Oliver Strong’s Odin in Charlie Blanshard’s play Jorvik
EAST Yorkshire writer and actor Charlie Blanshard will present his debut full-length play, Jorvik, at Barley Hall, Coffee Yard, York, on July 25 and 26.
He first presented his hour-long show there on February 17 at the 2025 Jorvik Viking Festival, when it was pleasing to see a theatre piece in a festival noted for its living history encampments, workshops, tours, traditional crafts, feasts, family events, boat burning, evening entertainment and dramatic combat performances.
“That’s why I made the show,” said Old York Theatre co-producer Charlie, whose imposing 6ft 2 frame and long hair would have befitted Viking times.
“When I was studying at Rose Bruford College, I made a short Viking film called Snake-In-The-Eye, which we shot in the Allfather Hall in Valhalla, as my final work on my MA in Actor Performer Training course.
“Dr Chris Tuckley [Jorvik’s head of interpretation and learning] gave me historical advice for that project, and I reached out to him again with this play. He put me in touch with Abi at Jorvik, I presented the script and asked if there was any way I could do it at Barley Hall.”
Old York Theatre’s logo
The answer was yes, whereupon February 17’s two performances led off a northern tour that took in The Brain Jar cocktail bar in Hull and the Monks Walk Inn in Beverley, where Charlie used to work, as well as crossing the Pennines to play a Manchester cabaret bar.
Jorvik, an immersive play set directly in the aftermath of the fall of Eoforwic to the Great Viking Army and its rebirth as Jorvik, will be staged once more in the Tudor Throne Room, the great hall at Barley Hall.
What will “immersive” involve, Charlie? “Every audience member will be cast as a member of the Viking Army with plenty of opportunities to get involved if you want to,” he says. “Everyone is part of the moment. It’s not a play to be sat at the back with popcorn!”
Directed by co-producer Jack Chamberlain, Charlie takes the role of Ubbe, son of Ragnar and leader of the Viking army, playing opposite Oliver Strong’s Odin.
“The play leans heavily on the Viking mythos, rejoices in the fantastical and is delivered with the spirit of larger-than-life storytelling! We follow our protagonist; Ubbe, soaked in the blood of battle as he finds himself at a great banquet in his honour,” says Charlie.
Jorvik actor-writer Charlie Blanshard
“But in this mysterious throne room, not all is as it seems!. Jorvik is a play about loss, glory, family and celebrating life while we are still around to enjoy it. Expect big characters, song, fights and plenty of table banging.”
Defining Old York Theatre’s theatre style, Charlie says: “It’s theatre of myths and legends, legacy and mortality. We’re not focused on history; it’s storytelling about larger-than-life heroes and gods and focusing on their stories. Ultimately, we want people to come and have a good time and leave with a smile on their face.
“We tell the story in a mixture of styles, with moments of mythological verse and also modern language. It’s a mash-up to match the clash of two worlds, and every show will be different because each audience will add a unique element with their own story.
“It’s a performance that’s rooted in history and myth but lives and breathes today – and York is the perfect place to stage it because this is a city where history does live and breathe and you can experience the legends of times before.”
Born in Londesborough, in the Wolds, and raised in Hull, Charlie has been drawn to York since regular weekend family trips in his childhood. “It really does feel like home every time I come to the city. Even as a young child, it captured my imagination. From the city walls to historic pubs, you think, ‘who has walked these walls, these streets?’, ‘who has sat before in these pubs?’. It’s a city that cannot deny its history.”
Charlie Blanshard in his Viking film Snake-In-The-Eye
Old York Theatre’s motto is “Theatre company rooted in Yorkshire, for the world. Anywhere, anytime, any place”. Hence February’s debut mini-tour headed to a great hall, a cabaret bar, a cocktail bar and a pub.
“We hope to expand on that,” says Charlie. “We also want to appeal both to people who’ve been to a theatre a thousand times and those who’ve never been. So we want to break down barriers for people to go to a theatre show, as well as those who go to see Chekhov and Shakespeare, which is why we’re doing the play in cocktail and cabaret bars.”
Living in Hull on his return from London, Charlie has worked with Middle Child theatre company, based in Hull Town, and now with Old York Theatre. “I want to make work for the north,” he says. “The northern theatre scene called me back to make new theatre, bringing northern stories to northern audiences and breaking dwon that barrier of theatre being London-centric.”
Since that February tour, Charlie has appeared in York community arts collective Next Door But One’s May tour of Sarah McDonald-Hughes’s How To Be A Kid to primary schools, bookended by public performances at York Explore and Friargate Theatre, York. He played six-year-old Joe, a dinosaur-fixated dreamer, in a story of family, friends and fitting in, built around a study of young carers, mental health and social care.
Old York Theatre in Jorvik, Barley Hall, Coffee Yard, York, July 25 and 26, 7pm. Box office: yat.digitickets.co.uk/tickets
Charlie Blanshard’s Joe in Next Door But One’s How To Be A Kid in May. Picture: James Drury
