Navigators Art to celebrate W H Auden in Co-Audenation night of spoken word, live music & performance art at The Basement

Navigators Art & Performance’s poster for Co-Audenation. W H Auden picture: George Cserna, 1956

YORK collective Navigators Art & Performance presents Co-Audenation: A Creative Exploration of W. H. Auden, a night of spoken word, live music and performance art, at The Basement, City Screen Picturehouse, York, on October 19.

“This is a revised and expanded version of our sold-out summer show for the York Festival of Ideas and York Civic Trust’s York Trailblazers sculpture trail project, for whom we researched and constructed one of the sculptures commemorating York’s unsung heroes,” says Navigators Art co-founder Richard Kitchen. “Our W. H. Auden tansy beetle sculpture can be seen outside City of York Council’s West Offices in Station Rise.”

All works in October 19’s 7pm to 10pm show are written or inspired and influenced by W. H. Auden, the “Picasso of modern poetry” born in Bootham, York, on February 21 1907.

Navigators Art & Performance’s tansy beetle sculpture of W. H. Auden for York Trailblazers at West Offices, Station Rise, York

“A leader of the British avant-garde at a time of cultural upheaval in Europe, Auden experimented ceaselessly with poetic form and subject matter,” says Richard. “Openly gay and defiantly anti-establishment, he was controversial and influential in his views on politics, morals, love, and religion.  His poem Funeral Blues was popularly featured in the film Four Weddings And A Funeral.”

Navigators Art’s inspiring line-up features award-winning and published Yorkshire writers and performers in a mixed-media event replete with songs and physical theatre, as well as poetry.

“Expect the unexpected!” says Richard. “An informal discussion will precede the main event from 6pm. All ticket holders are welcome to attend. The performance will begin at 7pm after a short break.”

Carrieanne Vivianette: Leeds performance artist

Taking part will be:

Anthony Vahni Capildeo: poet, professor and writer in residence at the University of York.

Antony Dunn: poet, dramatist and screenwriter.

Carrieanne Vivianette: performance artist and experimentalist from the creative hotlands of Leeds.

Elizabeth Chadwick Pywell: York poet, English/Drama tutor and co-host of Rise Up! at Bluebird Bakery in Acomb.

Ian Parks: Award-winning and widely published poet and translator; editor of Versions Of The North: Contemporary Yorkshire Poetry

Anthony Vahni Capildeo: poet, professor and writer in residence at the University of York

Jane Stockdale: Singer and multi-instrumentalist from beloved York alt. folk legends White Sail.

Janet Dean: Poet and novelist exploring contemporary themes through the prism of history.

JT Welsch: Exploratory musician and poet; lecturer in English and Creative Industries at University of York.

Richard Kitchen: Visual artist, poet and Navigators co-founder.

Plus contributions from York luminaries Alan Gillott, Hugh Bernays and others.

For full details and tickets, go to: https://bit.ly/nav-auden. “Advance booking is advised,” says Richard.

Antony Dunn: poet, dramatist and screenwriter

REVIEW: Steve Crowther’s verdict on Soon Amore Choir’s afternoon concert, 12/2/23

The poster for Soon Amore Choir’s Sunday concert

Soon Amore Choir, Unitarian Chapel, St Saviourgate, York, February 12

THE Soon Amore Choir programme was very much a pick’n’mix affair – and a very tasty one too.

It opened with a hunting call on natural horn, which threaded through the first half, chasing the concluding traditional French fanfare Et Chansons de Chasse. Of course, this was somewhat contrived, but it did treat us to the superb playing of Martin Lawrence.

There was much to enjoy here, not least the performances of Shoebox and Heavy Laden with Jane Stockdale (voice) and Dave Pearce (piano). Stockdale sang Shoebox with an instinctive feeling for folksong tradition while Pearce’s crisp piano octave attacks dispelled any sentimentality.  For Heavy Laden they were joined by the choir with the simple counterpoint setting acting to reinforce the song’s world-weary narrative.

The traditional Ghanaian Senwa Dedende was performed by the “people’s” choir, that is, us. And very well indeed and certainly better than our vocal coach, Chris Bartram!

As I know David Lancaster personally, it wouldn’t be particularly professional to comment on his piece itself. Suffice to say that the distinctive sound-world of Fell was very well performed by Soon Amore in its world premiere, where the ritualistic, repetitive choral statements were very clearly delivered, commenting on the convincing spoken narrative by Laura Potts and Gary Craig. Martin Lawrence’s playing was, of course, imperious.

By contrast, Bruckner’s sweet, touching Locus Iste simply glowed with joy. Following an impressive The Deer’s Cry by Arvo Part, which is actually quite tricky, the “people’s” choir were back to perform the traditional Bella Mama. The higher pitch gave our vocal coach the opportunity to redeem himself, which he did admirably. It was genuine fun singing the simple canon and very satisfying too.

Eric Whitacre is a very fine composer and his choral writing is always distinctive. The choir clearly relished the lovely harmonies and gentle dissonances of his Sleep and their enjoyment was infectious. For me, anyway.

Chris Bartram is an excellent, entirely musical conductor and his engaging manner made the Sunday afternoon concert a very rewarding experience.

Review by Steve Crowther