Tag: Hannah Turlington

Posted on

What’s On in Ryedale, York and beyond. Hutch’s List No. 8, from Gazette & Herald

Mark Simmons: Expertly crafted one-liners and off-the-cuff jinks with the audience at Pocklington Arts Centre

FISHING community memories, an abbey light installation and an exhibition addressing loneliness make for a diverse week ahead in Charles Hutchinson’s recommendations. 

One-liners of the week: Mark Simmons, Jest To Impress, Pocklington Arts Centre, tonight, 7.30pm

CANTERBURY jester Mark Simmons won Dave’s Joke of the Edinburgh Fringe in 2024 with this gag: “I was going to sail around the globe in the world’s smallest ship but I bottled it”. Now he follows up his 200-date Quip Off The Mark two-year UK, Ireland, Australia, and New Zealand tour with Jest To Impress, a new show packed with one-liners, alongside his trademark off-the-cuff jokes based on random audience suggestions.

Simmons also hosts the Jokes With Mark Simmons podcast, where he invites fellow comics, such as Gary Delaney, Sarah Millican and Milton Jones, to discuss jokes that, for whatever reason, would not work. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The poster for What The Sea Saw’s fishing stories at Helmsley Arts Centre

Rehearsed reading of the week: 1812 Theatre Company presents What The Sea Saw, Helmsley Arts Centre, Jean Kershaw Auditorium, tonight and tomorrow, 7.30pm

SET in Scarborough’s Bottom End and capturing the verbatim first-hand testimonies of remaining members of the fishing families, Helena Fox’s new play recounts the tragic events of the 1954 Lifeboat Disaster through the eyes of witnesses, as well as capturing the lost cultures and working practices of the coastal community, including the role of women in skeining and baiting.

Directed by Heather Findlay, the fundraising event for Scarborough RNLI features Stamford Bridge’s Big Shanty Crew’s performance of Scarborough 54. Box office: 01439 771700 or helmsleyarts.co.uk.

Imitating The Dog light up Selby Abbey for three days of Selby Light 2026

Installation of the week: Selby Light 2026, Selby Abbey, tomorrow to Saturday, 6pm to 9pm

SELBY Abbey will be the setting for Homeward, Leeds company Imitating The Dog’s large-scale installation celebrating our different stories and the unified feeling of finding home, framed by the question How Did You Get Here?

Inside, the installation continues as a walk-through experience, complemented by Jazmin Morris’s Through The Liquid Crystal Display, a series of visual code illustrations inspired by Selby Abbey. The trail then extends into the town centre with works by Selby College students. Admission is free.

The 20ft Squid Blues Band: Combining 1950s’ Chicago style with 1960s’ blues explosion at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents The 20ft Squid Blues Band, Milton Rooms, Malton, tomorrow, 8pm

THE 20ft Squid Blues Band, from Sheffield, play upbeat, fast, irreverent blues, combining elements of the 1950s’ Chicago style with the more wayward aspects of the 1960s’ blues explosion.

They mix self-penned songs with numbers made famous by Howling Wolf and Little Walter, while throwing in artists not so obviously from the blues tradition, such as Tom Waits and Prince. Expect eye-popping harmonica, thundering bass, intricate beats and choice guitar. Box office: 01653 696240 or themiltonrooms.com.

Nick Doody: Topping Hilarity Bites Comedy Club line-up at Milton Rooms, Malton

Comedy bill of the week: Hilarity Bites Comedy Club, Nick Doody, Ed Purnell and Will Duggan, Milton Rooms, Malton, Friday, 8pm

IN the first Hilarity Bites bill of 2026, Nick Doody will be joined by Ed Purnell and Will Duggan. Doody first performed as a student in the 1990s when he supported Bill Hicks at Hicks’ request, since when he has performed all over the world and written for Joan Rivers, Lenny Henry, Dame Edna Everage and Mock The Week regulars aplenty.

In a clever spin, Purnell, Ecuador’s numero uno comedian, delivers his set in Spanish with a sprinkling of English, whereupon audiences realise they can understand him without speaking his mother tongue. Duggan is a quick and witty host. Box office: 01653 696240 or themiltonrooms.com.

Phoenix Dance: Presenting world premiere of Interplay at York Theatre Royal. Picture: Drew Forsyth

Dance show of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, Friday, 7.30pm; Saturday, 2pm, 7.30pm

LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!) Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin. 

Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Holly Taymar: Performing the best of Eva Cassidy’s back catalogue at Milton Rooms, Malton

Tribute gig of the week: Holly Taymar Sings Eva Cassidy, Milton Rooms, Malton, Sunday, 8pm

YORK singer-songwriter Holly Taymar turns the spotlight on Eva Cassidy, one of the most beloved voices of the 20th century. Revelling in Cassidy’s blend of folk, jazz and blues, she performs renditions of Fields Of Gold, Songbird, Over The Rainbow and Autumn Leaves.

“My show show is not an impersonation,” says Taymar. “It’s a heartfelt homage to an artist who left a lasting impact on my development as an artist and on the world of music.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Loneliness Is Not A Dirty Word: Exhibition collaboration between Hannah Turlington and local and wider community at Helmsley Arts Centre

Exhibition launch of the week: Hannah Turlington, Loneliness Is Not A Dirty Word, Helmsley Arts Centre, March 3 to May 1

LONELINESS Is Not A Dirty Word is a collaboration between artist Hannah Turlington and the local and wider community, involving sessions where participants were invited to share their own experiences of loneliness by creating pieces of visual art in a variety of mediums.

The resulting exhibition aims to create space for the viewer to consider their own narratives of loneliness and reduce the stigma associated with being lonely.

Del Amitri’s Justin Currie, left, and Iain Harvie: Cherry-picking from four decades of songs at York Barbican in November

Gig announcement of the week: Del Amitri, Past To Present UK Tour 2026, November 16

GLASGOW band Del Amitri will open their 17-date Past To Present autumn tour at York Barbican, where core members Justin Currie and Iain Harvie will mark four decades of songs, stories and live shows. Ticket will go on general sale on Friday at 9.30am at www.gigsandtours.com, www.ticketmaster.co.uk and www.delamitri.info.

The career-spanning set list will chart their early breakthroughs, classic singles such as Nothing Ever Happens, Always The Last To Know and Roll To Me, fan favourites and recording renaissance after an 18-year hiatus with 2021’s Fatal Mistakes.

Posted on

York River Art Market’s 10th anniversary as city’s answer to Paris’s Left Bank opens this weekend. 80 artists & makers to take part

Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary

YORK River Art Market’s tenth anniversary season on the banks of the Ouse begins this weekend.

As many as 80 artists will take be taking part this year, split into 30 exhibitors on each of the six days, August 2 and 3, August 9 and 10 and August 16 and 17, from 10am to 5.30pm.

For details of each day’s participating artists and designers stationed at riverside stalls on Dame Judi Dench Walk, by Lendal Bridge, head to YRAM’s Facebook page at https://facebook.com/YorkRiverArtMarket/events.

As ever, the free event is organised by founder Charlotte Dawson, a graphics, jewellery and vocational art and design tutor and Fenwick Street artist, who specialises in abstract paintings, layered with paint and collage, and is now setting up her own jewellery business too after making pieces for ten years.

“York River Art Market is something I’ve always run on my own, albeit with a little help this year,” she says. “People can see my graft and my passion for it, and it has that drive behind it. It’s about supporting the artists of York and beyond; it’s free to attend; it’s a grassroots initiative– and that has a positive knock-on effect for the artists.

“It’s a collective enterprise, where I hold the reins but it wouldn’t be anything without the artists and the people who support it by attending.

“We care that each of the six events are never the same and so we host a different variety of creatives at each one, which means there’s always something for everyone’s creative tastes and budget. You can buy an original artwork for £500 or a card for £2.”

Her market has been called York’s answer to Paris’s Left Bank and its multitude of bohemian arts fairs by the Seine, but Charlotte says: “I’ve still not been there, so I’ll have to take people’s word for it.”.

Looking back to the York market’s origins, Charlotte recalls: “Like everything, inspiration came from various things. I was working with Sophie Jewett at York Cocoa House and she knew I wanted to do something after I’d left university. I knew there wasn’t an arts market in York, and that’s when the space at Dame Judi Dench Walk was brought to my attention by Sophie’s friend at the council.

“It was the right time for me to go off and do something more freelance, and when I looked into setting up a market positioned by railings, Bayswater Road Art Market, in London, came to my attention, so I contacted the organiser for advice and started the York market after that.”

Charlotte marked out the cornerstones for establishing a market. “Part of the running of this event involves strong quality artists, but a huge part of it is creating an atmosphere that is welcoming. Part of the drive for me was to make it accessible and less imposing that having to go into a shop,” she says.

“You get the direct relationship between the artist and the potential buyer. There’s no middle man. That relationship between maker and buyer, for me, when I purchase something, you know it’s hand-made, and if you can get a bit of a back story, you’re getting more for your money as a buying experience, which makes it more valuable.”

Charlotte Dawson: York River Art Market founder and organiser, teacher, artist and jewellery designer

Reflecting on ten years of York River Art Market, crowned by winning the Best Community Project/Event at the York Culture Awards, Charlotte says: “In the Covid year, the event went online and obviously it wasn’t the same,  but it survived and I  can honestly say that the amount and the quality of the submissions has really grown, especially over the past two years.

“There were hundreds of applications this year, and plenty of them were new. The call-out goes out in January and the six days were full by the end of February – and I don’t take people on just because they apply; I do select who will take part. The quality is really good this year.

“If I were to run my own gallery, the art might be exclusively more to my taste, but I see York River Art Market as being ‘by the people, for the people’. There’s something for everybody.” To prove the point, ceramics, jewellery, paintings, prints, textiles, ceramics, photography, woodwork, clothing, soaps, candles and cards will be on sale.

Among the artists and makers taking part this year will be regular participants Bejojoart, Adele Karmazyn, York 360 illustrator Elliot Harrison and FangFest potters Fangfoss Pottery; York singer and artist Heather Findlay; North Eastern ceramicist Amy Rutherford; York College graphics degree tutor and Ripon artist Monica Gabb, of Twenty Birds designs.

So will be Katrina Mansfield, from PICA Studios, in Grape Lane, showcasing her fluid art animal inks; conceptual artist Hannah Turlington,  whose paintings “evoke the fragility of emotions”, and Feis Crochet Studios. “With the way of the world right now, you think, ‘we need the vibrancy of her crochét flowers’,” says Charlotte.

Look out too for CharKnots’ eco-conscious macramé homeware and accessories, from Sheffield; LDM  Designs’ eco-friendly lino-prints that raise awareness of environmental issues, and York landscape painter Charley Hellier, who is working on two collections: the dark, stormy and gothic Tempestarii, related to medieval storm creation mythology, and the peaceful and quietly pensive Reverie.

Lucy Hook Designs had “the absolute pleasure” of designing this year’s poster to mark YRAM’s tenth anniversary. “I had so much fun designing it,” says Lucy. “We wanted to incorporate the tools used by all the makers, and also different parts of this wonderful city. My favourite part is the river coming out of the gouache tube!

“We’ve done some limited-edition Risograph printed versions that have been put up in some special businesses around York and I’ll have some prints for sale at the markets too. I’ll be down by the river for all six dates, so let’s all pray for nice weather. Come on down to say ‘hi’.”

York River Art Market not only nurtures artistic talent from York and beyond but also supports charities, led off by York Rescue Boat, whose tenth anniversary also falls this year. Amnesty International’s Bookshop will be on site on August 9 and graphic designer Laura Sanderson’s Art Is My Career Studio on August 17. Her charity specialises in investing in arts education, travelling around schools to promote art as a career. How apt for YRAM.

Will York River Art Market still be here in a decade’s time, Charlotte? “The next ten years? Well, I like to take it one year at a time but I would be honoured if YRAM could continue and, like Bayswater, be a staple of the art scene. Maybe I could even hand it over one day,” she says.

“There is scope, when so far it’s been a sideline for me from my teaching, doing it without support. There’s potential for working with a team and growing where it can grow, but I like the organic nature of it as it is now: working with a different artist each year for the poster, supporting charities and promoting local artists.”