What’s On in Ryedale, York and beyond. Hutch’s List No. 11, from Gazette & Herald

Leeds abstract surrealist Nicolas Dixon, front, spotted at the launch of the debut RARE v WET exhibition with WET proprietors James Wall and Ella Williams and RARE Collective organiser Sharon McDonagh

A SURREALIST wine bar exhibition, a comedy thriller in an hotel and Australian children’s games  stir Charles Hutchinson’s interest.  

Exhibition of the week: Nicolas Dixon, RARE v WET, at WET, Micklegate, York, until April 22

YORK  artist and event organiser Sharon McDonagh and DJ/artist Sola launch their RARE v WET series of solo exhibitions in aid of York charity SASH (Safe and Sound Homes) at WET, James Wall and Ella Williams’ indie wine bar and restaurant, with Nicolas Dixon first up.

Leeds abstract surrealist Dixon’s murals and artworks have become landmarks in Leeds, including at Kirkgate Market, Trinity Shopping Centre and the University of Leeds, as well as Leeds United tributes to the 1972 FA Cup Winners at Elland Road and the iconic Bielsa the Redeemer in Wortley. On show is a mixture of new and older work, both prints and originals.

In the shadows: Michael Hugo in Claybody Theatre’s The Grand Babylon Hotel. Picture: Andrew Billington

Thriller of the week: Claybody Theatre in The Grand Babylon Hotel, Stephen Joseph Theatre, Scarborough, tonight to Saturday, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees; Harrogate Theatre, April 1 to 4, 7.30pm plus 2pm Saturday matinee

CONRAD Nelson directs an ensemble cast of multiple flamboyant characters in a rollicking comedy thriller of rapid-fire character changes, sharp humour and theatrical fun, presented in association with the New Vic Theatre.

In Deborah McAndrew’s  adaptation of Arnold Bennett’s novel, Nella Racksole discovers steak and beer are not on the menu for her birthday treat at the exclusive Grand Babylon Hotel, prompting  her American millionaire father to buy the chef, the kitchen, the entire hotel. Cue  kidnapping and murder. Have Theodore and Nella bitten off more than they can chew? Box office: Scarborough, 01723 370541 or sjt.uk.com; Harrogate, 01423 502116 or harrogatetheatre.co.uk.

Bluey’s Big Play: Australian bean bags, games and cleverness at Grand Opera House, York

Children’s show of the week: Windmill Theatre Co in Bluey’s Big Play, Grand Opera House, York, 10am, tomorrow and Friday; 10am, 1pm and 4pm, Saturday and Sunday

COMBINING puppets and original voices from Ludo Studios’  Emmy Award-winning Australian children’s television series, including Dave McCormack and Melanie Zanetti as Dad and Mum, this theatrical adaptation is based on an original story by Bluey creator Joe Brumm, featuring music by series composer Joff Bush. When Dad wants a bean bag time-out, Bluey and Bingo have other plans as they pull out all the games and cleverness at their disposal. Box office: atgtickets.com/york.

The Brand New Heavies: Acid Jazz joy, funk, love and fancy clothes at York Barbican

York gig of the week: The Brand New Heavies, York Barbican, tomorrow, doors 7pm

EALING Acid Jazz pioneers The Brand New Heavies – Simon Bartholomew, vocals and guitar, Andrew Levy, bass and keyboards, and Angela Ricci, vocals  – mark their 35th anniversary with a 12-date tour that takes in York Barbican as their only Yorkshire destination. Expect  joy, funk, love and fancy clothes. Galliano support. Box office: yorkbarbican.co.uk.

Lizzie Lawton’s Jack Worthing, front, and Jorja Cartwright’s Algernon Moncrieff in Rowntree Players’ The Importance Of Being Earnest

Comedy classic of the week: Rowntree Players in The Importance Of Being Earnest, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm plus 2pm Saturday matinee

ROWNTREE Players bring Oscar Wilde’s 1895 farcical comedy of manners to the York stage in the original four-act version reconstructed by Vyvyan Holland, under the direction of Hannah Shaw.

Lizzie Lawton’s Jack Worthing and Jorja Cartwright’s Algernon Moncrieff lead double lives under the false name of “Ernest” to escape social obligations, leading to romantic entanglements and comedic misunderstandings, played out by a cast featuring Jeanette Hambridge’s Lady Bracknell, Bethan Olliver’s Gwendolen Fairfax, Katie Shaw’s Cecily Cardew, Wayne Osguthorpe’s Reverend Canon Chasuble, Rebecca Thomson’s Miss Prism and Max Palmer’s Lane/Merriman. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Jessica Fostekew: “The silliest of comedy for the scariest of days”in Iconic Breath at Pocklington Arts Centre

Comedy gig of the week: Jessica Fostekew: Iconic Breath, Pocklington Arts Centre, Friday, 8pm

ICONIC Breath, Jessica Fostekew’s most rousing and uplifting show yet, provides the silliest of comedy for the scariest of days as The Guilty Feminist, Hoovering and Contender Ready podcaster discusses tolerance and temperance.

 “I can feel myself becoming an emotional wildebeest right when my world (and the whole world, thanks) demands cool, collected, ultra detached, saint-like kindness and understanding,” says Fostekew, who has hosted two series of Sturdy Girl Club on BBC Radio 4. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The Budapest Café Orchestra: Fronted by Christian Garrick at Helmsley Arts Centre

Snappiest attire of the week: Christian Garrick & The Budapest Café Orchestra, National Centre for Early Music, York, Friday, 7.30pm, sold out; Helmsley Arts Centre, Saturday, 7.30pm

CHRISTIAN Garrick (violin, darbuka), Murray Grainger (accordion), Kelly Cantlon (double bass) and Adrian Zolotuhin (guitar, saz, balalaika, domra) team up in this refreshingly unconventional and snappily attired boutique orchestra. Playing gypsy and folk-flavoured music in a unique and surprising way, The Budapest Café Orchestra combine Balkan and Russian traditional music with artful distillations of Romantic masterworks and soaring Gaelic folk anthems.

Established by British composer Garrick in 2009, BCO have 16 albums to their name, marked by an “astonishing soundscape and aural alchemy” characteristic of larger ensembles, evoking Tzigane fiddle maestros, Budapest café life and gypsy campfires. Box office: 01439 771700 or helmsleyarts.co.uk.    

Hope & Social: Unforgettable spectacle, energetic songs and chaotic moments at Milton Rooms, Malton

Ryedale gig of the week: Hope & Social, Milton Rooms, Malton, Saturday, 8pm

LEEDS band Hope & Social’s eight musicians pour their heart and soul into creating exuberant, high-energy tunes in gigs full of pure joy, infectious enthusiasm, unforgettable spectacle and chaotic moments.

Each performance by “Yorkshire’s own E-Street Band” is spiced up with Northern wit and self-deprecating humour as a powerhouse three-piece horn section and intricate five-part harmonies contribute to a massive sound that spans genres, drawing influence from soul, indie, folk, disco and art rock. Box office: 01653 696240 or themiltonrooms.com.

Crosscut Saw’s Alex Eden : Leading his blues band at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Crosscut Saw, Milton Rooms, Malton, March 26, 8pm

YORKSHIRE blues trio Crosscut Saw’s Alex Eden (lead singer, guitarist and harmonica player), Richard Ferdinando (drums) and Richard Green (bass) draw inspiration from Magic Sam, RL Burnside, Taj Mahal and Dr John in performances marked by raw energy and unpredictability.

They hold a monthly residency at the Duck & Drake in Leeds, have played the Great British Blues Festival and Tenby Blues Festival, collaborated with TJ Norton, Paddy Wells and The Haggis Horns and worked as a backing band for Jake Walker and King Rollo. Box office: 01653 696240 or themiltonrooms.com.

More Things To Do in and around York, as Richard III ‘returns’ to his favourite city. List No. 38, courtesy of The Press, York

Next stop York Theatre Royal: The Showstoppers are on their way north for a night of improvised musical comedy mayhem

LOOKING to have a whale of a time? Here is Charles Hutchinson’s latest guide to what’s on and what’s coming up, featuring a snail, a whale, a hare, a York king and much more besides.

Anything Could Happen show of the week: The Showstoppers in Showstopper! The Improvised Musical, York Theatre Royal and livestream, June 30, 7.30pm

DIRECT from the West End, The Showstoppers’ Olivier Award-winning blend of comedy, musical theatre and spontaneity heads to York Theatre Royal for one night only.

A new musical comedy will be created from scratch as audience suggestions are transformed into an all-singing, all-dancing production packed with drama, dazzling dance routines and contagious melodies, everything being made up on the spot.

“Whether you fancy Hamiltonin a hospital or Sondheim in the Sahara, you suggest it and we’ll sing it,” say the Showstoppers, whose show will be livestreamed too, with more details in how to tune in at yorktheatreroyal.co.uk/show/showstopper-the-improvised-musical-livestream.

Wood work: York actor Richard Kay and Hetty the hare in Badapple Theatre Company’s Tales From The Great Wood

Family show of the week: Badapple Theatre Company in Tales From The Great Wood, Joseph Rowntree Theatre, York, July 2, 7.30pm; July 3, 11am, 2.30pm and 7pm.

LISTEN! Can you hear the whispering in the trees? The wood is full of stories in Tales From The Wood, written and directed by Kate Bramley, artistic director of Green Hammerton company Badapple.

York actor Richard Kay, Danny Mellor and a host of puppets present an interactive storytelling eco-adventure for ages five to 95, set on a hot summer’s day, when, instead of resting, Hetty the hare is investigating because someone is missing. 

As she unravels a tall tale that stretches across The Great Wood, Hetty realises how every creature, no matter how small, can have a huge part to play in the world of the forest. Box office: josephrowntreetheatre.co.uk.

On the snail trail: Tall Stories in The Snail And The Whale at York Theatre Royal

Children’s show of the week: Tall Stories in The Snail And The Whale, York Theatre Royal, July 2, 2.30pm and 4.30pm; July 3, 10.30am and 1.30pm

TALL Stories invite you to join an adventurous young girl and her seafaring father as they reimagine the story of a globe-trotting tiny snail, inspired by Julia Donaldson and Axel Scheffler’s picture book.

In this heart-warming play full of music, storytelling and laughter, the sea snail hitches a lift on the tail of a grey-blue humpback whale to head off an amazing journey around the world, but when the whale becomes beached, how will the snail save him? Box office: 01904 623568 or at yorktheatreroyal.co.uk.

Gary Stewart: Hosting his Folk Club night at the At The Mill outdoor theatre in Stillington

Folk event of the week ahead: Gary Stewart’s Folk Club, At The Mill, Stillington, near York, July 3, 7.30pm to 10pm

“IT will be a very special, one-off, folk club: part folk night, part headline gig, with an eclectic mix of acts and then me doing a set,” says Easingwold singer-songwriter and multi-instrumentalist Gary Stewart.

Hosted by Gary, people in attendance will be given the chance to play and perform, whether music, stories, songs or poems. “If you want to share something, then bring your instrument and your voice and we’ll see you there!” says At The Mill’s Alexander Wright. For tickets, go to: atthemill.com.

Back in York at last: Richard III returns “home” in a National Portrait Gallery portrait loan to the Yorkshire Museum

Portrait of the summer:  Richard III, Yorkshire Museum, York, July 9 to October 31.

HIS ex-car park bones may be stuck in Leicester Cathedral, but that right work of art, Richard III, is heading back to his favourite city, York, albeit in portrait form.

On loan from the National Portrait Gallery as part of its Coming Home project, the iconic 16th century painting by the mysterious Unknown Artist will be on show at the Yorkshire Museum alongside “one of the finest groups of objects associated with Richard III”, such as the magnificent Middleham Jewel, The Ryther Hoard and Stillingfleet Boar Badge.

“Coming home,” you say? Yes, the project lends portraits of iconic individuals to places across the UK with which they are most closely associated. York 1, Leicester 0.

Hope & Social distancing: Leeds band to play Covid-secure gig at The Crescent, York

Where there’s hope…and a NEW date: Hope & Social, The Crescent, York, October 12, 7.30pm. Moved from July 16

“WE wear blue jackets. Fingers crossed, we will die with our hearts out in bloom,” say Leeds band Hope & Social, purveyors of the 2014 Tour de France Grand Depart  and Yorkshire Festival anthem The Big Wide.

Ah yes, but why do they wear those blue jackets? “Homburgs, in Leeds, were selling off goods, and they had a choice between Wombles outfits and these Butlins holiday camp-style outfits,” explains drummer Gary Stewart. Box office: thecrescentyork.com.

The Courteeners: Playing a warm-up gig at the 8,000-capacity Scarborough Open Air Theatre

Warm-up gig of the summer: The Courteeners, Scarborough Open Air Theatre, September 8

THE Courteeners will loosen up for two-late summer shows with an exclusive warm-up on the East Coast, supported by Wirral wonders The Coral.

The Middleton band are to play Glasgow’s TRNSMT Festival on September 10 and Manchester’s Emirates Old Trafford cricket ground on September 25, a home-coming that sold out in 90 minutes.

Best known for Not Nineteen Forever, Are You In Love With A Notion, How Good It Was, The 17th and Hanging Off Your Cloud, The Courteeners released their seventh top ten album, More. Again. Forever, in January 2020. Tickets will go on sale tomorrow (25/6/2021) via scarboroughopenairtheatre.com.

As you Lycett: More, more, more Yorkshire dates for Joe Lycett on his long, long, long 2022 tour. Picture: Matt Crockett

Comedy gig announcement of the week: Joe Lycett: More, More, More! How Do You Lycett? How Do You Lycett?, York Barbican, April 1 and 3 2022

FRESH from filming in York last Thursday for his Channel 4 consumer-campaign series Joe Lycett’s Got Your Back, Birmingham comedian and presenter Lycett has announced a 60-date tour with a title riffing on a 1976 Andrea True Connection disco floor-filler.

In More, More, More!, Lycett will explore his love of art and passion for gardening, how he toys with companies on Instagram and the perils of online trolls.

As well as his York Barbican brace, among more, more, more dates in 2022 will be Hull Bonus Arena on April 2 and Leeds First Direct Arena on September 14. Box office: yorkbarbican.co.uk and joelycett.com.

Gary Stewart to release DIY lockdown album Lost, Now Found as he turns 40

The album artwork by Ruth Varela for Gary Stewart’s June 14 album, Lost, Now Found

YORK singer-songwriter Gary Stewart will release his lockdown album, Lost, Now Found, on June 14, the day before his 40th birthday.

“The album was recorded at home and is pretty much all me, with the exception of a few musical friends, like Rosie Doonan, Ross Ainslie and Mikey Kenney,” says the left-handed guitarist, who can also be spotted playing drums for Hope & Social on a regular basis.

Perthshire-born Gary cut his teeth performing on the Leeds music scene for ten years before moving to York. Writing songs in the folk/pop vein, and influenced by the major singer/songwriters of the 1960s and 1970s – Paul Simon, James Taylor, Joni Mitchell, Carole King and assorted members of The Eagles – he has released three albums and two EPs to date.

Now comes Lost, Now Found, comprising material written between April and June 2020, shortly after the first pandemic lockdown was announced.

“When Covid-19 struck in late March 2020 and it became apparent that the nation would be indoors for some time, I made the decision (after a short period of squander sponsored by I-Player and Netflix) to try and write some songs after quite a hiatus,” says Gary.

“As a professional procrastinator, my fear was that I wouldn’t stick with it or even bother to give myself a fighting chance. Thankfully, I took up the threads of a song, Leopard, that had been kicking around my head and notebook for 18 months or so and got to task.

“What emerged was a knitted patchwork of a song, drawing initially on one specific personal experience, but extended to a more general introspective of my character and unified under the familiar question: can a leopard change its spots?”

The answer: “Well, given that this self-confessed ‘pro procrastinator’ managed to finish a song in lightning time – by his own standards – and continued to write another nine songs within a period of three months, I would say ‘yes’,” says Gary.

“Can a leopard change its spots?” wondered Gary Stewart. “Yes,” he decided

“The speed at which Leopard arrived (boom) gave me the confidence to continue writing. The ‘stay at home’ rule allowed me the chance to spend time broadening my chordal vocabulary (something I have wanted to do since ‘discovering’ The Beatles last year); to go further than the usual ‘three chords and the truth’.”

“Technophobe” Gary ventured into the realm of D.I.Y musician for Lost, Now Found, playing, recording, mixing and producing the album as a solo work.

“Arts Council England enticed me to apply for some funding, with its Developing Creative Practice fund helping me to secure the purchase of a laptop, an interface and a couple of really nice microphones,” he says.

“This in turn led me down the rabbit-hole and into the Wonderland of home-recording, the next two months being spent learning a new trade on-the-go while recording the ten new songs.

“This involved learning how to place microphones; how to record tracks; how to edit and ‘comp’ takes; latency; how to use compressors and reverbs; how to be patient; how to ‘really’ shout and swear. At 39 years old, I did not expect to be in the position of being able to learn a new skill and apply that skill so quickly. Another facet that fits neatly into the leopard/spots adage.”

Multi-instrumentalist Gary has enlisted the help of a handful of musician friends to “add colour” to assorted songs. Rosie Doonan, who has worked with Peter Gabriel, duets with Stewart on Hot To Trot, Tu Eres Mi Media Naranja and Lost, Now Found, and Mikey Kenney, from Band Of Burns, lends string arrangements to Rainy Day Lover and Sailors And Tailors.

BBC Radio 2 Folk Award winner Ross Ainslie, from Treacherous Orchestra and Salsa Celtica, plays whistle on Front Lines, while Sam Lawrence and James Hamilton contribute woodwind and brass respectively to the opening track, Tailspin.

Lost, Now Found captures the sound and feel of a 1970s’ era singer/songwriter record. “My D.I.Y approach to recording, coupled with my musical influences, help give the album its lo-fi sonority: warm-sounding acoustic guitars and drums; plate reverb vocals, and instruments captured as naturally as possible, with very little effect,” says Gary. “Think Tapestry meets Tea For The Tillerman.”

Gary Stewart performing at A Night To Remember at York Barbican. Picture courtesy of Ian Donaghy

Stylistically, the album embraces 1960s and 1970s’ artists alongside more contemporary folk/pop luminaries: The Beach Boys’ drums and vocal-harmony influence are apparent on Hot To Trot and Tu Eres Mi Media Naranja; John Martyn and Nick Drake bounce off each other in Tailspin; lead single Leopard has a Villagers vibe, while the plaintive feel of Still Crazy-era Paul Simon is present on Rainy Day Lover, Sadder Day Song and the title track.

“These are ten songs that I’m really proud of,” says Gary. “Songs that deal with themes I constantly return to both consciously and sub-consciously: fabrics of my character that I’d like to change (Leopard and Chest); procrastination (Hot To Trot) and redemption, coupled with new beginnings (Tailspin) and straight-up love songs (Rainy Day Lover, Sadder Day Song and Tu Eres Mi Media Naranja).

“Then there are the songs that are woven more indelibly and intertwined with the time and situation in which they were written: songs about the triumph over adversity of the NHS (Front Lines) and family loss, both physical and mental (Sailors And Tailors and Lost, Now Found).

“These compositions, to me, are a step-up musically and thematically from what I normally write. I think they’ve been captured really well on record and I hope you like listening to them very much.”

Gary Stewart’s Lost, Now Found is released on June 14 on CD, 12 vinyl and download.

Just how multi-instrumentalist is multi-tasking Gary Stewart?

ON Lost, Now Found, he contributes vocals, backing vocals, acoustic guitar, hi-string guitar, electric guitar, bass, drums, keys, xylophone, glockenspiel, congas, bongos, shakers, triangle, tambourine, finger cymbals, temple blocks and…thighs. Oh, and he recorded, mixed and produced the album.

Did you know?

GARY Stewart plays drums for Leeds band Hope & Social and guitar for Rosie Doonan, performs at Big Ian Donaghy’s A Night To Remember charity nights at York Barbican and hosts the New York Greenwich Village-inspired acoustic hootenanny, The Gaslight Club, run by Dead Young Records every Monday at Oporto!, in Call Lane, Leeds.

He also fronts a seven-piece line-up that tours the UK with Graceland: A Celebration of Paul Simon’s Classic (plus a generous handful of other Simon classics for good measure). In the diary for September 18 is a York gig at The Crescent at 7.30pm. Tickets cost £12.50 (more on the door) at seetickets.com.

Gary Stewart’s poster for his Graceland shows. The Crescent, in York, awaits on September 18