Can’t see the wood for the bricks? Then head to Chalmers & Hutch’s podcast

Ah, but they’re not bricks, as tree-hugger Hutch discovers close up. These wood blocks form part of Karin Van Der Molen’s sculpture, Shield, at the Himalayan Gardens, Grewelthorpe, near Ripon

BE pepped up by the one and only arts club badinage from Two Big Egos In A Small car podcasters Chalmers & Hutch, as they discuss Grewelthorpe’s jewel, the Himalayan Gardens; Velma Celli’s Drag Brunch; Metronomy’s English Riviera landmark; the “Top 20 Most Inspirational Novels”; York’s strange version of The Masked Singer and Cruella & Disney reboots.

Head to: https://www.buzzsprout.com/1187561/8674205

REVIEW: Drag diva Velmi Celli at York Theatre Royal and Impossible, York

Velma Celli: York’s queen of vocal drag in the age of RuPaul’s Drag Race. PIcture: Kirkpatrick Photography

Velma Celli, Love Is Love: A Brief History Of Drag, The Love Season, York Theatre Royal, 29/5/2021; Velma Celli’s Impossible Drag Brunch, Impossible Wonderbar, Impossible, York, 5/6/2021

IT takes balls to be a drag act.

Velma Celli knows it, shows it and indeed sometimes them too in a leg-crossing, leg-uncrossing, let’s-sit-and-chat-on-the-stage-lip moment at York Theatre Royal.

In York drag diva deluxe Velma’s case, it takes more than balls, however. Pointedly, the fabulous, fruity, funny creation of musical actor Ian Stroughair bills herself as “the queen of vocal drag”.

“I can sing,” says Velma, throwing a ta-da shoulder shrug as she calls out the parade of kitch’n’synch acts that strut and pout on RuPaul’s Drag Race conveyor belt.

Velma Celli’s regular poster for international hit A Brief History Of Drag

Velma, or rather Ian, first sang on his home-city Theatre Royal stage in a musical version of Kes – that sounds camp!  – at the age of 14. Twenty-four years later, coinciding with theatre’s return from a long Covid quarantine, Ian/Velma is back on this stage at last, and not before time, bitches, as Velma is wont to address the throng.

“Can I just say, it must be such a privilege for you to be here tonight,” says Velma, who has wrapped a clingy, plunging little black number over his very tall, leggy frame. Although this night is not all glamour: off come the false eyelashes when they start playing up in the stinging heat.

The drag persona of Velma Celli emerged 13 years ago when Ian was playing Mary Sunshine in Chicago in the West End. Wednesday was meet-up night for the boys from Chicago, Priscilla etc at Madame Jojo’s, the legendary Soho home of burlesque and cabaret, dressing up glam to sing.

Ian went as Chicago’s nightclub star and murderess Velma Kelly, slurped on his vermacilli dish, and took to the stage. Velma Celli was born, or rather, “unleashed”, as Ian puts it.

“When you’re good to Velma, Velma’s good to you,” promises Velma Celli in her signature showstopper

This is but one story from A Brief History Of Drag, a show that Ian put together when stuck in Tanzania and has since taken to Australia and the USA, as he celebrates “burlesque, debauchery, defiance and…shoes”. Velma duly points to a silvery pair that glisten even more than Dorothy’s heel-clickers in The Wizard Of Oz.

“Unleashed” is exactly the right word for a Velma Celli performance: a tornado, a toreador in vocal form, here stirred to ever greater heights by super-talented musical director Ben Papworth, high-heeled boots tucked beneath his keyboards.

This is a proper, proper show: Velma, up front and out there; three-piece band (Papworth, keys, Clark Howard, drums and gold lamé jacket; Al Morrison, guitar); two backing singers, Kimberley Ensor and rising York talent Grace Lancaster; two guests, soul queen Jessica Steel, York partner in lockdown streamed concerts, and musical actor Jordan Fox, partner in pantomime for York Stage’s Jack And The Beanstalk.

When Velma takes the stand beneath a rockabilly quiff, she can not only sing the sing and dance the dance, she can talk the talk too, witty and waspish, as we learn of drag’s history, Velma and Ian’s past, her staging posts, the abiding influence of unloving mothers and the importance of the Stonewall riots in Greenwich Village, New York in 1969 and the Stonewall LGBT charity over here.

The poster for the first Impossible Drag Brunch on a York Saturday afternoon

For the Theatre Royal’s Love Season, love is in the air and in the one-off prefix to the show title: Love Is Love. Omnipresent is the love of song and those who take risks: for example, Tim Curry (The Rocky Horror Show’s Sweet Transvestite); Freddie Mercury and David Bowie – the latter, Velma’s astute choice for her next show – for a spectacular Under Pressure and La Cage Aux Folles’ Albin for the climactic I Am What I Am.

Mind you, Velma can be picky, not liking Culture Club’s hits, but loving Boy George’s musical, Taboo, and its signature number, Stranger In This World. Gorgeous, Georgeous.

Velma loves a duet too, taking a seat side by side with Jess for a stand-out Always Remember Us This Way (from Lady Gaga’s A Star Is Born), accompanied on guitar by Stuart Allan. Later, in the latest update to the show in a nod to the impact of Russell T Davies’s devastating series It’s A Sin, Velma is joined by Fox for the Pet Shop Boys’ anthem, poignant yet celebratory too.

Velma’s voice warms, expands, stretches and strengthens as the show progresses, shown off to the max in a set-piece send up of lip-synching acts on RuPaul’s Drag Race, mimicking their physical impersonations while accentuating the vocal tics and mannerisms of Britney, Bjork, Bassey, Gabrielle, Cher et al.

Ending with an encore medley from Priscilla, Queen Of The Desert, Velma/Ian will surely not have to wait for another 24 years to return to the Theatre Royal.

Fancy a Shambles Mule? The cocktails list at the Impossible Drag Brunch

In the meantime, Velma is bedding in a new monthly residency for The Velma Celli Show in the big-windowed first-floor Wonderbar at Impossible, York, and last Saturday afternoon Velma Celli’s Drag Brunch was launched there too. Covid-safe; socially distanced; no masks needed when seated, but yes if you want to stand to dance around.

Judging by the support for the two sittings at 12.30pm and 2.30pm, it is likely to become a monthly fixture too as part of Impossible’s cabaret and comedy portfolio.

The show is fast-moving, fizzy and fun, with “bottomless cocktails, small plates and a side order”  (Halloumi Bites and Truffle Chips for CH) and two sets by Velma, introduced by DJ Zoe on afternoon release from Funny Girls in Blackpool, armed with a potty mouth, party-igniting disco classics and the backing tracks for Velma’s vocal tour de force.

It may not surprise you to learn that, looking around, the debut Drag Brunch partygoers are predominantly female, but the smattering of men are having a fab time too (but need to be willing to be the butt of DJ Zoe’s bawdy humour).

York, 3.50pm, June 5: Velma Celli and her ladies at the climax to the Impossible Drag Brunch

The Wonderbar, with its profusion of plants, wood and glass, recalls the conservatories and cocktail bars of the 1930s and makes for a fabulous cabaret setting. The cocktails list embraces the classics and the up to date (Salted Caramel Espresso), the Mojito and the No-jito (for the mocktail option).

General manager Stephanie Powell’s staff are everywhere, busy, busy, busy with their table service of drinks and choice of Chicken Skewers/Halloumi Bites/Cauliflower Wings/Hotdog (mini-version) with Skinny Salted Fries/Truffle Chips/Salad.

Gliding down the stairs, Velma is in sparkly black and silver, topped off in the second set with a shimmering silvery bob wig, and as she promises: “When you’re good to Velma, Velma’s good to you”. From Feeling Good to the obligatory Divas-meets-Drag Acts setpiece, I Want To  Break Free to “torches out” for Bowie’s Starman and a ruder lyric for Queen’s Somebody To Love, Velma walks the room as she works the  crowd. Everything is drag, nothing drags.

Girls, and boys, make sure to be in Velma’s camp for your Saturday afternoon pleasure.

Cheers! Another “bottomless” cocktail hits the rocks at the Impossible Drag Brunch

Twenty four years after Kes, Ian Stroughair returns home to York Theatre Royal stage in guise of drag diva alter ego Velma Celli

“I feel over-excited! I cannot wait! Get me on that stage!” says Ian Stroughair/Velma Celli ahead of Saturday’s Love Is Love: A Brief History Of Drag show at York Theatre Royal. Picture: Kirkpatrick Photography

YORK musical actor Ian Stroughair will return to the York Theatre Royal stage for the first time in 24 years on Saturday, in the guise of his cabaret alter ego, drag diva deluxe Velma Celli.

“I last performed there in Kes, appearing in the ensemble, and sadly I’ve never been back,” says Ian, 38, who has settled back into his home city since Lockdown 1, leaving London behind.

“I’ve tried to do shows at the Theatre Royal but it’s never happened, so it’s great to be back now. I love what Tom [chief executive Tom Bird] is doing there.”

Love is the drag for Ian this weekend when Velma Cella takes part in the Theatre Royal’s spring-reawakening Love Season, performing one of Velma’s regular shows, re-titled Love Is Love: A Brief Of History Of Drag specially for the 8pm occasion.

Ian has taken A Brief History Of Drag to New York and Australia and on a British tour, as well as staging performances in London and York. “I’ve been doing it for four years now on and off, and I’m so glad the Theatre Royal wants the show,” he says. “I feel over-excited! I cannot wait! Get me on that stage!”

Ian created the show when he was in “stuck in Africa for a few weeks”. “I was in Dar Es Salam, in Tanzania,” he recalls. “I thought, ‘let’s write a show’ and it ended up being about how I got into drag and a celebration of the impact of drag in theatre, music, film and popular culture.

The regular poster for Velma Celli’s A Brief History Of Drag, retitled with the precursor Love Is Love for The Love Season at York Theatre Royal

“It’s part-story, but most definitely a celebration, and it’s an ever-changing show. I find new nuggets and add them in all the time. There’s so much stuff to cover in our story.”

Should you be wondering how and why the term “drag” was coined, let Ian explain: “Shakespeare! It’s a script/stage direction abbreviation. ‘Man enters stage dressed as a girl’. D.R.A.G.”

The drag persona of Velma Celli emerged 13 years ago when Ian was playing Mary Sunshine in the West End run of Chicago. Did she arrive fully fledged or bloom gradually?  “Progression. Like developing any role or idea, time is needed,” says Ian, who remembers exactly how he felt when he first took to the stage in drag. Confident? Nervous? Born to play the role? “Unleashed,” he says.

Velma Celli, who made a sassy cameo appearance in EastEnders, draws inspiration from “the greats”. “Lily Savage, Dame Edna Everage, Bowie, the movies, musicals and many unknown queens who blazed the trail,” he says.

Now, Ian is planning a Velma Celli show built around David Bowie: singer, songwriter, actor, artist, cultural icon, iconoclast, fashion shaper and androgynous shape-shifter. “I think Bowie is a master at illusion and character development but also reinvention. Something I completely relate to as an artist,” he says.

Meanwhile, Velma Celli’s regular York residency is on the move. Out goes the Covid-suspended monthly camp cabaret Friday nights at The Basement, City Screen, York.

“Velma loves the limelight; Ian enjoys the anonymity,” says Ian Stroughair, who “repels fame”

In comes a resplendent residency from last Friday at Impossible, York, Tokyo Industries’ new tea-room, cocktail bar, restaurant and speakeasy enterprise in the old Terry’s café in St Helen’s Café, latterly home to Carluccio’s restaurant.

“The first show was incredible,” says Ian. “The atmosphere was electric. I’ll never forget it. The new venue is so plush and the staff are excellent.”

The Velma Celli Show residency will not be Velma’s only gig in the first-floor Impossible Wonderbar. “On June 5, we’ll be holding the first Drag Brunch, with Velma, surprise guest drag queens, bottomless cocktails and brunch,” says Ian, looking forward to hosting the “ultimate diva brunch in homage to all the queens”, from Whitney to Tina Turner plus many more besides.

That day, there will be two 90-minute sittings, the first from 12 noon, the second from 2.30pm. Tickets are on sale via info@impossibleyork.com or on 01904 864410.

Last year, Ian had to forego a long run in Funny Girls in Blackpool, thwarted by Killjoy Covid, and the pandemic strictures put paid to his international travels too.

Already he has had his two Covid-19 vaccine jabs to enable Ian to take a week’s travel to Mexico for a Velma Celli show in Cancun, however. “Thank god for that because the next cruise is not until October. I lost all the cruise-ship shows last year, and I’d already lost five cruise bookings this year, when in one day I lost three more cruise bookings,” he reveals.

Ian Stroughair on the balcony outside his new abode In York after moving back to his home city from London

The ships may be down, but Ian has shown resilience throughout the pandemic, streaming Velma Celli concerts, first from a Bishopthorpe kitchen and later from a riverside abode by the Ouse Bridge. Last December was spent playing the villainous Flesh Creep in York Stage’s debut pantomime, Jack And The Beanstalk, at Theatre @41, Monkgate.

Just as this interview moves freely between Ian and Velma, where does Ian, son of Acomb, stop and Velma, drag diva alter ego, start? “She arrives during the make-up process and getting into costume. But human interaction is where it clicks in,” says Ian. “I need my audience.”

Repelling fame, Ian defines the distinction as “Velma loves the limelight; Ian enjoys the anonymity”. “Fame isn’t necessary for me,” he says. “In fact it makes me uncomfortable. I like my private life with my loved ones and I’m very protective of that and mostly them. A stage: that’s where I come alive.” 

Tickets for Velma Celli’s Love Is Love: A Brief History Of Drag can be booked at yorktheatreroyal.co.uk or on 01904 623568. For the latest Velma Celli trailer, go to: https://www.youtube.com/watch?v=a005o6eGZWI. Hit it!

Just One More Thing…

What do you think of the RuPaul’s Drag Race TV shows? Good news for drag?
“It’s made it more mainstream but I don’t think it’s the essence of drag. Gentrification, for sure, but a celebration, of course. That can only be a good thing.”

Copyright of The Press, York

Mission Impossible! Velma Celli finds new wonderbar home for York drag residency

“It’s happening!” says Velma Celli as York cabaret star moves residency to Impossible, York, from May 21. Picture: Charlie Kirkpatrick, Kirkpatrick Photography

YORK’S drag diva deluxe Velma Celli is on the move.

Out goes the Covid-suspended monthly camp cabaret Friday nights at The Basement, City Screen, York.

In comes a resplendent residency from May 21 at Impossible, York, Tokyo Industries’ new tea-room, cocktail bar, restaurant and speakeasy enterprise in the old Terry’s café in St Helen’s Café, latterly home to Carluccio’s restaurant.

“It’s happening!” says an excited Velma Celli, the exotic international drag alter-ego of musical actor Ian Stroughair, last seen on a York stage in December as the villainous Fleshius Creepius in York Stage’s debut pantomime, Jack And The Beanstalk, at Theatre @41, Monkgate.

How the other half lives: Exit alter-ego Velma Celli, enter Ian Stroughair, musical actor, playing Fleshius Creepius in York Stage’s pantomime Jack And The Beanstalk last winter. Picture: Kirkpatrick Photography

“Velma has a new residency!! My very first live gig at the utterly fabulous Impossible, York. May 21st.  Doors 7pm. Show 8pm! My very special guest is [York soul sister] Jessica Steel (obvs). More special West End guests to be announced! Grab those tickets as it will sell out!”

Tickets are on sale at https://www.ticketweb.uk/event/the-velma-celli-show-impossible-york-tickets/10900325, priced at £22 for VIP front cabaret table seats and £16.50 for reserved seating.

“Basically, it’s replacing the shows at The Basement, where we don’t know when it will reopen for shows under Covid guidance as it’s a small space,” says Ian, as he switches from the impossible to Impossible, York.

The debut poster for Velma Celli’s new residency

“I met the Impossible general manager, Stephanie [Powell], in December, meeting her between Jack And The Beanstalk shows, and then suddenly she knocked on the window saying, ‘I’ve been trying to contact you!’.

“And so the first Velma Celli Show there will be on May 21, up the stairs, in the fabulous Impossible Wonderbar setting overlooking the square, with more monthly shows to be announced later. This one will be fun, comedic, with stand-up, impressions, the usual mix of rock, pop and the blues, plus Jess and guests.”

The Velma Celli Show residency will not be Velma’s only gig in the first-floor Impossible Wonderbar. “On June 5, we’ll be holding the first Drag Brunch, with Velma, surprise guest drag queens, bottomless cocktails and brunch,” says Ian, looking forward to hosting the “ultimate diva brunch in homage to all the queens”, from Whitney to Tina Turner plus many more besides.

Brunch date: Velma Celli will be joined by guest drag queens at Impossible, York, on June 5

That day, there will be two 90-minute sittings, the first from 12 noon, the second from 2.30pm. Tickets June 5 are on sale via info@impossibleyork.com or on 01904 864410.

After being London based for so long – like so many musical performers – Ian first moved back to York for Lockdown 1 when the pandemic sent him home from a Velma Celli Australian tour, and he plans to settle back in his home city permanently from May, travelling to London for three days a week when necessary.

Streamed concerts, first from a Bishopthorpe kitchen and latterly from a riverside abode by the Ouse Bridge, have kept Velma Celli’s voice in spectacular working order, sometimes accompanied by soul-singing York hairdresser Jessica Steel, leading light of Big Ian Donaghy’s fundraising A Night To Remember shows at York Barbican and salon owner of Rock The Barnet in Boroughbridge Road.

West End star Ian has appeared in such musicals as Cats, Fame, Chicago and Rent – not forgetting a sassy cameo for Velma Celli on EastEnders – but had to forego a long run in Funny Girls in Blackpool last year, thwarted by Killjoy Covid.

Ian Stroughair: Musical actor, drag queen , pantomime star

The pandemic strictures put paid to his international travels too, but already he has had two Covid-19 vaccine jabs to enable Ian to plan a week’s travel to Mexico for a Velma Celli show in Cancun.

“Thank god for that because the next cruise is not until October. I lost all the cruise-ship shows last year, and I’d already lost five cruise bookings this year, when in one day I lost three more cruise bookings,” he reveals.

In the diary too is Velma Celli’s participation in The Love Season at York Theatre Royal, performing one of Velma’s regular cabaret shows, re-titled Love Is Love: A Brief Of History Of Drag specially for the May 29 occasion.

Joining Velma that night will be two guest acts, Jordan Fox, Ian’s co-star in Jack And The Beanstalk, and Jessica Steel, backing singers Kimberley Ensor and Grace Lancaster, musical director Ben Papworth, drummer Clark Howard and guitarist Al Morrison.

“I last performed there in Kes, when I was 14, exactly 24 years ago, and sadly I’ve never been back,” says Ian. “I’ve tried to do shows there but it’s never happened, so it’s great to be back now. I love what Tom [chief executive Tom Bird] is doing there.”

When the ships are down: As it stands, Velma Celli will not do a cruise gig until October

Ian has taken A Brief History Of Drag to New York and Australia and on a British tour, as well as staging performances in London and York. “I’ve been doing it for four years now on and off, and I’m so glad the Theatre Royal wants the show,” he says.

“I wrote it when I was stuck in Africa for a few weeks. I thought, ‘let’s write a show’ and it ended up being about how I got into drag and a celebration of the impact of drag in theatre, music, film and popular culture.”

Yet for all the flamboyance of the imposingly tall Velma Celli, for all of Ian’s love of performing, he has a surprising admission to make: “I don’t like fame and celebrity,” he says. “I repel it!”

Tickets for Velma Celli’s 8pm show on May 29 at York Theatre Royal are on sale at yorktheatreroyal.co.uk or on 01904 623568. For the latest Velma Celli trailer, go to: https://www.youtube.com/watch?v=a005o6eGZWI. Hit it!

Love is the drag: Velma Celli’s celebration of the art of the drag queen

Mission Impossible! Velma Celli finds new wonderbar home for York drag residency

“It’s happening!” says Velma Celli as York cabaret star moves residency to Impossible, York, from next month. Picture: Charlie Kirkpatrick, Kirkpatrick Photography

YORK’S drag diva deluxe Velma Celli is on the move.

Out goes the Covid-suspended monthly camp cabaret Friday nights at The Basement, City Screen, York.

In comes a resplendent residency from next month at Impossible, York, Tokyo Industries’ new tea-room, cocktail bar, restaurant and speakeasy enterprise in the old Terry’s café in St Helen’s Café, latterly home to Carluccio’s restaurant.

“It’s happening!” says an excited Velma Celli, the exotic international drag alter ego of musical actor Ian Stroughair, last seen on a York stage in December as the villainous Fleshius Creepius in York Stage’s debut pantomime, Jack And The Beanstalk, at Theatre @41, Monkgate.

“Velma has a new residency!! My very first live gig at the utterly fabulous Impossible, York. May 21st.  Doors 7pm. Show 8pm! My very special guest is [York soul sister] Jessica Steel (obvs). More special West End guests to be announced! Grab those tickets as it will sell out!”

Take that advice, Velma insists. “50 per cent of tickets have gone! If you want to come to opening night, don’t wait to book! This baby is flying!!!!”

Tickets are on sale at https://www.ticketweb.uk/event/the-velma-celli-show-impossible-york-tickets/10900325, priced at £22 for VIP front cabaret table seats and £16.50 for reserved seating.

“Basically, it’s replacing the shows at The Basement, where we don’t know when it will reopen for shows under Covid guidance as it’s a small space,” says Ian, as he switches from the impossible to Impossible, York.

“I met the Impossible manager, Stephanie, in December, meeting her between Jack And The Beanstalk shows, and then five weeks ago she knocked on the window saying, ‘I’ve been trying to contact you!’.

How the other half lives: Exit alter ego Velma Celli, enter Ian Stroughair, musical actor, playing Fleshius Creepius in York Stage’s pantomime Jack And The Beanstalk

“And so the first Velma Celli Show there will be on May 21, up the stairs, in the fabulous Impossible Wonderbar setting overlooking the square, with more shows to be announced later. This one will be fun, comedic, with stand-up, impressions, the usual mix of rock, pop and the blues, plus Jess and guests.”

Ian first moved back to York for Lockdown 1 when the pandemic sent him home from a Velma Celli Australian tour and he plans to settle back in his home city permanently from May, travelling to London for three days a week when necessary.

Streamed concerts, first from a Bishopthorpe kitchen and latterly from a riverside abode by the Ouse Bridge, have kept Velma Celli’s voice in spectacular working order, sometimes accompanied by Jessica Steel, leading light of Big Ian Donaghy’s fundraising A Night To Remember shows at York Barbican.

“Jess is reopening her salon [Rock The Barnet in Boroughbridge Road] from Monday, so we did our last stream together last night, Last Online – A Grand Finale, that ticket holders can see until Sunday,” says West End star Ian, who has appeared in such musicals as Cats, Fame, Chicago and Rent, but had to forego a long run in Funny Girls in Blackpool last year, thwarted by Killjoy Covid.

For the latest Velma Celli trailer, go to: https://www.youtube.com/watch?v=a005o6eGZWI. Hit it!