In her Dreams: Gabrielle’s 30 Years Of Dreaming Tour heads for York, Hull and Halifax in 2023
SOUL queen Gabrielle will play York Barbican on October 21 next year on her 30 Years Of Dreaming Tour 2023.
Next autumn’s 18-date travels will mark the 30th anniversary of the Hackney singer-songwriter’s “era-defining” chart-topping debut single, Dreams, in a career-spanning set likely to feature Rise, Out Of Reach, Sunshine, Give Me A Little More Time, Going Nowhere, When A Woman and Don’t Need The Sun To Shine (To Make Me Smile).
“Going on tour to celebrate 30 years of Dreams is just amazing,” says Gabrielle (full name Louise Gabrielle Bobb, by the way). “I can’t wait to party with everyone and celebrate the record that launched my career three decades ago! Time sure does fly when you’re having fun.”
Gabrielle, who will turn 53 on July 19, last performed at York Barbican on November 10 2021 on her rearranged Rise Again Tour after releasing her seventh studio album, the covers’ set Do It Again, in March last year. She will return to York on September 24 to play the main stage at the Yorkshire Balloon Fiesta 2022 on Knavesmire, next to York Racecourse.
Running from September 23 to 25, the festival will feature more than 50 hot air balloons, including a ship balloon from Europe and new character balloons; live music by Scouting For Girls, Andy And The Odd Socks, fronted by CBeebies’ Andy Day, and York party band Huge, and a Friday night funk and soul DJ set by Craig Charles.
Look out too for a daredevil stunt show; birds of prey displays, the world’s largest inflatable assault course; York’s largest funfair and a Sunday evening firework display finale.
Meanwhile, back to Gabrielle, who will be Adele’s special guest at her sold-out BST Hyde Park concerts in London on July 1 and 2. Adele personally chose Gabrielle for both shows, having revealed on BBC1’s The Graham Norton Show in February that her debut live public performance was a rendition of Gabrielle’s 1999 number one, Rise.
“I’m so thrilled and proud to be part of what will be an incredible day, headlined by an artist I love and adore.,” says Gabrielle. “Adele is a phenomenal singer-songwriter and it is an honour to be asked to join her at British Summer Time”. In turn, Adele has called Gabrielle “one of my favourite artists of all time, who I’ve loved since I was four!”
Tickets for Gabrielle’s 30 Years Of Dreaming Tour 2023 date at York Barbican will go on general sale from 10am on July 8 at yorkbarbican.co.uk, gigsandtours.com,ticketmaster.co.uk and gabrielle.co.uk. Two further Yorkshire dates to note are: Hull City Hall on October 12 and Halifax Victoria Theatre on October 14.
The poster for Gabrielle’s 30 Years Of Dreaming 2023 Tour
In pursuit of success: Sara Pascoe in her new tour show
HOW does comedian, actor, playwright, author, podcaster and TV presenter Sara Pascoe quantify success?
She will seek to provide the answer in her biggest tour yet, Success Story, whose 50 dates in two blocks from November 10 to December 3 2022 and January 26 to April 22 next year will take in four Yorkshire gigs: York Barbican on November 24; Sheffield Octagon, November 25; Hull City Hall, March 17, and Harrogate Royal Hall, April 21.
Expect jokes about status, celebrities, plus Sara’s new fancy lifestyle versus infertility, her multiple therapists and career failures, she forewarns.
“What I want to explore is how do we define success and when do we define it,” she says. “Does it change with age; do we only want things we can’t have? When we attain our goals, do we move the goal posts and become unsatisfied with what we’ve got and want something else instead?
“I’m 41 now and it’s a reflective time; it feels like a very adult age. Looking back on my life to when I was 14, I really wanted to be on television. That’s where I work now but is it what I imagined it to be?”
Deciding she wanted to be famous at 14, Dagenham-born Sara would go on to audition for Barrymore, scare Dead Or Alive’s Pete Burns and ruin Hugh Grant’s birthday, but she would also notch a decade in stand-up comedy and pen the feminist Animal: The Autobiography Of A Female Body in 2016 and her exploration of sex through the medium of evolutionary psychology, sex work, and the role of money in modern heterosexual relationships in Sex Power Money in 2019, spawning an accompanying podcast.
Her “big, bold and funny” stage adaptation of Jane Austen’s Pride And Prejudice played York Theatre Royal in October 2017 and she wrote and starred in the October 2020 sitcom Out Of Her Mind on BBC Two. She has presented television shows too, hosting Comedians Giving Lectures on Dave, Guessable on Comedy Central, BBC Two’s Last Woman On Earth and this year’s BBC One series of The Great British Sewing Bee.
“What I want to explore is how do we define success and when do we define it,” says Sara Pascoe
For all those diverse achievements, she underwent a fraught personal chapter that would be deemed contrary to that vision of success. “I was having years of infertility and when we were going through IVF, the word ‘success’ was used a lot about the process,” says Sara, (who does now have a beautiful baby son).
“So, I wanted to contrast that with these other things that are seen as representing successful lives, such as finding someone we love and having a family. There are a lot of areas being covered.”
If this sounds a tad heavy, as a counterbalance, Sara will reach for her raft of daft stories to flesh out her central thesis. Such as the time she terrified Pete Burns, the late figurehead of 1980s’chart-toppers Dead Or Alive and later reality TV star.
“He did a reality show where he was looking for a PA and I was told I would get £50 in cash in an envelope if I kept accosting him in the street. So, outside a coffee shop in Soho, I had to pretend to be a superfan and hug and kiss him and say how much I loved him and see how all these potential Pas would deal with this crazy, neurotic fangirl,” she recalls.
“At the end of that day, he said that I scared him, which just showed how good my acting was. That show is sometimes repeated on an MTV channel, and I’ll get a text or a tweet saying, ‘oh my god, I had no idea you were such a Pete Burns fan’.”
TV exposure on Comedians Giving Lectures and The Great British Sewing Bee has lifted Sara’s profile and given her a fresh perspective on her life in comedy. “Comedians Giving Lectures can be like hosting a stand-up show, and I love it because these very high-status experienced comics are often doing brand new material because they’ve written a lecture for the TV show. For me, it feels like a gig rather than a TV programme,” she says.
“No-one likes to do a mediocre gig, or worse, a flat gig,” says Success-driven Sara
“In Sewing Bee, I occasionally write jokes for the links, but you’re doing a joke for eight people who are really thinking about sewing; they’re not thinking about your pun on the wrap dress.”
Her Success Story travels are still more than five months away, but especially after the mothballing impact of the pandemic lockdowns, Sara is desperate to return to the road for the first time since her LadsLadsLads tour of 2018-2019 – the one where she contemplated the positive aspects of self-imposed celibacy, exploring love, sex and doing both alone.
“Touring can be tiring but when you’re in the dressing room before a show and you hear the hubbub of a busy room, you feel very lucky that people will come and see you at all, never mind in their hundreds or thousands,” she says.
“There’s a description in Alan Davies’s book about how walking out on stage as a comedian is the closest you can get to being a toddler taking your first steps towards your excited parents. That’s the feeling comedians are trying to recreate by getting this huge round of applause from people who like you and are pleased you are there. That’s the side of it that’s addictive and compulsive.”
Sara will not let her own success story go to her head, instead always striving to raise the bar for her comedy hit-rate. “No-one likes to do a mediocre gig, or worse, a flat gig,” she says. “Especially when you’ve earned an audience from TV work, the idea that they might come to see you for the first time and leave disappointed really keeps you going.
“At the end of a show, you don’t want a crowd going ‘yeah, that was fine’. You want them to say ‘oh god, do you remember that bit?’ You want an audience to be engaged in what you’re saying.”
Tickets for Sara Pascoe’s Success Story tour are on sale at sarapascoe.co.uk/sara-on-tour; for York Barbican at yorkbarbican.co.uk.
COMEDIAN Sara Pascoe will play York Barbican on November 24 on her 50-date Success Story tour.
Further Yorkshire performances will follow at Sheffield Octagon on November 25, Hull City Hall on March 17 2023 and Harrogate Royal Hall on April 21. Tickets are on sale at sarapascoe.co.uk/sara-on-tour.
Pascoe, now 40, decided she wanted to be famous at 14 years old. Since then, she has auditioned for Barrymore, scared Dead Or Alive’s Pete Burns and ruined Hugh Grant’s birthday, but look at her now, she says.
Please look, she needs you to look. And clap. And laugh. And then clap again…on her “biggest and best tour of her life, where she will be playing in parts of the UK and Ireland that she hasn’t performed at before”.
Dagenham-born Pascoe’s last nationwide tour, LadsLadsLads, culminated in two London Palladium shows, filmed for a BBC Two stand-up special, Sara Pascoe: LadsLadsLads.
Sara Pascoe: “Examining what it is to be successful, how we define it and how it feels when what we want eludes us”in Success Story
Since then, things have most certainly changed for Pascoe, she says. After contemplating the positive aspects of self-imposed celibacy in LadsLadsLads, Success Story finds Sara, a few years later, happily married with a beautiful baby son.
In her new show, she will examine what it is to be successful, how we define it and how it feels when what we want eludes us. Expect jokes about status, celebrities, plus Sara’s new fancy lifestyle versus infertility, her multiple therapists and career failures.
Comedian, writer and actor Pascoe wrote and starred in the BBC2 sitcom Out Of Her Mind and hosts BBC One’s The Great British Sewing Bee, BBC Two’s Last Woman On Earth, Dave’s Comedians Giving Lectures and Comedy Central’s Guessable.
She has hosted the BBC’s Festival Of Funny and Live At The Apollo’s Christmas Special and appeared as a panellist on Mock The Week, Have I Got News For You and Would I Lie To You?. Later this year, she can be seen in the new Amazon series Katherine Ryan Backstage.
Pascoe has written and performed in the BBC Radio 4 series Modern Monkey and BBC Two’s Sara Pascoe vs Monogamy, a short inspired by her first book, Animal. Her second book, Sex Power Money, was accompanied by a podcast that garnered millions of listens and multiple award nominations.
“Please look. Sara Pascoe needs you to look. And clap. And laugh. And then clap again”
FREEDOM. What better title could South African dancer and ground-breaking Strictly Come Dancing star Johannes Radebe give his debut British tour.
“It is the freedom to dance to my own tune for the first time,” says 34-year-old Johannes, ahead of his itinerary opening with a Yorkshire show at Bridlington Spa on Wednesday (16/3/2022) before playing the Grand Opera House, York, on April 12.
“I’ve danced in many productions around the world but I’ve never been able to capture on stage where I came from, and I never thought I’d be able to go on my own tour, so it’s a very welcome surprise.”
Radebe (pronounced Ra-dee-bay) was catapulted to new heights of popularity by bonding so exhilaratingly with 2012’s The Great British Bake Off winner and TV chef John Waite as the first all-male couple in 2021’s series of Strictly, pipped for the Glitterball by first deaf contestant Rose Ayling-Ellis and professional partner Giovanni Pernice.
“It was liberating and healing as well,” says Johannes. “I’ve got a better relationship with my mum now, as we can talk about my sexual orientation – and people’s lives have changed for the better too.
“In a world where two men still can’t be free to be together, I hope to be able to educate the masses, and if people had a glimpse of that with me and John dancing together, then they can think about it.”
Such was the appeal and dancing brio of both partnerships, each marking a first for Strictly, that many would have loved them to have been declared first equal. “I’m with you!” says Johannes, bursting into laughter. “John kept saying, ‘it’s fine if we don’t win’, and yes, it is s fine! At the finale, we both stood there as couples thinking ‘it’s fine’. That’s the friendship that comes through the show.”
After touring the world in Burn The Floor, Joahannes was head-hunted to join the Strictly professionals for the 2018 series, first moving to Britain that year. In his second season, when partnering Catherine Tyldesley in 2019, he danced the first same-sex routine with fellow Strictly pro Graziano Di Prima.
The tour poster for Johannes Radebe’s Freedom show
Last year was to be even more significant. “My decision to finally dance with another man in the competition came about after I lost a friend of mine within our community. He was murdered, and the last words that were uttered to him by his killer was that he was a ‘faggot’,” says Johannes.
He paused, consumed again by the pain of what his friend had suffered, then said: “I get a moment to highlight it in the show. This is something that needs to be done, to give it that platform, and it’s important to keep being flamboyant – but that does require bravery.”
Freedom marks Johannes’s return to the Grand Opera House for the first time since sharing the York stage with Strictly alumni Kevin Clifton and Graziano Di Prima in Burn The Floor in July 2019.
On tour from March 16 to May 1, Johannes Radebe: Freedom is billed as “a celebration of music and dance, from African fusion to fiery Latin, from classic dance arrangements to huge party anthems”, as Radebe and his dancers take the audience on his personal journey, from starting to dance at seven to leaving South Africa at 21 to travel the world, winning international titles and electrifying Strictly Come Dancing.
Now he will be expressing himself to the full in Freedom. “I’ve been on a quest to find Black dancers in this country that are versed in all dance styles, but not many of them are ballroom dancers, whereas where I come from everyone can do the Cha-cha-cha,” says Johannes.
“I’ve chosen everyone through auditions. I had to be in the room to feel their energy, to see if they move me as a dancer, so I’ve found beautiful, individual dancers, which will make it feel a different show.
“It’s a show designed to be representing everyone, and it will be so beautiful to have audiences that support our artform – and I know we have that privilege because of the Strictly audience.”
Johannes has a theory as to why dance and TV audiences feel such a strong connection with him. “It’s because I have no inhibitions. I know that I come alive when I dance. Something takes over. It’s a feeling as an artist that I can’t explain but people connect with it,” he says.
In a nutshell, Freedom. “Absolutely! Nothing is going to stop me. It’s about the joy that my dancing has brought to my mother. Nothing was more important to me than to see my mum be happy when often she would be sad,” says Johannes.
“I was only a child and so I didn’t understand the magnitude of it when she carried me on her back, telling everyone I’d got a prize in a dance competition. She was so proud, even though it wasn’t first place. But that’s the thing. That talent was nurtured from a young age, and though my mum couldn’t support it financially, everyone else contributed.”
Johannes Radebe’s pathway to Freedom was set in perpetual motion, and hopefully another Strictly series awaits too. “We haven’t had the phone-calls yet, but I’ll gladly do it for as long as they will have me,” he says.
Might he look to do another all-male coupling? “Well, you never now. I’m just glad to have kicked down that door.”
Johannes Radebe: Freedom, Bridlington Spa, Wednesday, 7.30pm; Grand Opera House, York, April 12, 7.30pm. Box office: Bridlington, 01262 678258 or bridspa.com; York, 0844 871 7615 or atgtickets.com/York.Further Yorkshire performances: Sheffield City Hall, April 3, sheffieldcityhall.co.uk; Bradford St George’s Hall, April 9, bradford-theatres.co.uk; Hull City Hall, April 23, 01482 300306 or hulltheatres.co.uk.
Stand-up sits down: Ed Gamble takes a breather between shows
MOCK The Week regular panellist Ed Gamble will be in Electric form at the Grand Opera House, York, tonight and Harrogate Royal Hall tomorrow at 7.30pm.
Co-creator of the food and comedy podcast Off Menu with fellow stand-up James Acaster, Taskmaster winner and Great British Menu judge, Gamble says he is “charged up and ready to flick the switch on another round of attention-seeking.”
Gamble, who has appeared on QI, The Russell Howard Hour, Would I Lie To You? and 8 Out Of 10 Cats, presents a Sunday morning show on Radio X with Matthew Crosby and has his own special, Blood Sugar, available on Amazon Prime.
He will play further Yorkshire gigs on his Electric tour at Hull City Hall on March 25; Bradford St George’s Hall on April 7; Sheffield City Hall on April 19 and Leeds City Varieties on April 22.
Box office: York, 0844 871 7615 or at atgtickets.com/York; Harrogate, harrogatetheatre.co.uk; Hull, hulltheatres.co.uk; Bradford, bradford-theatres.co.uk; Sheffield, ticketmaster.co.uk/event/35005AB2E2A62A3A; Leeds, leedsheritagetheatres.com.
INTERVIEWS done for the day, or so they thought as Brian McFadden and Keith Duffy headed off to The Belfry for a fundraising Parkinson’s Disease golf day, representing Ireland on the morrow.
5pm, Tuesday, no response was forthcoming to CharlesHutchPress’s prearranged phone-call to the Boyzlife boyz.
Messages and phone number left; PR company contacted. No problem, Team Boyzlife would be in touch, and sure enough, at 5.30pm, the interview that had slipped off the bottom of the page was back on, Brian and Keith talking ten to the dozen, voices often overlapping as they travelled towards Sutton Coldfield for the Four Nations tournament.
Apologies for the confusion, they said, offering their explanation, as Team Boyzlife clicked into gear, as they would at The Belfry. “Put the two of us together on the golf course and we become one professional golfer,” jokes Brian.
Likewise, two into one will go on Sunday night at York Barbican in the show where Boyzone and Westlife become one as “the Nineties boyband superstars bring you all of the hits of both bands in one evening”.
Brian, 41, and Keith, 47, first took the Boyzlife show on the road in February and March 2020, selling 35,000 tickets. “But we couldn’t finish the tour because of the first Covid lockdown,” says Brian. “We got through 22 of the 40 shows, and 18 months later we’ve started up again [playing King George’s Hall, Blackburn on October 6].
“For us, it was a break we’d never had before. My fiancée Danielle and I ended up having a baby girl [Ruby, born in May 2021] and starting a family again, and Boyzlife got to write our first original album, which comes out next year. The first single is The One and the second one is ready to go too. We’ve all been fighting which one should go first, so maybe around Christmas for the release.”
Boyzlife have released one album already, July 2020’s Strings Attached, following in the footsteps of the late Elvis Presley and Roy Orbison in being teamed up with the Royal Philharmonic Orchestra (RPO). One difference, Brian and Keith could provide new vocals to nine songs cherry-picked from the catalogue of 18 number one singles shared between Westlife and Boyzone.
“In actual fact,” says Keith, “it was Brian recording his last solo album [February 2019’s Otis] in a tribute to Otis Redding that led to our album. Some of the producers and engineers on that album had been working with the RPO, and they suggested, ‘why don’t you do an album with the RPO too?’.
“The two of us wanted to write an original album but we realised we needed a closing of the past and those Boyzone and Westlife songs are made for an orchestra. We were very lucky to work with them and very pleased with the results.
“Now, within the live show, we have a special section where we’ve recorded songs with the orchestra and we sing them to playbacks. We’ve done that many times in our careers, but never to the accompaniment of 84 musicians in an orchestra with two idiots out front.”
Brian has released five solo albums since leaving Westlife in March 2004, while Keith has completed Boyzone’s Thank You And Goodnight farewell tour, but how and when did they first work together? “I’ll be completely honest with you. It was kind of just getting into a room with a lot of the show being autobiographical and singing only six or seven songs,” recalls Brian.
“We’d never sung together, never worked together, and we picked the easiest songs to sing. Now, when we’re doing the set list, it comes down to tempo and what songs will go together well, and we have to leave out about seven or eight songs, but we still have options as to what to include.
“But we always have to do the biggest-selling songs, like No Matter What, and whenever we sing that song we can’t help but think of Stephen Gately puckering up to sing it.”
So many choices: World Of Our Own; Mandy; Queen Of My Heart; Picture Of You; Words; No Matter What; Uptown Girl; Flying Without Wings; You Raise Me Up; Going Gets Tough; Swear It Again; Father And Son; Love Me For A Reason and My Love.
“But between us we only had six songs that were uptempo!” says Brian. Why? “I guess, if ain’t broke, why fix it? The proof is in the pudding; all those number ones. Everyone else was making up-tempo records when we were the two bands with slow songs.”
Westlife became well known for singing songs sitting down, in the tradition of fellow Irishman Val Doonican in his rocking chair. “That was my nickname from day one. I was ‘Val’ because I wore a red sweater!” admits Brian.
Look at the tour itinerary and you will see the tour dates are divided into clusters between October 6 and December 14. “That’s the difference with the earlier days,” says Keith. “We’re better able to balance our music and family life.
“We both had children when we were young; I have a 21-year-old daughter, Mia, and 25-year-old son, Jay, [Brian has two teenage daughters, Molly and Lilly, with ex-wife Kerry Katona] but Boyzone didn’t get a lot of time off or holiday time.
“We just had to keep cracking on, going to wherever we were having hits, because we were so successful, but now we have a proper balance where we’ll do two or three shows, have some time off, then do some more shows.”
Boyzlife play York Barbican on October 17, 7.30pm, and Hull City Hall on November 5, 7.30pm. Box office: York, at yorkbarbican.co.uk; Hull, hulltheatres.co.uk.
Did you know?
MUSICIAN, singer, songwriter, actor, dancer, drummer and television presenter Keith Duffy’s full name is Keith Peter Thomas Francis John Duffy.
“The sound of the record is warm, I think, and engaging, and nourishing,” says Paul Carrack of his new album, One On One. Picture: Nico Wills Cornbury
SHEFFIELD voice of soul Paul Carrack will play York Barbican on February 17 on next year’s Good & Ready tour on the back of releasing his 18th solo studio album next month.
Created in his home studio base “when lockdown cast its unwelcome shadow on the music business”, One On One will be out on September 17 on his own label, Carrack-UK.
This will be his first album since These Days in 2018, a year when he performed at York Barbican on February 16.
Singer, songwriter, keyboard player and guitarist Carrack, 70, has run his record label and touring operation for more than 20 years, equipping him with a do-it-yourself mentality to cope with the need to adapt to pandemic restrictions.
Paul Carrack playing York Barbican in the pre-Covid live years in February 2018. Picture: Simon Bartle
He not only wrote, played and recorded the album, but this time, answering to his muse and trusting his instincts, he even mixed it too. From the voice of Mike + The Mechanics’ The Living Years, you could almost call One On One the result of his live-in years.
Aside from cameos from the likes of a long-time friend and collaborator, ex-Pretenders guitarist Robbie McIntosh, and former James Brown sideman Alfred ‘Pee Wee’ Ellis, he often worked on his own, effectively a one-man band on a defiantly live-sounding album, where only one song existed in demo form beforehand. Carrack conjured the rest during lockdown, the mood set by the opening track, the tour title-inspiring Good & Ready.
“The sound of the record is warm, I think, and engaging, and nourishing,” he says. “There’s two ballads on there, but the rest of it is surprisingly upbeat. I think that’s maybe because we were mid-tour when the touring was shut down, but I was still in a kind of ‘live’ mode.”
The “decidedly funky” A Long Way To Go is boosted by a stellar horn section, arranged by Carrack’s long-time neighbour, but new friend, Dave Arch.
The album artwork for One On One, out on September 17
“I gave Dave the midi part that I’d written, and he transcribed it, and voiced it properly,” says Carrack. “You can’t beat real horns. So, we had Steve Beighton, of course, who’s been in my band for 20 years and tours with me all the time.
“We got the legendary ‘Pee Wee’ Ellis, of James Brown and Van Morrison fame, Dennis Rollins on trombone, and Andy Greenwood on trumpet. So, we recorded the horns in [the studio] here, and they sound great. And backing vocals by Michelle John, who I met working in Eric Clapton’s band. She’s absolutely unbelievable.”
Moments from Carrack’s personal life inform One On One. I Miss You So, for example, emerged from not being able to visit his daughter, after she gave birth to his new granddaughter early in 2020.
It is never a case, however, of Carrack capitalising on a situation for a tune. “I hardly ever have a plan about writing a song,” he says. “I come in here, I sit at the keyboard, or the guitar, get something going, start some lines off the top of my head. And without trying to sound too pretentious, things come out.”
Paul Carrack playing at the Underneath The Stars Festival at Cinderhill Farm, Barnsley, last Friday
The ballad You’re Not Alone was released in February as the first single from the album, subsequently being picked as a BBC Radio 2 Record of The Week. “I think I was listening to a conversation on the radio, or something, and somebody said, ‘Well, if you think the world’s going mad, you’re not alone’. And I thought, ‘Yeah’,” recalls Carrack. “The sentiment is one of support really, for someone very close who was struggling with the anxiety of lockdown.”
The swinging Lighten Up Your Mood has another ‘Pee Wee’ horn arrangement and the slinky When Love Is Blind features Carrack’s son, Jack, on drums. Normally, he would have played on the whole album, had he not been living on the other side of town.
Shame On You, Shame On Me has shades of Carrack’s original 1960s’ heroes such as Ray Charles, while Set Me Free carries a simple message for our times. “Not trying to be political or anything, more a cry from the heart to get back to some kind of normal,” he says. “I’m lucky, I live in a nice place, I’ve got a great family, but we definitely miss being out on the road.”
One On One closes with Carrack’s latest re-make of a time-worn favourite, in the wake of The Young Rascals’ Groovin’, Jackie DeShannon’s When You Walk In The Room and Goffin & King’s When My Little Girl Is Smiling. This time, he enriches Charlie Rich’s country crossover hit of 1973, Behind Closed Doors.
Paul Carrack will play 27 dates on next year’s tour
The full track listing is: Good & Ready; A Long Way To Go; I Miss You So; You’re Not Alone; Lighten Up Your Mood; Precious Time; When Love Is Blind; Shame On You, Shame On Me; Set Me Free and Behind Closed Doors.
Now that doors are open once more for gigging, Carrack will play Rye Jazz Festival, Bexhill on Sea, on August 26, followed by three autumn shows that will kick off at Hull Bonus Arena on October 19.
Next year’s 27-date Good & Ready tour will feature three Yorkshire gigs: Hull City Hall on January 22, York Barbican on February 17 and a homecoming finale at Sheffield City Hall on March 19.
York tickets for the soulful vocal sound of Ace’s How Long, Squeeze’s Tempted and Mike + The Mechanics’ Over My Shoulder, Silent Running and The Living Years are on sale at yorkbarbican.co.uk. For Hull Bonus Arena, premier.ticketek.co.uk; Hull City Hall, hulltheatres.co.uk; Sheffield, sheffieldcityhall.co.uk.
SHEFFIELD soul stalwart Paul Carrack will play York Barbican on February 17 2022 on his 24-date Good And Ready Tour.
Further Yorkshire gigs are in next year’s diary for Hull City Hall on January 22 and a home-city finale on March 19.
Carrack, the golden voice of Ace’s How Long, Squeeze’s Tempted and Mike + The Mechanics’ The Living Years and Over My Shoulder, will release new single You’re Not Alone on Friday (19/2/2021) across all digital platforms via his independent label, Carrack-UK.
The live years before Covid: Paul Carrack at York Barbican in February 2018. Picture: Simon Bartle
His 18th studio set of a 50-year career, One On One, will follow in the summer, on a date yet to be confirmed for his first album since These Days in 2018, a year when he performed at York Barbican on February 16.
The single and album are the results of Carrack heading into his recording studio since the first pandemic lockdown in March 2020. He not only wrote, recorded and produced every song on One On One, but he also played all of the instruments, making his latest work the very definition of a solo record, made when he was very much alone.
Carrack, who will turn 70 on April 22, says of You’re Not Alone: “I’d say the song is self-explanatory, but the sentiment is one of unquestioning commitment and support. I very much hope I get the chance to perform this song live with my band when we get the green light to start touring again, which we all hope will be at some point this year.”
Tickets for his York Barbican show are on sale at £42.75 to £48.35 at yorkbarbican.co.uk; Hull tickets, hulltheatres.co.uk; Sheffield, sheffieldcityhall.co.uk.
“I’d say the song is self-explanatory, but the sentiment is one of unquestioning commitment and support,” says Paul Carrack, introducing his new single, You’re Not Alone
