Tag: Helmsley Arts Centre

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Jessa and Mick Liversidge team up with Helmsley Arts Centre for Fields & Lanes song and poetry livestream tomorrow

Field work: Actor Mick Liversidge and singer Jessa Liversidge take the country air

EASINGWOLD singer Jessa Liversidge and husband actor Mick Liversidge will present the Fields & Lanes Livestream show from Helmsley Arts Centre tomorrow night (13/3/2021).

“Mick and I have been working on a collaborative project with the arts centre all about engaging communities creatively,” says community singing leader and music tutor Jessa. “Now, we’ve recruited some more field singers and outdoor performers to join us virtually for our performance at 7.30pm.”

Since the first Coronavirus pandemic lockdown in March 2020, Jessa and Mick have taken to performing outside to lift spirits and cheer those stuck inside. While Jessa sings in fields, Mick recites poetry down country lanes, and together they have devised Fields & Lanes, a celebration of poetry and song as well a celebration of the great outdoors.

Mick and Jessa perform with no accompaniment, their sincere and heartfelt delivery letting the poems and songs speak for themselves.

Last Saturday, Jessa notched her 50th “field sing”: a Saturday morning routine for the past 50 weeks wherein she “gets up and performs a song outdoors”.

“Over 50 songs now as some weeks I have done two,” she says, and you can watch that performance as she lists all the songs at https://www.facebook.com/JessaLiversidgeSinger/videos/207646327454590/ or on YouTube at https://youtu.be/a8bzyhocd-U.

“I might delay the field sing a bit if it’s snowing or raining, or I’ll shelter under a tree, but I find doing these songs really beneficial for me; doing it every week, having that fixed in my diary, knowing I need to do it on a Saturday morning,” Jessa says.

Mick, a professional actor on stage and screen for six years, and Jessa also performed a socially distanced Fields & Lanes Under The Willow Tree at Easingwold Community Library on a September Sunday afternoon and for Joseph Rowntree Theatre volunteers when testing the York theatre’s Covid-safety regime last October.

Mick LIversidge recording one of his Fields & Lanes poems in lockdown

Buoyed by the response to their outdoor pursuits, Jessa and Mick teamed up with Helmsley Arts Centre (HAC) to offer the Ryedale and wider community the chance to join the Fields & Lanes family in remote workshops.

“You will have the chance to develop singing or recitation skills and work towards your own pre-recorded performance, which will be featured in the livestream Fields & Lanes show on March 13,” read the invitation to recruits on the HAC website.

Places were strictly limited, enabling Jessa and Mick to work with both small groups and individuals on February 27 and March 6. Participants also received support, feedback and guidance from Jessa or Mick in between sessions and they are entitled to a gratis ticket for tomorrow’s livestream.

“We’ve found that singing and performing poetry outside has been both therapeutic and uplifting during these challenging times,” says Jessa. “We’ve enjoyed everything that comes with performing in the open air: the bird song, the fields, the winds, and we wanted to help others take part and feel the benefits.

“We’re thrilled to be working with Helmsley Arts Centre, who have provided the funding for a project to demonstrate how music and poetry can connect the community through creativity, and we’re delighted with the wide range of performers who have joined us, from seasoned professional performers to hobby singers and poets.

“In the workshops and individual sessions over the two weekends, we’ve worked on field singing and outdoor recitation techniques and created some collaborative performances. As a result, members of these groups will be appearing with us in the livestream via pre-recorded video.”

Tomorrow’s livestream viewers can expect a wide-ranging show featuring poetry from William Wordsworth to Spike Milligan, Lord Byron to D H Lawrence, and songs from folk standards to pop favourites and gospel classics, The Beatles to Bill Withers, Cilla Black to Carole King.

Poetry collaborators in tomorrow’s livestream are Bill Laverick, Helen Wilson and Maurice Crichton, from York Shakespeare Project and York Settlement Community Players, and Ted Naisbitt, from Sowerby, near Thirsk, performing one of his own poems, My Lakes, inspired by Wordsworth.

Helen Wilson, performing at last summer’s Sitdown Sonnets, presented by York Shakespeare Project at Holy Trinity Church, Goodramgate, York. Tomorrow she is taking part in the Fields & Lanes livestream

Mick worked with Bill, Helen, Maurice and Ted, each taking a verse from Wordsworth’s Daffodils and Sir John Betjeman’s Business Girls, reciting both on Zoom and in the open air.

New field singers taking part are Sinead Livingston, Mary Bourne, Madeleine Cordes, Gary Cordes, Cat Ellis, Caitlin Ellis, Sarah Boyle and Bill Laverick.

“They’re spread across the country from Essex to the North East,” says Jessa. “One of the positives of these times has been being able to work with people from all over the place!

“Sinead, Mary and Madeleine are all singing leaders, who I’ve been liaising with over the past year, all liking the idea of singing outside, and it’s been really great to have such high-quality people to work with.

“Mary runs choirs in Kingston and writes songs, and she’s been a friend for a couple of years. We’ve recorded a duet called My Call, where I recorded my part outside and as she’s ‘Choir Leader In A Kayak’, she’s done her part from a kayak.”

Introducing more of tomorrow’s remote singers, Jessa says: “Cat and Caitlin are a mother and daughter from Easingwold; Cat is in one of my choirs and I teach Caitlin. Sarah Boyle is a ‘hobby singer’ from York who’s joined one of my choirs, and Madeleine and Gary Cordes run a talent agency in Essex.

“In the first workshop, we did Stand By Me and The Water Is Wide, with me editing the virtual performances together and then last Saturday we worked on individual song choices.”

For tomorrow’s livestream, “bubble couple” Mick and Jessa will be performing live and alone in Helmsley Arts Centre, where the pre-recorded songs and poems will be projected on a screen.

“We’ve found that singing and performing poetry outside has been both therapeutic and uplifting during these challenging times,” says Jessa

The 7.30pm show marks a return to Helmsley Arts Centre for Jessa, after performing three of her one-woman shows there: ’Til The Boys Come Home, Some Enchanted Sondheim and Songbirds.

She has been a freelance singer and singing leader for the past 12 years, completing high-level training on performance, singing teaching and musical direction with Vocal Process and qualifying as a Vocal Health First Aider.

“From youth choirs and dementia-friendly groups to community choirs and private lessons, my sessions all have an encouraging atmosphere and a positive, inclusive ethos,” she says.

“I’m continuing to run my singing groups online – Singing For All and Community Singers Online, as well as the live YMHSing sessions for the York Music Hub – and I’m always looking for more singers of all abilities to join in.

“One new singer recently said, ‘you fill the screen with fun and enjoyment’ and I’d love to reach a few more of these people.” 

As testament to her teaching skills, Jessa has been nominated for two 2021 Music and Drama Education awards on March 24 for her inspiring work with singers of all ages in the Covid-19 pandemic.

“Quite an honour and a big surprise!” she says. “I’ve no expectations of winning but will glam up and tune into the ceremony on the 24th anyway!”

Jessa is shortlisted for the #goldstars Award, for any teacher who has shown particular flair, creativity or compassion during this past year, and the Francesca Honley Inspiration Award, which honours an individual who has had a hugely inspirational impact on students of any age in their music-making. 

Outdoor pursuits: Mick Liversidge and Jessa Liversidge head out for a song and a poem in the Yorkshire air

“The person who nominated me mentioned the wide range of ways I have adapted and created different ways of inspiring people of all ages through singing, including the live sings and Zoom choirs for York Music Hub, song and music videos, live singing for all and field sings,” says Jessa, as she looks forward to listening to the 6pm online ceremony at https://www.musicdramaedawards.com/.

Looking ahead, Jessa says: “I’m definitely going to continue with the choirs online. I even have participants from Milton Keynes, Rochdale, Bedfordshire, and I’ve been able to engage in various ways, along with continuing my ‘real’ groups.

“I feel loyal to them all, so when lockdown eases under the Government ‘roadmap’, I’ll do hybrid ‘Room and Zoom’ sessions. I did one in October, which I enjoyed, though it is quite exhausting trying to do two things at once!”

Reflecting on 12 months under the pandemic cloud, Jessa says: “I’m really happy with the way I’ve managed to grow and create this past year despite everything, or actually out of necessity due to everything.

“I’ve developed a lot of skills, like a lot of people like me have. I’ve really enjoyed it, picking up technical skills, such as learning how to synch up people singing separately for streaming. It’s quite time consuming but I think it’s worth it, recording people standing alone in a field but then seeing themselves in a group online.”

Jessa is proof positive that singing is good for the soul, for physical health, for mental wellbeing. “Singing just lifts you and takes you somewhere else,” she says in her break from her online “three hat day” for this interview.

“Singing keeps me going. Today [8/3/2021] I’m running a Singing For All session; teaching a couple of pupils and doing a York Music Hub session at four o’clock, so I’ll be buoyant all day!”

Tickets for tomorrow’s 7.30pm livestream cost £8 per household. To book, go to: https://www.helmsleyarts.co.uk/whats-on/fields-and-lanes-livestream-from-hac.

All the Fields & Lanes poems and songs performed by Mick and Jessa outdoors can be found at the Fields & Lanes Facebook page, https://www.facebook.com/fieldsandlanes/.

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Lives of military wives left behind are nothing to sing about in Kevin Dyer’s play

The poster artwork for Farnham Maltings’ tour of Kevin Dyer’s The Man Who Left Is Not The Man Who Came Home

HELMSLEY Arts Centre will be the only Yorkshire stop for Kevin Dyer’s new play on the lives of military wives, The Man Who Left Is Not The Man Who Came Home.

“Britain has armed forces in many countries. Their partners are waiting at home for them to come back,” says writer-director Dyer, ahead of the March 14 performance by the Farnham Maltings company. “Some listen to the news, some don’t. Some have affairs, some don’t. Some sing in choirs and put on a brave face, some don’t. All of them find a way to get on with it.”

Dyer began his research by chatting to women who had been married to men who had gone to war. “Most of us with partners say goodbye to them when they go to work, but we know that they’re going to come back. Not so, if you’re a ‘military wife’,” he says.

“It soon became clear in my conversations that the pressures on the pair of them – the wife and her man – were immense, extraordinary and not at all like civvy street.”

Dyer knew quickly that he had no wish to write about the experience of being “over there”. “There are lots of documentaries and pieces of semi-fiction that have covered that,” he reasons. “But the stories of the women who watched their man go, spent time thinking, wondering, hoping, coping whilst he was away, then experienced him coming back home, were vivid, inspiring, and largely untold.”

He had a few “basic questions” for the women whose men went to war. “What was it like before he went? What was it like saying goodbye? What was it like once he’d gone? What was it like the moment he came back? What was it like after the first buzz of his return had passed?” he asked.

“I heard stories of love, hate, betrayal, uselessness, kids, mates, denial, madness,” says Dyer. “The stories are varied and never simple.”

The Man Who Left Is Not the Man Who Came Home is the product of more than 100 one-to-one interviews with soldiers and their wives, where secrets, regrets and experiences have been shared for the first time.

The resulting play tells the story of Ashley, a young British soldier, and his wife Chloe just before, during and after he is posted to serve in Afghanistan.

“Chloé’s future hopes come with imminent challenges,” says Dyer. “Being married to the military means facing deployment. Behind closed doors, there is tenderness and humour too, but as the day of Ashley’s departure comes ever closer, anxiety and confrontations multiply.

Dyer’s story of resilience, hope and change – and knowing that the man you love, who is going to war, might not come back ­– will be performed by Stephanie Greer and Sam C Wilson with military wife Sam Trussler. An open conversation on the themes of the play and the country we live in will follow the 7.30pm performance.

Dyer’s play, both innovative and emotional, carries this warning: “Though we hope that the experience of the play will be moving, relatable or cathartic, and there’s no intention to shock, there’s a chance that, for some audience members, it could incite emotions and memories that are upsetting or strong feelings about war.”

Tickets are on sale on 01439 771700 or at helmsleyartscentre.co.uk. Age guidance: 14+ only.


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Pianist Kieran White to “break the silents” at Helmsley Arts Centre screening of Buster Keaton’s Steamboat Bill, Jr

Buster Keaton, right, in Steamboat Bill, Jr

YORK composer, pianist, busker, tutor and Buster Keaton aficionado Kieran White will be Breaking The Silents at Helmsley Arts Centre on February 1.

Accompanied by White’s expressive, playful, gag-driven piano score, the Stoneface silent classic Steamboat Bill, Jr, will be shown at 7.30pm “as it was originally intended to be seen in an authentic re-creation of the early cinema experience in the picture houses of the 1920s”.

Let Kieran make his case for why someone would want to see a black-and white, silent 1928 Buster Keaton film in 2020, the age of endless reheated Disney classics and myriad Marvel movies.

“We live in an instant world. A world governed by consumerism and technology. What we want, we can get just by clicking a mouse. We have forgotten how to slow down. How to breathe,” he says.

“But Buster takes us back to a time when time itself was a different thing entirely. A time when moments were savoured, rather than squandered.”

York pianist Kieran White

From past experience of his Breaking The Silents shows, White anticipates a largely middle-aged and older audience, but he believes Keaton’s comedic elan should appeal to “anyone with a love of history, a nostalgia for days of yore and an unfettered imagination”.

“Breaking The Silents offers a wonderful evening for all the family,” he says. “A lot of belly laughs. An appreciation of Buster’s incredible athleticism and craftmanship but, most of all, a reawakening of that state of wonderment that children have but never know they have.”

The relentless pace of Keaton’s comedy on screen leaves no gap, no rest, no breath, in White’s score, but still he finds room for quickfire references to the Steptoe And Son theme music, Porridge and The Barber Of Seville.

“The joy of Steamboat Bill, Jr is the raw energy,” says Kieran. “You know that if the stunts went wrong then would be no take two.”

White’s piano has accompanied screenings of Keaton’s 1927 film The General at locations as diverse as Helmsley Arts Centre, the Yorkshire Museum of Farming at Murton Park and City Screen, Fairfax House and the Joseph Rowntree Theatre in York.

Last September, he presented a Breaking The Silents double bill of The General in the afternoon and Steamboat Bill, Jr in the evening at the JoRo. White’s labours of love had necessitated 11 days of writing for The General, a little longer for Steamboat Bill, Jr, drawing on his love of both Keaton’s comic craft and the piano.

Buster Keaton in Steamboat Bill, Jr’s never-to-be-forgotten stunt scene

“I was very inspired by my grandfather,” he says, explaining why piano was his instrument of choice. “He was a superb pianist and made the most complex music sound effortless.

“Ever since a very early age, I’ve been fascinated by puzzles too, particularly chess. Watching Pop play was like sitting inside a gigantic engine, seeing gears mesh, listening to the sound of tiny hammers. Music chose me!”

Where next might Breaking The Silents venture? “I think what I do is unique. Ultimately, I’d love to perform all over the world,” says Kieran.

In the meantime, here is a recommendation from York filmmaker Mark Herman, director of Brassed Off and Little Voice, to head to Helmsley Arts Centre on February 1 for the Keaton and White double act.

“Kieran White’s score and his live accompaniment raises an already almost perfect film to fresh heights,” he said after seeing The General. “It’s a shame that Buster Keaton never knew that his flawless performance could actually be enhanced.”

The next film to receive the White piano touch will be Alfred Hitchcock’s The Lodger. “It’s another silent but not laugh dependent!” says Kieran. Watch this space for updates on its progress to a screen near you.

Tickets cost £12, under 18s £6, on 01439 771700 or at helmsleyarts.co.uk.