Game Of Thrones actor Anton Lesser celebrates the life and work of Laurie Lee in Red Sky At Sunrise at Grand Opera House

Anton Lesser performing Red Sky At Sunrise, Laurie Lee in Words and Music, with the musicians of Orchestra of The Swan

AUTHOR Laurie Lee’s extraordinary story will be told in a weave of music and his own words in Red Sky At Sunrise at the Grand Opera House, York, on Sunday night.

Actors Anton Lesser (Endeavour’s Chief Superintendent Bright and Game Of Thrones’ villainous advisor Qyburn) and Charlie Hamblett (from Killing Eve, Ghosts and The Burning Girls) play the role of Laurie Lee, older and younger, along with a rich array of other characters.

Together, they celebrate Lee’s engaging humour, as well as portraying his darker side, in a performance that has startling resonance with modern events. 

Red Sky At Sunrise follows Stroud-born Laurie Lee through his much-loved trilogy, Cider With Rosie, As I Walked Out One Midsummer Morning and A Moment Of War, when Lee famously walked out of the Slad valley one midsummer morning and ended up fighting with the International Brigades against General Franco’s forces in the Spanish Civil War.

“It has been a joy to discover more of Laurie Lee’s sublime writing,” says Anton. “In many ways, his account of what was happening in Spain in the 1930s is prescient of what is playing out now in Europe. 

“There’s a heartbreaking moment when Lee writes: ‘Did we know, as we stood there, our clenched fists raised high, and scarcely a gun between three of us, that we had ranged against us the rising military power of Europe, and the deadly cynicism of Russia? No, we didn’t. We had yet to learn that sheer idealism never stopped a tank’.”

Devised as a show by Judy Reaves, the text by Lee has been adapted by Deirdre Shields, to be accompanied by David Le Page’s musical programme for Orchestra Of The Swan.

His programme weaves around Lee’s writing, from the lush Gloucestershire countryside that Lee made famous in Cider With Rosie, to the dry landscapes of Spain, via the music of Vaughan Williams, Walton, Holst, Elgar, Britten, Grainger, Albeniz, Turina and De Falla. Guitarist Mark Ashford will be performing Asturias, Sevilla and Spanish Romance too.

Charlie Hamblett in the role of Laurie Lee, the younger

“To be asked to read great writing, and to read it aloud is a privilege,” says Anton. “To read it aloud supported by magnificent music is something more – I would call it a blessing. The words and the music combine, hopefully deepening and enriching the experience for both audience and practitioners.

“The audience can expect to be taken on a journey – which reflects Laurie’s actual travels from rural Gloucestershire to Spain, but also his inner journey from boyhood to maturity – all in the company of great musicians playing sublime music.”

Recalling Red Sky At Sunrise’s pathway to the stage, Anton says: “When Judy and Deidre were adapting the books for a performance piece, I just remember someone calling me up, saying ‘would you be interested and do you like Laurie Lee?’.

‘I had to say that to my shame I’d never read any Laurie Lee, but I then looked at Cider With Rosie and thought, ‘this is so beautiful’. I asked to be sent what Judy and Deidre had put together and then the first draft.”

Anton had already done Wolf Hall Live, a combination of words and Debbie Wiseman’s music, and events with the Trio Carducci, where he reads letters to accompany the music of composers such as Beethoven and Shostakovich.

Anton met up with producer Judy Reaves and musician David Le Page at Laurie Lee’s pub [The Woolpack Inn] in Slad, in Gloucestershire, whereupon Red Sky At Sunrise was first performed in 2022.

“The reaction has been fantastic because a lot of people, like me, assume they know Laurie Lee’s work or think, ‘I read that at school’, but then find they don’t know the full story behind the books that chart his journey to Spain to join the International Brigades in the Spanish Civil War,” says Anton.

David Le Page: Leading Orchestra of The Swan in Red Sky At Sunrise. Picture: Lucy Barriball

“Red Sky At Sunrise is a really romantic, powerful record of that time, a period before motorised transport was around, where you travelled by horse in his village. So Laurie Lee goes from this bucolic, idyllic childhood to end up in this violent war and then comes back to the village, saying ‘it’s where I want to end my days’.”

Among the highlights so far for Anton have been a sold-out performance at the RSC, Stratford-upon-Avon, in May 2023 and an hour-long version at the Chelsea Arts Club, Lee’s “home from home”, attended by Lee’s daughter in April.

“We tweak it a little the more we do it, spotting things that we think will make it better, both the words and the music, and we’ve added projections too,” he says.

“We’re continually layering the evening with more dimensions, not just the words and the music, but to show Lee’s growth as a human being, such as the implications of him going to Spain as a young man, learning a little bit to play the violin, which sustains him en route and then becomes a character in the performance.”

He cherishes each chance to perform Red Sky At Sunrise, feeling a “sweet resonance” with Laurie Lee’s writing. “You just feel so privileged, so blessed, because great text forces you to come up and meet it full on and give of your best.

“As an actor I’ve worked with some great writers but some who are not so great too, where you have to make it more authentic, but with Laurie Lee, you think, ‘I must up my game’, and I just feel inspired and very lucky.”  

Red Sky At Sunrise, Laurie Lee in Words and Music, starring Anton Lesser, Charlie Hamblett and Orchestra Of The Swan, Grand Opera House, York, Sunday, May 26, 7.30pm. Box office: atgtickets.com/york.

Anton Lesser & Charlie Hamblett combine with Orchestra Of The Swan to tell Laurie Lee’s story in words and music at GOH

Anton Lesser and Orchestra Of The Swan in a performance of Red Sky At Sunrise. Picture: Lucy Barriball

AUTHOR Laurie Lee’s extraordinary story is to be told in a captivating weave of music and his own words in Red Sky At Sunrise at the Grand Opera House, York, on May 26.

Actors Anton Lesser (from Endeavour, Wolf Hall and Game Of Thrones) and Charlie Hamblett (Killing Eve, Ghosts and The Burning Girls) play the role of Laurie Lee, older and younger, along with a rich array of other characters.

Together, they celebrate Lee’s engaging humour, as well as portraying his darker side, in a performance that has startling resonance with modern events. 

Actor Charlie Hamblett in the role of Laurie Lee, younger. Picture: Lucy Barriball

Red Sky At Sunrise follows Stroud-born Laurie Lee through his much-loved trilogy, Cider With Rosie, As I Walked Out One Midsummer Morning and A Moment Of War, when Lee famously walked out of the Slad valley one midsummer morning and ended up fighting with the International Brigades against General Franco’s forces in the Spanish Civil War.

Devised as a show by Judy Reaves, the text by Lee has been adapted by Deirdre Shields, to be accompanied by David Le Page’s musical programme for Orchestra Of The Swan.

His programme weaves around Lee’s writing, from the lush Gloucestershire countryside that Lee made famous in Cider With Rosie, to the dry landscapes of Spain, via the music of Vaughan Williams, Walton, Holst, Elgar, Britten, Grainger, Albeniz, Turina and De Falla. Guitarist Mark Ashford will be performing Asturias, Sevilla and Spanish Romance too.

David Le Page: Put together the musical programme for Orchestra Of The Swan for Red Sky At Sunrise. Picture: Lucy Barriball

Anton Lesser reflects: “It has been a joy to discover more of Laurie Lee’s sublime writing. In many ways, his account of what was happening in Spain in the 1930s is prescient of what is playing out now in Europe. 

“There is a heartbreaking moment when Lee writes: ‘Did we know, as we stood there, our clenched fists raised high, and scarcely a gun between three of us, that we had ranged against us the rising military power of Europe, and the deadly cynicism of Russia? No, we didn’t. We had yet to learn that sheer idealism never stopped a tank’.”

Red Sky At Sunrise, Laurie Lee in Words and Music, starring Anton Lesser, Charlie Hamblett and Orchestra Of The Swan, Grand Opera House, York, Sunday, May 26. Box office: atgtickets.com/york.

Guitarist Mark Ashford playing at a Red Sky At Sunrise performance. Picture: Lucy Barriball

In the spotlight: Anton Lesser on Laurie Lee, Red Sky At Sunrise, playing villains, Endeavour and favourite roles

What do you enjoy about Laurie Lee?

“I enjoy a sweet resonance I feel with Laurie Lee’s writing, a kind of recognition of something apparently difficult to access, but which mysteriously becomes available through great storytelling.”

What can the audience expect from Red Sky At Sunrise?

“The audience can expect to be taken on a journey, (which reflects Laurie’s actual travels from rural Gloucestershire to Spain, but also his inner journey from boyhood to maturity), all in the company of great musicians playing sublime music.”

How does performing a combination of words and music work for an actor?

“To be asked to read great writing, and to read it aloud is a privilege. To read it aloud supported by magnificent music is something more – I would call it a blessing. The words and the music combine, hopefully deepening and enriching the experience for both audience and practitioners.”

Can you be carried away by the music?

“Yes, I’m often so carried away by the musicians that I’m a bit of a liability – sometimes needing a bit of a nod or nudge to come in on cue!”

“I enjoy a sweet resonance I feel with Laurie Lee’s writing,” says actor Anton Lesser

You played the villainous advisor Qyburn in the HBO fantasy drama Game Of Thrones. Do you enjoy playing villains?

“It’s not so much that I enjoy playing ‘villains’ – I like to think that I approach every role without limiting their identity to a single label like good or bad – but I think it’s more that those characters tend to be more complex and interesting.”

True or false? When you did your first day’s shoot on Endeavour, Shaun Evans could not stop laughing?

“Yes, Sean did have a problem with me – for some reason in the first episode he couldn’t look at me without laughing. I like to think this was a manifestation of love, respect and huge professional admiration; sadly I suspect it had more to do with the ridiculous hat I was made to wear.”

 On Endeavour, you and Roger Allam were renowned for being cheeky together?

“Roger and I got away with a modicum of bad behaviour simply because we were very old. Two theatre actors in gentle competition for the best ‘light’ or close-up must have been a sad and sorry spectacle, and an example for younger actors how not to behave on set – but it was great fun and all in the best possible taste!”

Favourite roles? 

“My favourite role is usually the one I’m currently working on, but I can point to one or two which I remember as being particularly enjoyable. Feste in Twelfth Night (working with the wonderful Richard Briers), Serge in Art and more recently Benedict in The Two Popes. Vernon Marley in the TV series Better was especially fulfilling – a great character.”

Here’s Jonny! Weldon joins York Theatre Royal pantomime adventure after landing hush-hush House Of The Dragon role

Jonny Weldon: York Theatre Royal pantomime debut as Starkey in All New Adventures Of Peter Pan

“SOCIAL media sensation” Jonny Weldon is the latest addition to York Theatre Royal’s pantomime cast for All New Adventures Of Peter Pan.

Although he would if he could, he can’t say too much about his character other than his name – Starkey – because writer Paul Hendy is working on the script.

“I know Paul quite well and have worked with him before,” says Jonny. “I don’t doubt we’ll sit down soon and work out the character.”

He can reveal little about his imminent television role too. “It’s very frustrating. I’m not allowed to tweet about it,” explains the actor and sketch humorist, whose videos went viral on Twitter.

He does confirm he will be appearing in the highly anticipated Game Of Thrones spin-off House Of The Dragon, but the series is being kept a closely guarded secret in the run-up to the first episode premiering on August 22 on Sky.

Jonny has “a little part” in the series but that is all he is saying. Even his character is a mystery, although rumoured to be called Samwell.

This summer, he can be found playing one half of Cruella de Ville’s comic henchman double act Casper and Jasper in a musical version of 101 Dalmatians at Regents Park Open Air Theatre in London.

July’s record-temperature heatwave took its toll on performers acting outdoors under the sun. “It was far too hot!” says Jonny. “We were doing shows with heat spaces for ice packs and dressers throwing cold water over us to cool us down.”

Jonny Weldon: Actor, sketch humorist and pantomime star

Nevertheless, doing the show has been “interesting but fun”. “I’ve never worked before at Regents Park, which is just down the road from where I live. It’s nice to work near where you live. It’s a big family show and that kind of theatre is great to do,” he says.

Jonny, who has 16 years in the business to his name, owes his entry into performing to his parents. Not that he had a stereotypical pushy stage mother. “I was a terrible show-off and my mum decided to see if she could harness my need to show off,” he recalls. “She took me to a big national audition – and I got the part.”

At the age of 11, Jonny had landed the role of Michael Banks, one of the children under the care of a flying nanny in the stage musical version of Mary Poppins.

Another West End musical role followed: Gavroche, the boy who dies on the barricade in Les Miserables. Next stop was the National Theatre for Jeanine Tesori and Tony Kushner’s musical, Caroline, Or Change. Soon a place at the prestigious Sylvia Young Theatre School, in Marble Arch, was his.

His local paper wrote a story championing his acting success with the headline Well Done, Weldon! “I loved doing Mary Poppins. I found school boring and it meant I didn’t have to go into school,” Jonny says.

“At that point, I didn’t really have a real understanding of what I was doing. It was just play and fun. I got to die on the barricade [in Les Miserables] – what kid doesn’t like a gory death?

“At no point have I found what I’m doing strange or lost my enthusiasm for performing. I’ve always enjoyed it. There are ups and downs but I’ve never found myself wanting to do anything else.”

Jonny has done theatre aplenty but the past two years have seen him branch out into television with roles in Stephen Merchant’s BBC One series The Outlaws, Channel 4’s Stath Lets Flats and now House Of The Dragon.

Jonny Weldon in the latest poster for York Theatre Royal’s All New Adventures Of Peter Pan

Along the way, he has become, more by accident than design, a “social media sensation”, on account of a succession of viral videos on Twitter. “As with every actor, I was bored and fed up in the lockdowns and decided to create my own sketches about the uphill battle of the life of an actor,” says Jonny.

“I didn’t do much on social before but decided to put it on Twitter. 100,000 people watched and shared and laughed.

“This week I put one out about the Edinburgh Fringe. There are always things like that – an actor has an audition, an actor gets cut from a TV programme or an actor tries to socialise.

“I started to film ones on Zoom with celebrities coming in to play themselves. The likes of Russell Tovey, Tracy-Ann Oberman, the cast of Ted Lasso. It’s just been a very fun and unexpected thing.”

Jonny will carry on making videos but, given that he is busy with work, he will do it “as and when I want to”. Long term, he hopes to work on “something bigger than just social media”, explaining: “I want to try and create my own stuff and a vehicle for myself in television. I write relentlessly and am constantly trying to make bigger work for myself and having meetings about that.”

After 101 Dalmatians concludes, he will film a TV show, and once more he has to be hush-hush over what lies in store. “I’ll probably be in trouble if I say anything as I don’t think the show is going out until next year,” he reasons.

Come November, Jonny will start rehearsals for creative director Juliet Forster’s third York Theatre Royal pantomime, All New Adventures Of Peter Pan, joining the already confirmed Maddie Moate, from CBeebies, and three returnees Faye Campbell, Robin Simpson and Paul Hawkyard. The actor playing Peter Pan will be announced next.

Playing Starkey will be Jonny’s latest panto credit after such roles as Will Scarlett in Robin Hood, Jack in Jack And The Beanstalk and Muddles in Snow White twice. Add to that a week in Canterbury in the comic role after an asbestos-related problem forced his show at St Albans Arena to close mid-season. But that’s another story.

Jonny Weldon will star in All New Adventures Of Peter Pan at York Theatre Royal from December 2 to January 2 2023. Box office: 01904 623568 or at yorktheatreroyal.co.uk. Follow Jonny on Twitter:  @jonnyyweldon

Happy 85th birthday to the Joseph Rowntree Theatre today…

The logo for the Joseph Rowntree Theatre’s 85th anniversary in York

TODAY is the 85th anniversary of the Joseph Rowntree Theatre in York, aptly on #LoveTheatreDay.

The theatre was opened on Monday, November 18 1935 by Mr Seebohm Rowntree, then chairman of  Rowntree & Co Limited, with the aim of “providing a hall which may be a fitting centre for those recreational and educational activities that make for a full and happy life”.

Under Lockdown 2 restrictions, the Haxby Road community theatre cannot hold an actual birthday party, but its social media channels will be full of stories, anecdotes and photographs.

The cutting from the Yorkshire Herald, reporting on the opening of the Joseph Rowntree Theatre, or Joseph Rowntree Hall as it was first called. Founder Mr Seebohm Rowntree is second from the left in the line-up

Supporters and volunteers have come together to share their memories and their hopes for the future of the Art Deco venue.

Those wanting to join in the conversations should email any memories to publicity@jrtheatre.co.uk or contribute via Facebook, Twitter or Instagram.

In addition to the birthday celebrations, the JoRo is highlighting the support and encouragement of its three patrons: David Bradley, Ian Kelsey and Frances Simon.

“The Joseph Rowntree Theatre has been a vital part of the city for so many years,” says patron David Bradley

Bradley, known to many older York residents from his time with the Rowntree Youth Theatre and from playing Jesus in the 1976 York Mystery Plays, has become a familiar face nationwide from his vast number of stage, film and television appearances over many decades. Latterly, those credits take in the Harry Potter franchise, Game Of Thrones and Broadchurch.

Although David, 78, has been a patron of the JoRo for “some time”, the 85th anniversary is the first time that the theatre has announced his patronage formally and celebrated his backing.

In support of the theatre’s Raise The Roof fundraising campaign, David said: “The Joseph Rowntree Theatre has been a vital part of the city for so many years. I know from personal experience that it has provided opportunities for so many young people, and I will always be grateful for that. I fully support the theatre’s appeal and wish it all the best.”

Ian Kelsey: New patron of the Joseph Rowntree Theatre

The second, newly appointed patron is York-born actor Ian Kelsey, who honed his skills in many shows produced by Rowntree Youth Theatre. After a stint as an apprentice coach builder at the York railway carriage works, the acting bug drove him to follow his dreams by studying at Guildford School of Acting.

He has since been a regular on the nation’s TV screens in multiple drama series, from Blue Murder and Coronation Street to Doctors, Casualty and Emmerdale.

The third patron is actress and drama teacher Frances Simon, who moved to York with her family from London 14 years ago. She studied at the Webber Douglas Academy of Dramatic Art, in London, and played the Angel Gabriel in the 2012 York Mystery Plays in the Museum Gardens.

Frances Simon: Actress, teacher and new patron of the Joseph Rowntree Theatre

Frances has been a great supporter of the JoRo, attending many shows and teaching many youngsters who have appeared on the theatre’s stage.

A passionate advocate of the benefits of theatre to young people, she is the director of Frances Simon Speech and Drama Coaching; teaches speech and drama at St Peter’s School, York, and is a LAMDA coach at York Theatre Royal and Stagecoach Performing Arts.

While the JoRo is looking back and toasting the successes of the past 85 years today, it must look to the future too. Hence the launch of the Raise The Roof campaign to raise £90,000 to fund the shortfall in savings available to meet the costs of repairing the roofs after more than eight  decades without needing any such major repairs.

Hannah Wakelam: Joseph Rowntree Theatre’s first Young Ambassador

During the course of this campaign, new volunteer Hannah Wakelam has taken on the role of the JoRo’s first Young Ambassador.

Musical theatre performer Hannah, 20, so far has helped to raise hundreds of pounds by initiating fundraising projects, most notably organising this autumn’s online contest, Yorkshire’s Got Talent, won by York College actor-musician Ed Atkin, 17, in October. Now she is in the process of selling tickets for a grand Christmas raffle.

The JoRo trustees hope more young people will follow Hannah’s lead by coming forward to play their part, inspired by the opportunities that the theatre gives them, both on and off the stage.

Happy birthday: The Joseph Rowntree Theatre’s 85th anniversary teddy bear and York illustrator Elliot Harrison’s new retro card in the style of vintage railway posters

Game Of Thrones star David Bradley and comedian Rosie Jones become patrons for Theatre @41’s exciting plans post-Covid

York actor David Bradley: New patron at Theatre @41, Monkgate, York

GAME Of Thrones, Afterlife and Harry Potter actor David Bradley is among a host of new patrons pledging their support to Theatre @41 Monkgate, York.

York-born Bradley, 78, who also starred in Broadchurch and played Jesus Christ in the 1976 York Mystery Plays, is joined by Bridlington-born Rosie Jones, a comedian, actress and scriptwriter, from 8 Out Of 10 Cats and Mock The Week, who has cerebral palsy, and New York playwright/composer Stephen Dolginoff, whose shows Thrill Me: The Leopold And Loeb Story and Monster Makers played in York in 2018 and 2019 respectively.

Comedian Rosie Jones: Supporting Theatre @41’s plans for the future

Further names to wade in with their backing are actors Karen Henthorn, from the National Theatre’s War Horse, In The Flesh and The Trouble With Maggie Cole, and John McArdle, from Brookside, Emmerdale and Frantic Assembly’s Things I Know To Be True at York Theatre Royal in November 2017.

The board also welcomes Felicity Cooper, daughter of the theatre’s founder, the late John Cooper, and former chairman Jim Welsman, who worked tirelessly within the York arts scene, first as chairman of York Musical Theatre Company, then as founder and director of the York New Musical Festival, before retiring from the Monkgate theatre’s board last year.

New patron Karen Henthorn. Picture: Neilson Reeves

“Our new patrons have agreed to ensure this intimate venue not only survives but thrives through the challenges of Covid-19 and beyond,” says Joe Wawrzyniak, who succeeded Jim in the chairman’s post last autumn.

“The charity’s board of trustees approached them as part of an exciting development plan for Theatre @41, enlisting a host of patrons to get people talking about this hidden gem as we make ambitious plans for post-lockdown.”

Actor John McArdle: Pledging support to Theatre @41

Theatre @41 opened in 1998, under the inspirational leadership of John Cooper, who transformed the Victiorian building from scratch into a black-box theatre. Now, the venue, with rehearsal rooms and a dance studio to boot, plays host to York Stage Musicals, Pick Me Up Theatre, Once Seen Theatre Company, York Shakespeare Project and Rigmarole Theatre, among others.

Alexander Flanagan Wright’s cult-hit immersive jazz-age production of The Great Gatsby had a swell time there too, staged by The Guild Of Misrule in winter 2016 and 2018.

From New York to York: Playwright and composer Steven Dolginoff backs the way ahead for Theatre @41 from across the Pond

“Theatre @41 gives York an intimate performance space alongside bigger venues such as the York Theatre Royal and Grand Opera House, in much the same way London’s Menier Chocolate Factory and Southwark Playhouse are as vital to the capital’s arts scene as the big West End theatres,” says Joe.

“Looking ahead, we have a great vision for Theatre@41 and we want to shout it from the rafters. What better way to get started than to involve a high-profile group of patrons who are all passionate about the arts? Everyone is keen to get involved: we’re very lucky to have this wonderful new group on board.”

Jim Welsman: former chairman, now patron

Joe adds: “We’re home to Nik Briggs’s York Stage School, which encourages young people to get involved in performance; Robert Readman’s Pick Me Up Theatre, who regularly present new writing and premieres, and Once Seen Theatre Company, who specialise in working with adults with learning and physical disabilities. We can now boast patrons who represent some of the areas of the arts that we work in.

“It’s our mission to keep the vibrant, inclusive spirit of Theatre@41 going, and for this fabulous, versatile venue to continue to grow.  Our new patrons will be there to help us all the way.”