Only a matter of time now before Shed Seven’s new album arrives, launched with in-store appearances and special shows

Shed Seven in 2023: Rick Witter, left, Rob ‘Maxi’ Maxfield, Tim Willis, Paul Banks and Tom Gladwin

SHED Seven release their fourth single off upcoming album A Matter Of Time this week as their autumn tour rolls on with a climactic week of sold-out shows.

Starlings joins Kissing California, F:K:H and In Ecstasy – featuring Happy Mondays’ backing singer Rowetta – in previewing the York band’s January 5 2024 sixth studio set on their new home of Cooking Vinyl.

Building up melancholic layers of piano, strings, dramatic beats and swooping vocal harmonies into a slow-burning finale, frontman Rick Witter’s lyrics offer the hope that perhaps not all goodbyes are forever [as proven by the Sheds’ return to the concert platform in 2007 after splitting in 2003!].

“Starlings showcases the album with a different kind of emotion,” says Rick. “It’s a love letter to a departed partner. I had an idea about a couple who have been together since forever, only for one of them to pass away, and the remaining partner is basically treading water until the time comes where they can be reunited for eternity in the ether.

“Some may say it’s dark subject matter, but I find it also pretty uplifting and is more of a common thing than one might think. The beautiful strings and piano add everything that is needed for such a heartfelt song. It’s nostalgic and reflective but has a feeling of evermore too.”

Yorkshire is missing out on the Sheds’ eight-date “Shoctober” autumn itinerary – originally timed to coincide with a September release date for the album that was subsequently put back – but they did play a 6,000-capacity Sounds Of The City 2023 gig at Millennium Square, Leeds, in July that sold out in a day.

What’s more, hush-hush plans are being made for celebrations of their 30th anniversary in 2024 in home city York. Watch this space; announcements are expected very soon.

Before then, the Sheds will embark on a run of in-store appearances next January to promote A Matter Of Time with a mix of intimate, stripped-back performances and meet-and-greet/signing sessions. Such has been the ticket demand that the schedule has expanded to encompass 16 sessions in ten days.

Among them will be Vinyl Whistle, in Otley Road, Headingley, Leeds on January 5 at 12 noon (sold out) and the HMV store, in Coney Street, York, on January 5 at 4.30pm (tickets: shedsevenn.lnk.to/instores).

Three special album launch shows for A Matter Of Time sold out in a matter of minutes in Kingston upon Thames (January 25), Coventry (January 26) and closest to home, Project House, in Armley Road, Leeds, hosted by Crash Records on January 27. Each will feature two sets: A Matter Of Time, played in its entirety for the first and only time (well, three times), followed the Sheds’ greatest hits.

Meanwhile, album pre-orders have seen all test pressings and all copies of Blood Records’ hand-numbered vinyl rapidly sell out already.

Hot off the presses: Shed Seven’s album cover artwork for A Matter Of Time

The usual Shed three of Witter, guitarist Paul Banks and bassist Tom Gladwin recorded the album in Spain with new recruits Rob ‘Maxi’ Maxfield, from Audioweb, on drums and Ian Brown band member Tim Willis on keys, replacing founder members Joe Johnson and Alan Leach, who left after the 2021 summer festival season.

As with November’s 2017’s Instant Pleasures, the sessions were produced by Youth – famed for his work with Pink Floyd, Paul McCartney, The Orb and The Verve – at his residential El Mirador Studios in Andalucia, southern Spain.

Maxfield and Willis had first joined for the Sheds’ rearranged “Covid tour” dates in 2021, whipping 20 songs into shape at ten weeks’ notice. “They’re amazing, very professional musicians, who’ve brought a new kind of vibe to the band, but it’s still very much Shed Seven, with the spirit of the band rising high,” says Rick.

“It’s given us a kick up the backside, and that’s proven by me and Paul beginning to write the album seriously in March 2022 and finishing the songs by December, the quickest since we wrote A Maximum High in 1995. We must have hit a rich purple patch; pretty much everything that came out of us was good.”

For A Matter Of Time, the Sheds reconnected with the classic albums that first inspired them to form a band in York in 1990: The Smiths, R.E.M., U2, Simple Minds, The Cure, even Duran Duran.

As Paul Banks puts it, the songs are a heartfelt homage to those cherished times, while embodying the essence of rebirth, leading to three titles out of 12 featuring “Let’s Go”.

“This record is Shed Seven but with a new edge,” says Rick. “This is more the next rung on the ladder after Instant Pleasures. It just feels better and more grown up.”

Listen out for special guest contributions, not only from Happy Mondays back singer Rowetta’s fervent gospel vocals on In Ecstasy and Reverend And The Makers’ Laura McClure on the folk-pop Tripping With You, but also The Libertines’ Peter Doherty duetting with Witter on the dramatic closer Throwaways.

“We played Bingley Festival a couple of summers ago when The Libertines were headlining the main stage, and as we played, there was Peter at the side of the stage, singing along to all our songs,” recalls Rick.

“When I met him afterwards, he said he used to sit on his bed learning our guitar parts, so I said, ‘would you sing on our new album?’.”

Doherty duly recorded his vocals for Throwaways remotely at Margate. “He did some harmonising and ad-libbing,” says Rick. “It’s a song about outsiders. We’ve always been outsiders, and The Libertines have that about them too.”

A Matter Of Time can be pre-ordered or pre-saved at https://shedsevenn.lnk.to/AMOTPR.

Where do you stand on Adele’s No Shuffle dictum in the age of constant change?

Adele’s album sleeve for 30

TWO Big Egos In A Small Car culture podcasters Chalmers & Hutch have their say in Episode 67.

Also under discussion are Blood Youth, heavy metal and heady beer; James & Happy Mondays’ Manchester night in Leeds; Harrogate Theatre’s sublime pantomime, Cinderella; Mick Jagger’s dedication to the blues and House Of Gucci’s style versus content.

To listen, head to: https://www.buzzsprout.com/1187561/9652018

More Things To Do in York and beyond, as musicals abound, comedy turns angry and Madchester revives. List No. 58, courtesy of The Press, York

So frustrated: Paul Chowdhry has his say on Covid, fame, England’s football team and Tom Cruise’s chopper at the Grand Opera House, York, tonight

IMAGINE if you could have a busy week ahead? Let Charles Hutchinson fill your diary.

Angriest comedy gig of the week: Paul Chowdhry, Grand Opera House, York, tonight, 8pm

AFTER barely surviving the pandemic, British-Asian stand-up Paul Chowdhry tackles the UK’s handling of the Coronavirus crisis and why the rules of six only worked for white people in Family-Friendly Comedian (No Children).

Two years of pent-up frustration go into this new tour show, where Londoner Chowdhry also discusses fame, England football fans and Tom Cruise landing his helicopter in someone’s garden. Box office: 0844 871 7615 or at atgtickets.com/york.

Chesca Cholewa: Writer of Imagine If Theatre Company’s My Old Man

Studio play of the week: Imagine If Theatre Company in My Old Man, York Theatre Royal Studio, tonight, 8pm

IMAGINE If Theatre Company, from Leeds, is touring a part-theatre, part-film production of Chesca Cholewa’s humorous and heartfelt play My Old Man.

When Michal Piwowarski’s granddaughter, Tasha (played by Cholewa), finally moves out, his whole world changes. The school dinner-lady becomes his favourite person, a new neighbour moves on to the street, and Michal (Paul Shelley) has to face his biggest battle yet as My Old Man follows the trials and tribulations of this old, blind Polish soldier. Box office: 01904 623568 or at yorkthreatreroyal.co.uk.

Songs and Stables’ leadership: Kate Stables brings her band This Is The Kit to The Citadel tomorrow night

Experimental gig of the week: This Is The Kit, The Citadel, Gillygate, York, tomorrow, 7.30pm

KATE Stables’ experimental folk quartet This Is The Kit return to York for a special show at The Citadel, the former Salvation Army HQ, presented by Please Please You, The Crescent and Brudenell Presents. Support comes from Nuala Honan and Pavey Ark. Box office: brudenellsocialclub.seetickets.com.

York artist Karen Winship, taking part in the Inspired Christmas event at York Cemetery Chapel

Christmas shopping? Opportunity presents itself at Inspired, York Cemetery Chapel, Saturday and Sunday, 10am to 5pm.

INSPIRED, the annual Christmas show by York artist and designer makers, will be held at York Cemetery Chapel, in Cemetery Road, York, this weekend.

Taking part will be Jo Bagshaw and Richard Whitelegg, jewellery; Catherine Boyne-Whitelegg, pottery; Petra Bradley, textiles; Sally Clarke, collage printmaking; Angela Newdick, collage and surface pattern design; Adi French and Karen Winship, painting, and John Watts and Wilf Williams, furniture.

PQA York’s poster for Disney’s The Little Mermaid Jr at the JoRo

Children’s show of the week: PQA Productions in Disney’s The Little Mermaid Jr, Joseph Rowntree Theatre, York, tomorrow and Saturday, 7.30pm

PAULINE Quirke Academy (PQA) York journeys under the sea with Ariel and her aquatic friends in Disney’s The Little Mermaid Jr, adapted from Disney’s Broadway show and film, based on Hans Christian Andersen’s story of sacrifices made for love and acceptance.

Young mermaid Ariel longs to leave her magical ocean home and fins behind for the world above. First, however, she must defy her father, King Triton, make a deal with evil sea witch Ursula and convince Prince Eric she is the girl whose enchanting voice he has been seeking. Separate casts perform the two shows. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.

Adam Sowter, Florence Poskitt, Alexandra Mather and Andrew Roberts in rehearsal for Saturday’s Fladam and Friends’ Musical Comedy Hootenanny

Witty and warm songs of the week: Fladam and Friends’ Musical Comedy Hootenanny, Theatre@41, Monkgate, York, Saturday, 2.30pm and 7.30pm

FLADAM duo Florence Poskitt and pianist Adam Sowter take to the Theatre@41 stage with thespian friends Alexandra Mather, Andrew Roberts and Andrew Isherwood for two shows of musical comedy joy.

Fladam’s own topical witty ditties will be complemented by a celebration of Morecambe & Wise, Bernard Cribbins, Victoria Wood and more. Box office: tickets.41monkgate.co.uk.

Scarlett Waugh, left, and Libby Anderson: Sharing the role of Dorothy in NE Musicals York’s production of The Wizard Of Oz

Sparkling slippers of the week: NE Musicals York in The Wizard Of Oz, Joseph Rowntree Theatre, York, Tuesday (23/11/2021) to Saturday

DIRECTOR Steve Tearle has assembled a cast of 60 for NE Musicals York’s energetic staging of The Wizard Of Oz, led by Libby Anderson and Scarlett Waugh, who will alternate the role of Dorothy.

Further roles go to Maia Stroud as Glinda; YO1 presenter Chris Marsden, the Wizard of Oz; Perri Ann Barley, Wicked Witch of the West; Finley Butler, the Scarecrow; Kristian Barley, the Tin Man, and Tearle himself as the Cowardly Lion.

Expect an all-singing, all-dancing production with special effects by Adam Moore’s team at Tech247. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.

Phoenix rising again: Phoenix Dance Theatre celebrate their 40th anniversary this autumn, opening their tour at York Theatre Royal

Dance celebration of the week: Phoenix Dance Theatre in 40 Years Of Phoenix, York Theatre Royal, Tuesday and Wednesday, 7.30pm

PHOENIX Dance Theatre launch their milestone 40th birthday programme at York Theatre Royal, bringing together highlights from the Leeds company’s groundbreaking history.

Phoenix will combine celebration and reflection in a show featuring Lost Dog duo Ben Duke and Raquel Meseguer’s Pave Up Paradise; former artistic director Darshan Singh Bhuller’s Heart Of Chaos; Henri Oguike’s Signal; Shapiro and Smith’s satirical piece Family and Jane Dudley’s 1938 masterpiece Harmonica Breakdown. Box office: 01904 623568 or at yorktheatreroyal.co.uk.

Director Nik Briggs, left, choreographer Emily Taylor and lead actors Sophie Hammond and Damien Poole at the launch of York Stage Musicals’ festive show, Elf! The Musical

Christmas musical of the week: York Stage Musicals in Elf! The Musical, Grand Opera House, York, November 25 to December 3

YORK Stage Musicals present the York premiere of Matthew Sklar, Chad Beguelin, Thomas Meehan and Bob Martin’s Elf! The Musical, directed by artistic director Nik Briggs.

Based on Will Ferrell’s 2003 film, Elf! follows orphan child Buddy to Santa’s North Pole abode, where, unaware he is human, his enormous size and poor toy-making abilities cause him to face the truth.

Given Santa’s permission, Buddy (Damien Poole) heads to New York City to find his birth father, discover his true identity and help the Big Apple to remember the true meaning of Christmas. Box office: atgtickets.com/york.

Amaka Okafor: Taking part in the staged readings of Lucy Kirkwood’s Maryland at Friargate Theatre, York

Play readings of the week: Riding Lights Theatre Company presents Maryland, Friargate Theatre, York, November 26, 6.30pm and 8.30pm

TWO staged readings of Lucy Kirkwood’s 30-minute protest play will feature Amaka Okafor, from the original Royal Court Theatre cast, Laura Pyper, Mark Holgate, Cassie Vallance, Kesiah Joseph, Patricia Jones and Meg Blowey.

Kirkwood wrote Maryland as a “passionate and furious act of resistance to draw attention to the shocking numbers of women who repeatedly suffer violent abuse throughout Britain. The play is not specific; it addresses issues of police behaviour and a culture of violence against women and girls”.

After sold-out performances in London, the Royal Court offered Maryland for free for theatre companies to perform in solidarity and protest. York company Riding Lights has taken up that opportunity, with associate director Bridget Foreman directing the readings. Box office: 01904 613000.

James: Teaming up with Happy Mondays for a Manchester night out in Leeds

Gig of the week ahead outside York: James and special guests Happy Mondays, Leeds First Direct Arena, November 25, doors, 6pm

ALL of 33 years ago, Factory label mates James and Happy Mondays first toured together. Now, two of Manchester’s champion bands reunite for a November and December arena tour.

 “Last played with them in 1988, hopefully this time they won’t steal our rider or try and spike my drink,” tweeted Tim Booth, James’s Clifford-born frontman, when announcing the dates with rapscallion rascals Shaun Ryder, Bez and co.

James, who played Scarborough Open Air Theatre this summer, will be showcasing their “sweet 16th” album, All The Colours Of You, released in June. Box office: firstdirectarena.com. Stage times: Happy Mondays, 7.30pm; James, 9pm.

‘The last thing you want at this time is something that’s depressing and heavy,’ says James bass player Jim Glennie

James took up temporary residence at Broughton Hall, near Skipton, in May. Picture: Lewis Knaggs

JAMES’S “sweet 16th” studio album has arrived, topical and timely, poignant and punchy, arty and anthemic, as their 40th year looms.

Climate change (Beautiful Beaches), Trump’s tinderbox America (Miss America) and last April’s Covid death of frontman Tim Booth’s father-in-law (Recover) all colour All The Colours Of You, the Manchester band’s first release for their new label, Virgin Music.

That “Manchester” tag is now more historic than present day, Clifford-born Booth, 61, having long moved to the United States, and onwards to Costa Rica, Central America, on December 26 last year with his family, in response to the “weekly fires” ravaging their Topanga Canyon neighbourhood.

“California’s becoming ecologicaly unsustainable,” he posted on Twitter shortly afterwards, adding a second reason: “I anticipate a wave of white racist terrorism”.

Fellow founder Jim Glennie, 57, is settled in the Scottish Highlands. He and Booth and the band came together for the recording sessions on three separate occasions, but the production was done remotely, under pandemic restrictions.

“Basically, because of Covid, there was nothing we could do about that situation, though fortunately we’d written the songs, four of us starting the first big session in July 2018,” said Jim, speaking in early May, when James gathered once more, this time at the resplendent Broughton Hall, near Skipton, to rehearse and promote the new album.

“We did some more song-writing at Sheffield Yellow Arch Studios in April 2019 and a third session at Gairloch in the Highlands in August, and those sessions gave us everything we needed in terms of demos.”

“Amazingly, we’ve come out with an album that we’re incredibly happy with, when we could have had disastrous results,” says bassist Jim Glennie of James’s All The Colours Of You

When the band could not gather for formal recording sessions, serendipity played its hands when Booth gave an impromptu lift and his two neighbourly passengers turned out to be the wife and daughter of Jacknife Lee, Grammy Award-winning producer for U2, REM and Taylor Swift no less. A new partnership of the virtual variety was born, prompting Booth to call the album’s arrival a “miraculous conception”, given “all the s**t that went down in 2020”.

“Jacknife worked remotely from his studio, liaising with me and Tim, Tim working more closely with him as they were in the same valley,” said Jim, recalling how they deconstructed, reimagined and reassembled the demos. “Amazingly, we’ve come out with an album that we’re incredibly happy with, when we could have had disastrous results.

“It’s very dancy, very uplifting, very poetic, though there are dark lyrics about Covid and American politics, but we were aware of the need for lightness, and Jacknife has added some fun and humour within the songs. The last thing you want at this time is something that’s depressing and heavy.”

All The Colours Of You stretches the ever-experimental James soundscape to take in psychedelia, post-rock and rave in “another big jump forward for us on the back of the last three albums,” as Booth put it.

“Jacknife has pushed us and the songs somewhere new and it’s very exciting,” said Jim. “After all these years, we are still challenging ourselves and our fans, with each record re-setting our perimeters, but with pride in what we’ve done before.

“I think there are a few reasons for that. We’ve always been a band with a broad spectrum of what we can be, from folk music to hardcore dance and anything in between, so we don’t have a sound that we’re boxed in by.

“We’re always conscious of that, but also we don’t feel we have to prove anything, other than reacting to what we did before, pushing it further or pushing it away from that, driving towards an unknown destination. It is those strides, that push, that still makes you feel relevant and that you still have the right to be here.”

The artwork for James’s 16th studio album, All The Colours Of You, released on June 4

Since re-uniting in 2007 after a six-year hiatus, James have, if anything, become an even more popular live act. So much so, tickets have sold faster than ever for their seven-date autumn travels, when notorious Manchester reprobates Happy Mondays will join them on the road for the first time since 1988, kicking off at Leeds First Direct Arena on November 25.  

“Hopefully, this time they won’t steal our rider or try and spike my drink,” said Booth, when announcing the double bill, for which remaining tickets are on sale at wearejames.com/live.

Before then, James will head to the East Coast to complete a hattrick of Scarborough Open Air Theatre appearances on September 9, after shows there on May 22 2015 and August 18 2018.

“We always have a great night there – even back in the days when you had to cross the old moat to get to the audience!” said Jim. “We’re looking forward to another very special night on the Yorkshire coast.”

James last played a gig in September 2019 in Porto. “It’s painful to think it was that long ago,” said Jim, whose band’s headline show at Deer Shed 11 at Baldersby Park, Topcliffe, was called off in both 2020 and now for this summer.

The reception will be louder than ever when they return at last. “I’m amazed that we’re still able to put on tours where there seems to be an exponential growth each time, with new people coming,” said Jim.

“That’s because we get a lot of play on BBC 6 Music, drawing 18-year-olds to the shows who don’t know the litany of hits.

“We don’t feel we have to prove anything, other than reacting to what we did before, pushing it further or pushing it away from that,” says James bass player Jim Glennie

“It’s a really exciting prospect to have the chance to play again. We’ve had a few false starts and cancellations, so it’s been difficult to get fully invested in it, because it could always change again, but it’s the essence of what we do, playing live, to show off the new album, trying out the new songs, and we need to get to that point again as musicians.”

The James anthems, from Sit Down to Born Of Frustration, Sometimes to She’s A Star, remain the driving force. “People like a sing-along, and those songs are the connection, the glue, that turn the night into being like a football crowd, but we take them on quite a weird ride to get to the big last blast, always leaving them sweaty, with a big smile, at the finish,” said Jim.

All The Colours Of You will be interwoven into the set list, and already James have been taking the songs to air while in residence at Broughton Hall. “We’ve come here not just to rehearse, but it was more that we needed to do other things, like doing radio sessions from here, and a couple of TV appearances that we have to film here,” said Jim, as this early May phone interview drew to a close.

“We’ve locked ourselves in a bubble, being Covid-tested before we arrived, so that we could do all the usual things we do to promote an album, but from one place. It’s a busy two weeks and you have to make the most of it.”

The band had done a session for Jo Whiley’s BBC Radio 2 a few weeks earlier.  “That was done separately, remotely, before Tim came over and went into quarantine, so he did the interview for that one from America,” said Jim.

Such have been the changes rendered on the music industry, but not everything changes. Another year, another James album, that delivers affecting songs for now, especially Beautiful Beaches and Recover.

James play Scarborough Open Air Theatre on September 9. Tickets are available at scarboroughopenairtheatre.com.

James singer Tim Booth is sure to go surfing in Scarborough in September. Crowd-surfing, that is. Picture: Laura Toomer

James to complete hattrick of Scarborough Open Air Theatre gigs on September 9

The poster for James’s return to Scarborough Open Air Theatre in September

WHERE better for James to announce a summer show on the day they release new single Beautiful Beaches than at Scarborough Open Air Theatre?

The Manchester legends will play on the East Coast on Thursday, September 9 in the wake of launching their new album, All The Colours Of You, on June 4. Tickets will go on sale on Friday (23/4/2021) at 9am at scarboroughopenairtheatre.com.

This will be the third that James, led by Clifford-born Tim Booth, have played Scarborough OAT after shows on May 22 2015 in the venue’s hindersome moat days and post-moat redesign on August 18 2018.

Bassist Jim Glennie says: “We always have a great night there – even back in the days when you had to cross the old moat to get to the audience! We’re looking forward to another very special night on the Yorkshire coast.”

“After all these years, we are still challenging ourselves and our fans,” says bassist Jim Glennie of James’s new album. “Enjoy.”

Peter Taylor, venue programmer for Scarborough OAT promoters Cuffe and Taylor, says: “We are absolutely delighted James are returning here this summer. They continue to be one of the UK’s most relevant and influential bands – pioneers of the Manchester music scene since the 1980s – and a must-see live act. Roll on September 9. It’s going to be an amazing night.”            

New single Beautiful Beaches was written by Tim Booth in response to climate change migrations and the subsequent increasingly regular Californian fires bringing devastation to the community where he lived before moving to Costa Rica.

All The Colours Of You, James’ “sweet 16th” studio album, follows last December’s release of Live In Extraordinary Times, a double-CD and DVD concert recording built around their last studio album, 2018’s Living In Extraordinary Times.

Recorded in part before the Covid pandemic struck, All The Colours Of You was produced by Booth’s neighbour in Topanga Canyon, the Grammy award-winning Jacknife Lee, who has worked previously with U2, REM, Taylor Swift, Snow Patrol and The Killers.

Surfing in Scarborough? How can Tim Booth resist on September 9?

On production duties with James for the first time, Lee has bought a fresh approach to their sound, working remotely from his studio as he liaised with Booth and Glennie, reimagining, deconstructing and reassembling their demos and capturing a band in all their virtual glory.

Reflecting on the album’s creation, Booth says: “With all the s**t that went down in 2020, this was a miraculous conception and another big jump forward for us on the back of the last three albums. I hope it reflects the colours of these crazy times. Sweet sixteen is a proper album, no fillers and is up there with our best. With love, Tim.”

Glennie is pleased, proud and surprised by the record in equal measure. “Jacknife has pushed us and the songs somewhere new and it’s very exciting,” he says. “After all these years, we are still challenging ourselves and our fans. Enjoy.”

The track listing on James’s first album on Virgin Music will be: ZERO; All The Colours Of You; Recover; Beautiful Beaches; Wherever It Takes Us; Hush; Miss America; Getting Myself Into; Magic Bus; Isabella and XYST.

The artwork for James’s “sweet 16th” studio album, All The Colours Of You, out on June 4

Looking ahead, James will open their seven-date 2021 tour at Leeds First Direct Arena on November 25, supported by fellow Manchester maverick institution Happy Mondays. “Soo looking forward to seeing you,” said Booth, when announcing the gigs last November on Twitter and at wearejames.com

“We’re playing with the brilliant Happy Mondays. Last played with them in 1988, hopefully this time they won’t steal our rider or try and spike my drink…”

The tour has sold faster than any previous James tour, chalking up 60,000 ticket sales for shows in Leeds, Birmingham, Cardiff, Glasgow, Dublin, Manchester and London. Remaining tickets are available at: https://wearejames.com/live/

In the summer, James will play a second North Yorkshire outdoor gig, headlining the Saturday bill at Deer Shed Festival 11, confirmed to run from July 30 to August 1 at Baldersby Park, Topcliffe, near Thirsk.

James release “sweet 16th” album All The Colours Of You in June ahead of Leeds gig

Time to go surfing again: James frontman Tim Booth looks forward to riding the wave of crowd adulation once more at Leeds First Direct Arena in November

JAMES are to release their “sweet 16th” studio album, All The Colours Of You, on June 4.

Billed as a “miraculous conception” by Clifford-born frontman Tim Booth, it was recorded in part before the Covid pandemic struck, with the Grammy award-winning Jacknife Lee on production duties with the Manchester band for the first time.

Lee has been at the desk previously for U2, REM, Taylor Swift, Snow Patrol and The Killers, and has brought a fresh approach to James’s sound. Working remotely from his studio, he liaised with vocalist Booth, his neighbour in Topanga Canyon, California, and bassist Jim Glennie in the Scottish Highlands, reimagining their demos and capturing the band in all their virtual glory.

“The result is a record with the most arena-ready and fresh tracks of their 38-year career; the sound of one of Britain’s best bands deconstructed and reassembled by one of the world’s most renowned producers,” proclaims the press release.

The artwork for James’s 16th studio album, All The Colours Of You, blooming in June

Booth says: “With all the s**t that went down in 2020, this was a miraculous conception and another big jump forward for us on the back of the last three albums. I hope it reflects the colours of these crazy times. Sweet sixteen is a proper album, no fillers and is up there with our best. With love, Tim.”

Glennie is pleased, proud and surprised by the record in equal measure. “Jacknife has pushed us and the songs somewhere new and it’s very exciting,” he says. “After all these years, we are still challenging ourselves and our fans. Enjoy.”

All The Colours Of You follows last December’s release of Live In Extraordinary Times, a live double album and DVD with a title twist on their 2018 studio set, Living In Extraordinary Times.

“As requested by many lovers of the band – a live DVD and album to capture the spirit of the gigs of the last few years,” said Booth at the time. “Hopefully, this will help us through the long nights of lockdown – reliving these gatherings of intimacy and passion. Thank you for coming along for the ride in the crazy world of James.”

“Hopefully, this will help us through the long nights of lockdown,” said Tim Booth, when James released their live double album, Live In Extraordinary Times, last December

All The Colours Of You will be James’s first album since being signed by joint managing directors Jim Chancellor and Mike Roe to  Virgin Music Label & Artists Services, formerly Caroline International.

They have a new publishing home too in Kobalt Music, these changes “reinforcing the endless and restless ambition they have” as they approach their fourth decade as a band. 

The track listing will be: ZERO; All The Colours Of You; Recover; Beautiful Beaches; Wherever It Takes Us; Hush; Miss America; Getting Myself Into; Magic Bus; Isabella and XYST.

From the first line on ZERO – “We’re all gonna die” – Booth addresses difficult subjects throughout the 11 tracks, with themes ranging from politics and climate change to dealing with the loss of a loved one during the pandemic.

James: Touring in the autumn in a maverick Manchester double bill with Happy Mondays

Miss America examines that disunited country’s tarnished image through the eyes of a beauty pageant (“Miss America’s wearing thin, she’s all tiaras and glamour”), while Beautiful Beaches focuses on the fires that ravaged California and follows a vision Booth had of an earthquake that caused his family to flee for refuge (“That life we left behind, we’re racing down to those beautiful beaches”). 

The title-track first single tackles the Trump years head on. Based in the USA for many years, Booth, 61, has witnessed at first hand the divisiveness and hatred stoked by the former President. Highlighting the sharp rise of white supremacy during Trump’s four years in office, the song nevertheless ultimately offers hope of a new and brighter future with the refrain “Love all the colours, all the colours of you”.

Recover, the album’s most poignant and delicate song, deals with the death of Tim’s father-in-law from Covid-19 in the UK. Uplifting and joyful in honouring a loved one’s legacy and spirit, it offers a celebration of life, not the sadness of death, affirming that “We will remember how to pass your spirit on”.

All The Colours Of You will be available in myriad formats: standard CD; D2C deluxe CD with bonus artwork, photos and pictures in a DVD hardback book package; standard LP; D2C deluxe LP on swirl coloured vinyl; D2C deluxe LP on picture-disc vinyl; indies and HMV deluxe LP on multi-coloured vinyl and even on cassette. Pre-orders can be made at: https://james.lnk.to/AllTheColoursOfYouSo.

The tour poster to accompany last November’s announcement of James and Happy Mondays’ 2021 itinerary

James will open their seven-date 2021 tour at Leeds First Direct Arena on November 25, supported by fellow Manchester maverick institution Happy Mondays. “Soo looking forward to seeing you,” said Booth, when announcing the gigs last November on Twitter and at wearejames.com. “We’re playing with the brilliant Happy Mondays. Last played with them in 1988, hopefully this time they won’t steal our rider or try and spike my drink…”

The tour has sold faster than any previous James tour, chalking up 60,000 ticket sales for shows in Leeds, Birmingham, Cardiff, Glasgow, Dublin, Manchester and London. Remaining tickets are available at: https://wearejames.com/live/

In the summer, James will headline the Saturday bill at Deer Shed Festival 11, confirmed to run from July 30 to August 1 at Baldersby Park, Topcliffe, near Thirsk. “In light of the recent Government unlocking roadmap, we are now working flat out to bring you an amazing festival,” say the festival team, led by director Oliver Jones.

“We will bring you the maximum possible fun in July and that currently looks like a full fat Deer Shed 11. The safety of everyone in attendance will always come first, and should circumstances change, none of our audience will lose out.” Tickets are available at https://www.deershedfestival.com/tickets/.