Tag: Grease

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Jocasta Almgill takes shine to dark side as wicked fairy Carabosse in Sleeping Beauty

Jocasta Almgill’s wicked fairy Carabosse in Sleeping Beauty at York Theatre Royal. Picture: S R Taylor Photography

WEST End star Jocasta Almgill has headed home to Yorkshire to patrol the dark side as villainous Carabosse, East Riding accent and all, in Sleeping Beauty at York Theatre Royal.

One hundred years of sleep await Aoife Kenny’s Princess Aurora but there will be no rest for Jocasta’s wicked fairy until January 4 2026.

Originally from Hull and now based in London, she has appeared in such musical roles as Diana Morales in A Chorus Line (Curve Leicester/Sadler’s Wells/national tour) and Rizzo in Grease (Dominion Theatre, London), receiving nominations for the 2022 Black British Theatre Award for Best Supporting Female in a Musical and the 2023 WhatsOnStage Award for Best Supporting Performer in a Musical.

No wonder York Theatre Royal creative director and Sleeping Beauty director Juliet Forster enthuses: “We’re absolutely thrilled to welcome Jocasta to York for this year’s panto. She is an incredible talent and audiences are in for a real treat.”

Amid her myriad credits, Jocasta has performed in York previously. “I was in the original tribute to The Blues Brothers, which came to the Grand Opera House years ago in my first job out of college [Italia Conti Academy of Theatre Arts, from where she graduated in 2009 after three years of musical theatre studies],” she says.

East Yorkshire-raised actress Jocasta Almgill

“Then I came back on tour in 2018 with Hairspray, when I was Peaches, one of The Dynamites.” Watch this space for news of a possible return there in a “big musical” next year.

In the meantime, Jocasta is revelling in breaking new ground in Sleeping Beauty. “Carabosse is my first baddie. It’s such fun,” she says. “I always do the Fairy normally, and I love the Fairy in panto, but she’s there to tell the story.

“As Carabosse, I can just have fun and have a lovely time being bad, so I’m really enjoying playing the baddie. Basically Carabosse is so annoyed she’s not been invited to Aurora’s Christening that she casts a spell on her that, before her 18th birthday, she will prick her finger and then be asleep for 100 years.”

Such bad behaviour contrasts with Jocasta’s previous goody-goody pantomime roles for Evolution Productions, York Theatre Royal’s panto partners. “Last year I played Cupid the Fairy in Beauty And The Beast at Canterbury; prior to that, Myrtle the Mermaid in Peter Pan in St Albans.

“In 2020, for Evolution, I was at The Hawth Theatre in Crawley, when we were socially distanced with the tier system in place for Covid 19, and we managed to stay open through the run. It was called something like Dame Dolly Saves Panto!” Indeed it was.

Jocasta enjoys working with the award-winning Evolution team each panto season. “One hundred per cent! It’s why a lot of actors go back to work with them each year, having that security of a good show each winter, which frees you up to do other acting jobs over the rest of the year, knowing you have a job at Christmas.”

Jocasta Almgill’s Carabosse in her lair. “She’s my first baddie. It’s such fun,” she says. Picture: Pamela Raith Photography

This year took Jocasta to Japan to reprise her role as Diana Morales in A Chorus Line. “It started off as a Curve production in Leicester, then went to Sadler’s Wells, and then some Japanese producers picked it up,” she says.

“We were there for ten weeks, playing three cities, Tokyo, Sendai, Osaka and then back to Tokyo. Japanese is a tricky language to learn, but within the company there were lots of Japanese people, so I could practise my Japanese.”

How did that go? “Sometimes they would laugh at me! Like when I thought I was saying ‘That was delicious’ and in fact I’d said ‘Would you marry me’!”

She took the opportunity to go sight-seeing in each city. “There was more time than you might think to do that – and I’m quite the early bird, getting up early to see things. It was very special to be there; an experience I shall never forget.”

Jocasta had pinned her hopes on playing a panto villain  earlier than this winter. “At St Albans two years ago, I said ‘I want to play Captain Hook’, which would have been so much fun, but then they cast me as Cupid,” she recalls.

Jocasta Almgill in rehearsal for her villainous role as Carabosse in Sleeping Beauty

“I thought, ‘it’ll never happen’, but thankfully they offered me Carabosse this winter, and I told them, ‘I’d love to do that’.”

Jocasta is delighted to be drawing the boos in Sleeping Beauty. “It’s great to be working with Evolution again. We have a brilliant show on our hands that’s really exciting and is a real spectacle, as well as being funny. Visually it’s amazing, and I’m very happy with my costumes,” she says.

“I sing quite a few big numbers. Paul [Evolution Productions’ artistic director and York panto writer Paul Hendy] always has me doing some rocky numbers. I did Guns N’ Roses’ Welcome To The Jungle as Welcome To The Panto in Beauty And The Beast, and here I’m doing Hellfire, from The Hunchback Of Notre Dame musical.

“I get to open Act Two with Pinball Wizard, and I’ve got a duet with Jennie Dale’s Fairy Moonbeam where we compete with each other in Ugly Kid Joe’s Everything About You.

“The cast bounces off each other so well, and I love working with Robin [Robin Simpson’s dame Nurse Nellie], who’s hilarious. Luckily I don’t have too many scenes with him or I’d be giggling!”

York Theatre Royal and Evolution Productions present Sleeping Beauty until January 4 2026. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jocasta Almgill in her poster portrait, announcing her appearance in Sleeping Beauty

Behind the scenes of Sleeping Beauty pantomime with S R Taylor Photography

YORK Theatre Royal pantomime photographer S R Taylor Photography has gone behind the scenes to give a glimpse into the backstage magic of this winter’s co-production with Evolution Productions.

Theatre Royal creative director Juliet Forster directs regular dame Robin Simpson’s Nurse Nellie, Jocasta Almgill’s villainous Carabosse, Tommy Carmichael’s daft lad Jangles, CBeebies’ star Jennie Dale’s Fairy Moonbeam, Aoife Kenny’s Aurora, Harrogate actor Christian Mortimer’s Prince Michael of Moravia and fire act Kris Madden’s Guardian of the Raptor in the panto run until January 4 2026.

Here is a selection of Taylor’s plethora of panto photographs.

Behind you: S R Taylor Photography takes a picture of York Theatre Royal dame Robin Simpson as Nurse Nellie prepares to enter the stage

Aoife Kenny’s Aurora in a quiet moment in the wings

Jennie Dale’s Fairy Moonbeam on full beam

Raptor the dinosaur and fire act Kris Madden’s Guardian of the Raptor turn up the heat in Sleeping Beauty at York Theatre Royal

Robin Simpson’s Nurse Nellie in a riot of colours in Sleeping Beauty. The dame’s costumes are designed by Michael J Batchelor and Joey’s Dame Creations

Kris Madden lighting the wheel of fire for his pantomime pyrotechnics in Sleeping Beauty

Aoife Kenny’s Aurora and Christian Mortimer’s Prince Michael of Moravia performing a duet in a captivating scene in Sleeping Beauty

Hat trick! Kris Madden prepares to light up the panto with one of his fire highlights

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Meet Sario Solomon, the leading lad himself in Aladdin pantomime at York Theatre Royal

Sario Solomon’s Aladdin in a scene with Evie Pickerill’s Genie of the Lamp in Aladdin at York Theatre Royal. Picture: SR Taylor Photography

SARIO Solomon is starring in the title role in Aladdin, this winter’s pantomime at York Theatre Royal, and is no stranger to the role.

“I played the part in Telford a few years ago. He’s full of energy and youthful exuberance, and he’s jokey and fun too,” he says.

“I had a really good time there, so I thought, ‘let’s give it another go, this time in York’. But I’m surprised I got it because I’m hopeless at the ‘self-tapes’ you have to send in and I’m not really tech savvy. It’s always hard to come across on camera as you want to be perceived, but luckily Juliet [creative director Juliet Forster] said ‘yes’.”

He had to miss the official pantomime launch on account of his acting commitments elsewhere that day but he did make a Sario solo trip to meet the media.

“I was playing the American-Italian Sonny, one of the Burger Palace Boys, on tour. I first played the part in London at the Dominion Theatre and then on the long UK tour – 18 months altogether, but I liked playing him. He’s funny, stupid and silly, so you can get away with things you can’t in other shows.

“It was wonderful to work with choreographer Arlene Phillips and director Nikolai Foster, who I’d done West Side Story with at the National Youth Music Theatre. That’s how he remembered me when he was casting for Grease.

“I was still on the Grease tour in the first week of rehearsals for Aladdin when I was able to commute from Sheffield each day and so we worked schedules around that.”

Does Sario prefer singing and dancing in musicals or acting in plays? “I just love musicals,” he says. “I knew I wanted to do musical theatre. I’m quite a silly, stupid person so straight acting is less appealing.

“It’s the same with panto. I like to have fun. It’s not meant to be serious! It’s meant to be funny. I like going over the top and having fun. It’s a  very English institution, so trying to describe it to my German friends is always difficult!”

Like so many, Sario first attended a pantomime in his childhood. “Jack And The Beanstalk, probably with my grandmother, at a theatre in North London, where I grew up,” he recalls. “I was intrigued.

“Straightaway I just loved anything on stage. I knew it was something I wanted to be in and be part of, partly because I remember how much joy it gave me as a child. I was told the importance of A levels and exams, but I went to the National Youth Music Theatre in the summer holidays.”

Among his career highlights, Sario has worked with Take That’s Gary Barlow. “After A-levels I entered the BBC talent contest Let It Shine to find four young men to form a boy band for a musical called The Band featuring Take That’s music. I was one of the winners, which got me into the industry and an agent.

Sario Solomon outside York Theatre Royal when promoting his role as Aladdin. Picture: Ant Robling

“My mother loves Take That very much, so I knew a lot of their 90s’ classics and really enjoyed their music. It was cool to meet Take That and have them as mentors, giving notes and their wisdom in rehearsals. Gary  was often there. 

“That show basically got me into performing, having done a few things as a kid. I realised I loved performing more than anything else, so Mum let me pursue that after GCSEs and A-levels.”

Sario did not attend drama school. “Sometimes I wish I had because there’s a certain level of dance I can’t do straight off to West End-trained standards. It takes me longer to learn, whereas there’s repetition built into drama school training, but once I’ve nailed it, I’m fine,” he says.

Sario’s mother is from Tokyo, his father, from Newcastle – they met in London – and he is as fluent in Japanese as he is in English. “I write in Japanese too,” he says. “I grew up in North London and went to Japanese school on Saturdays. I love Japan and Newcastle too.”

He is breaking new ground in his career by performing in York. “I’ve never been to York before, even though I’ve toured in theatre shows for four or five years, but I have seen photos and it looks very pretty,” he said at his June press day.

“It will be especially lovely to be here at Christmas. I hear York has a fantastic Christmas market and I do love a German Christmas market!”

Sario lives on a 54ft-long narrowboat in London, moored at Stamford Hill. “I have always loved streams and rivers, it’s very much in the Japanese culture,” he says. “Living on a boat appealed to me. You wake up seeing swans on the river and the wood burner alight. It’s also nice to live on my own rather than flat-sharing.

“I’ve always wanted to buy a place, but in London it’s nigh on impossible to do that, so the narrowboat was the best bet. I’ve been living on it for three or four years but I’m always so busy touring that in reality I’ve only been on it for about a year – though it was lovely to be there during the Covid lockdown.”

Home is where he will be headed once Aladdin and his magic carpet have come to rest one final time on January 5. “The carpet does acrobatics! You feel quite queasy after a while,” he reveals.

Post Aladdin, Sario promises himself: “I’ll eat, rest and prepare audition pieces if necessary. I need a bit of a holiday after being on the road for 18 months. I’m not 21 any more, I’m 27 and need a holiday.”

Sario Solomon plays Aladdin in Aladdin, York Theatre Royal, until January 5 2025. Box office: 01904 623568 or yorktheatreroyal.co.uk

Copyright of The Press, York

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More Things To Do in York and beyond. Advice? Ignore the rain. Consult Hutch’s List No. 30 for 2023, from The Press, York

Finley Butler’s Danny Zuko and Maia Beatrice’s Sandy Dumbrowski in NETheatre York’s Grease at the JoRo Theatre

GREASE is not the only word as Charles Hutchinson picks highlights aplenty for the weeks ahead, from comedy to puppetry, workshops to festivals, burlesque to blues.

Musical of the week: NETheatre York in Grease, Joseph Rowntree Theatre, York, Tuesday to Saturday, 7.30pm plus 2.30pm Saturday matinee

STEVE Tearle directs University of Hull theatre student Finn Butler and Cleethorpes pantomime star Maia Beatrice in the lead roles in this celebration of the 1950s in its duck-tailed, bobby-soxed, gum-snapping glory.

The American high school dream is about to explode in this coming-of-age musical with its story of hot-rodding T-Bird Danny Zuko and the sweet new girl in town, Sandy Dumbrowski, whose secret summer romance resurfaces as they unexpectedly discover they are now at the same school. Tickets update: limited availability, so prompt booking is advised on 01904 501935 or josephrowntreetheatre.co.uk.

Russell Howard: Two problem-solving shows in a day at Grand Opera House, York

Comedy gig(s) of the week: Russell Howard, Grand Opera House, York, today, 3pm and 7.30pm

COMEDIAN Russell Howard plays two shows in a day in York on his 2023 tour, the afternoon gig having sold out already. As we reel from one global crisis to the next, the host of Russell Howard’s Good News and The Russell Howard Hour will be putting the world to rights. Box office: atgtickets.com/york.  

The poster for this week’s Connect Festival, hosted by Four Wheel Drive

Children’s activity of the weekend: Play In A Day with Four Wheel Drive, Connect Festival, Theatre@41, Monkgate, York, tomorrow, 10am

AIMED at ten to 14-year-olds, this action-packed, fast-paced, fun session will create a play based on a classic text in only four hours, guided ​​by Connect Festival organisers Four Wheel Drive’s Educate creative team.Participants will showcase their work in the black-box theatre in front of an audience of family and friends at 4pm. Tickets: tickets.41monkgate.co.uk.

The Outside In plant studio owner Alice Maynard, who will lead tomorrow’s workshop at the Connect Festival

Workshop of the week: Build A Mini Terrarium With The Outside In, Connect Festival, Theatre@41, Monkgate, York, tomorrow, 12.30pm

YORK plant studio The Outside In hosts a step-by-step guide to creating a sustainable miniature garden world, using tropical plants, mosses and decorative stones to bring the landscape to life.

The key words to describe Alice Maynard’s Sunday session are sustainability, mindfulness, creativity, relaxation and insightfulness as adults and children aged seven and over learn the history of terrariums. Each participant will be provided with a mystery mini-figure to help tell a story. Tickets: tickets.41monkgate.co.uk.

Lempen Puppet Theatre Company in Flotsam & Jetsam, on tour in Pocklington

Family show of the week: Lempen Puppet Theatre Company in Flotsam & Jetsam, Pocklington Arts Centre, Thursday, 2.30pm

FLOTSAM is soft, flexible, laid back. She slides and glides through life on the ice. Jetsam is the opposite, his insectile body is stiff and nervy, alert and watchful, suspicious of all in his forest home. Both are cast adrift in a world that is strange to them and full of danger.

Finally washed up on the same island beach, these two very different creatures must discover the other and work together in a hope-filled adventure story, told with original music and puppetry, for four-year-olds upwards. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Public Service Broadcasting: Saturday headliners at next week’s Deer Shed Festival

Festival of the week: Deer Shed Festival, Baldersby Park, Topcliffe, July 28 to 31

THE Comet Is Coming, Public Service Broadcasting and The Delgados take the music headline slots at Deer Shed 2023. Keep an eye out for Gaz Coombes, The Big Moon, This Is The Kit, Dream Wife, Gwenno, James Yorkston & Nina Persson, Rozi Plain, Elanor Moss and a DJ set by snooker legend Steve Davis & Kavus Torabi.

A science tent with AI album covers, comedy, sports, spoken word and literary events, workshops, theatre, cinema and well being all play their part in the four days too. For ticket availability, head to: deershedfestival.com.

Lily Monarch rules in the poster artwork for A Little Bit Of Everything at The Crescent

Could we interest you in…A Little Bit Of Everything? On show at The Crescent, York, next Saturday, 7.45pm to 11pm

IN a night of drag, cabaret, burlesque and comedy, Lily Monarch is joined by The Family Shambles and the crown jewels of York’s drag scene. Look out for Bodie Snatcher, Bailey Bubbles, Lois Carmen, Denominator, Wilhelmina Rose, Robynne Ryske, Luna Hex, Dick Fran Dyke, MX Fish Fingers, Tommy Boi, Reese Wetherspoon and York’s drag king boy band Boyz 2 Kings. Box office: thecrescentyork.com.

The poster for Cafe Mambo Ibiza Classics In The City at York Barbican

House moves: Cafe Mambo Ibiza Classics In The City: A Night Of Timeless House Music, York Barbican, August 5, 8pm

AFTER two sell-out shows, iconic house music brand Cafe Mambo Ibiza completes a hattrick of York Barbican nights with Classics In The City, showcasing influential floor fillers from three decades, from CeCe Peniston’s Finally to Derrick May’s Strings Of Life.

On the decks will be Paul Oakenfold, Judge Jules, Danny Rampling and Erik Hagleton, complemented by live performances from Julie McKnight and Shingai. Box office: yorkbarbican.co.uk.

Star Stone: Starring in #MeToo, her one-woman comedy show, at Theatre@41, Monkgate

Fringe politics: Star Stone in #MeToo, Theatre@41, Monkgate, York, August 3, 7.30pm

AMERICAN writer, actress, producer and playwright Star Stone presents her one-woman educational comedy #MeToo in York ahead of her Edinburgh Fringe debut next month.

“Sex cults with fake feminism, Pretend Shamans, Burning Man and Lower East Side nightclub ‘photographers’” all make an appearance in a hour-long show with 20-plus characters. Box office: tickets.41monkgate.co.uk.

On the road to the patio: Jess Gardham heads for York Theatre Royal

Moody blues: Jess Gardham, York Theatre Royal patio, August 4, 6pm

YORK singer, songwriter and musical theatre actress Jess Gardham plays outdoors in an evening performance on the revamped Theatre Royal patio.

Jess has played on BBC Introducing, supported Paul Carrack, KT Tunstall, The Shires and Martin Simpson and starred in principal roles in Hairspray The Musical, Ghost The Musical and Rock Of Ages. Box office: 01904 623568 or yorktheatreroyal.co.uk.