Pickering Musical Society to say goodbye to musicals after 100 years by pouring everything into Hello, Dolly! next week

Making a stand: Pickering Musical Society in Hello, Dolly! All pictures: Robert David Photography

ANTICIPATION is building with only one week to go as Pickering Musical Society prepares to raise the curtain on its final full-scale musical production, Hello, Dolly! 

Luke Arnold’s show will run from June 10 to 14t at the Kirk Theatre, Pickering, with evening performances at 7.30pm and a Saturday matinee at 2.30pm.

After more than a century of staging book musicals in the Yorkshire town, the society has decided to step away from staging spring musicals in future seasons, citing rising production costs and a shrinking membership base.

Before that curtain falls, however, the society is determined to deliver one of its most dazzling and memorable shows to date.

Tim Tubbs’s Horace Vandergelder and Rachel Anderson’s Dolly Gallagher Levi in Pickering Musical Society’s Hello, Dolly!

Theatre manager and director Arnold says: “It has been a difficult decision to make, but the soaring costs associated with performance rights, casting demands and mounting a full musical such as Hello, Dolly! have made it increasingly challenging to continue.

“That said, we do not aim to go quietly! We’ve poured everything we have into this production — from the dazzling costumes to the towering set pieces — and I believe it will be a truly show-stopping finale.”

Set in the energetic bustle of 1890s’ New York, Jerry Herman’s Hello, Dolly! follows the irrepressible Dolly Gallagher Levi — a witty matchmaker, meddler, and “arranger of things” — as she decides this is the time to find a match for herself.

The musical is filled with Broadway classics, including Put On Your Sunday Clothes, Before The Parade Passes By, It Only Takes A Moment and the title number, Hello, Dolly!

Jack Dobson’s Barnaby Tucker in Pickering Musical Society’s Hello, Dolly!

Arnold’s cast is led by society favourite Rachel Anderson as the effervescent Dolly, while Tim Tubbs returns to the Kirk Theatre after his performance as Henry Higgins in My Fair Lady to play the curmudgeonly half-a-millionaire Horace Vandergelder.

Stephen Temple and Jack Dobson bring comic warmth as Cornelius Hackl and Barnaby Tucker, joined by a strong principal cast that features Paula Paylor, Danielle Long, Courtney Brown and Will Smithson as the artistic and earnest Ambrose Kemper.

Adding to the production’s scale and sparkle, a ten-piece professional orchestra will provide live musical accompaniment throughout the show, bringing Herman’s beloved score to life.

Also joining the ensemble will be talented students from the Sarah Louise Ashworth School of Dance, contributing energetic and stylish choreography to the show’s biggest numbers.

Pickering Musical Society musical director Clive Wass and members of his ten-piece orchestra

Behind the scenes, Hello, Dolly! marks one of the most ambitious technical undertakings in the society’s long history. The production team has installed a complex array of lighting and sound equipment, with more arriving daily as the full vision comes together.

The centrepiece of the elaborate set is the Harmonia Gardens staircase, a grand and glamorous showstopper in its own right. Meanwhile, the wardrobe department, led by the tireless Maureen Symonds, has been hard at work for months crafting a rich collection of period costumes designed to dazzle.

Early ticket demand has been strong: two performances are nearing sell-outs and bookings have been brisk for the rest of the week. Audiences are urged to book soon to avoid disappointment.

Sue Smithson and cast members in Pickering Musical Society’s Hello, Dolly!

Although Hello, Dolly! will be the final musical to be staged by Pickering Musical Society, the society’s commitment to live performance will continue.

The annual pantomime, a firm fixture in the Kirk Theatre calendar, continues to go from strength to strength, drawing large audiences each winter.

The society’s popular concert, previously held in October, will shift to June from 2026 onwards to ensure Pickering audiences can still enjoy high-quality musical entertainment each year.

The society emphasises that Hello, Dolly! is not a goodbye, but a celebration: a tribute to the talent, community spirit and dedication that has defined the society’s musical legacy for generations.

Pickering Musical Society in Hello, Dolly!, Kirk Theatre, Pickering, June 1o to 14, 7.30pm plus 2.30pm Saturday matinee. Box office: 01751 474833; kirktheatre.co.uk or in person from the box office, open Tuesdays, 11am to 1pm.

REVIEW: Joseph Rowntree Theatre Company in Hello, Dolly! ***

Helen Spencer’s Dolly Levi in Joseph Rowntree Theatre Company’s Hello, Dolly!

Hello, Dolly!, Joseph Rowntree Theatre Company, Joseph Rowntree Theatre, York, 7.30pm tonight; 2.30pm, 7.30pm tomorrow. Box office: 01904 501935 or josephrowntreetheatre.co.uk

THE Joseph Rowntree Theatre Company’s fifth production as the JoRo’s in-house fundraising troupe since 2017 is their “most ambitious yet” and first to be directed by company regular Kathryn Lay.

She brings experience of directing for several Gilbert & Sullivan companies to the task, along with a familiar right-hand man for this bright and breezy production, husband Martin Lay, a figure in constant motion in white tie and tails as conductor and musical director in the dozen-strong orchestra pit.

Hello, Dolly!, with its book by Michael Stewart and music and lyrics by Jerry Herman, had its day as the longest-running show on Broadway after its 1964 debut, further buoyed by Gene Kelly’s 1969 film starring the irrepressible Barbra Streisand.

Based on Thornton Wilder’s 1938 farce The Merchant Of Yonkers, re-written as The Matchmaker in 1954, it is a lightweight, gently amusing piece, not dissimilar in spirit to those works from the other side of the Big Pond, G&S’s light operas. Or, you could call it “an absolute hoot”, as the JoRo’s publicity puts it.

The setting is 1885 New York, where wily widow and meddling matchmaker Dolly Levi (Helen Spencer) has her eye on hooking tight-fisted half-a-millionaire Horace Vendergelder (Alex Schofield), a man short on joy and even shorter on humour.

Ever chirpy Dolly has calling cards for all manner of skills she claims to have, but resourcefulness is her primary asset, along with an ability to confuse all around her in pursuit of her goal. Spencer triumphs, both in song, especially her ballads, and as leading lady with an artful yet appealing air and bags of brio. Vandergelder is a stick in the mud, all the more so for Schofield playing him so straight.

The path to love may not run smoothly, but Hello, Dolly! is giddy with a supporting bill of billing and cooing involving Stuart Sellens’s Cornelius Hackl and Jennie Wogan-Wells’s Irene Molloy, alongside Jamie Benson’s Barnaby Tucker and Jennifer Jones’s Minnie Fay. They make a swell foursome, amusing, smartly attired and characterful in their singing.

“Flouncing around in a feather boa”, Sophie Cooke is a good sport as Ernestina, the butt of Dolly’s meddling with a voice to launch a thousand cough lozenges.  Abigail Atkinson and Jonathan Wells make their mark too as artist Ambrose Kemper and young Ermengarde.

Supporting roles and ensemble players add to the jollification, particularly in the big numbers, whether beneath twirling brollies or on waiter duty in Lorna Newby’s lively choreography.

Tickets are in limited supply for tonight’s show and tomorrow’s matinee with better availability for tomorrow night’s finale. All proceeds go back to the JoRo in support of York’s community theatre and the chance to put on more big musicals with big casts to match.

Review by Charles Hutchinson

Joseph Rowntree Theatre Company’s Hello, Dolly! will be their most ambitious show yet

Helen Spencer: Leading the Joseph Rowntree Theatre Company in the role of Dolly Levi in Hello, Dolly!

THE Joseph Rowntree Theatre Company are putting on their Sunday best from tonight until Saturday in Jerry Herman and Michael Stewart’s Broadway classic Hello, Dolly!.

This 1964 musical adaptation of Thornton Wilder’s 1938 farce The Merchant Of Yonkers will be staged by the JoRo’s in-house fundraising company with glitz, glamour and a troupe of tap-dancing waiters in their most ambitious performance to date.

Noted for such musical theatre favourites as It Only Takes A Moment, Put On Your Sunday Clothes and the title song, Hello, Dolly! follows strong-willed widow and self-proclaimed meddling matchmaker Dolly Levi in her wooing of wealthy but tight-fisted Horace Vandergelder, while she spreads joy and confusion among everyone she encounters in 1885 New York.

Premiering on Broadway on January 16 1964 with Carol Channing in the title role, Stewart and Herman’s show played for 2,844 performances, making it – at the time – the longest-running Broadway musical in history.

The show has been revived several times on the New York stage, most recently in 2017 with Bette Midler in the title role, while Barbra Streisand famously starred in Gene Kelly’s 1969 film version.

Playing Dolly for the Joseph Rowntree Theatre Company (JRTC) will be Helen Spencer, a regular in the company’s shows and on the wider York theatre scene, who works as a psychiatrist in the NHS.

Platform to entertain: Hello, Dolly! principals Jamie Benson’s Barnaby Tucker, left, Helen Spencer’s Dolly Levi and Stuart Sellens’s Cornelius Hackl

Hello, Dolly! will be even more special for her, beyond the lead role, because she will be sharing the stage with her two children in their first theatrical performance.

This will be JRTC’s fifth full-scale production, following on from their flash, bang, walloping hit Kipps: The New Half A Sixpence Musical last February, with a continuing focus on producing high-quality, low-budget productions to maximise profits to give every penny straight back to the JoRo.

Taking the reins this time is Kathryn Lay, who steps off the stage to make her JRTC directing debut, alongside her husband Martin Lay as musical director. Both have been performing with the company since its inception in 2017.

“Hello, Dolly! perfectly showcases the company’s diverse and talented members,” says Kathryn. “There’s a large ensemble, which has allowed us to embrace our inclusive ethos, and the variation in roles really plays to everyone’s strengths. It’s a feel-good musical and the cast and creative team are having a wonderful time bringing it to life.

“The Joseph Rowntree Theatre is such a valuable asset for the York community, helping make theatre accessible for wider audiences. So, as well as being treated to a wonderful evening of entertainment, you’ll also be supporting a great cause and helping to play a part in keeping theatre alive in York.”

Joseph Rowntree Theatre Company, Hello, Dolly!, at Joseph Rowntree Theatre, York, February 8 to 11, 7.30pm plus 2.30pm Saturday matinee.Tickets: £15, under 18s, £13, on 01904 501935 or josephrowntreetheatre.co.uk.

Joseph Rowntree Theatre Company cast members rehearsing the title number in Hello, Dolly!

Joseph Rowntree Theatre Company’s cast for Hello, Dolly!

Dolly Levi: Helen Spencer

Horace Vandergelder: Alex Schofield

Cornelius Hackl: Stuart Sellens

Irene Molloy: Jennie Wogan-Wells

Barnaby Tucker: Jamie Benson

Minnie Fay: Jennifer Jones

Ambrose Kemper: Jonothan Wells

Ermengarde: Abigail Atkinson

Ernestina: Sophie Cooke

Rudolph: Nick Sephton

Mrs Rose/Ensemble: Vanessa Lee

Judge/Manny/Ensemble: Ben Huntley

Clerk/Ensemble: Lois Cross

Louis/Ensemble: Cameron O’Bryne

Harry/Ensemble: Gary Bateson

Hank/Ensemble: Jack James Fry

Ensemble: Michelle Atkinson; Helen Barugh; Victoria Beale; Pamela Bradley; Ashley Ginter; Lorna Newby; Jennifer Payne; Susanne Perkins; Zoe Sellens; Heather Stead and Jane Woolgar

Production team

Director: Kathryn Lay

Musical director: Martin Lay

Assistant director/choreographer: Lorna Newby

Assistant director: Rosy Rowley

Producer: Stuart Sellens

Stuart Sellens’s Cornelius Hackl, left, and Jamie Benson’s Barnaby Tucker