YORKSHIREMAN Neil Hurst returns to York’s Grand Opera House all this week after his standout turn as big Dave in The Full Monty last October – and this time he has to wear a fat suit.
“I’m a big lad, but I’m not big enough for this role,” he says of the requirements to play agoraphobic laundry-business boss and mum Edna Turnblad in Hairspray The Musical, the part played by Divine in John Waters’ cult 1988 American film and later by John Travolta in the 2017 movie musical remake.
“I have to wear a fat suit as well as the false boobs to look the part. It’s all about finding the physicality of the character that’s important. But everything’s there on the page, to find the voice, the way she moves.”
More than 100 shows into the tour, Halifax-born Neil says: “My feet are killing me with the heels I have to wear. I’m learning a lot about what it’s like to be a woman, but I’m having a ball. It’s such a joy to play Edna.
“Every now and then I slip into panto dame mode, but I do try to play Edna as a mum and a wife, finding the real woman in her rather being a big northern lad in a dress.”
How is the tour progressing since opening in July, with around 270 shows still to go? “I started getting RSI [Repetitive Strain Injury] in my right elbow because of all that flapping of my wrists, but now I think my muscles have got used to it,” says Neil.
“Having said that, as I stood by the fridge the other day, my wife said, ‘Why are you standing like that?’. I was standing with a hand on a boob, like Edna does!”
Quick refresher course: Hairspray The Musical is the story of heroine Tracy Turnblad, with her big beehive hair, big heart and big dreams to dance her way on to national television and into the heart of teen idol Link Larkin, supported all the way by mum Edna but hindered by villainous Velma Von Tussle (Strictly Come dancing’s Joanne Clifton).
When Tracy (Katie Brice/Scarborough actress Alexandra Emerson-Kirby in her professional debut) becomes a local star, she uses her newfound fame to fight for liberation, tolerance, and interracial unity in Baltimore, but can she succeed?
“It’s a massively popular show,” says Neil. “I was a big fan of the original film in the Eighties, and then the musical and the later film too. At the core of it, it’s a really good story, and if you get the story right, you can’t go wrong. It’s got a good message, it’s politically apt, saying you should love people for who they are, not what they look like.
“Also, every few minutes, there’s a banging number, ending with You Can’t Stop The Beat. The music is great, the script is brilliant, and then we have Joanne Clifton, who’s wonderful as the baddie character, Velma Von Tussle.
“We get on like a house on fire. We love to do a jigsaw puzzle at every venue, and we’re like these two old fuddy-duddies with all the others being about 20 years old!”
Neil will be taking a winter break before resuming the tour until April, but not for a rest. Instead, this award-winning pantomime performer will be returning to Hull New Theatre for Goldilocks And The Three Bears.
“This time I’m playing Joey the Clown, who’s in love with Goldilocks. I’ve got to try to woo her affection by being the biggest and best act in the circus,” he says. “This will be my fifth Hull pantomime, I love doing the panto there, and this one is very different.
“We’re bringing Hairspray to Hull New Theatre in a few weeks’ time, in the middle of November, but annoyingly I start panto rehearsals the week after, when we’ll be in Bradford that week, so I’ll be be going over in the day to do rehearsals and performing Hairspray at night.”
Hairspray The Musical, Grand Opera House, York, October 28 to November 2, 7.30pm plus 2.30pm Wednesday and Saturday matinees. Box office: atgtickets.com/york.
Did you know?
NORTHERN actor, presenter, writer, podcaster, husband and dad Neil Hurst began his career as a song-and-dance act, touring the country in comedy and variety shows and supporting comedy legends such as Bruce Forsyth, Bob Monkhouse, Jimmy Tarbuck, Ken Dodd and Cannon and Ball.
Neil Hurst’s television credits include two series in a recurring live improvisation role on Michael McIntyre’s Big Show on BBC One, working alongside McIntyre to set up his Unexpected Star of the Show.
Did you know too?
NEIL’S television credits include two series in a recurring live improvisation role on Michael McIntyre’s Big Show on BBC One, working alongside McIntyre to set up his Unexpected Star of the Show.
He hosted his own USA television pilot for Food Network, Hopping The Pond, wherein he travelled the United States, eating local dishes, drinking local brews and learning all about small-town America from the locals.
One more thing..
NEIL wrote the pantomime scripts for Beauty And The Beast at CAST Doncaster and Cinderella for Towngate Theatre, Basildon. In his writing partnership with actress Jodie Prenger, together they have scripted A Very Very Bad Cinderella, The Government Inspector and Cinderella, A Socially Distanced Ball for London theatres The Other Palace, MTFest UK and Turbine Theatre.
