What’s On in Ryedale, York and beyond. Hutch’s List No. 4, from Gazette & Herald

Ric Liptrot: Exhibiting in The Other Collective exhibition at Bluebird Bakery, Acomb

FROM dollops of Dolly Parton advice to Stewart Lee’s werewolf encounter, devilish storytelling to a Cinderella prequel, Charles Hutchinson, cherry picks highlights for the days ahead.

Exhibition of the week: The Other Collective, Bluebird Bakery, Acomb, York, until March 13

CURATED by Bluebird Bakery, The Other Collective brings together the work of Lu Mason, Ric Liptrot, Rob Burton, Liz Foster and Jill Tattersall.

“These wonderful artists were all missed off the billing for York Open Studios 2025 and we felt that was a real shame,” says Bluebird boss Nicky Kippax. “So The Other Collective was born and we hope the work will get a lot of interest from our customers.” 

Mark Reynolds’ tour poster illustration for Stewart Lee Vs The Man-Wulf, playing York Theatre Royal until Saturday

Comedy gigs of the week: Stewart Lee Vs The Man-Wulf, York Theatre Royal, until Saturday, 7.30pm

IN Stewart Lee Vs The Man-Wulf, Lee shares the stage with a tough-talking werewolf comedian from the dark forests of the subconscious who hates humanity. The Man-Wulf lays down a ferocious comedy challenge to the “culturally irrelevant and physically enfeebled Lee”: can the beast inside us all be silenced by the silver bullet of Lee’s deadpan stand-up? Tickets advice: Hurry, hurry as all shows are closing in on selling out; 01904 623568 or yorktheatreroyal.co.uk.

Tricia Paoluccio’s Dolly Parton and Stevie Webb’s Kevin in Here You Come Again at Grand Opera House, York

Musical of the week: Here You Come Again, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

SIMON Friend Entertainment and Leeds Playhouse team up for the tour of Here You Come Again, starring and co-written by Broadway actress Tricia Paoluccio, who visits York for the first time in the guise of a fantasy vision of country icon Dolly Parton.

Gimme Gimme Gimme writer Jonathan Harvey has put a British spin on Bruce Vilanch, director Gabriel Barre and Paoluccio’s story of diehard Dolly devotee Kevin (Steven Webb) needing dollops of Dolly advice on life and love in trying times. Parton hits galore help too! Box office: atgtickets.com/york.

Hayden Thorpe: Performing Ness with Propellor Ensemble members at the NCEM, York, tonight

Arthouse gig of the week: Hayden Thorpe & Propellor Ensemble, National Centre for Early Music, York, tonight, doors 7pm for 7.30pm start

PLEASE Please You and Brudenell Presents bring Hayden Thorpe & Propellor Ensemble to the NCEM to perform Ness, with the promise of a “sonically spectacular and transformational live show”.

Thorpe, former frontman and chief songwriter of Kendal band Wild Beasts, promotes his September 2024 album. Using a process of redaction, Thorpe brought songs to life from nature writer Robert Macfarlane’s book Ness, inspired by Suffolk’s Orford Ness, the former Ministry of Defence weapons development site during both World Wars and the Cold War. Box office: 01904 658338 or ncem.co.uk.

Sylvie (Aileen Hall), centre, demonstrates her skills to friends Amelie (Perri Ann Barley), left, and Helene (Devon Wells), right, in rehearsal for Blue Light Theatre Company’s Where The Magic Begins!

Premiere of the week: Blue Light Theatre Company in Where The Magic Begins!, Acomb Working Men’s Club, York, tonight to Friday, 7.30pm; Saturday, 2pm matinee

BLUE Light Theatre Company stage York playwright and actress Perri Ann Barley’s new play Where The Magic Begins!, a prequel to Cinderella based on characters from the original Charles Perrault version.

“We meet many beloved characters in their younger days, such as a young Fairy Godmother, who is about to discover her ‘gift’. We follow her journey as she struggles with a secret that could put her life, and that of her family, in grave danger,” says director Craig Barley. Box office: 07933 329654, at bluelight-theatre.co.uk or on the door.

Hannah Rowe: Performing in the cabaret setting of The Old Paint Shop at York Theatre Royal Studio

Cabaret night of the week: CPWM Presents An Evening With Hannah Rowe, The Old Paint Shop, York Theatre Royal Studio, tomorrow, 8pm

YORK promoters Come Play With Me (CPWM) welcome Hannah Rowe to The Old Paint Shop’s winter season. This young singer writes of experiences and shifts in life, offering a sense of reflection within her rich, authentic, jazz-infused sound. Friday’s 8pm show by upstanding York pianist Karl Mullen has sold out. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Adderstone’s Cath Heinemeyer and Gemma McDermott

Devilish delight of the week: Tim Ralphs and Adderstone, Infernal Delights, Rise@Bluebird Bakery, Acomb, York, Friday, doors 7.30pm

TIM Ralphs and York alt-folk storytellers Adderstone serve up a winter night’s double bill of dark delights. Let Adderstone’s Cath Heinemeyer and Gemma McDermott lead you down the steps to the underworld with story-songs from wild places in their Songs To Meet The Darkness set.

In Beelzebub Rebranded, Tim Ralphs’s stand-up storytelling exhumes the bones of ancient Devil stories and stitches them into new skins for fresh consumption in his wild reimagining of folktale, fairytale and urban legend. Box office: ticketsource.co.uk/adderstone/infernal-delights/e-xjjber.

Saxophonist Snake Davis, right, double bassist Don Richardson, left, and concertina player Alistair Anderson: Playing together at Helmsley Arts Centre on Sunday

Trio of the week: Snake Davis, saxophones, Don Richardson, double bass, and Alistair Anderson, concertina and Northumbrian pipes, Helmsley Arts Centre, Sunday, 7.30pm

ADD an old mucker to a new pal, whereupon saxophonist to the stars Snake Davis sounds excited. Snake and Don Richardson go back decades, too many gigs and shows to remember. Lulu and Paul Carrack were particularly memorable. Snake and Alistair Anderson met at a wonderfully quirky Northumberland venue in late 2023 and decided to make music together. Here comes folk, jazz, world, pop and more. Box office: 01439 771700 or helmsleyarts.co.uk.

Craig David: Combining his singing, master of ceremonies and DJ skills at Scarborough Open Air Theatre this summer

Gig announcement of the week: Craig David Presents TS5, TK Maxx Presents Scarborough Open Air Theatre, July 19

SOUTHAMPTON rhythm & blues musician Craig David parades his triple threat as singer, MC and DJ at his TS5 party night – patented at his Miami penthouse – on the East Coast this summer. Expect a set combining old skool anthems from R&B to Swing Beat, Garage to Bashment, while merging chart-topping House hits too.

“I cannot wait to bring my TS5 show to Scarborough and the beautiful Yorkshire coast in July,” enthuses David, 43. “2025 is a massive year for me as it’s the 25th anniversary of my debut album [Born To Do It] and my debut number one single (Fill Me In]. What better way to celebrate than bringing the party to Scarborough this summer.” Tickets go on sale at 10am on Friday at scarboroughopenairtheatre.com. 

What’s On in Ryedale, York and beyond. Hutch’s List. No 5, from Gazette & Herald

Colour & Light framing the South Transept of York Minster

FROM wildlife illuminations to characterful faces, dog origin tales to dark sky wonders, Charles Hutchinson finds February fulfilment.

Illumination of the week: Colour & Light, York Minster South Transept, February 12 to March 2

THIS free outdoor event promises a “mesmerising projection” of famous and lesser-known stories of York’s animal world, from the Minster’s peregrine falcons and the foxes that roam the streets after dark, to the Romans’ horses for their ride into Eboracum and the legendary dragons carved into the city’s history.

Colour & Light runs nightly from 6pm to 9pm with projections on a ten-minute loop. The final hour each evening is a designated quiet hour with reduced noise and crowd levels. No tickets are required.

Holly Capstick: Capturing expressions and snapshots of moments in everyday life

Exhibition of the week: Holly Capstick, We Are Layers, Pocklington Arts Centre, until February 28

HOLLY Capstick explores the layers of our beauty and character in her textile and mixed-media portraits that capture expressions and snapshots of moments in everyday life. “Faces have always amazed me,” she says. “The subtleties of the changes within a face can show so much of how we feel and how we connect to others.”

Thread and Press CIC tutor Holly will run portrait-themed workshops this month for children aged 7 to 16 (Learn To Draw A Face, February 19) and for adults (Textile Portraits, Free-motion Machine Embroidery, February 28). Find out more at hollycapstickart.co.uk. 

Emma Swainston’s Elle Woods in York Light Opera Company’s Legally Blonde The Musical

Musical of the week: York Light Opera Company in Legally Blonde The Musical, York Theatre Royal, February 13 to February 22, 7.30pm nightly (except February 16) plus 2.30pm matinees on February 15, 20 and 22

JOIN Elle Woods, a seemingly ditzy sorority girl with a heart of gold, as she tackles Harvard Law School to win back her man. Along the way, Elle discovers her own strength and intelligence, “proving that you can be both a beautiful blonde and brilliant”.

Emma Swainston’s Elle Woods leads Martyn Knight’s 35-strong cast in this feel-good, sassy and stylish show with its powerful message of staying true to yourself, booted with music and lyrics by Laurence O’Keefe and Nell Benjamin and book by Heather Hach. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The Tannahill Weavers: Humorous tales of life north of the border

Folk gig of the week: The Tannahill Weavers 2025, Helmsley Arts Centre, February 14, 7.30pm

THE Tannahill Weavers, from Paisley, Scotland, play a diverse repertoire that spans the centuries, taking in fire-driven instrumentals, topical songs, ballads and humorous tales of life north of the border.

Roy Gullane, on guitar and lead vocals, Phil Smillie, on flute, whistles, bodhrán and harmony vocals, Scotland’s youngest clan leader,  Iain MacGillivray, on Highland bagpipes, fiddle and whistles, and Malcolm Bushby, on fiddle, bouzouki and harmony vocals, demonstrate the rich Celtic musical heritage in their exuberant concert combination of traditional melodies, rhythmic accompaniment, and evocative vocals. Box office: 01439 771700 or helmsleyarts.co.uk.  

Fideri Fidera in Ugg’n’Ogg & The World’s First Dogg

Children’s play of the week: Rural Arts presents Fideri Fidera in Ugg’n’Ogg & The World’s First Dogg, Milton Rooms, Malton, February 20, 2pm

IN the fresh sparkling world just after the last Ice Age, there were no dogs. How, then, did we attain our best friend and the world’s number one pet? Luckily for us, along came young hunter gatherers Ugg‘n’Ogg to pal up with the wolves, Tooth’n’Claw, to defy flying meat bones, raging forest infernos and even a time-travelling stick to invent the dog.

This original play for families and pooch lovers aged three upwards highlights the evolutionary transition from lupine to canine in a show full of physical comedy, puppets, music and song. Box office: 01653 696240 or themiltonrooms.com.

Festival of the week: National Parks Dark Skies Festival, North York Moors, February 14 to March 2

THIS year is the tenth anniversary of the Dark Skies Festival and where better to celebrate than on the North York Moors, one of only 21 global locations to be recognised for pristine dark skies as an International Dark Sky Reserve.

Look out for Stargazing Experiences in Dalby Forest; Stargazing at Ampleforth Abbey; the Robin Hood’s Bay Dark Skies Ghost Walks; Evening Adventure Walks with River Mountain Rescue; a Night Navigation Experience with Large Outdoors; Dancing with The Long Dead Stars and plenty more. For full details, visit: darkskiesnationalparks.org.uk/north-york-moors-events.

David O’Doherty, the Tiny Piano Man

Comedy show of the week: David O’Doherty, Tiny Piano Man, Grand Opera House, York, February 15, 8pm

THE dishevelled prince of €10 eBay keyboards tries to make you feel alive with a pageant of Irish humour, song and occasionally getting up from a chair. “It’s gonna be a big one,” says Dublin comedian, author, musician, actor and playwright David O’Doherty, star of The Great Celebrity Bake Off 2024 and Along For The Ride With David O’Doherty. Box office: atgtickets.com/york.

Gareth Gates: In a Valentine mood at York Barbican

Romantic concert of the week: Gareth Gates Sings Love Songs From The Movies – A Valentine Special, York Barbican, February 16, 7.30pm

EXTENDING the St Valentine ‘s Day vibes to the weekend, Bradford singer Gareth Gates combines  beloved ballads from classic films with the electrifying energy of up-tempo hits, from Unchained Melody to Dirty Dancing, in a celebration of love stories that have graced the silver screen.

Joining the 2002 Pop Idol alumnus and musical star will be Wicked actress Maggie Lynne, Dutch singer Britt Lenting, Performers College graduate Dan Herrington and a four-piece band. Box office: yorkbarbican.co.uk.

Smashing Pumpkins: Playing Scarborough on Aghori Tour

Gig announcement of the week: The Smashing Pumpkins, TK Maxx Presents Scarborough Open Air Theatre, August 13

AMERICAN alternative rockers The Smashing Pumpkins will play Scarborough on their Aghori Tour. Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by London post-punk revival band White Lies.

Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums worldwide and collected two Grammy Awards, seven MTV VMAs and an American Music Award. Tickets go on sale at 10am on Friday at ticketmaster.co.uk

More Things To Do in York and beyond, any way the wind blows. Here’s Hutch’s List No. 4 for 2025, from The York Press

Ric Liptrot: Exhibiting in The Other Collective exhibition at Bluebird Bakery, Acomb

FROM dollops of Dolly Parton advice to Stewart Lee’s werewolf encounter, devilish storytelling to a Cinderella prequel, Charles Hutchinson, cherry picks highlights for the days ahead.

Exhibition of the week: The Other Collective, Bluebird Bakery, Acomb, York, until March 13

CURATED by Bluebird Bakery, The Other Collective brings together the work of Lu Mason, Ric Liptrot, Rob Burton, Liz Foster and Jill Tattersall.

“These wonderful artists were all missed off the billing for York Open Studios 2025 and we felt that was a real shame,” says Bluebird boss Nicky Kippax. “So The Other Collective was born and we hope the work will get a lot of interest from our customers.” 

The poster for South Bank Singers’ Of All The Birds concert

Nature concert of the week: South Bank Singers, Of All The Birds, A Winter Chorus, St Clement’s Church, Scarcroft Road, York, today, 3pm

SOUTH Bank Singers present Of All The Birds, A Winter Chrous, a Saturday afternoon concert of choral music inspired by the enchanting beauty and song of birds. Directed by Carlos Zamora, the choral programme spans six centuries, taking in Mendelssohn, Stanford, Ravel, Gibbons, Janequin, Vautor, Guastavino and Bartlet. Admission is free with a retiring collection for the Yorkshire Wildlife Trust.

The poster for A Million Dreams, presented by Steve Coates Productions, at the Grand Opera House, York

Fundraiser of the week: A Million Dreams, A Charity Broadway Spectacular, Grand Opera House, York, tonight, 7.30pm

STEVE Coates Productions present an evening of musical magic, song, dance and laughter by York talent in aid of The Snappy Trust, a charity “dedicated to maximising the personal development of children and young people with wide- ranging disabilities”.

Bev Jones Music Company, Flying Ducks Youth Theatre and a ten-piece band perform songs from Broadway and West End shows such as Wicked, Hamilton, Frozen, The Phantom Of The Opera, Les Miserables and The Greatest Showman. Box office: atgtickets.com/york.

Mark Reynolds’ tour poster illustration for Stewart Lee Vs The Man-Wulf, playing York Theatre Royal from January 28 to February 1

Comedy gigs of the week: Stewart Lee Vs The Man-Wulf, York Theatre Royal, January 28 to February 1, 7.30pm

IN Stewart Lee Vs The Man-Wulf, Lee shares the stage with a tough-talking werewolf comedian from the dark forests of the subconscious who hates humanity. The Man-Wulf lays down a ferocious comedy challenge to the “culturally irrelevant and physically enfeebled Lee”: can the beast inside us all be silenced by the silver bullet of Lee’s deadpan stand-up? Tickets advice: Hurry, hurry as all shows are closing in on selling out; 01904 623568 or yorktheatreroyal.co.uk.

Tricia Paoluccio’s Dolly Parton and Steven Webb’s Kevin in Here You Come Again at Grand Opera House, York

Musical of the week: Here You Come Again, Grand Opera House, York, January 28 to February 1, 7.30pm plus 2.30pm Wednesday and Saturday matinees

SIMON Friend Entertainment and Leeds Playhouse team up for the tour of Here You Come Again, starring and co-written by Broadway actress Tricia Paoluccio, who visits York for the first time in the guise of a fantasy vision of country icon Dolly Parton.

Gimme Gimme Gimme writer Jonathan Harvey has put a British spin on Bruce Vilanch, director Gabriel Barre and Paoluccio’s story of diehard Dolly devotee Kevin (Steven Webb) needing dollops of Dolly advice on life and love in trying times. Parton hits galore help too! Box office: atgtickets.com/york.

Sylvie (Aileen Hall), centre, demonstrates her skills to friends Amelie (Perri Ann Barley), left, and Helene (Devon Wells), right, in rehearsal for Blue Light Theatre Company’s Where The Magic Begins!

Premiere of the week: Blue Light Theatre Company in Where The Magic Begins!, Acomb Working Men’s Club, York, January 29, 30 and 31, 7.30pm; February 1, 2pm matinee

BLUE Light Theatre Company will forego their annual panto in favour of staging York playwright and actress Perri Ann Barley’s new play Where The Magic Begins!, a prequel to Cinderella based on characters from the original Charles Perrault version of “everyone’s favourite fairytale”.

“We meet many beloved characters in their younger days, such as a young Fairy Godmother, who is about to discover her ‘gift’. We follow her journey as she struggles with a secret that could put her life, and that of her family, in grave danger,” says director Craig Barley. Box office: 07933 329654, at bluelight-theatre.co.uk or on the door.

Hannah Rowe: Performing in the cabaret set-up of The Old Paint Shop at York Theatre Royal Studio

Cabaret night of the week: CPWM Presents An Evening With Hannah Rowe, The Old Paint Shop, York Theatre Royal Studio, January 30, 8pm

YORK promoters Come Play With Me (CPWM) welcome Hannah Rowe to The Old Paint Shop’s winter season. This young singer writes of experiences and shifts in life, offering a sense of reflection within her rich, authentic, jazz-infused sound.

The Old Paint Shop shows by irreverent York covers combo Hyde Family Jam (today, 2pm and 8pm) and Karl Mullen, upstanding York pianist Karl Mullen (January 31, 8pm) have sold out. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Tim Ralphs: Wild reimagining of folktale, fairytale and urban legend at Rise@Bluebird Bakery, Acomb

Devilish delight of the week: Tim Ralphs and Adderstone, Infernal Delights, Rise@Bluebird Bakery, Acomb, York, January 31, doors 7.30pm

TIM Ralphs and York alt-folk storytellers Adderstone serve up a winter night’s double bill of dark delights. Let Adderstone’s Cath Heinemeyer and Gemma McDermott lead you down the steps to the underworld with story-songs from wild places in their Songs To Meet The Darkness set.

In Beelzebub Rebranded, Tim Ralphs’s stand-up storytelling exhumes the bones of ancient Devil stories and stitches them into new skins for fresh consumption in his wild reimagining of folktale, fairytale and urban legend. Box office: ticketsource.co.uk/adderstone/infernal-delights/e-xjjber.

York Ice Trail: Taking the theme of Origins next weekend

Whatever the weather, here comes the new ice age: York Ice Trail 2025, February 1 and 2

YORK’S “free weekend of frosty fun” returns with a 2025 theme of Origins as York’s streets are turned into an icy wonderland of frozen tableau in this annual event run by Make It York. Among the 30 ice sculptures showcasing 2,000 years of city history will be a Roman shield, a Viking helmet, a chocolate bar,  a drifting ghost, a majestic train and a Yorkshire rose, all captured in the language of ice by Icebox. Full details can be found at visityork.org/york-ice-trail.

Before all that ice, windswept York has another free event on the city streets and beyond this weekend: York Residents’ Festival today and tomorrow. For the full list of offers, head to: visityork.org/offers/category/york-residents-festival.

Snow Patrol: Returning to Scarborough Open Air Theatre this summer

Gig announcement of the week: Snow Patrol, TK Maxx Presents Scarborough Open Air Theatre, June 27

THE Northern Irish-Scottish indie rock band Snow Patrol are to return to the Scarborough coast for the first time since July 2021, led as ever by Gary Lightbody, accompanied by long-time lead guitarist Nathan Connolly and pianist Johnny McDaid.

Emotionally charged anthems such as Chasing Cars, Run and Open Your Eyes will be complemented by selections from 2024’s The Forest Is The Path, their first chart topper in 18 years.  Box office: ticketmaster.co.uk and scarboroughopenairtheatre.com.

In Focus: Hayden Thorpe & Propellor Ensemble, National Centre for Early Music, York, January 29, doors 7pm, start 7.30pm

Hayden Thorpe: Performing Ness with Propellor Ensemble at the NCEM

PLEASE Please You and Brudenell Presents bring Hayden Thorpe & Propellor Ensemble to the NCEM to perform Ness on Wednesday, with the promise of a “sonically spectacular and transformational live show”.

Thorpe, 39-year-old former frontman and chief songwriter of Kendal and Leeds band Wild Beasts, promotes his September 2024 album, Ness, released on Domino Records.

Using a process of redaction, Cumbrian musician Thorpe brought songs to life from nature writer Robert Macfarlane’s book Ness, inspired by Orford Ness, a ten-mile long shingle spit on the coast of Suffolk that housed the former Ministry of Defence weapons development site during both World Wars and the Cold War.

Acquired by the National Trust in 1993 and left to re-wild, to this day it remains a place of paradox, mystery and constant evolution.

Thorpe’s ode to Orford Ness, the physical place and the book, features Macfarlane’s words and illustrations by Stanley Donwood. He premiered Ness with Propellor Ensemble at Orford Ness on September 28 and 29 last year.

Here Hayden discusses working with Robert Macfarlane and Propellor Ensemble, the Cold War, nature and past York experiences with CharlesHutchPress.

Do you have any past experiences of York, whether on a school visit or whatever, Hayden?

“My parents used to take us to the Jorvik Viking Museum when me and my siblings were young. I was always amazed by the fake open sewer smell they would pump into the space.”

When did you last play in York, either solo or with Wild Beasts?

“I believe it was in 2006 or 2007. A rather long time ago. In any case, it’s been too long. It was somewhere quite familiar to me when Wild Beasts were coming up in Leeds. We’d make a regular dash across.”

How did the Ness project come about with Robert Macfarlane?

“In a really old fashioned manner. I fan-mailed Rob and he wrote back with all the generosity and open heartedness of his books. He’s as good as his word in the truest sense.

“Rob and I decided to perform some improvised music to his reading of Ness. It was a Eureka moment. The atmosphere and drama of the sound we made demanded that we commit to expanding it.” 

Did you visit Orford Ness, now the Orford Ness National Nature Reserve, for research purposes?

“Yes. Orford Ness is an astonishing place. It’s a monument to rejuvenation and a monument to destruction. The very best and the very worst of us.” 

By the way, Hayden, York has a Cold War Bunker Museum, in Monument Close, Holgate: a two-storey, semi-subterranean bunker built in 1961 to monitor nuclear explosions and fallout in Yorkshire, in the event of nuclear war.

“I had no idea that a Cold War museum existed in York. That’s fabulous. Bizarrely, I’ve developed a Cold War romance. I guess the conflicts and hostilities we face today have brought these conversations back into our everyday consciousness.” 

The album cover artwork for Hayden Thorpe’s Ness

How have you turned the album into a concert performance?

“The album is very much made of sounds we’ve made with our hands and lungs, so with enough pairs of those it actually translates in a very true way. The unusual instrumentation, with orchestral percussion and clarinet foregrounded alongside me, creates a very distinct ‘Ness’ sound. The shows have been really emotional as a result.”

Were you tempted to feature strings in the Ness project for their emotional heft?

“We deliberately did not use strings. We opted to use the elemental forces at my play at Orford Ness: wind and resistant materials like metal and wood. It creates a haunted, volatile soundscape.”  

Which Propellor Ensemble members will play in York?

“Jack McNeill plays clarinet and Delia Stevens plays orchestral percussion. Molly Gromadzki performs the spoken-word parts and sings in the choir. Brigitte Hart and Helen Ganya make up the choral section. It’s been a joy to work with such expressive and capable performers.”

What does a “sonically spectacular and transformational live show” entail?

“Something which is sonically ambitious and immersive. Once we start the show we don’t stop, it’s the album in full back to front. We want to take the audience to Ness, have them come face to face with the monster.”

Why was the National Centre for Early Music, in the former St Margaret’s Church in Walmgate, chosen for the York gig rather than The Crescent community venue, a classic working men’s club design?

“We’ve heard such great things about NCEM. Much of the story of Ness takes place ‘In The Green Chapel’, so the work lends itself to a space of worship.” 

What is your own relationship with nature? Wild Beasts hailed originally from Kendal, with all that Lake District beauty around you…

“Nature has become increasingly important to my life and work. As artists we’re forced to ask what side of the conversation we sit on, one which acknowledges the existential crisis facing us or one which excuses it. Music can carry non-human voices really effectively. Ness is very much a meditation on that.” 

What will be the next project you work on?

Good question. Ness has certainly expanded my palette. I’ve come to feel maybe my strength is in making strange and ambitious works which would otherwise not get made. It’s crucial to keep the flame burning on works of exploration and oddity in an industry which increasingly incentivises conformity.” 

Box office: 01904 658338 or ncem.co.uk.

More Things To Do in York and beyond. Hutch’s List No. 5, from The York Press

The cheek of it: Freida Nipples hosting The Exhibitionists at The Old Paint Shop, York Theatre Royal Studio

FROM exhibitionist burlesque to imaginative dance moments, wildlife illuminations to bend-and-snap musical empowerment, Charles Hutchinson finds February fulfilment.

Cabaret night of the week: Freida Nipples Presents…The Exhibitionists, The Old Paint Shop, York Theatre Royal Studio, February 8, 8pm

YORK’S very own internationally award-winning burlesque artiste Freida Nipples welcomes some of her favourite and most fabulous performance artists from across Great Britain and beyond to The Old Paint Shop cabaret night.

 “Get ready to be dazzled, shocked and in awe,” says Freida. “Only a few things are guaranteed: glamour, gags and giggles.” Box office: 01904 623568 or yorktheatreroyal.co.uk, for returned tickets only.

Chris Newman and Maire Ni Chathasaigh

Folk gig of the week: Maire Ni Chathasaigh and Chris Newman, Helmsley Arts Centre, February 8, 7.30pm

MULTIPLE award-winning, internationally renowned virtuoso harp and guitar duo Maire Ni Chathasaigh and Chris Newman return to Helmsley after playing to a full house there in December 2023.

County Cork harpist Chathasaigh and flat-picking guitarist, improviser, composer and record producer Newman have toured to 24 countries on five continents, playing venues ranging from village halls and town halls to palaces in Kyoto and Istanbul, from London’s Barbican to Cologne’s Philharmonia. Expect a fusion of traditional Irish music, hot jazz, bluegrass and baroque, spiced with new compositions and Newman’s subversive wit. Box office: 01439 771700 or helmsleyarts.co.uk.

Stop! Evie Hart, left, Sean Moss, Hobie Schouppe, Juliette Tellier, Donny Beau Ferris, Risa Maki and Oliver Rumaizen in Jasmin Vardimon Company’s Now. Picture: Tristram Kenton

Dance show of the week: Jasmin Vardimon Company, York Theatre Royal, February 8, 2.30pm with post-show discussion and 7.30pm

NOW, a new creation by choreographer Jasmin Vardimon MBE, celebrates her company’s 25th anniversary in a work that reflects the current moment, the present, and the continuous movement of time in a terpsichorean toast to the beauty of imagination and art.

Rooted in her interest in contemporary lives, the structures of society and the ever-changing socio-political dynamics, Vardimon uses her distinctive dance theatre style to tell a story of our time with an international cast of performers and relevant, iconic moments from the Ashford, Kent company’s repertoire. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jamie Walton: Cello soloist at York Guildhall Orchestra’s concert at York Barbican

Classical concerts of the week: Yorkshire Bach Choir, Bach To The Future, St Lawrence Parish Church, York, February 8, 7.30pm; York Guildhall Orchestra: Sibelius, Bloch, Tchaikovsky & Shostakovich, York Barbican, February 9, 3pm

PETER Seymour conducts Yorkshire Bach Choir on a choral journey through German polyphony, including music by Schutz, Johann Bach, JS Bach, Mendelssohn, Brahms and Rheinberger. Professor Thomas Schmidt gives a pre-concert talk at 6.45pm. Box office: 01904 658338 or ncem.co.uk.

Jamie Walton, cellist and North York Moors Chamber Music Festival artistic director, will be the soloist for Ernst Bloch’s “rarely played, but utterly beautiful” Shelomo in February 9’s concert by the York Guildhall Orchestra. Sibelius’s Karelia Suite, Tchaikovsky’s Romeo And Juliet and Shostakovic’s Symphony No. 9 in Eb feature too in conductor Simon Wright’s programme. Box office: yorkbarbican.co.uk.

Dominic Halpin & The Hurricanes in A Country Night In Nashville

Country gig of the week: A Country Night In Nashville, Grand Opera House, York, February 9, 7.30pm

DOMINIC Halpin & The Hurricanes re-create a buzzing honky-tonk in downtown Nashville, capturing the energy and atmosphere of an evening in the home of country music, featuring songs from its biggest stars both past and present: Johnny Cash to Alan Jackson, Dolly Parton to The Chicks, Willie Nelson to Kacey Musgraves. Box office: atgtickets.com/york.

Colour & Light framing the South Transept of York Minster

Illumination of the week: Colour & Light, York Minster South Transept, February 12 to March 2

THIS free outdoor event promises a “mesmerising projection” of famous and lesser-known stories of York’s animal world, from the peregrine falcons that call the Minster home and the foxes that roam the city after dark, to the horses on which the Romans rode into Eboracum and the legendary dragons carved into York’s history.

Colour & Light will run nightly from 6pm to 9pm with projections on a ten-minute loop. The final hour each evening will feature a designated quiet hour with reduced noise and crowd levels, ensuring everyone can enjoy the event. No tickets are required.

Pop Princesses World Tour: Popping into the Grand Opera House, York

Children’s pop concert of the week: Pop Princesses World Tour, Grand Opera House, York, February 13, 6pm

IN a magical show where four fabulous fairytale princesses become pop stars on an epic adventure, they just love to sing the hits of Taylor Swift, Meghan Trainor, Miley Cyrus, Dua Lipa and Lizzo, complemented by a few of the best songs from all your favourite films and musicals. Box office: atgtickets.com/york.

Emma Swainston’s Elle Woods in York Light Opera Company’s Legally Blonde The Musical

Musical of the week: York Light Opera Company in Legally Blonde The Musical, York Theatre Royal, February 13 to 22, 7.30pm nightly (except February 16) plus 2.30pm matinees on February 15, 20

JOIN Elle Woods, a seemingly ditzy sorority girl with a heart of gold, as she tackles Harvard Law School to win back her man. Along the way Elle discovers her own strength and intelligence, proving that you can be both a beautiful blonde and brilliant.

Emma Swainston’s Elle Woods leads Martyn Knight’s 35-strong cast in this feel-good, sassy and stylish show with a powerful message about staying true to yourself, music and lyrics by Laurence O’Keefe and Nell Benjamin and book by Heather Hach. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Festival of the week: National Parks Dark Skies Festival, North York Moors, February 14 to March 2

THIS year is the tenth anniversary of the Dark Skies Festival and where better to celebrate than on the North York Moors, one of only 21 locations in the world to be recognised for pristine, dark skies as an International Dark Sky Reserve.

Look out for Stargazing Experiences in Dalby Forest; Stargazing at Ampleforth Abbey; the Robin Hood’s Bay Dark Skies Ghost Walks; Evening Adventure Walks with River Mountain Rescue; a Night Navigation Experience with Large Outdoors; Dancing with The Long Dead Stars (and a walk to Boggle Hole) and plenty more. For full details, visit: darkskiesnationalparks.org.uk/north-york-moors-events.

Here comes Tricia Paoluccio’s Dolly Parton, dishing out advice in uplifting musical comedy drama at Grand Opera House

Tricia Paoluccio as Dolly Parton in the musical Here You Come Again, on tour at the Grand Opera House, York, next week

BROADWAY actress Tricia Paoluccio  has never met Dolly Parton but inhabits the Tennessee country music icon to the max in the musical Here You Come Again.

Headed for York’s Grand Opera House next week after a London season at Riverside Studios, Hammersmith, she says: “I met her sister Rachel, who saw our show in Tennessee, but unfortunately Dolly was away shooting music videos for her rock album [November 2023’s Rockstar], so she wasn’t able to come along herself.

“I don’t know what I’d do if I ever met her. I’d die! I would ask her first, ‘Can I borrow some of your wigs for our show?’ But if I was having a real heart-to-heart with Dolly, I’d want to know, ‘How have you been able to navigate your life and career the way that you have?’ She really has never had a misstep.”

Navigating a path through life in Covid-troubled times with dollops of home-spun advice from an imagined version of Dolly is the story of Here You Come Again, wherein diehard Dolly devotee Kevin (played by West End actor Steven Webb) is taught “a whole lot about life, love and how to pull yourself up by your bootstraps…even if your bootstraps don’t have rhinestones”.

“I’ve always loved Dolly and been able to sing like her,” says Tricia. “It was my dream to someday be able to use this ability in a theatrical way and thought the best way to do it was to have it be another person’s journey. 

“I wanted to sing my favourite Dolly songs but put her in a situation where we could see her in action in a real-life way, in a fantasy friendship where everything is done with lots of humour and tough love too, instead of it being a bio musical about her life.”

Fully authorised by Dolly herself, a plethora of Parton hits feature in the show: Jolene, 9 To 5, Islands In The Stream, I Will Always Love You, Here You Come Again et al. “But if people are expecting a tribute show, it’s not. It’s a proper theatre show; a play with music, with the side benefit of sometimes feeling like a Dolly Parton concert,”says Tricia.

I think every audience member will find the show to be really funny, with lots of laughs, but they’ll also be surprised by how deep and emotional it is. It’s not about Covid, but the pandemic provides a universal backdrop experience as a time when we needed to let go of our plans, our job routines, our sense of identity. If you were defined by your career, you had a crisis over your identity – and Covid was even more of a worldwide experience than World War Two.”

Tricia co-created the original American script in collaboration with director Gabriel Barre and Emmy Award-winning comedy and song writer Bruce Vilanch in “one of the most harmonious, joyous experiences” of her creative career. 

“We each brought something unique to the journey,” she says. “Gabriel is an expert in creating the theatrical framework and keeping us on track. He’s such a diplomat and truly a great director.

“I helped conceive of the basic story and I’d share how I think Dolly would say something or how I think she would behave in a situation.”

Vilanch is a “comedy genius,” she says. “He fleshed out the dialogue based on all of our brainstorming sessions with personal insights to Dolly as he wrote for her and the world of stand-up comics since he’s also from that world.”.

Tricia then worked with Gimme Gimme Gimme writer Jonathan Harvey to give the story a British revamp for the UK tour that began last April in her first ever visit to these isles. “Our producer, Simon Friend, thought Jonathan would be perfect, and he’s been a lovely collaborator, so easy to work with, understanding how things will hit a British audience,” she says.

 “What’s wonderful about our show is that you could adapt it to any culture of a person in trouble, who needs Dolly’s help. It could be anywhere, but for this tour we needed the humour to be specific to the UK, changing all of the cultural references to fit.

“We’ve done 32 cities already and they’ve absolutely loved it. They are so on board with it not being a concert but a comedy with a deep heart.”

Summing up Dolly Parton’s appeal, Tricia says: “When it comes to her songwriting, she is a true artist. Like any great songwriter, she knows how to tell a story and connect with the heart, and she’s just blessed with that gift to write so many songs that do that.

“She can tap into human experience, and when you hear one of her sad songs about someone else’s experience, it can make you feel better about yourself, making you think ‘I have so much to be grateful for’.”

Like Dolly, Tricia comes from farming stock. “Even though there are many things where Dolly and I are so different – I’m a plain Jane, who doesn’t care about jewels and clothes; Dolly would be very disappointed at how I look off stage – but I do connect with her in many ways.

“I grew up on a small farm in Modesta, California, a 40-acre almond farm, where my parents taught me that happiness came from small things, growing up surrounded by nature. I do align with Dolly in seeing beauty all around, and like Dolly, I have many interests and I’m an entrepreneur with two businesses as a teacher and an artist with a pressed flower brand.”

Looking forward to visiting York for the first time, Tricia says: “One of my best friends will be flying in from Virginia because we’d heard York is one of the best places in England. We’re planning walking tours and spending Monday sight-seeing.”

Tricia will be on the road in Here You Come Again until February 22. “I cannot believe what an honour this has been, having the chance as an American to learn about British culture and hear all these different accents,” she says.

“I’m just crazy about it, and our audiences have been so warm and responsive. It’s been a real pleasure.”

Simon Friend Entertainment and Leeds Playhouse present Here You Come Again, Grand Opera House, York, January 28 to February 1, 7.30pm plus 2.30pm Wednesday and Saturday matinees. Box office: atgtickets.com/york.

More questions for Tricia Paoluccio from her official tour Q&A

Tricia Paoluccio: Grew up on a farm, like Dolly Parton

What does Jonathan Harvey, who has worked with you on the UK version of the show, bring to the table?

“He is so funny. He’s a great writer, with fine-tuned taste, and the main thing he’s contributed is helping us set it in England because we had to change all of our cultural references. He’s also helped us to understand how things will hit a British audience because British audiences are different than American audiences and your experience during 2020 was a little different than ours.”

How did you set about becoming Dolly for the show?

“I like to say that I began rehearsing for this role when I was five years old, when I first heard Here You Come Again on the radio. I remember that moment vividly. I begged for the record and I memorised every song on it.

“I’ve always been able to tune my vocal cords to hit her vibrato and to find that cry in her voice and the musicality of her styling. When it came time to doing our show, though, I did not have her speaking voice down.

“I worked with a very celebrated dialect coach named Erik Singer, who helped Austin Butler prepare to play Elvis. We worked together on cracking her speaking voice and that took a bit more effort.

“I’ve watched tons of Dolly videos and early interviews to absorb how she does and says things, her mannerisms and everything. I just love to study her.”

How important to you is it not to simply do a Parton impersonation?

“Very important. There are wonderful tribute artists out there doing great things to spread the love of Dolly. But in terms of a play or a musical, I don’t think that would be a very satisfying evening in the theatre.

“I do not think about impersonating her. I’m only thinking about what my objective is in the story and I trust that Dolly’s presence is strong enough in me to let it go.”

What was important to get right about her as a person as well as a singer?

“Dolly is a very practical person. She’s no-nonsense and wise. I wanted to make sure that she stayed grounded and real. While we have very performative moments to the audience, I wanted to show her in a very truthful and down-to-earth way.

“I also wanted to show Dolly doing very humble things. I envisioned her as the kind of friend who if you’re going through a hard time would help clean up your kitchen and eat a meal with you. She’s not so rich and famous that she’s above doing those little things.

How did you and the team decide which Dolly songs to include?

“I love the late-70s/early 80s Dolly, so I came up with a kind of hit list. But I have to give credit to our lawyer, Thomas Distler, who’s responsible for making this all happen because he knew Dolly

Parton’s lawyer and got the material to her. That’s how we got permission to be able to do the show and the rights to all her music. Tom also said, ‘You’ve got to find a way to put Jolene in there’. At first we didn’t have it in the show because it didn’t really fit our storyline, but we found a wonderful way to put it in and I’m really glad that we did.”

Steven Webb’s Kevin and Tricia Paoluccio’s Dolly Parton in a scene in Here You Come Again

Do you have a favourite song to perform in the show?

“It’s like picking a favourite child and I love them all for different reasons. But I think my favourite one to perform is Me And Little Andy. It’s just so sad and strange, where Dolly does a little girl voice and it takes this painfully tragic turn. I love performing it and I love the reaction it gets from the audience.

“If you don’t know the song already, don’t listen to it before you come to see the show! Let yourself be surprised because I want you to have the same reaction that Kevin does.”

Like Dolly, you grew up on a farm, albeit an almond farm. Do you have other things in common with her?

“Like her, I’m very lucky to have had a happy childhood. I’m from a loving family and now, as an adult, I recognise how rare that is. My parents gave my brother and I a very wholesome childhood and I think this greatly shaped my outlook on life and helped me to be a positive, optimistic person.

“I’m also grateful for an understanding of God that brings me a lot of comfort and joy. I credit God with all good things, just as Dolly’s faith is the backbone of her creativity and art. So many of her songs reflect that in a way that’s very universal and easy for people to accept – even people who might not have a belief in God themselves. She’s able to share her faith in a very simple way that people can understand.”

How would you describe your relationship with Dolly’s music?

“As a child I spent hours and hours walking around our almond orchard in Modesto, California, singing her songs, imagining how life might be as a grown-up. Singing along to her made me want to become an actress, because I loved how she told stories and how emotional her songs could be.

“I can’t express enough how deeply her artistry has influenced my entire life: a love of beauty and a love of storytelling, culminating in what I consider the greatest achievement of my career – creating and being in this show. It’s the honour of a lifetime.”

Why do you think Dolly Parton is so beloved?

“She grew up very poor, made it big and has handled herself with dignity and grace her whole career. Watching interviews with her from the ’70s, they’re just crazy. She gets asked the most insulting and sexist questions and she never takes offence. But she never backs down either. She sticks up for herself with great humility and humour.

“What I also admire is how she uses her wealth and influence to donate to and bring attention to worthy causes, and she has managed to stay true to herself and her beliefs without ever taking sides.

“She fights for the little guy, uses her power for good and basically is one of the kindest, sweetest human beings ever to walk the earth. I’m just in awe of the life she’s created for herself and all she has given to the world.”

As well as a performer, you are an artist and designer. How do you juggle that with your theatre work?

“When you love to do something, you always find the energy and time for it. I’m really passionate about flower pressing and I’ve been doing it my whole life.

“A couple of years ago I was lucky enough to be discovered by some luminaries in the fashion and music industries. I started doing these collaborations that became very successful, such as the Óscar de la Renta collaboration, which led to Taylor Swift wearing that pressed flower dress at the Grammys.

“Then Anna Wintour [editor-in-chief of Vogue] wore one of ODLR’s designs, which used my art as the pattern, at the Met Gala. It gave me the confidence to create a whole brand using pressed flower imagery in high design and now I’ve created a business.

“I really hope to make connections in the UK because I have a little following here of passionate flower pressers, which I hope to nurture. I also hope to pick and press flowers in the UK and make a body of work inspired by the flowers of this beautiful part of the world.”