More Things To Do in York & beyond, when ‘finding the way through the human maze’. Hutch’s List No. 20, from The York Press

York artist Jill Tattersall stands by her work Genesis, Exodus at Thursday’s launch of her Finding The Way exhibition at Bluebird Bakery, Acomb

AS Gary Oldman’s banana-chomping turn in Krapp’s Last Tape enters its last week, Charles Hutchinson finds alternatives aplenty for entertainment and enlightenment.

Exhibition opening of the week: Jill Tattersall, Finding The Way, The Human Maze, Bluebird Bakery, Acomb Road, Acomb, York, until July 3

THE Wolf At The Door artist Jill Tattersall has overcome a bout of Covid to launch her Finding The Way show at Bluebird Bakery, featuring such works as World On Fire: Such Colours In The Sky; Universal (Dis)Order, Blue Rhapsody and City Of Light And Shadows.

“My brother is an anthropologist, in New York, so I’m very interested in cave symbols, early writing, Japanese and Chinese imagery and themes of communication and language,” she says. “I just have fun with all this stuff!” 

Got it taped: Gary Oldman in Krapp’s Last Tape on his return to York Theatre Royal after 45 years. Picture: Gisele Schmidt

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, until May 17

OSCAR winner Gary Oldman returns to York Theatre Royal, where he made his professional debut in 1979, to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since 1989.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: check availability of returns on 01904 623568 or yorktheatreroyal.co.uk.

The George Harrison Project: Playing the JoRo Theatre on Sunday night

Tribute show of the week: The George Harrison Project, Joseph Rowntree Theatre, York, Sunday, 7.30pm

THE George Harrison Project celebrates “the quiet Beatle’s” best-loved hits from the Fab Four, his solo career and The Traveling Wilburys.

Sunday’s show combines Taxman, While My Guitar Gently Weeps, Something, Here Comes The Sun, All Things Must Pass, My Sweet Lord, Blow Away, Handle With Care and  Got My Mind Set On You with video footage and interesting facts about Harrison and his music. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Next Door But One cast members George Green, left, Charlie Blanshard and Becky Heslop in rehearsal for How To Be A Kid

Children’s show of the week: Next Door But One in How To Be A Kid, York Explore, May 12 and 13, 5.30pm; Friargate Theatre, York, May 17, 12 noon and 3pm

AT only 12 years old, Molly cooks, does the dishes and gets her little brother Joe ready for school. Molly misses her Grandma. Molly looks after her mum, but who looks after Molly?

Now her mum is feeling better, maybe things will return to normal. Maybe Molly can learn to be a child again in Sarah McDonald-Hughes’ touching, funny story of family, friends and fitting in, suitable for seven to 11-year-olds and their grown-ups. Warning: this show contains dancing, chocolate cake, dinosaurs, superheroes and an epic car chase, plus big topics such as care, mental health and growing up with an even bigger sense of imagination, creativity, joy and hope. Box office: York Explore, tickettailor.com; Friargate Theatre, ticketsource.co.uk.

Charlie Clarke’s Nora, left, and Chloe Pearson’s Nora’s Self rehearsing a scene from Matthew Peter Clare’s The Inner Selves, next week’s premiere by Black Sheep Theatre Productions. Picture: Matthew Peter Clare

Premiere of the week: Black Sheep Theatre Productions in The Inner Selves, Theatre@41, Monkgate, York, May 13 to 17, 7.30pm plus 2.30pm Saturday matinee

BLACK Sheep Theatre Productions present the premiere of director Matthew Peter Clare’s debut play, quick on the heels of the York company’s first Shakespeare show, The Tempest, in March.

Clare charts the declining mental health and marriage of Henry and Nora (played by Dan Poppitt and Charlie Clarke) and the cacophonic assault of their inner thoughts (Josh Woodgate’s Henry’s Self and Chloe Pearson’s Nora’s Self) on one climactic day of mediocrity and boredom. As emotions come to a boil, will this marriage survive, even if only until morning? Box office: tickets.41monkgate.co.uk.

Dara Ó Briain at the double: Playing York Barbican and York Comedy Festival

Comedy gig of the week: Dara Ó Briain, Re:Creation, York Barbican, May 14, 8pm

IRISH comedian, broadcaster and writer Dara Ó Briain will be “doing his favourite thing: standing in a theatre, telling stories and creating madness with the audience” in Re:Creation, his follow-up to 2023’s So, Where Were We?

Should you miss out on Wednesday’s sold-out gig, Ó Briain will be returning to York to co-headline the inaugural  York Comedy Festival with Katherine Ryan on July 6 in the finale to Futuresound Group’s second season of Live At York Museum Gardens shows. Box office: futuresound.seetickets.com/event/york-comedy-festival/york-museum-gardens/3288662.

Gizza job: Jay Johnson’s Yosser Hughes in James Graham’s stage adaptation of Alan Bleasdale’s Boys From The Black Stuff, on tour at Leeds Grand Theatre

Touring production of the week: Bill Kenwright Ltd, Royal Court, Liverpool and National Theatre present Boys From The Black Stuff, Leeds Grand Theatre, May 13 to 17, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

JAMES Graham’s stage adaptation of Alan Beasdale’s BAFTA award-winning television drama Boys From The Black Stuff heads to Leeds with its story of 1980s’ Liverpool, where Chrissie, Loggo, George, Dixie and Yosser are used to hard work and providing for their families, but there is no work and no money.

What are they supposed to do? Work harder, work longer, buy cheaper, spend less? They just need a chance. Life is tough but the lads can play the game. Find the jobs, avoid the ‘sniffers’ and see if you can have a laugh along the way. “Taking it on the road to communities around the country feels like the most important thing we could be doing next with our story,” says Graham.Box office: 0113 243 0808 or leedsheritagetheatres.com.

Mike Scott: Leading The Waterboys at York Barbican on Thursday

Gig of the week: The Waterboys, York Barbican, May 14, 7.30pm and Leeds O2 Academy, June 15, doors 7pm

THE Waterboys showcase “the most audacious album yet” of Mike Scott’s 42-year career, Life, Death And Dennis Hopper, on their latest return to York Barbican, having  played their “Big Music” brand of folk, rock, soul and blues there in 2012, 2013, 2014, 2015, 2018, 2021 and 2023.

Released last month on Sun Records, their 16th studio album charts the epic path of the trailblazing American actor and rebel, as told through a song cycle that depicts not only Hopper’s story but also the saga of the last 75 years of western pop culture. Box office: York, yorkbarbican.co.uk; Leeds, academymusicgroup.com.

Selby Town Hall plays host to first night of Paines Plough’s premiere of Sessions

Joseph Black in the role of Tunde in Paines Plough’s premiere of Ifeyinwa Frederick’s Sessions

LIVE theatre returns to Selby Town Hall for the first time since 2019 with the September 29 visit of Paines Plough.

Described by the Daily Telegraph as “the de facto national theatre of new writing”, the London company will be presenting Sessions, the second play by one of Britain’s most hotly tipped young writers, Ifeyinwa Frederick, on the first date of its nationwide tour co-produced with Soho Theatre.

Tunde’s 30th birthday is fast approaching, prompting him to start therapy as he has been unable to head to the gym for weeks and a recent one-night stand ended in tears – his.

A raw, funny and bittersweet deep-dive into the complexities of masculinity, depression and therapy, Sessions interrogates the challenge of opening up and accepting our own vulnerabilities.

Playwright Ifeyinwa Frederick is a fervent believer in the power of storytelling and human connection, a combination that fuels her work as both a writer and entrepreneur. Her debut play, The Hoes, was shortlisted for the Tony Craze Award, Verity Bargate Award and Character 7 Award.

Alongside her theatre work, Ifeyinwa is a restaurateur, co-founding the world’s first Nigerian tapas restaurant, for which she won a Young British Foodie Award and was included on Forbes’ list of 100 Female Founders in Europe.

On the rise: Playwright and restaurateur Ifeyinwa Frederick

“Paines Plough are one of Britain’s finest creative institutions” says Selby Town Council arts officer Chris Jones. “For more than 40 years they have consistently produced exceptional quality, envelope-pushing theatre from some of the UK’s most gifted writers, such as Mike Bartlett, James Graham and Kae Tempest.

“We’ve been working with the company over the past three years as part of a funded project to improve small-scale theatre touring in England, to help more companies make the leap to touring, to bring more high quality work to small venues and to broaden audiences with new and diverse work.

“So I’m thrilled that Paines Plough are returning to Selby Town Hall with Ifeyinwa Frederick’s latest play, giving audiences the chance to see some of the best new writing in the country right here in Selby.”

Joseph Black takes the role of Tunde under the direction of Philip Morris, with design by Anna Reid, lighting by Simisola Majekodunmi, sound and composition by Asaf Zohar and movement by Yassmin V Foster.

Tickets for Wednesday’s 8pm performance cost £13 on 01757 708449 or at selbytownhall.co.uk or £15 on the door.

“The play covers some challenging subject matter, and I know it will be brilliant, because everything Paines Plough do is,” concludes Chris.