield, trumpet.

*The presence of a film crew, led off on Friday by the camera following Rick Witter from the Museum Street entrance, “walking towards the stage like a boxer entering the ring” (to quote Ste’s comment on CharlesHutchPress’s review of the first night.

Why filming?

“The idea of filming the weekend is trifold,” says Rick. “We wanted to make a video for the most recent Liquid Gold release, Getting Better, which came out on Monday evening (July 22). Worth a watch!

“We’re also releasing a ‘Live At Museum Gardens’ variant to coincide with the release of Liquid Gold on September 27. And then possibly we’ll release a DVD of the Museum Gardens gigs, along with all the promo vids from A Matter Of Time onwards and a small documentary about the Sheds. The year of the Sheds indeed.”

Final CharlesHutchPress thoughts: Loved Room In My House and Talk Of The Town becoming latter-day crowd favourites already. Rick’s “dad dancing” with son and Serotones singer Duke in High Hopes. The set – pre-encores – closing with Let’s Go Dancing’s a cappella coda, “Lonely words seek an empty page/Curtain call, time to leave the stage/ It’s time to stop…”.

Peter Doherty and his dapper chapeau – plonked briefly on Witter’s head – loving every minute, whether in Throwaways or the everything-plus-the-kitchen-sink Chasing Rainbows finale. The departing hordes still singing Chasing Rainbows as they crossed Lendal Bridge, homeward bound and euphoric.

Step two: New single Waiting For The Catch and new album Liquid Gold

Shed Seven with Issy Ferris, of Ferris & Sylvester, guest vocalist on Liquid Gold orchestral reworking of Waiting For The Catch. Picture: Andy Little

“HI MATE. Sorry just shooting a video to a new song. It’s all go.” So messaged Rick Witter, on July 22, explaining his delay in answering a handful of CharlesHutchPress questions.

That song is new single Waiting For The Catch, a duet with Issy Ferris, of UK folk/rock/Americana duo Ferris & Sylvester, who released their second album, Otherness, on March 1 on Arch Top Records.

Premiered on the Zoe Ball Breakfast Show on BBC Radio 2 on August 8, Waiting For The Catch is a new reworking of an Instant Pleasures bonus track from the York band’s career-spanning orchestral album Liquid Gold. Watch here: https://www.youtube.com/watch?v=_HKKvnD-tII.

“Waiting For The Catch fits perfectly alongside some of our biggest hits,” says Rick. “The song has the classic ‘Can’t live with you, can’t live without you’ sentiment and we felt making it a duet would fit perfectly with the lyrical theme.

“So we invited the amazing Issy Ferris to add her beautiful voice to the track, which gives it a yearning, but also vengeful energy. You want to hear Shed Seven arena-sized? No problem, it’s our pleasure.”

Liquid Gold’s orchestral reinventions were recorded in collaboration with arrangers Fiona Brice and Michael Rendall. Brice had worked previously with Liam Gallagher and Placebo, while Rendall had teamed up with the Sheds for 2017’s Top Ten comeback album Instant Pleasures and A Matter Of Time.

“This year we celebrate 30 years as recording artists and, after reminiscing about our career, we thought we’d celebrate the milestone by revisiting some key songs from our past,” says Rick.

“The idea being that if we cherry picked a hatful of songs and recorded them now, it would be a coherent stroll down memory lane but also sit sonically beside A Matter Of Time. A logical next step.”

Rick continues: “We see this record as a gateway into the world of Shed Seven. We also felt that adding an orchestra to each track would lend the whole project a unique slant. The songs have become widescreen, full of colour.

“The original recordings will always hold a special place in our hearts but re-recording the chosen songs was an exciting prospect for us. It’s a gift from the band to our loyal supporters and will hopefully introduce some golden moments throughout our career to a whole new audience. Enjoy, and here’s to the next 30 years!”

A signed copy of Liquid Gold: One of multiple formats of the new album

Set for release on Cooking Vinyl on September 27, Liquid Gold can be pre-ordered at shedsevenn.lnk.to/LiquidGoldPR, with formats ranging from signed copies and vinyl to CD and cassette versions.

The Sheds have just launched a new bootleg edition, each with artwork individually hand-stamped by the band, that adds three songs from their BBC Piano Room session, a live recording of Casino Girl, and remix of In Ecstasy.

That Piano Room session in May saw the Sheds perform Chasing Rainbows, Talk Of The Town and a cover of Duran Duran’s Planet Earth with the BBC Concert Orchestra at Maida Vale studios.

The album track listing will be: Getting Better; Speakeasy; Devil In Your Shoes; On Standby; Going For Gold; Waiting For The Catch (featuring Issy Ferris); Better Days; Parallel Lines; Disco Down; Ocean Pie; new composition All Roads Lead To You and Chasing Rainbows.

A special Live @Museum Gardens 2CD edition can be pre-ordered at store.shedseven.com/product/148214?password=LG-YORK-EM. Featuring a bonus disc of live tracks recorded at the two shows, it comes with alternative artwork to commemorate the occasion.

In the immediate aftermath of the Museum Gardens shindigs, the Sheds released a video of the Liquid Gold version of Getting Better, filmed on and off stage over the two days, capturing the band, special guests Peter Doherty, Rowetta and Laura McClure and Friday support acts The Lottery Winners and Serotones, Huntington School choir and audience members…and Witter riding through York on a bike.

Or, as Black Arts PR’s press release puts it: “The video is a joyous celebration of one of the biggest highlights of Shed Seven’scareer. It captures every moment of the day: fans getting the party underway as they arrive; Rick Witter strolling through the audience and posing for photos and pinching a sip of beer; clips of friends including Peter Doherty, Lottery Winners, Rowetta, Laura McClure and Serotones (featuring Rick’s son Duke) all relishing the occasion; and the band embracing before they step on stage. The most emotional moment is saved until the end – the band taking their final bows in front of a sea of adoration.”

Post-gigs, The Shedsposted on social media: “Watch to the end, you won’t be disappointed… you might even feature. Enjoy and thanks once again for making this weekend so special.” Watch here: https://www.youtube.com/watch?v=mnJnjir47QE.

Already, the Sheds had previewed the album by releasing two tasters, Speakeasy and Devil In Your Shoes. Pre-orders for Liquid Gold have exceeded the numbers reached with January’s A Matter Of Time. Could Shed Seven notch up two number one albums in a year? Roll on September 27.

Step Three:  T-T-T-Talk Of The Town in multiple towns and cities, 50 shows in all

Shed Seven doing a record store promotion for A Matter Of Time at HMV York in January

AFTER in-store performances and personal appearances, including HMV York, to launch A Matter Of Time in January and the 30th anniversary homecoming celebrations at York Museum Gardens in July, the Shed Seven boys are back in town after town over the rest of 2024.

First up comes a guest spot on Blossoms’ bill at Live From Wythenshawe Park Presents: Blossoms, Inhaler & More @ Wythenshawe Park, Manchester on August 25, followed by BBC Radio 2 In The Park at Moor Park, Preston, on September 8.

Next will be in-store appearances promoting Liquid Gold from September 8 to October 16 and a sextet of gigs in October combining playing 1994 debut album Change Giver in full with a greatest hits set too.

In the traditional biennial Shedcember slot will be a 23-date 30th Anniversary Tour, the Sheds’ biggest-ever winter itinerary, joined by special guests The Sherlocks. Back home in time for Christmas, Rick Witter and Paul Banks will bring down the curtain on the Sheds’ annus mirabilis with a brace of special acoustic duo performances at Huntington Working Men’s Club. Sheds’ bassist Tom Gladwin will do a DJ set each night

AUGUST

25th:  Manchester, Wythenshawe Park (guests to Blossoms)

SEPTEMBER

8th:  Preston, BBC Radio 2 In The Park

27th: Manchester, HMV (1pm – SOLD OUT)

27th:  Bury, Wax & Beans (6pm – SOLD OUT)

28th:  Birmingham, HMV (1pm – SOLD OUT)

28th:  Leamington Spa, Head Records (5pm – SOLD OUT)

29th: London, Rough Trade East (5pm – SOLD OUT)

29th: London, Rough Trade East (7pm  – SOLD OUT)

30th – Southampton, Vinilo (1pm – SOLD OUT)

30th:  Brighton, Resident (6.30pm – SOLD OUT)

OCTOBER

1st: Bristol, Rough Trade (12 noon – LOW TICKETS)

1st: Bristol, Rough Trade (5pm – SOLD OUT)

2nd: Nottingham, Rough Trade (midday – SOLD OUT)

2nd: Nottingham, Rough Trade (6pm – SOLD OUT)

3rd:  Sheffield, Bear Tree Records (midday – SOLD OUT)

3rd: Liverpool, Jacaranda (7pm – SOLD OUT)

4th:  Newcastle, Beyond Vinyl (6.30pm – SOLD OUT)

10th: Kingston-upon-Thames, Pryzm (Change Giver show, hosted by Banquet Records)

11th: Kingston-upon-Thames, Pryzm (Change Giver show, hosted by Banquet Records – SOLD OUT)

12th:  Coventry, HMV Empire (Change Giver show)

16th: Edinburgh, Assai Records (midday – SOLD OUT)

16th: Glasgow, HMV (5pm – SOLD OUT)

17th: Glasgow, SWG3 (Change Giver show, hosted by Assai Records)

18th:  Manchester, Academy 2 (Change Giver show, hosted by Crash Records – SOLD OUT)

19th:  Leeds, Beckett Student Union (Change Giver show, hosted by Crash Records – SOLD OUT)

Party time: Shed Seven’s Rob ‘Maxi’ Maxfield, left, Paul Banks, Rick Witter, Tom Gladwin and Tim Wills celebrate 30th anniversary on November and December tour

NOVEMBER – 30th ANNIVERSARY HEADLINE TOUR

14th:  Sheffield Octagon (SOLD OUT)

15th:  Cardiff University, Great Hall

16th: Liverpool University, Mountford Hall (LOW TICKETS)

18th:  Halifax, Victoria Theatre (LOW TICKETS)

19th: Hull City Hall

21st: Aberdeen Music Hall (SOLD OUT)

22nd: Glasgow, O2 Academy (SOLD OUT)

23rd: Edinburgh, O2 Academy (LOW TICKETS)

25th: Leicester, O2 Academy (LOW TICKETS)

26th: Margate Dreamland

28th: Bristol O2 Academy (SOLD OUT)

29th: Newcastle O2 City Hall (LOW TICKETS)

30th: Leeds O2 Academy (SOLD OUT)

DECEMBER – 30th ANNIVERSARY HEADLINE TOUR

2nd: Oxford O2 Academy (SOLD OUT)

3rd: Lincoln Engine Shed (LOW TICKETS)

5th:  Stockton Globe

6th: Manchester O2 Victoria Warehouse (SOLD OUT)

7th: Birmingham O2 Academy (SOLD OUT)

9th: Norwich, The Nick Rayns LCR, University of East Anglia (SOLD OUT)

10th: Cambridge Corn Exchange (LOW TICKETS)

12th: Bournemouth O2 Academy (LOW TICKETS)

13th: Nottingham Rock City (SOLD OUT)

14th: London O2 Academy Brixton (SOLD OUT)

DECEMBER – RICK WITTER & PAUL BANKS INTIMATE ACOUSTIC SHOWS

21st: York, Huntington Working Men’s Club (SOLD OUT)

22nd: York, Huntington Working Men’s Club (SOLD OUT)

Any remaining tickets are on sale via shedseven.com at https://gigst.rs/SS24.

Paul Banks and Rick Witter: Concluding Shed Seven’s 30th anniversary celebrations on home turf at Huntington Working Men’s Club on December 21 and 22. Picture: David Harrison
Posted on

REVIEW: Paul Rhodes’s verdict on Futuresound presents Live At York Museum Gardens, Jack Savoretti, July 18

Jack Savoretti: “A typically charismatic, energetic performance” at York Museum Gardens. Picture: Paul Rhodes

FUTURESOUND’S inaugural Live At York Museum Gardens festival got off to a stellar start on Thursday. Headliner Jack Savoretti gave a typically charismatic, energetic performance that had the sell-out crowd in the palm of his Anglo-Italian hand.

The setting framed the evening to a tee, the musicians played in front of the Yorkshire Museum, with St Mary’s Abbey off to the side. No-one was looking at the ruins, however, and Savoretti had everyone’s attention.

He has gained a large and passionate following, with back-to-back number one albums. The women in the audience especially adore him, and it’s easy to see why. Blessed with good looks and the ability to write songs with broad appeal, he’s also a natural showman.

Homeward bound: York-born Benjamin Francis Leftwich, now based in London, returns home to sing of New York in old York. Picture: Paul Rhodes

“Singing for strangers” may be his daughter’s way of describing her dad’s job, but he has the master’s gift of shrinking an arena so everyone in the audience feels he’s singing to them.

The evening had begun slowly with opener Ellur, from Halifax, starting proceedings early, followed by Benjamin Francis Leftwich. Originally from York (and conceived in a haunted house nearby, he told us, perhaps with a wink) Leftwich is not an obvious party starter. Yet he provided an ideal accompaniment to match the early evening vibe.

Playing with Jamie Squire (touring keyboard player for The 1975), Leftwich’s confident set was mellifluous and tuneful – with New York the highlight. Paul Simon he isn’t, but his hotel-room confessions were played with endearing conviction and the old York links went over well.

Foy Vance: “Performing solo, he demonstrated that with a large crowd, a big voice is not enough to guarantee a successful performance”

Foy Vance by comparison was a disappointment. On record, this Irish lothario’s songs, in Tom Waits/Joe Henry territory and bubble wrapped in Muscle Shoals high-quality packaging, are highly listenable.

Performing solo, however, he demonstrated that with a large crowd, a big voice is not enough to guarantee a successful performance. The audience chatter continued uninterrupted. The queue for beer and wine lengthened. Further back, someone did the crossword. Vance still got a big hand – but this was not his night.

The crowd (some having travelled from Swansea and beyond) wanted something, anything, to get them moving. An outdoor concert, after all, is as much an occasion as a gig, and it needs something special.

As the cloudy light slowly dimmed, the real star turn emerged. Savoretti’s performance was day to night compared to what came before.

Jack Savoretti: “His songs are naturally big, more romantic than the Milk Tray Man, and crowd pleasing”. Picture: Paul Rhodes

His songs are naturally big, more romantic than the Milk Tray Man, and crowd pleasing. We Are Bound was typical while The Way You Said Goodbye is everything Savoretti does best.

Well accustomed to playing concerts on this scale, the set list was a masterclass; mixing audience favourites with new material off this year’s Miss Italia album, even getting the crowd to sing in Italian at one point. The stories may not be new, but Savoretti told them like he meant it.

The 16-song set steadily built up to a wonderful finale. Tie Me Down was unrestrainable and Dancing Through The Rain superb. Then to close, and underline his star credentials, You Don’t Have To Say You Love Me. Made famous by Dusty Springfield, then Elvis Presley, the song began life as the Italian Lo Che Non Vivo (Senza Te).

Savoretti channelled all three to set the seal on a wonderful performance. Bringing his son on stage for the ovation melted even the coldest of hearts still intact. Un tocco perfetto, maestro.

Review by Paul Rhodes

Posted on

REVIEW: Shed Seven, Futuresound presents Live in York Museum Gardens, York, July 19

Stars coming out at night: Rick Witter fronting Shed Seven at York Museum Gardens. Picture: David Harrison. To buy David’s photos from Friday’s concert, head to: https://dharrisonyorkphotos.smugmug.com/Music/Shed-Seven-in-Museum-Gardens-2024

COULD this annus miraculum have gone any better for Shed Seven, the year when the York band topped the album charts for the first time, all of 30 years since releasing Change Giver.

Getting even better? It just did, last night, in the first of two 30th anniversary homecoming gigs mounted by Leeds promoters Futuresound in the first rock concerts to be staged in York Museum Gardens since Hawkwind, Pink Fairies and Roxy Music in the long-gone 1970s.

Back where the Sheds’ Rick Witter and Paul Banks had “caused chaos” at 12, 13, 14, their loud ghetto blasters “disturbing all the OAPs”.

The music was rather louder last night, cheered on by 4,000 fans, young, Sheds-aged and quite possibly OAPS alike; myriad Shed Seven T-shirts, from their Bile Beans yellow variation to Bully Boy’s I’ll Fight You Till The Death flipside being the dress code for the hottest weather of this sodden summer so far. Annus miraculum? Even Zeus the weather god was smiling on the Sheds.

Peter Doherty: Name-checking York in Albion in acoustic solo set at York Museum Gardens. Picture: David Harrison

After sets by Serotones (son Duke Witter’s band) and Lottery Winners, enter Peter Doherty, a very unrock’n’roll six minutes early, to play charmingly solo and acoustic in dapper chapeau, name-checking York in Albion, the first song he wrote at 16, inspired to pick up a guitar by the Sheds. “I’m sweating like a Leeds fan in a spelling test,” he said in the night’s best one-liner, nevertheless keeping his suit buttoned up.

Performances in York Museum Gardens, notably the York Mystery Plays, have favoured utilising the St Mary’s Abbey backdrop, but Futuresound have broken with tradition, building a stage on the Yorkshire Museum concourse, looking down to the River Ouse, for Jack Savoretti’s Thursday opener and the Sheds’ back-to-back home fixtures.

A good decision, the abbey ruins still playing their supporting role, lit in resplendent blue as the night sky painted its picture. Witter couldn’t resist addressing those gathered on the far riverside, watching for free (always a Yorkshireman’s favourite price, as the saying goes).

A poem, uncredited alas, floated on the night air, as evocative as the smell of chocolate wafting across the city in capturing the essence of York and its characters, cobbles and quirks, to herald the arrival of the Sheds, not the Britpop veterans of lazy labelling, but a vibrant, propulsive, lippy indie band at the height of their second wave.

Let’s Go: Shed Seven’s Paul Banks and Rick Witter in homecoming union on Friday night. Picture: David Harrison

In Witter’s words, they have been reinvigorated by the arrival of new members Rob ‘Maxi’ Mansfield on drums and Tim Wells on guitar & keys. Last night marked their York debut. No fuss, low key at the back, rock solid as a Championship centre-half, and solidly rock.

The adrenaline rush of Let’s Go, as purposeful a title as the Sheds have ever written, opened the show, just as it does A Matter Of Time, whose name is emblazoned on a stage otherwise devoid of frills (no screens, no projections, plenty of northern lights).

The accusation was always that the Sheds were a meat-and-potatoes band, but that is to ignore the quality of the gravy. The way their songs connect, the pride in wearing the T-shirt, the Made In York but mad for the world brio. You’d rather be in this crowd than with the in-crowd.

If you could put together the wish-list Shed Seven-in-heaven gig, this was surely it: the weather, the historic York setting; the special guests, Reverend And The Makers’ Laura McClure, Rowetta and Doherty; the spot-on set list; Duke duetting with Rick on High Hopes; the Yorkshire brass players; She Left Me On Friday, hitting harder on a Friday night; the balance of A Matter Of Time songs and the orchestral overhaul of the upcoming Liquid Gold hits album.

More? How about the Huntington School Choir in their stubby tie uniforms for schoolyard anthem Bully Boy, Going For Gold segueing into a cover of Elvis’s Suspicious Minds and the perfect encore quartet of Room In My House; Throwaways, Witter arm in arm with Doherty; Disco Down with Rowetta in a Happy Mondays vibe, and everyone, choir, support acts, et al on the stage apron for Chasing Rainbows.

Why, there was even a marriage proposal, from Nicki Sullivan to Kevin, orchestrated by Witter as master of ceremonies. Kevin said yes, of course he did. Going for gold in a year when everything the Sheds do has done exactly that.

Crack open a can of Homecoming Hazy Session IPA, Brew York’s 30th anniversary Shed Seven fruity citrus beer, then reconvene tonight for more Shed heaven. Let’s Go Dancing, York, you, me and Peter Doherty. The t-t-t-Talk Of The Town.

Set list

Let’s Go; Speakeasy; She Left Me On Friday; High Hopes (with Duke Witter); Dolphin; Devil In Your Shoes; Tripping With You (with Laura McClure); People Will Talk; Bully Boy (with Huntington School Choir); Ocean Pie; Heroes; In Ecstasy (with Rowetta); On Standby; Going For Gold; Suspicious Minds; Talk Of The Town; Getting Better; Let’s Go Dancing.

Encore: Room In My House; Throwaways (with Peter Doherty); Disco Down (with Rowetta); Chasing Rainbow (with choir, special guests and support acts).

Futuresound presents Shed Seven, York Museum Gardens, tonight (20/7/2024); gates open at 5pm. SOLD OUT.

Running order: Apollo Junction, 5.45pm to 6.15pm; Brooke Combe, 6.35pm to 7.05pm; Peter Doherty, 7.25pm to 8.10pm; Shed Seven, 8.40pm to 10.30pm.

The queue forming in the Friday afternoon sun for Live At York Museum Gardens
Danielle and Gareth, from Hull, enjoying Shed Seven’s set at York Museum Gardens
Duke Witter leading Serotones on Friday evening at York Museum Gardens. Picture: David Harrison
The Lottery Winners’ bassist, Katie Lloyd, at Futuresound’s Live At York Museum Gardens
Thom Rylance, frontman of Leigh band The Lottery Winners, in full voice on Friday. Picture: David Harrison
York singer Jess Steel, front, centre, enjoying Live At York Museum Gardens. Pictire: David Harrison
Peter Doherty and his dapper chapeau at York Mueum Gardens: Picture: David Harrison
Shed Seven singer Rick Witter and bassist Tom Gladwin
Shed Seven drummer Rob ‘Maxi’ Maxfield making his debut York appearance with the band on Friday night. Picture: David Harrison
Making a mark: A Shed Seven tattoo at Friday’s concert. Picture: David Harrison

Digging deeper: What was the poem that heralded Shed Seven’s arrival on stage

“It’s called ‘The Boys Are Coming Home’,” says Matt Abbott, Wakefield poet, educator, activist and former frontman and lyricist of Skint & Demoralised. “Paul Banks, from the band, commissioned me to write a poem for a York-based homeless charity, Arc Light, back in 2014.

“That was actually my first-ever commission. This was through his production company Digifish. So, I was over the moon when he contacted me to write it.

“Initially, this was only meant to be for the social media announcement, so, it was brilliant to see that they also used it for the shows.”

Posted on

What’s On in Ryedale, York and beyond as the Sheds go outdoors. Here’s Hutch’s List No. 25, from Gazette & Herald

Shed Seven: Playing sold-out concerts in York Museum Gardens on Friday and Saturday

SHED Seven’s 30th anniversary open-air concerts are the headline act on Charles Hutchinson’s arts and culture bill for the week ahead. Look out for global travels, Gershwin celebrations and a Hitchcockian comic caper too.

York festival of the week: Futuresound presents Live At York Museum Gardens, Jack Savoretti, tomorrow; Shed Seven, Friday and Saturday

ANGLO-ITALIAN singer-songwriter Jack Savoretti opens the inaugural Live At York Museum Gardens festival at the 4,000-capacity gardens tomorrow, when the support acts will be Northern Irish folk-blues troubadour Foy Vance, York singer-songwriter Benjamin Francis Leftwich and fast-rising Halifax act Ellur.

Both of Shed Seven’s home-city 30th anniversary gigs have sold out. Expect a different set list each night, special guests and a school choir, plus support slots for The Libertines’ Peter Doherty, The Lottery Winners and York band Serotones on Friday and Doherty, Brooke Combe and Apollo Junction on Saturday. Sugababes’ festival-closing concert on July 21 was cancelled in April. Box office: seetickets.com/event/jack-savoretti/york-museum-gardens/2929799.

Claire Martin: Celebrating Gershwin’s Rhapsody In Blue at Ryedale Festival. Picture: Kenny McCracken

Jazz gig of the week: Ryedale Festival, Claire Martin and Friends, Rhapsody In Blue – A Gershwin Celebration, Milton Rooms, Malton, Friday, 8pm

LONDON jazz singer Claire Martin leads her all-star line-up in a celebration of George Gershwin’s uplifting music and the 100th anniversary of Rhapsody In Blue, a piece that changed musical history.

In the band line-up will be pianist Rob Barron, double bassist Jeremy Brown, drummer Mark Taylor, trumpet player Quentin Collins and saxophonist Karen Sharp. Box office: themiltonrooms.com or ryedalefestival.com.

Maria Gray in the role of The Acrobat in Around The World In 80 Days-ish at York Theatre Royal. Picture: Charlie Kirkpatrick

Theatrical return of the week: Around The World In 80 Days-ish, York Theatre Royal, tomorrow to August 3

PREMIERED on York playing fields in 2021, revived in a touring co-production with Tilted Wig that opened at the Theatre Royal in February 2023, creative director Juliet Forster’s circus-themed adaptation of Jules Verne’s novel returns under a new title with a new cast.

Join a raggle-taggle band of circus performers as they embark on their most daring feat yet: to perform the fictitious story of Phileas Fogg and his thrilling race across the globe. But wait? Who is this intrepid American travel writer, Nellie Bly, biting at his heels? Will an actual, real-life woman win this race? Cue a carnival of delights with tricks, flicks and brand-new bits. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Katie Leckey and Jack Mackay: Co-artistic directors of Griffonage Theatre, alternating roles in Harold Pinter’s The Dumb Waiter

Fringe show of the week: Griffonage Theatre in The Dumb Waiter, Theatre@41, Monkgate, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

YORK company Griffonage Theatre follow up February’s debut production of Patrick Hamilton’s Rope with Harold Pinter’s 1957 one-act play The Dumb Waiter, directed and designed by Wilf Tomlinson.

Two hitmen, Ben and Gus, are waiting in a basement room for their assignment, but why is a dumbwaiter in there, when the basement does not appear to be in a restaurant? To make matters worse, the loo won’t flush, the kettle won’t boil, and the two men are increasingly at odds with each other. Unique to this production, actors Jack Mackay and Katie Leckey will alternate the roles of Ben and Gus at each performance. Box office: tickets.41monkgate.co.uk.

One of Anna Matyus’s artworks on show at Helmsley Arts Centre

Exhibition of the week: Anna Matyus, Helmsley Arts Centre, until August 9

ANNA Matyus’s work explores the powerful spiritual resonance of historical sacred buildings and their setting in the landscape. Using etching and collagraph printmaking techniques and a colourful palette, she seeks to bring to life the powerful geometry of the often-faded motifs and time- worn patterns and symbols of historic artefacts found in the masonry and ancient tiles of these sacred sites.

“My final prints explore and record the dynamic rhythms of three-dimensional architectural form, layered with their decorative and symbolic adornment in a graphic expression of awe and wonder,” she says.

Gary Louris: The Jayhawks’ singer, guitarist and songwriter plays solo at The Crescent on Saturday, York. Picture: Steve Cohen

American solo act of the week: Gary Louris, of The Jayhawks, supported by Dave Fiddler, The Crescent, York, Saturday, 7.30pm

OVER three decades, vocalist, guitarist and songwriter Gary Louris has co-led Minneapolis country rock supremos The Jayhawks with Mark Olson, as well as being a member of alt.rock supergroup Golden Smog, forming Au Pair with North Carolina artist Django Haskins in 2015 and releasing two solo albums, 2008’s Vagabonds and 2021’s Jump For Joy.

He has recorded with acts as diverse as The Black Crowes, Counting Crows, Uncle Tupelo, Lucinda Williams, Roger McGuinn, Maria McKee, Tift Merritt and The Wallflowers too. As an alternative to the sold-out Sheds on Saturday, look no further than this American rock luminary. Box office: thecrescentyork.com.

Cutting a dash but in a hurry: Tom Byrne’s Richard Hannay in The 39 Steps. Picture: Mark Senior

Comedy play of the week: The 39 Steps, Grand Opera House, York, July 23 to July 27, 7.30pm and 2.30pm Wednesday and Saturday matinees

PATRICK Barlow’s award-garlanded stage adaptation of The 39 Steps has four actors playing 139 roles between them in 100 dashing minutes as they seek to re-create Alfred Hitchcock’s 1935 spy thriller while staying true to John Buchan’s 1915 book.

Tom Byrne – Falklands War-era Prince Andrew in The Crown – plays on-the-run handsome hero Richard Hannay, complete with stiff upper-lip, British gung-ho and pencil moustache as he encounters dastardly murders, double-crossing secret agents and devastatingly beautiful women. Box office: atgtickets.com/york.

James: Playing Scarborough Open Air Theatre for the fourth time on July 26. Picture: Paul Dixon

Coastal gig of the week: James, Scarborough Open Air Theatre, July 26, gates 6pm

JAMES follow up Scarborough appearances in 2015, 2018 and 2021 by continuing that three-year cycle in 2024, on the heels of releasing the chart-topping Yummy, their 18th studio album, in April.

“I’m very pleased that we will be playing Scarborough Open Air Theatre this summer – our fourth time in fact,” says bassist and founder member Jim Glennie. “If you haven’t been there before, then make sure you come. It’s a cracking venue and you can even have a paddle in the sea before the show!” Support acts will be Reverend And The Makers, from Sheffield, and Nottingham indie rock trio Girlband!. Box office: scarboroughopenairtheatre.com/james.