York Open Studios: Who’s taking part…and who’s missing from list of 150 artists at 107 venues on April 18 & 19 and 25 & 26?

Rug weaver Jacqueline James with her loom at home in Rosslyn Street, Clifton, York

YORK Open Studios artists and makers are putting the final touches to their workplaces and studios, ready to welcome visitors across the next two weekends.

This annual event will run within a ten-mile radius of the city of York on April 18 & 19 and April 25 & 26 from 10am to 5pm each day, providing an opportunity to gain a sneak peek into where 150 artists work, their methods and inspirations, at 107 locations.

York Open Studios provides the chance to acquire work by established artists or to discover emerging artists, with 27 names new to the showcase, including two York St John University final-year students.

All manner of media will be represented, from traditional and contemporary painting and print, illustration, drawing and ceramics, to mixed media, glass, sculpture, jewellery, textiles and photography.

Charmian Ottaway, committee member and exhibiting contemporary designer jeweller says: “As an artist myself, I just love to show visitors how I work and also hear what they might be looking for.

Dodo, by 2026 York Open Studios sculptor Joanna Coupland

“As artists, we are all very proud of what we produce and hearing visitors’ responses and finding potential buyers can be really uplifting, especially if you often work alone and don’t directly meet your buyers. For visitors, it’s also a unique chance to see the city with pops of creativity along the way.”

Among  the regular artists taking part are wire and paper sculptor Joanna Coupland; linocut printmaker Michelle Hughes;  hand-woven textile artist Jacqueline James; illustrator Marco Godfrey-Murphy (MarcoLooks); ceramicist Ben Arnup; B-movie parodist illustrator Lincoln Lightfoot; digital illustrator Elliot Harrison (York 360); collage/mixed media artist Donna Maria Taylor; seascape artist Carolyn Coles; printmaker Susan Bradley; porcelain geometric sculptor Kate Buckley;  Lauren’s Cow artist Lauren Terry and linocut printmaker Jane Dignum.

So too are: wood lino and riso printmaker Nic Fife; collage/mixed media artist Adele Karmazyn; hand-cut paper artist Anna Cook; photographer Simon Palmour; wildlife and landscape printmaker Michelle Hughes;  ceramicist Ruth King; ceramicist Chiu-I Wu; wildlife linocut printmaker Gerard Hobson; botanical, geological and landscape artist  David Campbell;  land and seascape artist Freya Horsley; ceramicist Emily Stubbs; illustrator Ric Liptrot; memory, nostalgia and identity artist Leo Morey;  collage/mixed media artist Sarah K Jackson and ceramicist Jill Ford.

Look out too for  jewellery designer Evie Leach; printmaker Lesley Shaw; abstract expressionist Jo Walton; collagraph printmaker Sally Clarke; jewellery designer Jo Bagshaw;  industrial, urban and rural landscape artist Adrienne French; linocut and collagraph printmaker Jen Dring;  travel poster-inspired gouache artist Leon F Dumont; landscape artist Kate Pettitt; collage/mixed media artist Tim Pearce; linocut printmaker Carrie Lyall; plein-air oil painter Malcolm Ludvigsen; printmaker Rachel Holborow and digital photographer Lucinda Grange.

So many familiar names to be seen, but not Hearld, alas. Despite applying, York’s most successful artist, Mark Hearld, is bizarrely absent from this year’s runners and riders.

Prachi Bhatnagar: Making her York Open Studios debut at her Ouse Lea studio

His rejection is all the more bewildering given his high-profile month-long solo show, Collage Can Brio!, last December in his “most ambitious project to date” with The Scottish Gallery in Edinburgh, where  “dogs leapt, birds circled and colour burst from every surface” of his dynamic paper constructions in a celebration of the rhythm and vitality of life, full of curiosity, movement and brio.

Inspired as ever by nature, the seasons and the everyday, his collages and prints were complemented by the unveiling of a tapestry created with Dovecot Studios in Edinburgh. Hey ho, now you know what York will be missing over these two weekends.

In his shock hiatus, make sure to venture out to artists new to the event:

Em Doodles Doodles: Hand-drawn pen and ink doodles of labradoodles, cockerpoos and other poodle-related poodles, inspired by Layla, Emma Brassington’s Australian labradoodle; Venue 6, 44 Beech Avenue, Bishopthorpe, York.

Paul Pavuk: Macro and minimal photography, expressed through an abstract lens, transforming textures, light and space into compositions that reveal unseen worlds; Venue 11, 13 Vincent Way, York.

Marcus Chapman’s wildlife photography: On view in St John’s Street, York

Dan George: Atmospheric, representative oils and pen and watercolour pencil sketches; Venue 20, 78 Albermarle Road, South Bank, York.

Amelia Donohoe: Handcrafted jewellery in gold and silver, using precious and semi-precious stones; Venue 24, 43 Nunthorpe Crescent, York.

Clare Stringer: Throws porcelain, then decorates it with a variety of mixed media, taking inspiration from nature and contrasting pure white clay with more messy additions; Venue 26, 80 Bishopthorpe Road, York.

Melanie Hill: Printmaking in multi-media designs combining wood and metal letterpress typography, lino printing, hand illustration and digital graphic design that gives a nod to the city of York; Venue 29, 47 Moss Street, York.

Chloe Heffernan:  Entwining ancient Neolithic artwork and Irish folklore  with modern identity, her work combines jewellery and illustration to tell stories and explore colloquial identities; Venue 31, The Workshop,  5a, The Crescent, York.

Walk The Walls York, by Moss Street printmaker Melanie Hill

McKinley & Moth: Designer/maker Shona works predominantly in sterling silver with basic hand tools and traditional craftsmanship, producing bold and original jewellery inspired by nature; Venue 35, 60 Hob Moor Drive, York.

The Spoonery:  Transforming overlooked vintage cutlery into innovative wearable art, such as rings and necklaces; Venue 41, 31 Wetherby Road, Acomb, York.

Janie Stevens: Carves natural materials (stone and wood), now joined by steel, that she turns into flowing sculptural forms that invite exploration; Venue 46, Greenthwaite, Chantry, Main Street, Upper Poppleton, York.

Nicola Harper: Textile artist who uses free-motion machine embroidery, repurposed fabrics and fibres to create landscapes and seascapes inspired by North Yorkshire and beyond; Venue 53, 15 Kensington Road, Rawcliffe, York.

Prachi Bhatnagar: Using oils, pastes and pastels in bold colours and textures, her fluid, expressive work evokes the sensations, beauty and energy of being connected to nature; Venue 60, 78 Ouse Lea, York.

Prachi Bhatnagar: “Evoking the sensations, beauty and energy of being connected to nature”

Georgie Britton:  Paintings exploring the colour relationships through the medium of acrylic paint, representing landscapes in expressive and abstracted forms; Venue 62, The Whitestone Gallery, St Peter’s School, York.

Katie Isaac: Hyperrealist oil paintings inspired by nature and idiosyncratic urban pen drawings that strive to bring what might be overlooked, or unseen, into sharp relief; Venue 67, 16 Feasegate, York.

Esme Mai: Photographic study of nature that explores the delicate beauty and transience of botanical forms; Venue 69, Rogues Atelier Artist Studios, Franklin’s Yard, 28a Fossgate, York.

Lucy Coultert, student: Collage & mixed media artist who creates abstract marks and textures to celebrate the beauty of imperfections; Venue 70, Creative Centre, York St John University, Lord Mayor’s Walk, York.

Alley Scout Art, student:  Work focuses on wildlife and nature, from layered collage sculptures to wildlife prints and animal-themed tarot deck; Venue 70, Creative Centre, York St John University.

Photographer Marcus Chapman

Marcus Chapman Photography: UK wildlife photography, focusing on birds, plus landscape & travel; Venue 71, 42 St John’s Street, York.

Nigel Joesbury: Works mainly in soft pastels or acrylic paints, tending to paint what excites him, whether music, pop culture or the natural world; Venue 75, 21 Muncastergate, York.

Mountain & Molehill: Lighting designer Elizabeth creates lampshades and homeware, using vintage animal illustrations with a collage-style approach, suitable for classic and modern spaces; Venue 78, 20 Hempland Lane, Heworth, York.

Sinead Barker Textile Artist: Stitches detailed wildlife art with appliqué fabrics on dyed canvas, exploring connection to animals and her wellbeing through her process, producing decorative animal portraits; Venue 77, 17 Hempland Lane, Heworth, York.

Danny Aitken: His wheel-thrown ceramic vessels and urns incorporate elements of prehistoric artistic expression from the European Neolithic  and Neolithic, fired with custom ash glazes; Venue 79, 31 Forest Way, Heworth, York.

Lewis Sand Art: Lewis Sand Art: Creating sculptures using only sand and water

Lewis Sand Art: Mark creates sculptures using only sand and water. When not sculpting a sandcastle, he likes to create quirky or whimsical sculptures, often of oversized everyday objects; Venue 86, 88 Millfield Lane, York.

Adrian P Layter: Illustrations that use poetic words and watercolour images to create beautiful and thought-provoking art. “Trees, fruit and Greek Muses all have their story to tell you,” he says; Venue 99, 29 Windmill Lane, York.

Abigail Gingele: Creates vibrant and highly detailed pet and wildlife portraits using coloured pencils in a style that emphasises realism and rich colour; Venue 102, 3 Moorland Road, York.

Sketchy Robot: Portraits and maps drawn by self-designed and built drawing robots. Visitors can have portraits or maps drawn live during York Open Studios, subject to capacity; Venue 106, 14 Heslington Lane, Fulford, York.

Kareem Baqai: Visual articulation and reactions to the rhythms and challenges of today’s world in paint, exploring the cyclic nature of the human condition through mark making, colour, form and composition; Venue 107, 19, Main Street, Fulford, York.

Kareem Baqai: Debut participation in York Open Studios in Main Street, Fulford

A public preview evening will take place tonight from 6pm to 9pm at various locations; check artists’ individual listings to find out who is taking part.

For more information on York Open Studios, visit yorkopenstudios.co.uk; to access the interactive map, download https://yorkopenstudios.co.uk/map/. Alternatively, a free printed directory is available from assorted tourist hubs and artist locations throughout York and the wider city region. When visiting studios, look out for bright yellow signage and balloons marking the venues.

To find out which artists are planning to give demonstrations during the event, look for the DEMO symbol in the artist listing in the brochure.

York Open Studios 2026: back story

RUN by artists and volunteers, this annual not-for-profit event represents the best of artists and makers living or working within a ten-mile radius of the city, chosen from the applications by the independent selection panel of arts and museums consultant Kate Brindley, sculptor Simon Gudgeon, ceramicist Wendy Lawrence, jewellery designer  Mari Thomas and consultant Alex Woodall.

Artists open their doors to invite the public into their workspaces; some artists will share venues or exhibit their work in other spaces. Artists who are not in their own workspace may display a selection of tools and materials or even demonstrate their skills to provide a more ‘Open Studio’ experience for visitors.

The website (yorkopenstudios.co.uk) provides full information on the event, illustrating details of participating artists, including their medium and a map of York and its surrounding areas that highlights where visitors will be able to visit. These can be found in libraries, shops and galleries all over York.

Check out all the 2026 artists and makers at: https://yorkopenstudios.co.uk/artists-makers/.

As for Mark Hearld…?

Mark Hearld’s poster artwork for his exhibition coinciding with York Open Studios

MARK will be holding his own exhibition by invitation of Brio and Damsel – his pet dogs – at 104, The Mount, York. Opening hours? Would you believe it, Friday, April 17, 6pm to 9pm; Saturday, April 18 and Sunday April 19, 10am to 5pm; then Saturday, April 25 and Sunday, April 26, 10am to 5pm.

York Open Studios ready to return next weekend for 20th festival celebrations

One of Ian Cameron’s paintings, on show in his back garden in Green Lane, Acomb

ARTISTS are entering the last week of preparations for the 20th edition of York Open Studios.

After the Covid-enforced fallow year in 2020, the event will return for two weekends of welcoming visitors to 95 studios, workspaces and homes on July 10, 11, 17 and 18, preceded by a preview evening on July 9.

As many as 146 artists and makers will be showing and selling their work in this high-summer opportunity for art lovers and the curious to enjoy the fresh air, meet the artists and view and buy unique arts and crafts from York’s artisans.

Ceramicist Pietro Sanna, making his York Open Studios debut in Dale Street, York

2021’s York Open Studios will celebrate originality and diversity and will be Covid-compliant, with artists adhering to Government guidelines on social distancing, ventilation and sanitisers, keeping themselves and visitors safe throughout. 

The York Open Studios organisers are thrilled with the selection of artists and makers spanning ceramics, collage, digital art, illustration, jewellery, mixed media, painting, print-making , photography, sculpture, textiles and wood. Among them will be 43 new participants.

Committee member and featured ceramicist Beccy Ridsdel says: “After last year’s postponement, we think this year’s 20th show is one of the best.  Our decision to move from April to July this year has given us the opportunity for the stricter Covid guidelines [before Step 3] to be relaxed and give the public more confidence when visiting artists’ studios. 

“We think this year’s 20th show is one of the best,” says ceramicist and committee member Becky Ridsdel, who will welcome visitors to her South Cottages studio in Shipton Road, York

“Artists and makers bring a diverse range of skills to the weekends, producing bespoke ceramics, furniture, glass, jewellery, painting, photography, printmaking, sculpture, textiles, wood carving and multi-media. 

“There’s something for everyone and every pocket.  The artists also love to showcase their work within their surroundings and really value the interaction, whether you’re a buyer or a burgeoning artist.  It’s a fabulous way too to enjoy York and view extraordinary work.”

Geometric pattern block lino-print postcards, by mixed-media artist Harriette Rymer, on show at 94, The Village, Haxby

The 95 locations will be highlighted on a map of York to help visitors navigate their way to as many studios, workshops and homes as they wish. 

Visit yorkopenstudios.co.uk for more information and for a free York Open Studios map.  Alternatively, the map can be picked up from Visit York, on Lendal, or in shops, restaurants and visitor attractions around the city. 

For full information on the artists and their studios, examples of their work and opening hours, visit: yorkopenstudios.co.uk.

Rug weaver Jacqueline James with her loom at home in Rosslyn Street, Clifton

No York Open Studios in April, but all that art still needs a new home, so look here…DAY TWENTY

Gin Anyone? A sketch for our times by Geraldine “Geri” Bilbrough

TODAY should have been spent visiting other people’s homes, not staying safe at home. Tomorrow too.

This is not a call for a foolhardy Trumpian dropping of the guard on Covid-19, but a forlorn wish that York Open Studios 2020 could have been just that: York Open Studios. Instead, this weekend and next weekend will be York Shut Studios.

Nevertheless, in the absence of the opportunity to meet 144 artists at 100 locations, banished by the Coronavirus lockdown, CharlesHutchPress is determinedly championing the creativity of York’s artists and makers, who would have been showcasing their ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles skills.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios are being given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Home and studio addresses will not be included at this time.

Meanwhile, York Open Studios artists are finding their own way to respond to the shutdown by filling their windows with their work instead. Look for #openwindowsyork2020 to locate them. “If you see one in your area while taking your daily exercise, take a picture and let us know,” they say.

Furthermore, look out for plenty of the 144 artists still showcasing their work over the York Open Studios period online. Holtby studio painter Kate Pettitt, for example, is penning a daily blog at facebook.com/katepettittartist/. “Visit the YOS website and take your own virtual tour at yorkopenstudios.co.uk,” she advises.

Fran Brammer: Founder member of York Textile Artists

Fran Brammer, textiles

FRAN left behind Worcestershire for Yorkshire to teach art and design, then textiles, until succumbing to the allure of a historical costume-making course.

She now works as a textile artist and tutor, specialising in personal landscapes “drawn” using freehand machine stitching that she produces for sale, exhibitions or private commissions.

“My work is created by building, then cutting away layers of found fabrics and stitching,” says Fran. “The images explore individual experiences and histories both large and small.” 

In her teaching capacity, she hosts workshops, demonstrations and talks focusing on freehand machine work and creative textiles.

“The images explore individual experiences and histories both large and small,” says Fran Brammer of her textile work

Fran, a founder member of York Textile Artists, writes on her latest blog: “If you are a bored creative, feeling a bit isolated and frustrated, try out the York Textile Artists public Facebook page.

“We are planning to post challenges and projects for you to get involved with, some as daft as a brush, others more proper and ‘textiley’. If you don’t do Facebook, go on to our website, yorktextileartists.com, and sign up for newsletter. We have plans.”

As for how Fran’s artwork is responding to the Coronavirus shutdown, she writes: “All of the current pieces are tied to opportunities lost due to social distancing…so time to start anew and work with the restrictions.

“This has no deadline, no purpose or goal, it just is. It is about being in the landscape, about being alone with that landscape and how perception shifts, given time and space. Interpretation and response rather than fact.” Read more at franbramm.wordpress.com.

Geraldine Bilbrough at work on an illustration

Geraldine Bilbrough, illustration

INSPIRED by music, film, stories and human emotions, using pencil and sometimes watercolour, before re-touching digitally, Geraldine tries to capture beauty and feeling within her thought-provoking images.

This York illustrator and designer has been drawing all her life and considers art her biggest passion, creating detailed illustrations, often based around portraiture with an occasional hint of fantasy.

A portrait by Geraldine Bilbrough

“I enjoy nothing more than finding inspiration for new work and discussing ideas with other creatives,” her website profile says. “When I’m not drawing, I love to travel and explore new places, eat my way around cafés and restaurants, visit art galleries and learn French.” Learning French will have to hold sway for now, but roll on a return to those other joys, Geraldine, whenever that day may come.

2020 would have marked her York Open Studios debut. Cast an eye over geraldinebilbrough.com.

“The thing about jewellery is that it’s never practical,” says Ruth Claydon

Ruth Claydon, jewellery

HOW would Ruth Claydon sum up her jewellery? “Old, found, turned around,” she says, picking the title Moth And Magpie for her brand of re-purposed cast-offs mixed with ancient treasures, in acknowledgement of how her instincts match both.

“My ideal Magpie-upcycler scenario is discovering a vintage or antique piece of jewellery and taking it back to my studio whilst I’m still giddy with excitement to create new jewellery from it straight away,” she says on her mothandmagpie.com blog.

Sharp-eyed Ruth sees the potential in re-working cast-off old jewellery, making a virtue of the unwanted by merging it with heirlooms and ancient finds such as salvaged Roman glass beads and metals. In doing so, she makes old into new, modern designs, enhanced by techniques such as hammering, melting and enamelling.

“Old, found, turned around”: Ruth Claydon’s definition of her jewellery

“Because the thing about jewellery is that it’s never practical,” her blog contends. “It’s not about what will ‘do’. You absolutely have to love it. It’s emotional. It’s the icing on the cake. It’s as personal as perfume. It’s about how it looks, but even more it’s about how it makes you feel.”

A light carbon footprint sparks joy for Ruth. “Because I want to wear things that have also made other women feel special,” she says. “Because I want to create value from individuality, exclusivity from design, and if an Elizabeth Taylor diamond winks at me across a room, I can twinkle right back knowing that pinning down my glamour is as complex as the history entwined in the piece I am wearing.”

Find out more at mothandmagpie.com.

Jacqueline James with her large and sturdy Swedish floor loom

Jacqueline James, textiles

JACQUELINE creates one-of-a-kind, custom-dyed, hand-woven rugs and wall hangings, mainly contemporary in style, using natural and durable materials in geometric patterns and stripe rhythms.

Born in Dumfries, Scotland, she grew up in the Pacific Northwest, USA, before moving to York in 1982. From 1985 to 1988, she studied woven textile design and construction at Harrogate College of Art and Technology, where she focused on rug weaving.

In 1989, Jacqueline established her weaving studio in York, since when her textile work for commission and exhibition has blended traditional techniques with contemporary design style.

“Everything is made by hand on my large and sturdy Swedish floor loom,” she says. “Inspiration for new designs comes from everywhere, especially all the colours and patterns I see in nature, landscapes and architecture.”

Geometric patterns by Jacqueline James

Jacqueline’s work is in public and private collections in Britain and North America and her major commissions include weaving for York Minster, Westminster Abbey and the British Library. “I particularly enjoy designing and weaving bespoke commissioned work from private clients, interior designers, architects and places of worship,” she says. 

“For me, weaving is a lifestyle occupation which gives me a great sense of purpose. I adore the tactile qualities and the rich colours of the threads I use and find the action of weaving very engaging. 

“Rug weaving is the perfect vehicle for my visual interpretation and expression. As a rug weaver, I feel privileged being part of the international weaving community and continuing an important heritage craft tradition.” Discover more at handwovenrugs.co.uk.

Jean Drysdale: Designing sculptural objects, wall pieces and items to wear

Jean Drysdale, textiles

JEAN has worked in felt textiles since leaving modern language teaching in 2007.

“I was drawn firstly by the apparent simplicity of a process that produces wonderful results,” she says.  “Then I looked further, researching the great history, breadth and the depth of the felt-making tradition.”

In 2011, she completed a City and Guilds course and since then she has developed her felt-making process to create highly textured sculptural objects, wall pieces and items to wear.

Textile with style: The work of Jean Drysdale

“Now I delight in achieving a contemporary result through use of wide-ranging and ever-evolving techniques,” says Jean. “I work with unspun sheep’s wool fibre, ranging from British and European rare breeds to fine Australian merino. The felting process bonds the wool with silks and other natural fibres.”

She likes to explore texture, form and colour. “I use traditional and contemporary wet-felting and hand-dyeing techniques and enjoy contrasting colours which migrate and transform during the process,” says Jean, who has exhibited in York, Leeds, North Yorkshire and Scotland, including at Helmsley Arts Centre and Kunsthuis Gallery at The Dutch House, Crayke. More info at jdrysdalefelt.co.uk.

 TOMORROW: Harriet McKenzie; Harriette Rymer; Steve Williams; Sam Jones and Gerard Hobson.