YORK Shakespeare Project’s Summer Sonnets return to the churchyard of Holy Trinity, Goodramgate, York, from tomorrow to August 17.
“After attracting a record audience of more than 600 people to the show last year in the Bar Convent gardens, we are delighted again to be offering a taste of Shakespeare that is both entertaining and accessible,” says YSP chair Tony Froud, who is directing for a second year. “It’s a lovely event for both the Shakespeare enthusiast and those new to Shakespeare.”
Holy Trinity last hosted YSP’s Sit-Down Sonnets in September 2020, under social distancing restrictions during the Covid pandemic.
“This year we plan to take full advantage of such a beautiful setting with all its historic associations,” says Tony. “The church has been incredibly welcoming, in keeping with being used for various theatrical and cultural events and for location filming too.
“Many people will know the church as the site of the blessing of the relationship of Anne ‘Gentleman Jack’ Lister and Ann Walker [at Easter 1834], and we are building this year’s show around that famous event” [now marked by a York Civic Trust rainbow plaque with the wording “took sacrament here to seal her union”).
The Summer Sonnets show has been scripted by Josie Campbell, who performed the role of one of Macbeth’s witches for YSP on the Rose Theatre’s Shakespeare Wagon in 2019 at the Eye of York.
Sharing her time between Ampleforth and Dubai, Josie is a professional actor/director and co-founder of Little Britches Theatre Company. In 2021 she toured Yorkshire with a pop-up production of Shakespeare’s Will, a one-woman show about Anne Hathaway, Shakespeare’s wife.
“Josie had never been to Holy Trinity but did her research and was immediately captivated by the idea of using Anne Lister and Ann Walker’s story as the starting point,” says Tony. “A lot of the language she uses, she found in Anne Lister’s diary, which adds authenticity.”
For Summer Sonnets, Josie has come up with an entertaining plot, taking full advantage of the church’s setting and rich history. “I have thoroughly enjoyed writing a Sonnets show, featuring Anne Lister, one of Yorkshire’s most uncompromising and resilient women”, she says.
For the Summer Sonnets, audiences are “invited to a secret wedding in Holy Trinity, Goodramgate, in the heart of York”, where they will “meet the church’s most famous couple while enjoying a complimentary drink, but as they witness the happy event, they may start to wonder: is everything quite what it seems?”
“As ever, the show will feature a wide variety of colourful characters, each speaking in everyday English until they shift into their 14 lines of verse from one of Shakespeare’s sonnets to reveal the heart of their story,” says Tony, who is keeping the exact nature of those characters under wraps until the opening evening.
“It’s a lovely experience. You can sip your complimentary drink on a summer’s evening in a delightful setting. Very often, the characters slip into a sonnet and the audience hardly notices that the language has become Shakespearean. And you should look forward to a surprise or two!”
2024 marks the tenth anniversary of YSP’s first show built around Shakespeare’s sonnets in the form of 2014’s Sonnet Walks, wherein groups of audience members met assorted characters as they walked through the streets of York.
“Sadly, I never saw the Walks, but there’s an advantage in having a single setting where characters can meet, start a story and then reappear to complete it,” says Josie.
Tony adds: “Part of the joy of the piece is that Josie has come to the Shakespeare sonnet format, having never seen our sonnets shows before, whereas all our previous writers have had the theatrical equivalent of muscle memory.
“She came to it with fresh eyes, and the full credit I would give her is that she has been extraordinarily generous and open with her script and has allowed me as director and the cast to develop their character to suit the sonnet format.
“All the cast have to find a way to allow their character to discover their Shakespeare sonnet as a natural part of their progression.”
Tony’s cast is a blend of actors new to the YSP Sonnets, Marie-Louise Feeley, Liam Godfrey, Halina Jaroszewska, Alexandra Logan, Grace Scott and Effie Warboys, and seasoned sonneteers Maurice Crichton, Emily Hansen, Sally Mitcham, Helen Wilson and Tony Froud himself.
“Our YSP casts for The Taming Of The Shrew and Edward II have demonstrated a greater variety of casting, and that has continued with Summer Sonnets,” says Tony, who has held rehearsals over the past six weeks. “We seem to be casting our net more widely, attracting a wider set of actors.
“That said, YSP has always tried to do that because we’ve aways had a policy of selecting a different director for each production and we operate an open casting policy.”
Writer Josie Campbell suggested the sonnets to be performed by each character. “The vast majority were chosen by her, though as part of the development of the script, two of the cast asked to use another for their character,” says Tony.
“My experience is that there’s always a collective sense of appreciation among the audience when they recognise a familiar sonnet, but we also try each year to include some new sonnets from Shakespeare’s collection.”
Reflecting on the tenth anniversary of YSP’s Sonnets seasons, Tony says: “I understand it was a very different animal when it began, starting as Sonnets Walks around the city, where each actor would develop their character and then choose their sonnet.
“But now we’ve hit on a format with a single venue and we have the opportunity for a writer and director to develop the characters, the dramatisation and the narrative arc and that prescribes the choice of sonnets rather more.”
York Shakespeare Project, Summer Sonnets, Holy Trinity Church, Goodramgate, York, August 9 to 17, 6pm and 7.30pm nightly, except August 12, plus 4.30pm on August 10 and 17. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Did you know?
YORK Shakespeare Project will perform all three parts of Shakespeare’s Henry VI history plays, condensed into one play, at next April’s York International Shakespeare Festival, under the direction of Irwin Appel, American professor of drama and theatre studies at the University of California, Santa Barbara.
