REVIEW: Pick Me Up Theatre in Everybody’s Talking About Jamie, Joseph Rowntree Theatre, York, until Saturday ****

Everybody’s talking about Harvey Stevens’ Jamie: the break-out star of Pick Me Up Theatre’s production. Picture: Matthew Kitchen

MADE in Sheffield and exported to the musical theatre world, Everybody’s Talking About Jamie has its second York run this week after Nik Briggs’s Teen Edition for York Stage in June 2023.

Young actors are no less prominent in York company Pick Me Up Theatre’s production, led by Harvey Stevens, even younger at 15 than Ryan Addyman  was when fronting Briggs’s cast of 13 to 19-year-olds at 17.

Harvey has been dancing since his first class at the Yorkshire Rose Academy of Dance aged three and will begin musical theatre studies at SLP College in Garforth in September. He is a stage natural, tall and lithe and mischievously energetic, here bringing his dream role of Jamie New to life with cheek and chutzpah.

There to watch him on the first night was his father, Antonie Williams-Browne, who had travelled up from Plymouth specially for the show. Twenty years ago, Antonie had shown off his own dance moves in Robert Readman’s UK amateur premiere of The Full Monty for Shipton Theatre Company at the JoRo, “lifting the first half to new heights” (York Press, July 27 2005) when playing the veteran, arthritic-limbed Horse.

Harvey Stevens’ Jamie New, front left, and his Mayfield School classmates in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Picture: Matthew Kitchen

Son Harvey is a colt by comparison, with room for expansion in both his vocal and acting range, but already he has a thrilling presence on stage: everybody will be talking about his Jamie this week.

Inspired by the Firecracker documentary Jamie: Drag Queen At 16, composer Dan Gillespie Sells (from Horsham pop practitioners The Feeling) and writer/lyricist Tom MacRae drew on an original idea by co-writer Jonathan Butterell for the 2017 Sheffield Crucible Theatre premiere of a show that completed a populist trilogy of Steel City comedy dramas.

First came the defiant spirit and sheer balls of The Full Monty; next, the classroom politics and fledgling frustrations of Alan Bennett’s The History Boys, and lastly “Jamie”,  the unapologetic story of the boy who sometimes to be wants to be a girl, wear a dress to the school prom and be a drag queen.

Eight years on, “Jamie” still lives up to its billing as “the hit musical for today”, replete with bold humour, withering wit, northern nous and sassy social awareness, in a barometer of our changing times and attitudes towards gender, bigotry, bullying, homophobia, absentee fathers and the right to self-expression. Jamie’s reverence for RuPaul, whose Drag Race was not aired on BBC Three until 2019, affirms how  the show has kept  an eye on cultural shifts.

First we meet the Year 11 pupils of Mayfield School, a typical comprehensive classroom of 16-year-olds full of hopes and aspirations, but filtered through the realities of life in a northern town that makes them cynical and unruly too, typified by Stevens’ Jamie, draped languidly over his chair, bored and inattentive.

Zander Fick’s feisty drag queen Loco Chanel in Everbody’s Talking About Jamie Picture: Matthew Kitchen

In the wake of Billy Liar’s Billy Fisher and Kes’s Billy Casper, here is another young, restless Yorkshire dreamer in need of escape from the grey grime of a Sheffield council estate in a classic teen rebel story.

A breaker of rules and hearts alike, this lippy kid in lip gloss oozes confidence on the surface, graceful in high heels, but Jamie is naive and vulnerable too, desperate to strut before he can walk, especially when his stay-away father (Andrew Isherwood) is so disapproving and teacher Miss Hedge (Alexandra Mather) is so narrow-minded.

Stevens’ Jamie will be the teen star of the show, but gold stars also go to Fergus Green’s loathsome, self-loathing bully, Dean Paxton, and Ruby Salter’s quietly self-assured doctor-in-waiting Pritti Pasha, Jamie’s best friend, whose rendition of It Means Beautiful lives up to its title.

Everybody’s Talking About Jamie is told from more than the teen perspective, giving it the grit of a kitchen-sink drama, where the adult viewpoint of father and teacher is compounded by Jamie’s world-weary, self-sacrificial, ever supportive mum Margaret (Rowntree Players’ pantomime clown Gemma McDonald revealing a deeper  side, her voice cracking under the emotion of singing her second heartfelt ballad, He’s My Boy.

Andrew Isherwood’s Tray Sophisticay

She forms a defiant double act with Lottie Farmer’s Ray, her blunt but sharp friend, who is always popping round with a market stall bargain, backed up by a choice putdown for authority.

Equally supportive too is dress-shop boss Hugo/veteran drag act Loco Chanelle (Zander Fick, continuing his year of outstanding performances), in tandem with the bantering drag-queen veterans Sandra Bollock (Ryan Richardson),  Tray Sophisticay (Andrew Isherwood at the double) ) and Laika Virgin (Mark Simmonds), Sheffield’s variation on The Adventures Of Priscilla, Queen Of The Desert.

Posted high above the stage, musical director Adam Tomlinson and his band, trumpet, trombone, tenor sax et al, are in top form throughout, for big numbers and instrumental interludes alike, while Ilana Weets’s choreography hits the mark, from And You Don’t Even Know It opening to Out Of The Darkness (A Place Where We Belong) finale.

Readman wears his director and designer hats with elan,  aside from a misbehaving, overworked  central door that opens to Margaret’s kitchen, Loco Chanel’s studio, school classroom and Dad’s house alike. His triumphant production epitomises this musical’s call to “celebrate being yourself and find a place where you belong”: the stage for Jamie New and Harvey Stevens alike.

Pick Me Up Theatre, Everybody’s Talking About Jamie, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Gemma McDonald’s Margaret, left, Harvey Stevens’ Jamie New and Lottie Farmer’s Ray in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Picture: Matthew Kitchen

More Things To Do in York and beyond as Rowntree report makes dramatic impact. Hutch’s List No. 32 from The York Press

Amelia Donkor and Antony Jardine: Playing Gulie Harlock and Seebohm Rowntree respectively alongside 100-strong community ensemble in His Last Report at York Theatre Royal. Picture: Millie Stephens

YORK Theatre Royal’s community play takes top billing in Charles Hutchinson’s selections for summer satisfaction.

Community play of the week: York Theatre Royal and Riding Lights Theatre Company present His Last Report, York Theatre Royal, today to August 3  

FOCUSING on pioneering York social reformer Seebohm Rowntree and his groundbreaking investigation into the harsh realities of poverty, Misha Duncan-Barry and Bridget Foreman’s play will be told through the voices of York’s residents, past and present.

Seebohm’s findings illuminate the struggles of the working class, laying the foundation for the welfare state and sparking a movement that will redefine life as we know it. However, when fast forwarding to present-day York, what is Seebohm’s real legacy as the Ministry begins to dismantle the very structures he championed in His Last Report’s York story with a national impact? Box office: 01904 623568 or yorktheatreroyal.co.uk.

Bean there, done that: “Appetite For Destruction” artist Lincoln Lightfoot takes his spay can to York’s iconic Bile Beans mural advert at VandalFest

Street art takeover of the summer: Vandals At Work present VandalFest, today, Sunday, then July 25 to 27, 11am to 6pm

VANDALS At Work reunite with youth homelessness charity Safe and Sound Homes (SASH) for VandalFest, the immersive street art takeover of a disused office block with a 2025 theme of the playful, cheeky, witty and mischievous.

Among more than 30 artists from the UK and beyond are Bristol graffiti pioneer Inkie, subversive stencilist Dotmasters, inflatable prankster Filthy Luker, master of optical illusions Chu, rooftop renegade Rowdy and York’s own Sharon McDonagh, Lincoln Lightfoot and Boxxhead. Entry is free, with a suggested £3 donation to SASH.

Craig David: In party mood at Scarborough Open Air Theatre today

Coastal gigs of the week: TK Maxx Presents Scarborough Open Air Theatre, Craig David TS5 Show plus special guest Patrick Nazemi, today; Judas Priest, July 23. Gates open at 6pm

SOUTHAMPTON rhythm & blues musician Craig David parades his triple threat as singer, MC and DJ at his TS5 party night – patented at his Miami penthouse – on the East Coast this weekend. On the 25th anniversary of debut album Born To Do It, expect a set combining old skool anthems from R&B to Swing Beat, Garage to Bashment, while merging chart-topping House hits too.

Judas  Priest, formed in Birmingham in 1969, are still receiving a Grammy nomination in 2025 for Best Metal Performance, on top of being inducted into the Rock & Roll Hall of Fame, appointed by shock rocker Alice Cooper, in 2022. Their 19th studio album, Invincible Shield, was released in March 2024. Wednesday’s support act will be Phil Campbell & The B**stard Sons. Box office: scarboroughopenairtheatre.com.

Heather Leech in Gleowit Productions’ King Harold’s Mother at the Joseph Rowntree Theatre

Historical solo show of the week: Gleowit Productions in King Harold’s Mother, Joseph Rowntree Theatre, York, tonight, 7.30pm

IN 1066, a mother loses four sons; three killed at the Battle of Hastings, one branded as a traitor. However, these are times of turmoil, where crowns on the head go with swords in the hand, and this mother has lost everything.

Two years later in Exeter, King Harold’s mother, Gytha Thorkelsdottir, makes her last stand against the might of the new king, William. She is forced to face the consequences of her own actions, to accept the overwhelming might of the Conqueror. Is nothing all she is left with? Is nothing better than this, asks Gleowit Productions in King Harold’s Mother, written and performed by Heather Leech. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Dame Harriet Walter: Pride And Prejudice celebration at Wesley Centre, Malton

Ryedale Festival theatre event of the week: Pride And Prejudice, Dame Harriet Walter, Melvyn Tan and Madeleine Easton, Wesley Centre, Malton, Sunday, 7pm

THIS theatrical retelling of Pride And Prejudice by novelist and Austen biographer Gill Hornby marks the 250th anniversary of Jane Austen’s birth. Star of stage and screen Dame Harriet Walter brings the romance of Elizabeth Bennet and Mr Darcy to life in an intimate drawing-room setting, in much the same way that Jane herself first read the story aloud to family and friends.

Carl David’s score for the 1995 BBC television adaptation will be performed by pianist Melvyn Tan and violinist Madeleine Easton. The festival runs until July 27; full details and tickets at ryedalefestival.com. Box office: 01751 475777.

The Wedding Present’s David Gedge, left, and Reception writer-director Matt Aston, pictured walking through Leeds, will be teaming up for a chat at Bluebird Bakery, Acomb, on Sunday

Gig and chat show the week: An Evening of Conversation and Music with David Gedge from The Wedding Present, Rise@Bluebird Bakery, Acomb Road, Acomb, York, Sunday, 8pm, doors 7pm

DAVID Gedge, long-time leader of The Wedding Present, discusses his “semi-legendary” Leeds indie band’s 40-year-career and his life in the music industry, in conversation with Amanda Cook. York writer/director Matt Aston joins him too on the eve of rehearsals for Reception – The Wedding Present Musical, ahead of its premiere at Slung Low, The Warehouse, Holbeck, Leeds, from August 22 to September 6.  

Sunday’s event concludes with Gedge’s 20-minute acoustic set drawn from The Wedding Present’s cornucopia of arch, romantic yet perennially disappointed songs of love, life’s high hopes and woes, chance and no chance. Box office: eventbrite.com.

Listen to David Gedge discuss 40 years Of The Wedding Present, the Reception musical and his Rise@Bluebird Bakery show with Two Big Egos In A Small Car podcasters Charles Hutchinson and Graham Chalmers at:

https://www.buzzsprout.com/1187561/episodes/17507606-episode-233-interview-special-with-david-gedge-from-the-wedding-present

Out with the old, in with New: Harvey Stevens’ Jamie, front left, with his Sheffield school classmates in Pick Me Up Theatre’s Everybody’s Talking About Jamie

Musical of the week: Pick Me Up Theatre in Everybody’s Talking About Jamie, Joseph Rowntree Theatre, York, July 22 to 26, 7.30pm and 2.30pm Saturday matinee

AT 16, Sheffield schoolboy Jamie New is terrified of  the future and has no interest in pursuing a traditional career. He wants to be a drag queen. He knows he can be a sensation. Supported by his loving mum and encouraged by friends, can Jamie overcome prejudice, beat the bullies and step out of the darkness, into the spotlight?

Written by Tom MacRae and The Feeling’s Dan Gillespie Sells, this joyous underdog story is staged by York company Pick Me Up Theatre with Harvey Stevens, 15, and Gemma McDonald leading the cast. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

The poster for Steve Steinman’s Love Hurts, Power Ballads & Anthems!, on tour at the Grand Opera House, York

Jukebox show of the week: Steve Steinman’s Love Hurts, Power Ballads & Anthems!, Grand Opera House, York, July 24, 7.30pm

FROM the producers of Anything For Love and Vampires Rock comes the latest Steve Steinman venture, this one built around power ballads and anthems performed by a powerhouse cast of singers and a seven-piece band.

Love Hurts embraces Fleetwood Mac, Heart, Whitesnake, Billy Idol, Aerosmith, Tina Turner, Cutting Crew, Foreigner, REO Speedwagon, Rainbow, Van Halen, Europe, Air Supply and more. Box office: atgtickets.com/york.

Sophie Ellis-Bextor: On course for Knavesmire

Dancefloor double bill of the week: Sophie Ellis-Bextor and Natasha Bedingfield, York Racecourse Music Showcase Weekend, July 25.Gates, 4pm; first race, 5.30pm; last race, 8.23pm

AT the only evening meeting of the Knavesmire racing calendar, kitchen disco queen Sophie Ellis-Bextor and fellow Londoner Natasha Bedingfield each play a set after the seven-race sporting action.

Ellis-Bextor, 46, will draw on her five top ten albums and eight top ten singles, such as Murder On The Dancefloor and Take Me Home, from a pop career now stretching beyond 25 years. Bedingfield , 43, has the hits Unwritten, Single, These Words, I Wanna Have Your Babies and Soulmate to her name. For race-day tickets, go to: yorkracecourse.co.uk. 

Meet Harvey Stevens, the new Jamie as Pick Me Up Theatre stages Everybody’s Talking About Jamie at JoRo Theatre

Harvey Stevens’s Jamie New, front left, with his fellow Year 11 pupils at Mayfield School in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Picture: Matthew Kitchen

EVERYBODY’S talking about the new Jamie New in Everybody’s Talking About Jamie in York.

From July 22 to 26, GCSE schoolboy Harvey Stevens will play the title role in York company Pick Me Up Theatre’s production of Tom MacRae and Dan Gillespie Sells’s award-winning musical at the Joseph Rowntree Theatre, York.

This joyous underdog story was last staged in York in its Teenage Version by York Stage in June 2023. “I was too young for that, which I was really gutted about,” says Harvey, 15, from Acomb.

He has loved the story of Jamie New ever since his first experience of the film. “My mum hadn’t heard of it, so she was mortified, not knowing what she’d taken me to, but I loved it!” he says.

“I’ve seen every tour, every cast, since then. My favourite Jamie was Layton Williams, who I went to see at Leeds Grand [Theatre], though I take a bit from every Jamie to be honest, like the riffs in their singing…”

“…But you have your own style, in your singing and in your dancing,” says Gemma McDonald, the Rowntree Players pantomime favourite, who will be playing Jamie’s world-weary, self-sacrificial, ever supportive mum, Margaret.

Harvey Stevens’s Jamie New with the high heels that will transform him from 6ft to 6ft 6ins in Everybody’s Talking About Jamie. Picture: Colin Wallwork

Premiered at the Sheffield Crucible Theatre in 2017, Everybody’s Talking About Jamie is the unapologetic story of the boy who sometimes wants to be a girl, wear a dress to the school prom and be a drag queen. Jamie New, from a Sheffield council estate, but feeling out of place, is so restless at sweet 16 to be “something and someone fabulous”, standing out from the crowd of Year 11 pupils of Mayfield School.

You sense that Harvey has that drive too. He took his first dance steps at the age of three at the Yorkshire Rose Academy of Dance in York. “I then started studying ballet at Let’s Dance, picked up jazz, tap and contemporary there in Year 4, and then I went to Northern Ballet in Leeds for three years,” he says.

From there, he moved on to Elmhurst Ballet School in Birmingham, boarding there as he studied musical theatre, jazz and ballet dancing in Year 7 and 8, adding dancing in heels to his repertoire at SK Dance Fusion in York.

That will come in handy in Everybody’s Talking About Jamie. “I’ll be 6ft 6 with my heels on as I’m 6ft,” says Harvey. “I’ll be looking over everyone on stage!

“I first wore heels on stage at the Move It dance convention in London in 2022.” As with all his dance moves, he took it in his stride. “For this role I’ve taken everything I’ve learnt from ballet and contemporary [dance], all the core techniques, taking the styles and joining them together.”

To be playing Jamie is “like a dream come true as it’s my first main role,” says Harvey. “I’ve always said I wanted to play him, and here I am. It’s such a good character to play and story to tell and I feel I can really relate to that age, and what he’s going through.”

“Playing Jamie is like a dream come true as it’s my first main role,” says Harvey Stevens. Picture: Jo Hird

Gemma, a former teacher, whose 15-year-old  son, Ethan, is in the cast too, says: “There’s all those similarities, all those experiences, of  what boys face. When I saw that Robert [director Robert Readman] was doing this show, I was thinking, I’m of an age where I can play this character, the mother, who’s got true Yorkshire grit to her.

“I love her songs, If I Met Myself Again and He’s My Boy, and all the words in those songs resonate with me. With having my son there as well, I know how he feels, having just done his Proms.

“I love how Margaret is so supportive of Jamie and never wants him to feel any of that negativity that he experiences from his dad. What she does is everything you would want to her to do as a mum in that situation.

“Any mum in the audience will sit there thinking, ‘I hope that’s how I am with my child’, even though Jamie’s mum does question it, worrying if he will be bullied.”

Jamie, like Billy Liar’s Billy Fisher and Kes’s Billy Casper, is a young Yorkshire dreamer, one who  must overcome prejudice, beat the bullies and “step out of the darkness into the spotlight”.  Harvey has experienced bullying. “It can be anything, online bullying, but I don’t care what they say online. That just gets a block from me,” he says.

From September, Harvey will study musical theatre at SLP College in Garforth, his next step after taking GCSEs in Maths, English, Art, History and Salon (hair-styling). First, however, everybody will be talking about his Jamie from July 22.

Pick Me Up Theatre in Everybody’s Talking About Jamie, Joseph Rowntree Theatre York, July 22 to 26, 7.30pm and 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Yorkshire’s Got Talent goes live on Sunday in fundraiser for Joseph Rowntree Theatre

Ed Atkin, winner of last year’s Yorkshire’s Got Talent competition, who will perform at Sunday’s showcase

YORKSHIRE’S Got Talent – Live! is NOT a contest, more a celebration of the best of the White Rose’s young dance, comedy and music performers, at the Joseph Rowntree Theatre, York, on Sunday.

“This weekend’s show isn’t actually a competition,” explains Nathan Lodge. “The competition happened in 2020 throughout lockdown and concluded last September last year with Edward (Ed) Atkin as the overall winner.

“During the online contest, the group on Facebook reached more than 4,000 followers and the final public vote for the winner had 1,378 votes.” 

The competition was brought to life by York theatre student Hannah Wakelam, who wanted to raise money for the JoRo, where she first cut her performing teeth.

Nathan Lodge: One of the judges for last year’s contest, who will sing at Sunday’s show

“There were three judges throughout the process,” says Nathan, a West End regular and cruise-ship vocal captain, from York.  “Alongside me were Amelia Urukako, owner of Upstage Academy in Ripon, and Laura Pick, from Wakefield, who’s playing Elphaba in Wicked in the West End, all of us hailing from Yorkshire.”

The overall winner was decided by a combination of the judges, a public vote and a panel of theatre industry experts: Rachel Tucker, Kerry Ellis, Natalie Paris, Matthew Croke, Nicolas McClean and Paul Taylor-Mills.

“We promised the contestants who made the top 13 – the top ten plus three judges’ wildcards – that they could do a live show, so a year later, with a couple of date changes thanks to Covid!, we’re fulfilling our promise!”

2020 contestant Sam Rippon: In Sunday’s line-up for Yorkshire’s Got Talent – Live

Yorkshire’s Got Talent – Live features eight of the top ten acts from the competition: winner Ed Atkin, fellow finalists Fladam (Florence Poskitt and Adam Sowter) and Jordan Wright, plus contestants Sam Rippon, Daisy Winbolt-Robertson, Harvey Stevens, Florence Taylor and Richard Bayton.

“The evening will feature an eclectic mix of musical theatre, opera, comedy and dance, and we promise a thoroughly entertaining show, bursting with joie de vivre, from these stars of the future,” says Nathan.

The event will be hosted by Jordan Langford, from Scarborough, who will sing too. He had a career in musical theatre before becoming a theatre creative and is soon to study for an MA in contemporary directing practice at Rose Bruford College, London. 

Hannah Wakelam: York theatre student set up last year’s Yorkshire’s Got Talent contest to raise funds for the Joseph Rowntree Theatre

“Sadly, Laura Pick has a Sunday matinee schedule now in Wicked, post-Covid reopening, so she’s unable to perform with us but wishes she could,” says Nathan. “We’ll miss her!

“I’ll be performing in the evening, including singing a duet with winner Ed Atkin, who was my wildcard act to join the top ten of the competition. Just before the pandemic, I was the vocal captain performing on board M/S Color Fantasy.”

The band will be led by musical director Matthew Peter Clare on an evening when everyone will be giving their services for free. “Nobody is getting paid,” says Nathan. “Instead, all the profits from Sunday’s fundraiser will go to the Joseph Rowntree Theatre to add to the total raised by the competition last year.”

Tickets for the 7pm show are on sale on 01904 501935 or at josephrowntreetheatre.co.uk.