Jack Savoretti: “A typically charismatic, energetic performance” at York Museum Gardens. Picture: Paul Rhodes
FUTURESOUND’S inaugural Live At York Museum Gardens festival got off to a stellar start on Thursday. Headliner Jack Savoretti gave a typically charismatic, energetic performance that had the sell-out crowd in the palm of his Anglo-Italian hand.
The setting framed the evening to a tee, the musicians played in front of the Yorkshire Museum, with St Mary’s Abbey off to the side. No-one was looking at the ruins, however, and Savoretti had everyone’s attention.
He has gained a large and passionate following, with back-to-back number one albums. The women in the audience especially adore him, and it’s easy to see why. Blessed with good looks and the ability to write songs with broad appeal, he’s also a natural showman.
Homeward bound: York-born Benjamin Francis Leftwich, now based in London, returns home to sing of New York in old York. Picture: Paul Rhodes
“Singing for strangers” may be his daughter’s way of describing her dad’s job, but he has the master’s gift of shrinking an arena so everyone in the audience feels he’s singing to them.
The evening had begun slowly with opener Ellur, from Halifax, starting proceedings early, followed by Benjamin Francis Leftwich. Originally from York (and conceived in a haunted house nearby, he told us, perhaps with a wink) Leftwich is not an obvious party starter. Yet he provided an ideal accompaniment to match the early evening vibe.
Playing with Jamie Squire (touring keyboard player for The 1975), Leftwich’s confident set was mellifluous and tuneful – with New York the highlight. Paul Simon he isn’t, but his hotel-room confessions were played with endearing conviction and the old York links went over well.
Foy Vance: “Performing solo, he demonstrated that with a large crowd, a big voice is not enough to guarantee a successful performance”
Foy Vance by comparison was a disappointment. On record, this Irish lothario’s songs, in Tom Waits/Joe Henry territory and bubble wrapped in Muscle Shoals high-quality packaging, are highly listenable.
Performing solo, however, he demonstrated that with a large crowd, a big voice is not enough to guarantee a successful performance. The audience chatter continued uninterrupted. The queue for beer and wine lengthened. Further back, someone did the crossword. Vance still got a big hand – but this was not his night.
The crowd (some having travelled from Swansea and beyond) wanted something, anything, to get them moving. An outdoor concert, after all, is as much an occasion as a gig, and it needs something special.
As the cloudy light slowly dimmed, the real star turn emerged. Savoretti’s performance was day to night compared to what came before.
Jack Savoretti: “His songs are naturally big, more romantic than the Milk Tray Man, and crowd pleasing”. Picture: Paul Rhodes
His songs are naturally big, more romantic than the Milk Tray Man, and crowd pleasing. We Are Bound was typical while The Way You Said Goodbye is everything Savoretti does best.
Well accustomed to playing concerts on this scale, the set list was a masterclass; mixing audience favourites with new material off this year’s Miss Italia album, even getting the crowd to sing in Italian at one point. The stories may not be new, but Savoretti told them like he meant it.
The 16-song set steadily built up to a wonderful finale. Tie Me Down was unrestrainable and Dancing Through The Rain superb. Then to close, and underline his star credentials, You Don’t Have To Say You Love Me. Made famous by Dusty Springfield, then Elvis Presley, the song began life as the Italian Lo Che Non Vivo (Senza Te).
Savoretti channelled all three to set the seal on a wonderful performance. Bringing his son on stage for the ovation melted even the coldest of hearts still intact. Un tocco perfetto, maestro.
COULD this annus miraculum have gone any better for Shed Seven, the year when the York band topped the album charts for the first time, all of30 years since releasing Change Giver.
Getting even better? It just did, last night, in the first of two 30th anniversary homecoming gigs mounted by Leeds promoters Futuresound in the first rock concerts to be staged in York Museum Gardens since Hawkwind, Pink Fairies and Roxy Music in the long-gone 1970s.
Back where the Sheds’ Rick Witter and Paul Banks had “caused chaos” at 12, 13, 14, their loud ghetto blasters “disturbing all the OAPs”.
The music was rather louder last night, cheered on by 4,000 fans, young, Sheds-aged and quite possibly OAPS alike, myriad Shed Seven T-shirts, from their Bile Beans yellow variation to Bully Boy’s I’ll Fight You Till The Death flipside being the dress code for the hottest weather of this sodden summer so far. Annus miraculum? Even Zeus the weather god was smiling on the Sheds.
Peter Doherty: Name-checking York in Albion in acoustic solo setat York Museum Gardens. Picture: David Harrison
After sets by Serotones (son Duke Witter’s band) and Lottery Winners, enter Peter Doherty, a very unrock’n’roll six minutes early, to play charmingly solo and acoustic in dapper chapeau, name-checking York in Albion, the first song he wrote at 16, inspired to pick up a guitar by the Sheds. “I’m sweating like a Leeds fan in a spelling test,” he said in the night’s best one-liner, nevertheless keeping his suit buttoned up.
Performances in York Museum Gardens, notably the York Mystery Plays, have favoured utilising the St Mary’s Abbey backdrop, but Futuresound have broken with tradition, building a stage on the Yorkshire Museum concourse, looking down to the River Ouse, for Jack Savoretti’s Thursday opener and the Sheds’ back-to-back home fixtures.
A good decision, the abbey ruins still playing their supporting role, lit in resplendent blue as the night sky painted its picture. Witter couldn’t resist addressing those gathered on the far riverside, watching for free (always a Yorkshireman’s favourite price, as the saying goes).
A poem, uncredited alas, floated on the night air, as evocative as the smell of chocolate wafting across the city in capturing the essence of York and its characters, cobbles and quirks, to herald the arrival of the Sheds, not the Britpop veterans of lazy labelling, but a vibrant, propulsive, lippy indie band at the height of their second wave.
Let’s Go: Shed Seven’s Paul Banks and Rick Witterin homecoming union on Friday night. Picture: David Harrison
In Witter’s words, they have been reinvigorated by the arrival of new members Rob ‘Maxi’ Mansfield on drums and Tim Wells on guitar & keys. Last night marked their York debut. No fuss, low key at the back, rock solid as a Championship centre-half, and solidly rock.
The adrenaline rush of Let’s Go, as purposeful a title as the Sheds have ever written, opened the show, just as it does A Matter Of Time, whose name is emblazoned on a stage otherwise devoid of frills (no screens, no projections, plenty of northern lights).
The accusation was always that the Sheds were a meat-and-potatoes band, but that is to ignore the quality of the gravy. The way their songs connect, the pride in wearing the T-shirt, the Made In York but mad for the world brio. You’d rather be in this crowd than with the in-crowd.
If you could put together the wish-list Shed Seven-in-heaven gig, this was surely it: the weather, the historic York setting; the special guests, Reverend And The Makers’ Laura McClure, Rowetta and Doherty; the spot-on set list; Duke duetting with Rick on High Hopes; the Yorkshire brass players; She Left Me On Friday, hitting harder on a Friday night; the balance of A Matter Of Time songs and the orchestral overhaul of the upcoming Liquid Gold hits album.
More? How about the Huntington School Choir in their stubby tie uniforms for schoolyard anthem Bully Boy, Going For Gold segueing into a cover of Elvis’s Suspicious Minds and the perfect encore quartet of Room In My House; Throwaways, Witter arm in arm with Doherty; Disco Down with Rowetta in a Happy Mondays vibe, and everyone, choir, support acts, et al on the stage apron for Chasing Rainbows.
Why, there was even a marriage proposal, from Nicki Sullivan to Kevin, orchestrated by Witter as master of ceremonies. Kevin said yes, of course he did. Going for gold in a year when everything the Sheds do has done exactly that.
Crack open a can of Homecoming Hazy Session IPA, Brew York’s 30th anniversary Shed Seven fruity citrus beer, then reconvene tonight for more Shed heaven. Let’s Go Dancing, York, you, me and Peter Doherty. The t-t-t-Talk Of The Town.
Set list
Let’s Go; Speakeasy; She Left Me On Friday; High Hopes (with Duke Witter); Dolphin; Devil In Your Shoes; Tripping With You (with Laura McClure); People Will Talk; Bully Boy (with Huntington School Choir); Ocean Pie; Heroes; In Ecstasy (with Rowetta); On Standby; Going For Gold; Suspicious Minds; Talk Of The Town; Getting Better; Let’s Go Dancing.
Encore: Room In My House; Throwaways (with Peter Doherty); Disco Down (with Rowetta); Chasing Rainbow (with choir, special guests and support acts).
Futuresound presents Shed Seven, York Museum Gardens, tonight (20/7/2024); gates open at 5pm. SOLD OUT.
Running order: Apollo Junction, 5.45pm to 6.15pm; Brooke Combe, 6.35pm to 7.05pm; Peter Doherty, 7.25pm to 8.10pm; Shed Seven, 8.40pm to 10.30pm.
The queue forming in the Friday afternoon sun for Live At York Museum Gardens Danielle and Gareth, from Hull, enjoying Shed Seven’s set at York Museum Gardens Duke Witter leading Serotones on Friday evening at York Museum Gardens. Picture: David Harrison The Lottery Winners’ bassist, Katie Lloyd, at Futuresound’s Live At York Museum Gardens Thom Rylance, frontman of Leigh band The Lottery Winners, in full voice on Friday. Picture: David Harrison York singer Jess Steel, front, centre, enjoying Live At York Museum Gardens. Pictire: David HarrisonPeter Doherty and his dapper chapeau at York Mueum Gardens: Picture: David Harrison Shed Seven singer Rick Witter and bassist Tom Gladwin Shed Seven drummer Rob ‘Maxi’ Maxfield making his debut York appearance with the band on Friday night. Picture: David Harrison Making a mark: A Shed Seven tattoo at Friday’s concert. Picture: David Harrison
Shed Seven: Playing sold-out concerts in York Museum Gardens on Friday and Saturday
SHED Seven’s 30th anniversary open-air concerts are the headline act on Charles Hutchinson’s arts and culture bill for the week ahead. Look out for global travels, Gershwin celebrations and a Hitchcockian comic caper too.
York festival of the week: Futuresound presents Live At York Museum Gardens, Jack Savoretti, tomorrow; Shed Seven, Friday and Saturday
ANGLO-ITALIAN singer-songwriter Jack Savoretti opens the inaugural Live At York Museum Gardens festival at the 4,000-capacity gardens tomorrow, when the support acts will be Northern Irish folk-blues troubadour Foy Vance, York singer-songwriter Benjamin Francis Leftwich and fast-rising Halifax act Ellur.
Both of Shed Seven’s home-city 30th anniversary gigs have sold out. Expect a different set list each night, special guests and a school choir, plus support slots for The Libertines’ Peter Doherty, The Lottery Winners and York band Serotones on Friday and Doherty, Brooke Combe and Apollo Junction on Saturday. Sugababes’ festival-closing concert on July 21 was cancelled in April. Box office: seetickets.com/event/jack-savoretti/york-museum-gardens/2929799.
Claire Martin: Celebrating Gershwin’s Rhapsody In Blue at Ryedale Festival. Picture: Kenny McCracken
Jazz gig of the week: Ryedale Festival, Claire Martin and Friends, Rhapsody In Blue – A Gershwin Celebration, Milton Rooms, Malton, Friday, 8pm
LONDON jazz singer Claire Martin leads her all-star line-up in a celebration of George Gershwin’s uplifting music and the 100th anniversary of Rhapsody In Blue, a piece that changed musical history.
In the band line-up will be pianist Rob Barron, double bassist Jeremy Brown, drummer Mark Taylor, trumpet player Quentin Collins and saxophonist Karen Sharp. Box office: themiltonrooms.com or ryedalefestival.com.
Maria Gray in the role of The Acrobat in Around The World In 80 Days-ish at York Theatre Royal. Picture: Charlie Kirkpatrick
Theatrical return of the week: Around The World In 80 Days-ish, York Theatre Royal, tomorrow to August 3
PREMIERED on York playing fields in 2021, revived in a touring co-production with Tilted Wig that opened at the Theatre Royal in February 2023, creative director Juliet Forster’s circus-themed adaptation of Jules Verne’s novel returns under a new title with a new cast.
Join a raggle-taggle band of circus performers as they embark on their most daring feat yet: to perform the fictitious story of Phileas Fogg and his thrilling race across the globe. But wait? Who is this intrepid American travel writer, Nellie Bly, biting at his heels? Will an actual, real-life woman win this race? Cue a carnival of delights with tricks, flicks and brand-new bits. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Katie Leckey and Jack Mackay: Co-artistic directors of Griffonage Theatre, alternating roles in Harold Pinter’s The Dumb Waiter
Fringe show of the week: Griffonage Theatre in The Dumb Waiter, Theatre@41, Monkgate, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee
YORK company Griffonage Theatre follow up February’s debut production of Patrick Hamilton’s Rope with Harold Pinter’s 1957 one-act play The Dumb Waiter, directed and designed by Wilf Tomlinson.
Two hitmen, Ben and Gus, are waiting in a basement room for their assignment, but why is a dumbwaiter in there, when the basement does not appear to be in a restaurant? To make matters worse, the loo won’t flush, the kettle won’t boil, and the two men are increasingly at odds with each other. Unique to this production, actors Jack Mackay and Katie Leckey will alternate the roles of Ben and Gus at each performance. Box office: tickets.41monkgate.co.uk.
One of Anna Matyus’s artworks on show at Helmsley Arts Centre
Exhibition of the week: Anna Matyus, Helmsley Arts Centre, until August 9
ANNA Matyus’s work explores the powerful spiritual resonance of historical sacred buildings and their setting in the landscape. Using etching and collagraph printmaking techniques and a colourful palette, she seeks to bring to life the powerful geometry of the often-faded motifs and time- worn patterns and symbols of historic artefacts found in the masonry and ancient tiles of these sacred sites.
“My final prints explore and record the dynamic rhythms of three-dimensional architectural form, layered with their decorative and symbolic adornment in a graphic expression of awe and wonder,” she says.
Gary Louris: The Jayhawks’ singer, guitarist and songwriter plays solo at The Crescent on Saturday, York. Picture: Steve Cohen
American solo act of the week: Gary Louris, of The Jayhawks, supported by Dave Fiddler, The Crescent, York, Saturday, 7.30pm
OVER three decades, vocalist, guitarist and songwriter Gary Louris has co-led Minneapolis country rock supremos The Jayhawks with Mark Olson, as well as being a member of alt.rock supergroup Golden Smog, forming Au Pair with North Carolina artist Django Haskins in 2015 and releasing two solo albums, 2008’s Vagabonds and 2021’s Jump For Joy.
He has recorded with acts as diverse as The Black Crowes, Counting Crows, Uncle Tupelo, Lucinda Williams, Roger McGuinn, Maria McKee, Tift Merritt and The Wallflowers too. As an alternative to the sold-out Sheds on Saturday, look no further than this American rock luminary. Box office: thecrescentyork.com.
Cutting a dash but in a hurry: Tom Byrne’s Richard Hannay in The 39 Steps. Picture: Mark Senior
Comedy play of the week: The 39 Steps, Grand Opera House, York, July 23 to July 27, 7.30pm and 2.30pm Wednesday and Saturday matinees
PATRICK Barlow’s award-garlanded stage adaptation of The 39 Steps has four actors playing 139 roles between them in 100 dashing minutes as they seek to re-create Alfred Hitchcock’s 1935 spy thriller while staying true to John Buchan’s 1915 book.
Tom Byrne – Falklands War-era Prince Andrew in The Crown – plays on-the-run handsome hero Richard Hannay, complete with stiff upper-lip, British gung-ho and pencil moustache as he encounters dastardly murders, double-crossing secret agents and devastatingly beautiful women. Box office: atgtickets.com/york.
James: Playing Scarborough Open Air Theatre for the fourth time on July 26. Picture: Paul Dixon
Coastal gig of the week: James, Scarborough Open Air Theatre, July 26, gates 6pm
JAMES follow up Scarborough appearances in 2015, 2018 and 2021 by continuing that three-year cycle in 2024, on the heels of releasing the chart-topping Yummy, their 18th studio album, in April.
“I’m very pleased that we will be playing Scarborough Open Air Theatre this summer – our fourth time in fact,” says bassist and founder member Jim Glennie. “If you haven’t been there before, then make sure you come. It’s a cracking venue and you can even have a paddle in the sea before the show!” Support acts will be Reverend And The Makers, from Sheffield, and Nottingham indie rock trio Girlband!. Box office: scarboroughopenairtheatre.com/james.
Rachel Hill: Project manager for Futuresound’s July concerts at York Museum Gardens
FUTURESOUND events promoter and project manager Rachel Hill has long had her eye on putting on concerts in the Museum Gardens in her home city of York.
This summer that aspiration becomes a reality when chart-topping local heroes Shed Seven play sold-out 30th anniversary shows on July 19 and 20, bookended by Anglo-Italian singer-songwriter Jack Savoretti on July 18 and Sugababes’ original girl group line-up of Mutya Buena, Keisha Buchanan and Siobhán Donaghy on July 21.
“I used to come to the Museum Gardens as a kid, to sit in the gardens and muck around,” recalls Rachel. “As I got older and Mr H [Tim Hornsby] took me under his wing at Fibbers, I realised I wanted a career in music in some capacity. I remember thinking, ‘the Museum Gardens would be the perfect place for gigs: the landscape, the history, the location. It’s just beautiful.”
Rock and pop concerts are not unprecedented in the Museum Gardens: Hawkwind in July 1971; Roxy Music in July 1973, when they parked their tour van in Marygate; Procol Harum in July 1976 and Wendy Wu’s New Wave band The Photos in June 1980.
Since then, the Gardens have played host to the York Mystery Plays (most recently in 2012), light installations, children’s storytelling days, birds of prey displays and operatic soprano Rebecca Fewtrell’s York Proms concerts since 2017.
Jack Savoretti: Topping the Futuresound bill at York Museum Gardens on July 18
“We’re going to follow the same template as the York Proms because York Museums Trust knows that template works well,” says Rachel. “That’s why the stage will be set up in front of the Yorkshire Museum, rather than by the St Mary’s Abbey ruins [where the York Mystery Plays were staged from their revival for the Festival of Britain in 1951 onwards].
“St Mary’s Abbey might happen in the future, but in order for us to make it work this summer, it was right to use the York Proms template.”
The Futuresound Group, a music management and promotion company based in Munro House, Duke Street, Leeds, already runs the two Live At Leeds festivals (In The Park and In The City) each year, along with the pop-punk, emo and metal Slam Dunk Festival at Temple Newsam, Leeds and Hatfield House, Hertfordshire (May 25 and 26 2024), as well as owning The Wardrobe venue in the thriving Quarry Hill arts, media and education quarter of Leeds.
The four-day York event is the latest addition to the portfolio, as Rachel’s passion project comes to fruition. “York Museum Gardens lend themselves to staging concerts. I’m really passionate about this, and I wanted them to be put on by a local person, a Yorkshire company, with a relationship with the local community,” she says.
“It’s been in the pipeline for a while as a venue for Futuresound. It was about finding the right format, the right dates, taking into consideration what goes on at the Hospitium in the gardens [such as wedding parties]. It came down to careful planning, and thankfully the stars aligned.”
Shed Seven’s Paul Banks, left, Tim Wills, Rick Witter, Tom Gladwin and Rob’Maxi’ Maxfield, in front of St Mary’s Abbey, York Museum Gardens. Two sold-out gigs await in July
Shed Seven’s 30th anniversary was the perfect opportunity. “I know them from when they first performed at Fibbers, when I started working there for Tim Hornsby, and I still see them around town, though we don’t see each other in pubs these days. It’s now in supermarkets – and not even in the booze aisle!” says Rachel.
The chart-topping success of the Sheds’ January album A Matter Of Time gave further impetus to their 4,000-capacity Museum Gardens gigs, both selling out rapidly. Rachel then added Jack Savoretti and 2024 MOBO Award-winning Sugababes too.
“It was really important to have contrasting concerts,” says Rachel. “I’m very aware that York is a really diverse city culturally, and I really wanted to expand the genres over the four days. That was important to Futuresound’s head promoter, Andy Smith, too, who’s followed my lead on it, and that’s why we’ll have local opening acts.
“York singer-songwriter Benjamin Francis Leftwich will be on the Jack Savoretti bill, along with Irish musician Foy Vance, and we’ll be announcing the Sugababes’ supports over the next few weeks.
“The Sheds curated their own bill, which was important for them, with Libertines’ co-frontman Peter Doherty on both nights; The Lottery Winners and Serotones [Rick Witter’s son Duke’s band] on July 19, and Brooke Combe and Apollo Junction on July 20.”
Sugababes: Playing York Museum Gardens on July 21
Rachel has past experience of working with Doherty, one of rock’s legendary wild men. “We assisted on Rock’n’Roll Circus with The Libertines a couple of years ago. You just have to mother him!” she says. “He’s got a great relationship with the Sheds, especially with Rick [duetting with him on A Matter Of Time’s closing track, Throwaways].”
Rumour has it that Doherty will not be the only contributor to A Matter Of Time likely to be making an appearance at the Sheds gigs. “I believe Rowetta will doing the shows too,” says Rachel, referring to the Happy Mondays’ singer, who plays the female foil to Witter on In Ecstasy.
Rachel believes in the importance of building relationships, especially with an eye to establishing Futuresound’s open-air shows as a regular component of the Museum Gardens summer. “York Museums Trust [which runs the Yorkshire Museum] have been very supportive of us running a four-day event, and we’ve been engaging with the local residents too with two community engagement evenings.
“The first one was at the Hospitium and the second one will be held in the Fairfax Room in the Yorkshire Museum, open to those who live in close proximity to the gardens. I’ve done all the letter drops myself. We would really like to keep doing these concerts; that’s something very close to my heart.”
The last word goes to Shed Seven’s Rick Witter in praise of Futuresound. “We’ve really enjoyed the experience of working with them as they’re really forward thinking,” he says. “They like to go down the unusual route, like having us play in the Museum Gardens. That’s something different from playing York Barbican or the new football stadium.
“They’re thinking outside the box by not putting on two more nights with more indie bands but appealing to people who like other types of music by having Jack Savoretti and Sugababes.”
Jack Savoretti: First Italian-speaking album at 40. Picture: Chris Floyd
AHEAD of his York Museum Gardens concert on July 18, Anglo-Italian singer Jack Savoretti will be reconnecting with his roots on his first Italian-speaking album Miss Italia.
Released on May 10, it is preceded by first singleSenza Una Donna (Without A Woman), Londoner Savoretti’s collaboration with Italian superstar singer-songwriter Zucchero. First released in 1991 as a five million-selling duet between Zucchero and Paul Young, the 2024 version is enriched by new arrangements and production.
Over a 30-year career, blues musician Zucchero has sold more than 60 million records, played world tours and collaborated with Luciano Pavarotti, Andrea Bocelli, Eric Clapton, Joe Cocker, Miles Davis, B.B. King and Sting.
In turn, singer-songwriter Savoretti has chalked up collaborations with Bob Dylan, Kylie Minogue, Shania Twain, Sophie Ellis-Bextor and Nile Rodgers, among others. However, although bi-lingual from birth, writing in Italian was uncharted territory for Savoretti until now in a 16-year recording career that has delivered seven albums, his last two, 2019’s Singing To Strangers and 2021’s Europiana, both topping the official UK album charts.
The cover artwork for Jack Savoretti’s Miss Italia album
Over the years, his songwriting has been informed by his musical upbringing, with its combination of 1960s/1970s’ California singer-songwriters and European chansonniers such as Charles Aznavour and Lucio Battisti. For Miss Italia, Savoretti sought to hone his craft even further, in a different language to boot.
Sourcing a who’s who from the contemporary songwriting scene in Italy, he found a group of fellow craftsmen and women for collaborations. The resulting album came at an important moment in 40-year-old Savoretti’s life, following the death of his Italian father.
“My father was the anchor that tied me to Italy, the connection to my roots that I felt I was at risk of losing without him,” says Jack, whose full name is Giovanni Edgar Charles Galletto-Savoretti.
The poster for Jack Savoretti’s outdoor concert in York Museum Gardens, promoted by Futuresound
“So I went back to school. I didn’t want to imitate Italian music; I wanted to make it my own, combining everything I had learned over almost 20 years of experience from working in America, England, and Italy, merging Anglo-Saxon singer-songwriting with Italian to create something unique. I first had to learn to write in Italian before making MY album in Italian.”
He will be playing York in a month that will take him to Italy to perform at the Tener-A-Mente Festival, Gardone Riviera, on July 7 andTeatro La Versiliana, Marina Di Pietrasanta, on July 31, either side of his Museum Gardens show.
Will he sing any of Miss Italia’s songs in York? Find out on July 18. Tickets are on sale via www.jacksavoretti.com/events/2024-07-18-jack-savoretti-york-museum-gardens. His special guests that day will be Irish storytelling songwriter Foy Vance and York singer-songwriter Benjamin Francis Leftwich. Gates open at 5pm.
Sugababes in 2024: Mutya Buena, left, Siobhan Donaghy and Keisha Buchanan
SUGABABES will complete Futuresounds’ debut line-up for Live At York Museum Gardens in their second outdoor appearance in the city.
The London girl band’s original line-up of Mutya Buena, Keisha Buchanan and Siobhán Donaghy will perform on Sunday, July 21, following up their July 23 performance at the York Racecourse Music Showcase Weekend two summers ago.
They join London singer-songwriter Jack Savoretti on July 18 and chart-topping York titans Shed Seven on July 19 and 20 (both sold out) in the four-night run.
Futuresound Group’s Rachel Hill says: “We are thrilled to finally announce the completed line-up for our first year in the beautiful Museum Gardens with the incredible Sugababes.
Shed Seven: Playing sold-out shows at York Museum Gardens, supported by Peter Doherty, on July 19 and 20. Friday gig will feature Lottery Winners and York band Serotones, fronted by Rick Witter’s son Duke. Picture: Barnaby Fairley
“It’s so exciting to have some genuine icons join us while being able to showcase some of York’s brilliant local artists. With such an eclectic line-up, this will really offer the residents of York a weekend of live music to remember.”
Formed in 1998, Sugababes have topped the singles charts with Freak Like Me (2001), Round Round (2022), Hole In The Head (2003), Push The Button (2005), Walk This Way (with Girls Aloud, 2006) and About You Now (2007), while 2005’s Taller In More Ways and 2007’s Change hit the album chart peak too.
Jack Savoretti: Playing York Museum Gardens on July 18, supported by Foy Vance and York singer-songwriter Benjamin Francis Leftwich
Top ten hits came their way with Overload (2000), Angels With Dirty Faces (2002), Too Lost In You (2003), In The Middle (2004), Caught In A Moment (2004), Ugly (2005), Red Dress (2005), Easy (2006), Girls (2008), Get Sexy (2009), About A Girl (2009) and Wear My Kiss (2010).
The Sugababes line-up changed three times – Heidi Range, Amelle Berrabah and Jade Ewen joining at various points – before Buena, Buchanan and Donaghy reunited in 2011.
Live At York Museum Gardens is Yorkshire promoters Futuresound’s latest addition to a portfolio that has embraced Live At Leeds, Slum Dunk Festival and Ed Sheeran’s August 16 and 17 2019 performances at Roundhay Park, Leeds.
Futuresounds will present Madness on their C’est La Vie itinerary at Kirkstall Abbey, Kirkstall, Leeds, on July 26, supported by The Zutons. What a Yorkshire panoply of outdoor concerts is in prospect that night when Kaiser Chiefs will play York Racecourse and James will return to Scarborough Open Air Theatre.
Tickets: Madness, https://futuresound.seetickets.com/event/madness/kirkstall-abbey/2835070; Kaiser Chiefs, yorkracecourse.co.uk; James, scarboroughopenairtheatre.com.
The poster announcing the postcode presale for Sugababes’ show at York Museum Gardens
