Livy Potter’s Effie in Iphigenia In Splott. Picture: John Saunders
GREEK myth is smacked in the chops by modern reality in Gary Owen’s scabrous, “horribly relevant” one-woman drama Iphigenia In Splott.
Should you be wondering, Splott is in Cardiff, its unusual name meaning ‘parcel of land’. In your reviewer’s university days studying EngLit there (1980 to 1983), it was the runt of that city’s litter. Today, on a Google search for Splott, you will find the question: “Is Splott rough?”.
Google answers: “As of 2023, the crime rate in Splott is 52 per cent higher than Wales and 50 per cent higher than the England, Wales & Northern Ireland overall figure”.
And they don’t come harder than Effie, whose life “spirals through a mess of drink, drugs and drama every night, and a hangover worse than death the next day, until one incident gives her the chance to be something more”.
Firebrand performance: Livy Potter’s Effie
Owen’s splenetic 75-minute monologue is performed by Livy Potter, actress, chair of York Settlement Community Players and University of York staff member. She is not from Cardiff but director Jim Paterson is, and she has been able to perfect that distinctive accent in rehearsal sessions, an accent that has none of the undulations of the Welsh valleys.
This is a stark, dark play, played out on a single blue chair, with no props and only a mesh of twisted metal and broken palettes as a backdrop. Drama cannot come more intimate or intense than a solo show, and Potter keeps meeting you in the eye, telling you her bruised, devastating tale with shards of jagged humour and shattering blows to the heart.
Think of Ibsen’s women; think of Steven Berkoff’s dramas with their echoes of Greek tragedy; think of Christopher York’s play Build A Rocket.
“As soon as I read the play, I knew I had to accept the challenge,” says Livy Potter of playing Effie in Gary Owen’s Iphigenia In Splott
GREEK myth meets modern reality in Gary Owen’s “horribly relevant” one-woman drama Iphigenia In Splott at Theatre@41, Monkgate, York, from Wednesday to Saturday.
Under the direction of Jim Paterson, York company Black Treacle Theatre presents Livy Potter in a 75-minute monologue about Effie, whose life spirals through a mess of drink, drugs and drama every night, and a hangover worse than death the next day, until one incident gives her the chance to be something more.
Set in contemporary Cardiff, Owen’s play is rooted in the ancient tale of Iphigenia being sacrificed by her father to placate the gods. Effie, in turn, is the kind of woman to avoid eye contact with in the street when she is drunk at 11.30am in the morning.
“Iphigenia In Splott is a play about our country right now,” says director Jim Paterson
Named by the Guardian in its list of the 50 best plays of the 21st century, on account of being a “shattering modern classic that distils all our troubles”, Iphigenia In Splott is both a portrait of a woman whose life is turned upside down by the events of one night and a broader picture of the brutal impact of austerity on communities across Britain.
Director Paterson says “Iphigenia In Splott is a play about our country right now. It was originally written in 2015, but remains horribly relevant when we consider the state of our public services, the cost-of-living crisis and what this means for those already struggling to get by – who are too often forgotten or ignored by those in power.
“What makes it such a brilliantly rich play is the unforgettable character of Effie, and the poetry and lyricism in the language that Gary Owen has written for her. This gives it an emotional heft and weight that I think will be incredibly cathartic for an audience.”
Livy Potter and Jim Paterson in the rehearsal room
Livy Potter, the sole actor on stage throughout, says: “It’s such a privilege to be given the chance to play Effie. As soon as I read the play, I knew I had to accept the challenge; it’s poetic, emotional, witty and riveting.
“I can’t wait to share this story with York audiences. It’s been great to work with Jim again, having been directed by him in York Settlement Community Players’ production of Christopher Durang’s comedy Vanya And Sonia And Masha And Spike last November. To be back performing at Theatre@41 is fantastic too.”
Paterson is joined in the production team by lighting designer Ivy Magee and set designer Richard Hampton with technical support from Sam Elmer.
Black Treacle Theatre in Iphigenia In Splott, Theatre@41, Monkgate, York, Wednesday to Saturday, 7.30pm and 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.
“I can’t wait to share this story with York audiences,” says Livy Potter
Emergence Festival: A celebration of emerging talent, presented on Zoom from the University of York
EMERGENCE Festival, a free virtual arts festival showcasing emerging artists creating work in York in the pandemic, will run online from tomorrow (23/2/2021) until Saturday.
Co-ordinated by co-producers Olivia Maltby, Millie Feary and Blyth McPherson at the University of York, the festival on Zoom will feature six plays directed, designed and performed by students: NSFW by Lucy Kirkwood; Mike Bartlett’s Wild by Mike Bartlett; Ross & Rachel by James Fritz; Gary Owen’s killology; Wild Swimming by Marek Horn and Jez Butterworth’s The River.
Solo music by Yorkshire artists James Banks and Rumbi Tauro will book-end the festival, Doncaster pop singer Banks performing new original music and covers on the opening day; Intake R&B/soul artist Tauroplaying a live set at the online closing party.
James Banks: Doncaster musician to play online at Emergence Festival
Doncaster instructor Claire Burns will lead a Hatha yoga class, Sunshine Yoga, and the University of York Comedy Society’s sketch troupe, The Dead Ducks, will perform a sketch first aired at the 2019 Edinburgh Fringe.
Panels and talks with industry professionals, such as Sorcha McCaffrey, The Paper Birds, Rocket Box Theatre, JustOut Theatre and Chris Swain, will offer the chance to discuss how to survive as an artist in a pandemic and how to break into the industry.
These will take place in the form of live Q&As or webinars, where the artists will be to answer any and every questions.
“Celebrating the work of new and upcoming artists in the performing arts industry has never been so important,” says Olivia, introducing a virtual festival where everything will be free to attend from the comfort of home.
The River: Jez Butterworth’s play set on a moonless night in August
“With the effects of the pandemic on the arts sector, anyone in the industry has faced disruption and is challenged with fears of the future. Our festival provides a positively exciting space for emerging artists to showcase their talent far and wide and to remind us of how important art and culture is.”
Originally, Emergence Festival was intended to take place at University of York’s theatre department, but in response to Lockdown 3, the students had to adapt to what was possible, embracing the opportunity to present their work on Zoom.
After overcoming the initial fear of poor wi-fi and glitching, the artists have thrived in their new environment in their rehearsals, culminating in this week’s live performances online.
Sam Armstrong: Director of Ross & Rachel
The full schedule is:
Tuesday, February 23
5.15pm to 5.30pm: Welcome speech.
5.30pm to 6.20pm: Wild Swimming by Marek Horn.
A kaleidoscopic exploration of cultural progress, Marek Horn’s play Wild Swimming is an interrogation of gender and privilege and a wilfully ignorant history of English Literature.
Wild Swimming: Marek Horn’s kaleidoscopic exploration of cultural progress
6.20pm to 6.55pm: James Banks.
Doncaster singer James Banks’s songs are a fusion of pop anthems and the vocal stylings of Sam Smith, Will Heard and Conan Grey. His set will combine originals and covers.
7pm to 8.20pm: NSFW by Lucy Kirkwood.
This sharp comedy addresses power games and privacy in the media and beyond.
Wednesday, February 24.
4pm to 5pm: Q&A with Sorcha McCaffrey.
In this interactive Q&A session, writer and actor Sorcha McCaffrey will take questions from the audience about her career in the theatre industry, writing a solo show and performing as a touring artist.
Sorcha McCaffrey: Live Q&A at Emergence Festival on Wednesday
5pm to 6.20pm: killology by Gary Owen.
In a play where a controversial new gaming experience is inspiring a generation, players are rewarded for torturing victims, scoring points for “creativity”.
7pm to 8.40pm: Wild by Mike Bartlett.
This darkly comic play explores the unexpected, bewildering and life-changing consequences of challenging the status quo at a global level.
Thursday, February 25
4pm to 5pm: In Conversation with The Paper Birds.
The Paper Birds, a devising theatre company with a social and political agenda, specialise in verbatim theatre, inspiring change through the theatre they create. In this session, they will discuss their experience of breaking into the theatre industry, devising theatre inspired by the community around them and their projects in lockdown.
Ross & Rachel: James Fritz’s dark and uncompromising play about romance, expectation and mortality
5pm to 6.15pm: Ross & Rachel by James Fritz.
A dark and uncompromising play about romance, expectation and mortality, Ross & Rachel tells the story of what happens when two friends who were always meant to be together, get together and stay together.
7pm to 8.15pm: The River by Jez Butterworth.
On a moonless night in August when the sea trout are ready to run, a man brings his new girlfriend to the remote family cabin where he has come for the fly-fishing since he was a boy. She is not the only woman he has brought there, however, nor indeed the last.
Friday, February 26
4pm to 5pm: In Conversation with Chris Swain.
Chris Swain, lighting designer for devising physical theatre company Gecko, will answer questions on life as a technical freelancer working in theatre and dance: how to start; how theatre design jobs are structured; the difference between devised and text-led work; how to be an effective collaborator; the tech and software that are used, and the future of the industry.
Zooming in: Maria Cook and Bradley Hodgson in rehearsal for The River
5pm to 6.40pm: Wild by Mike Bartlett.
6.40pm to 7pm: Comedy Sketch by The Dead Ducks.
The University of York Comedy Society sketch troupe The Dead Ducks will stream a humorous performance during the interval.
7pm to 8.20pm: NSFW by Lucy Kirkwood.
Saturday, February 27
10am to 11am: Sunshine Yoga with Claire Burns.
Claire Burns hosts a live yoga session of sun salutations with gentle, energising, breath-led flows, guided meditation and deep relaxation.
In concert: Rumbi Tauro to perform closing online show at Emergence Festival
11am to 12 noon: Rocket Box X JustOut Theatre.
Theatre companies Rocket Box and JustOut Theatre invite questions about their insight into life post-graduation and taking first steps into the theatre industry. Mistakes were made, lessons were learnt, so, sit down, open notebooks and let the demystifying revelations begin.
12 noon to 1.15pm, The River by Jez Butterworth.
2.40pm to 4pm: killology by Gary Owen.
4.05pm to 4.55pm: Wild Swimming by Marek Horn.
5.30pm to 6.50pm: Ross & Rachel by James Fritz.
7pm onwards: Closing party with Rumbi Tauro.
Zimbabwean-born soul and R&B singer-songwriter Rumbi Tauro, from Intake, Doncaster, will close the festival with a set of originals and covers to celebrate the work of Emergence’s emerging artists.
