Let the challenge begin for James Mackenzie as Raven turns into Theatre Royal panto baddie Luke Backinanger

Evil versus good: James Mackenzie’s pantomime villain Luke Backinanger with Nina Wadia’s Fairy Sugarsnap Fairy in Jack And The Beanstalk at York Theatre Royal. Picture: S R Taylor Photography

GOODIE or baddie. Which is the better to play? Let’s ask James Mackenzie, CBeebies star and now revelling in his role as Luke Backinanger in York Theatre Royal’s pantomime, Jack And The Beanstalk.

“Baddie,” he says. “I’ve been a jobbing actor for 25 years, doing pantomimes where I’ve played everything from Prince Charming to Abanazar. The only roles I haven’t done are the silly billy and the dame, but I’ve always loved playing the baddie, getting the audience to boo you, and getting the kids screaming with a mixture of fear and excitement is priceless. It’s a whole lot of fun.”

It turns out that Scotsman James is keeping it in the family. “The first panto I saw was at the age of four; Babes In The Wood in Inverness. My dad [Michael Mackenzie] is an actor and he was playing the baddie, the Sheriff of Nottingham,” he recalls.

“I loved it! It was a bit strange that my dad was on stage and people were booing him, but I forgot all that as soon as I got asked to come up on the stage to meet the comic. ‘So, what does your Daddy do?’, asked the comic. ‘He works,’ I replied. It got a huge laugh. That was it, I was hooked!”

Doing the zombie dance: James Mackenzie’s Luke Backinanger and the ensemble in a clash of red and green in Jack And The Beanstalk. Picture: S R Taylor Photography

Now Dundee-born James is playing Luke Backinger, a villain with a name that nods to Oasis’s 1996 chart-topper Don’t Look Back In Anger, a name that surely no-one can take seriously? “That’s the point, right? No-one ever really takes a panto baddie too seriously, as they always have to be redeemed by the end and find their inner goodness,” says James. “For this reason, I think Luke is a 7.5 [out of ten] on the baddie scale.

“Traditionally, the baddie in this pantomime is Fleshcreep, but Luke Backinger is a more contemporary take on the baddie’s role, so there’s no Fleshcreep in the show, but Luke still has a baddie bond with the Giant.”

Was it inevitable that James would follow father Michael into the “family business”? “I think it probably was,” he says. “It felt familiar, and to be honest it was the only thing I was really ever good at. I was always adequately academic, however acting and performing was my happy place, the only thing I seemed to excel at. Well, when I say ‘excel’, I mean, I was better than adequate.”

James’s father once auditioned to play James Bond, missing out to George Lazenby for 1969’s On Her Majesty’s Secret Service. “How cool would it have been to say ‘my dad is James Bond’?! I’d love to play him, absolute career goal. However I think that ship has definitely sailed, and a middle-aged bearded Scotsman is probably not what the Bond producers have in mind for their eponymous hero.”

James Mackenzie’s Luke Backinanger finds his failed dream career becoming a reality as he belatedly forms a boy band with Matthew Curnier’s Billy, left, Mia Overfield’s Jack Trott and Robin Simpson’s Dame Trott in a glorious send-up in Jack And The Beanstalk. Picture: S R Taylor Photography

Instead, James is most associated with his role as mysterious, leather-clad, immortal warlord Raven in the BAFTA award-winning CBBC show of the same name, but was he a good guy or bad guy? “Oh he was definitely a good guy,” he asserts. “He was there to guide the young warriors, to teach them the path of the good and true, to be a reassuring presence when facing the forces of evil, but he was a stern teacher.”

James once described himself as a “feathery Obi Wan-Kenobi”. “Who wouldn’t want to call themselves that?!” he says. “When Raven was recommissioned in 2017 after a seven-year break, my character was brought back as a guide to the new young Raven. He was there as a sage and a confidante to help the new immortal warrior defeat the forces of evil.”

The 15 series of Raven were screened worldwide. “I still do get recognised for Raven,” says James, who hosted the children’s game show with his catchphrase of “Let the challenge…begin”. “Raven became a bit of a cult with that Lord Of The Rings medieval fantasy vibe, garnering that cult status amongst the late-20 somethings.

“Of course, now I get recognised just as much by little ones for Molly & Mack [the CBeebies drama series  that ran for five seasons from 2018 to 2022 with James ‘Mack’ Mackenzie playing James, Molly and Mack’s father].

James Mackenzie’s Luke Backinanger in the show poster for York Theatre Royal’s pantomime Jack And The Beanstalk

“The thing that makes me feel really old [he is 44] is when someone says, ‘Oh, I used to watch you in Raven; I loved it. And now my kids love watching you in Molly & Mack’. That’s when my grey hair feels particularly apparent.”

James is working with York choreographer Hayley Del Harrison for the third time this year. “We did CBeebies’ Twelfth Night at Shakespeare’s Globe, then the CBeebies’ Panto, where I’m playing Alan, the singing squirrel, that really famous character from Robin Hood [showing at cinemas from December 1], and now, of course, the panto here,” he says.

Playing Luke Backinger marks several firsts for James. “This is my first Evolution Productions pantomime, my first time at the Theatre Royal and my first time in York. I’ve only ever been through York when the train stopped at the station. It’s a beautiful place and everyone told me it’s particularly magical at Christmas.”

James retains his Scottish accent for the climate-changing, weather-making villainous Luke. “Quite often it doesn’t feel as though it will be as much fun to use your own accent, as you want to take a part further, and it’s not common to take the Scottish accent south of the border,” he says. “But we felt we would have fun with Luke as a Scottish baddie in a York show.”

James Mackenzie appears in Jack And The Beanstalk at York Theatre Royal until January 7. Box office: 01904 623568 or yorktheatreroyal.co.uk

Scottish actor James Mackenzie

James Mackenzie: the back story

BEST known for his role as Raven, the children’s game show host in the multi-BAFTA award-winning CBBC series of the same name that first ran from 2002 to 2010 and was re-commissioned from 2017. Garnered cult status over 15 series, filmed in far-flung exotic locations such as India. Aired from Canada to Australia and multiple places in between.

Worked for many theatre companies, including National Theatre of Scotland. Performed all over the UK in everything from Macbeth to Sunshine On Leith The Musical.

Regular role as Gary Trenton in BBC Scotland soap opera River City. Guest appearances in Still Game and Outlander. Introduced to a new generation from 2018 to 2022 in CBeebies series Molly & Mack, playing James.

Takes “immense pleasure” from being part of CBeebies’ Christmas shows for the past few years and performing at Shakespeare’s Globe in CBeebies’ Shakespeare shows. Among the plays was Twelfth Night, playing Duke Orsino, with Jack And The Beanstalk co-star Anna Soden as Feste.

Like most Scottish actors, he has appeared in Taggart more than once!

Will Daniel Craig’s James Bond requiem feature in Two Big Egos In A Small Car’s review of the cultural year just gone?

Exit Daniel Craig’s 007

NO time like the present to discover no-nonsense arts podcasters Graham Chalmers and Charles Hutchinson’s look back to the year of No Time To Die, Ralph Fiennes in York, Grayson Perry’s Pre-Therapy Years and Emma Rice’s Wuthering Heights.

For shooting from the hip with a quip, head to: https://www.buzzsprout.com/1187561/9817663

Could James Bond ever be woke? Question of the day for podcasters Chalmers & Hutch

Time for the “old” Bond to die out?

AS No Time To Die opens at last, Two Big Egos In A Small Car podcasters Graham Chalmers and Charles Hutchinson consider the future direction of James Bond in the post-Daniel Craig era.

What else is up for debate? Petrol, panic stations and the arts. Angela Carter on sexism in Hollywood before #MeToo. Interviewing Michael Parkinson on the art of interviewing. Defining craft beer – or not – at Harrogate Beer Week.

So much for arts and culture podcasters Chalmers & Hutch to discuss in Episode 58 at: https://www.buzzsprout.com/1187561/9286551

More Things To Do in and around York as well as that belated Bond film you’ve been dying for. List No. 51, courtesy of The Press

Unhappy hour at The Midnight Bell tavern? Oh, but the joys of a new Matthew Bourne show visiting York Theatre Royal

DANCE at the double, Jekyll & Hyde, a quartet of short plays, sax music and Late Music, a Manic Monday and a Taylor-made gig are Charles Hutchinson’s pick of the early autumn harvest of live shows.

Intoxicated tales from darkest Soho: Matthew Bourne’s The Midnight Bell, York Theatre Royal, tonight to Saturday, 7.30pm and 2.30pm Saturday matinee

CHOREOGRAPHER and storyteller in dance Matthew Bourne’s new show for New Adventures explores the underbelly of 1930s’ London life, where ordinary people emerge from cheap boarding houses nightly to pour out their passions hopes and dreams in the bars of fog-bound Soho and Fitzrovia.

Inside The Midnight Bell, one particularly lonely-hearts club gathers to play out lovelorn affairs of the heart; bitter comedies of longing, frustration, betrayal and redemption.

Inspired by novelist Patrick Hamilton, Bourne’s dance theatre show will challenge and reveal the darker reaches of the human heart. Box office: 01904 623568 or at yorktheatreroyal.co.uk

Hands down (by your sides) if you can’t wait for the return of Riverdance

The other dance event of the week: Riverdance: The New 25th Anniversary Show, York Barbican, tomorrow to Sunday, 7.30pm plus 2.30pm Saturday matinee

TWENTY-FIVE years on, composer Bill Whelan has re-recorded his mesmerising soundtrack while producer Moya Doherty and director John McColgan have completely reimagined the Irish  and international dance show with innovative and spectacular lighting, projection, stage and costume designs. 

The 25th Anniversary show catapults Riverdance into the 21st century and will “completely immerse you in the extraordinary and elemental power of its music and dance”. Box office: yorkbarbican.co.uk.

Blackeyed Theatre in Nick Lane’s take on Jekyll & Hyde, on tour at Stephen Joseph Theatre

Play of the week outside York: Blackeyed Theatre in The Strange Case Of Dr Jekyll & Mr Hyde , Stephen Joseph Theatre, Scarborough, tonight until Saturday

NICK Lane’s adaptation of Jekyll & Hyde draws inspiration from his own journey. Injured by a car accident when he was 26 that permanently damaged his neck and back, he imagines Jekyll as a physically weakened man who discovers a cure for his ailments; a cure that also unearths the darkest corners of his psyche.

“I wondered, if someone offered me a potion that was guaranteed to make me feel the way I did before the accident, but with the side effect that I’d become ruthless and horrible – would I drink it?” ponders Lane.

Combining ensemble storytelling, physical theatre, movement and a new musical score by Tristan Parkes, Lane remains true to the spirit and themes of the original novella while adding a major female character, Eleanor. Box office: 01723 370541 or at sjt.uk.com.

Caught Short? No photos, so here is the poster artwork for RhymeNReason Put On Shorts, up and running at Theatre@41

Short run of the week: RhymeNReason Put On Shorts, Theatre@41, Monkgate, York, until Saturday, 7.30pm

WHAT was Margaret Thatcher’s relationship with Jimmy Savile? Why did a Yorkshire pensioner try to smuggle a fruit cake through Australian customs? What really happened on day three in the Garden of Eden? How should a perfect murder end in a real cliff hanger? 

Questions, questions, all these questions, will be answered in funny, thought-provoking short plays by Yorkshire writers David Allison, Steve Brennen, Lisa Holdsworth and Graham Rollason. Box office: tickets.41monkgate.co.uk.

Sax Forte: Lunchtime concert at St Saviourgate Unitarian Chapel

The good sax guide: Sax Forte, Friday Concerts, St Saviourgate Unitarian Chapel, York, tomorrow, 12.30m

YORK saxophone quartet Sax Forte – Chris Hayes, Keith Schooling, Jane Parkin and David Badcock – open York Unitarians’ new season of Friday Concerts with an afternoon programme of English and French music.

Introducing themselves, Sax Forte say: “Chris plays soprano sax because he likes showing off; Keith plays alto sax because he tries to keep up with Chris; Jane plays baritone because she’s got the strongest shoulders; David knows his place (with apologies to The Two Ronnies and John Cleese)!”

The saxophone was not invented until the mid-19th century, but Sax Forte will be playing earlier classical and baroque pieces, trad folk tunes and later 19th and 20th works for sax quartet.

Conductor Simon Wright: Bringing together York Guildhall Orchestra and Leeds Festival Chorus next month

Classic comeback: York Guildhall Orchestra, York Barbican, October 16, 7.30pm

YORK Guildhall Orchestra return to the concert stage on October 16 after the pandemic hiatus with a programme of operatic favourites, conducted by Simon Wright.

The York musicians will be joined by Leeds Festival Chorus and two soloists, soprano Jenny Stafford, and tenor Oliver Johnston, to perform overtures, arias and choruses by Tchaikovsky, Wagner, Rossini, Mozart, Puccini and Verdi. Box office: yorkbarbican.co.uk.

Late Music…now: Gemini, St Saviourgate Unitarian Chapel, Saturday, 7.30pm

YORK’S Late Music programme of contemporary music returns from pandemic lockdown with Gemini on Saturday night.

First performances will be given of Gemini’s commission of Sadie Harrison’s Fire In Song and Morag Galloway’s It’s Getting Hot In Here, complemented by Peter Maxwell Davies’s Economies Of Scale and works by York composer Steve Crowther and Philip Grange. Box office: latemusic.org or on the door.

Reflection and reaction: Manic Street Preachers showcase new album Ultra Vivid Lament at York Barbican

Not just another Manic Monday: Manic Street Preachers, York Barbican, Monday, 8pm

WELSH rock band Manic Street Preachers play York on Monday, with a second Yorkshire gig at Leeds O2 Academy on October 7.

Their autumn itinerary is showcasing this month’s release of their 14th studio album, The Ultra Vivid Lament: “both reflection and reaction; a record that gazes in isolation across a cluttered room, fogged by often painful memories, to focus on an open window framing a gleaming vista of land melting into sea and endless sky,” say the Manics.  Box office: yorkbarbican.co.uk.

From Queen to Outsider: Roget Taylor in concert at York Barbican

The inside track on the outsider:  Roger Taylor, Outsider Tour, York Barbican, Tuesday, 7pm

QUEEN drummer Roger Taylor plays York Barbican as the only Yorkshire show of this autumn’s Outsider tour in support of his new album of that name, out tomorrow.

“This is my modest tour,” he says. “I just want it to be lots of fun, very good musically, and I want everybody to enjoy it. I’m really looking forward to it. Will I be playing Queen songs too? Absolutely!” Box office: yorkbarbican.co.uk.

Go wild in the country: The Shires look forward to returning yet again to the East Yorkshire market town of Pocklington next January

Gig announcement of the week outside York: The Shires, Pocklington Arts Centre, January 26 2022

THE Shires, Britain’s best-selling country music act, will bring their 2022 intimate acoustic tour to their regular haunt of Pocklington  next January.

“Wembley Stadium, MEN Arena, Grand Ole Opry are all amazing, but Pocklington will always be a special place for us,” say Ben Earle and Crissie Rhodes, who are working on their fifth album. Box office: 01759 301547 or at pocklingtonartscentre.co.uk.

We’ve been expecting you, Mr Bond…for a long time

Oh, and just one other thing….

BOND, James Bond. Yes, after all those false dawns in the accursed Covid lockdowns, the perpetually postponed final curtain for Daniel Craig’s 007 opens today when it really is time for No Time To Die to live or die at last. Shaken or stirred, thrilled or deflated, you decide.