Dawn Landes: Playing York for a fifth time next Wednesday
AMERICAN country roots singer-songwriter Dawn Landes will showcase The Liberated Woman’s Songbook at Rise@Bluebird Bakery, Acomb Road, Acomb, York, on July 2.
Arriving on the back of making her Glastonbury debut on Sunday, she will be performing in York for the first time since her November 2018 gig with keyboardist husband Creighton Irons at The Basement, City Screen Picturehouse, where she contemplated the “big themes of midlife” in mid-tempo songs of heartbreak, youth fading into the distance and love lost and found.
Playing with Irons once more, this time Landes will interweave songs from her seven previous albums with her celebration of women’s voices of activism, freedom and equality, rooted in her March 2024 album that re-imagines 11 folk songs spanning 1830 to 1970s’ Women’s Lib.
The project began when Landes stumbled on the 1971 collection The Liberated Woman’s Songbook at a thrift store during the pandemic. Following the 2022 overturn of the Roe v. Wade case in the United States, the songs took on an even greater urgency, she says. “We’re suddenly back in 1971 all over again,” Dawn reflects. “I know we’re in for a long fight, and it helps to find solidarity where you can.”
Recorded in Upstate New York and and her home of Chapel Hill, North Carolina, The Liberated Woman’s Songbook features contributions from Emily Frantz (Watchhouse), Kanene Pipkin (The Lone Bellow), Rissi Palmer, Charly Lowry, Annie Nero and Lizzy Ross (Violet Bell).
“A lot of work went into the album,” says Dawn, 44. “I still feel I’m learning because I never took a course in women’s history, so it’s been an initiation into feminism for me.
The cover artwork for Dawn Landes’ album The Liberated Woman’s Songbook
“I did a lot of research and I continue to do that research. I just wanted to share with people what I’d learned because the important thing was to see how much progress there had been. Like how it took 100 years for women to get the vote – and it feels like we’re going backwards now.”
Dawn’s learning curve continues. “I didn’t intend to say I know everything about feminism [with this album]. There are 77 songs in the original 1971 songbook and I’ve only done 11 on the album,” she says. “But I do more in the full-length concerts, two hours, with costumes and projections, like I played at the [London] Barbican last year – and there are more songs that I’ve discovered.
“I really enjoy doing the full performances because it’s a more theatrical show in theatres, with the characters coming through, and I feel it works best in that setting, even more than as a double album.”
Finding the songbook was a light-bulb moment for Dawn. “I don’t remember which book store I was in, but I travel a lot, and wherever I go, I like to find a good cup of coffee and a good bookshop,” she says.
“I used to work in one, and I love second-hand bookshops in particular. When I found the book, I loved the cover and I was curious about the songs. Stuck at home in the pandemic, I unearthed the book and learned a song a day as my daily medicine when I was thinking, ‘how am I going to get through this day?’“
She felt connections with “female singers, who maybe I didn’t know and like-minded activist poets, when there’s not a lot of space for that to happen, where you can feel part of a community.
“I still feel I’m learning because I never took a course in women’s history,” says Dawn Landes
“I do feel that sense of community, which otherwise I feel I’m lacking, though even when I do the songs solo I still feel a connection to the women of the past,” she says. “A lot of people have come up to me at shows to say they had family members who had worked in the mills of North Carolina in poor working conditions, in the heat, in full skirts and black dresses.”
Looking ahead, without giving too much away, Dawn says: “I have some plans to do something this summer, so hopefully I’ll have something out soonest. I started on it in the spring.” Watch this space.
First comes her UK tour, where playing the Bluebird Bakery could not be more apt for Dawn. “I have an album called Bluebird, of course,” she says, recalling her 2014 release and its title track, sure to feature in Wednesday’s set list. “There’s a Bluebird Theater (CORRECT) I’ve played in Denver, Colorado, and my goal is to play all the Bluebirds in the UK.”
Dawn Landes, Rise@Bluebird Bakery, Acomb Road, Acomb, York, July 2, doors 7.30pm for 8pm start; box office: https://www.seetickets.com/event/dawn-landes/rise-bluebird/3372912?aff=id1bandsintown. Also Hebden Bridge Trades Club, July 3, 7.30pm; thetradesclub.com.
Did you know?
DAWN Landes was born in Louisville, Kentucky, on December 5 1980. She spent many years living and performing in Brooklyn, New York, where she studied at university, then in Nashville. Now she is based in Chapel Hill, North Carolina.
In York, she played Fibbers twice in 2006, supporting The Earlies in May and Fionn Regan in September, then opened a five-date UK and Irish tour at Fibbers, Toft Green, in January 2015 and performed at The Basement, City Screen Picturehouse, in November 2018.
