Blackeyed Theatre’s 60th anniversary tour of Joan Littlewood’s anti-war satire Oh What A Lovely War rolls into Yorkshire

Blackeyed Theatre’s 2024 cast for the 60th anniversary tour of Joan Littlewood’s Oh What A Lovely War. Picture: Alex Harvey-Brown

BLACKEYED Theatre’s 60th anniversary revival of Joan Littlewood’s epic anti-war musical Oh What A Lovely War plays Harrogate Theatre from Thursday to Saturday.

A cornerstone of modern musical theatre, this exposé of the folly, farce and tragedy of the First World War was conceived and developed by Joan Littlewood and her Theatre Workshop, in Stratford, East London, in 1963, with a book by Theatre Workshop, Charles Chilton, Gerry Raffles and members of the original cast.

The fusion of timeless songs, such as Pack Up Your Troubles and It’s A Long Way To Tipperary,  piercing humour and high jinks offers a satirical account of the First World War as seen through the eyes of the common soldier.

Wildly satirical, visually striking and deeply moving, the show is a humorous but heartbreaking snapshot of life for those caught in the crossfire of conflict, a unanimous voice from the trenches and a timely warning from the theatre of war itself. Now, more than ever, it holds a mirror up to the world and speaks to us all.

The cast comprises Tom Benjamin (Fire Songs, Frozen Light; Rewind, Ephemeral Ensemble); 2023 Rose Bruford graduate Tom Crabtree; Harry Curley (Once, Barn Theatre; Summer In The City, The Gatehouse; Caligari, Underbelly); Alice E Mayer (Frankenstein, Blackeyed Theatre; The Chronicles Of Wild Hollow, Audible; Y Mabinogi, Welsh tour); Chioma Uma (Brief Encounter, New Wolsey and UK tour; Kiss Me Kate, Watermill Theatre) and Euan Wilson (A Midsummer Night’s Dream, Vienna English Theatre; The Great Gatsby, Immersive London; Stick Man, UK tour).

On tour from last September to May 18, the production is directed by Nicky Allpress, with musical direction by Ellie Verkerk, movement direction by Adam Haigh, orchestration by Tom Neill, set design by Victoria Spearing, costume design Naomi Gibbs and lighting design by Alan Valentine.

“Our concept will explore the idea of war as a circus with an incredibly talented company of actor-musicians,” says Blackeyed Theatre director Nicky Allpress. Picture: Alex Harvey-Brown

“I’m so thrilled to be directing this unique piece of theatrical history, having followed Blackeyed Theatre and their extraordinary work for many years,” says Allpress. “One of the most exciting things about Oh What a Lovely War is how universal, timeless and ever relevant it is, and testament to the brilliance of the work is how it can bear endless reinterpretation.

“Our concept will explore the idea of war as a circus, with an incredibly talented company of actor-musicians bringing Joan Littlewood’s ground-breaking classic to life with music, comedy, and stories.”

BlackeyedTheatre artistic director Adrian McDougall adds: “I’m so proud of the entire team who have put together this incredible show. The experience this group of artists creates for our audiences night after night is nothing short of astonishing, and the response to the production bears that out.

“It’s also worth mentioning that our entire 2024 cast graduated from the same college, Rose Bruford, which is a real testament to the quality of its training! 2024 marks our 20th birthday, and I’m very proud not only that we continue to create shows of the quality of Oh What A Lovely War but that we do so sustainably with little or no funding and against an increasingly challenging theatrical landscape. I like to think Joan Littlewood would approve.”

Blackeyed Theatre in Oh What A Lovely War, Harrogate Theatre, February 22 to 24, 7.30pm plus 2pm Saturday matinee. Box office: 01423 502116 or

Further Yorkshire dates: Stephen Joseph Theatre, Scarborough, March 6 to 9 March, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees, 01723 370541 or; Hull Truck Theatre, March 19 to 23, 7.30pm plus 2pm Wednesday and Saturday matinees, 01482 323638 or; Leeds Playhouse, March 26 and 27, 7.45pm, 0113 213 7700 or; Theatre Royal, Wakefield, April 30 and May 1, 7.30pm, 01924 211311 or

What her grandad did in the Great War, now singer Marlena Kellie is re-creating in Pick Me Up Theatre’s Oh! What A Lovely War

Marlena Kellie, left, going through her Oh! What A Lovely War solo with Pick Me Up Theatre musical director Natalie Walker

ART is imitating life for singer Marlena Kellie, who has joined Pick Me Up Theatre’s 60th anniversary production of Oh! What A Lovely War.

From March 31 to April 8, at Theatre@41, Monkgate, York, she will play her part in re-creating the shows her grandfather would have performed in during the First World War, singing the lead on Now You’ve Got Yer Khaki On.

Devised and presented by Joan Littlewood’s Theatre Workshop at the Theatre Royal, Stratford East in 1963 before being turned into a film by Richard Attenborough in 1969, Oh! What A Lovely War is a satirical chronicle of the Great War, told through songs and documents in the form of a seaside Pierrot entertainment.

This photograph of a First World War entertainment troupe shows Marlena Kellie’s grandfather, Richard Palmer, centre, with his first wife, Marion Williams, next to him in the nurse’s uniform

While rehearsing, Leeds jazz singer and actress Marlena realised the costumes and songs from Robert Readman’s production were reminiscent of her own family’s acting career.

“My grandfather, his first wife and my grandmother were all in entertainment troupes during the First World War,” she says. “I found some wonderful old photos of them all – and they are the real-life versions of what we’re doing on stage.”

Marlena’s Romany grandfather, Richard Palmer, had an act he would perform at travelling fairs and later in the music hall, and he was part of Fred Karno’s circus too.

This troupe of Pierrots – dressed exactly as the original cast of Oh! What A Lovely War would have been – features Marlena’s grandfather, Richard Palmer, and her grandmother, Greta Palmer

Marlena’s parents, Eddie Palmer and Shirley Kellie, travelled the country with their own club act, settling down when Marlena was three years old.

Carrying on the Romany tradition, Marlena can sometimes be found telling fortunes but concentrates on club singing and acting. She was one of the trifle-bearing women seen charging joyfully along in last winter’s Argos Christmas advert!

“I used to be embarrassed by my ‘otherness’ in school, but now I embrace it,” she says. “I live with two fabulous drag queens and a lovely little dog called Whoopie.

Marlena Kellie’s parents, Eddie Palmer and Shirley Kellie, who toured their cabaret act for many years

“I can’t quite believe how life has led me to Oh! What A Lovely War but it feels like it was meant to be.  My parents are sadly no longer with me, but I very much feel I am carrying on the family tradition.”

Meanwhile, York actor Ian Giles, who will play the Master of Ceremonies in Pick Me Up’s production, has found an image of his paternal grandfather, Sergeant William Giles, from Christmas Day 1915.

It shows his grandfather with men of the Duke of Cornwall’s Light Infantry at Fleurbaix, near Béthune, northern France. “He is the sergeant standing upright pretty well at the
centre of the photograph,” says Ian.

“I can’t quite believe how life has led me to Oh! What A Lovely War but it feels like it was meant to be,” says singer and actress Marlena Kellie

” It was found in my nan’s purse when she died in the mid-1970s. She had carried it with her everywhere. Gramp survived the war and lived well into his eighties.”

In a moving scene in the play, British and German soldiers sing carols and have a drink together over the barbed wire of No Man’s Land.

Ian, by the way, directed Oh! What A Lovely War in September 1972 in Newcastle at what is now the home of Northern Stage. “The late Freddie Jones, who was rehearsing Peer Gynt at the time, used to sneak in every night to watch my ending, which he found profoundly moving,” he recalls.

Pick Me Up Theatre in Oh! What A Lovely War, Theatre@41, Monkgate, York, March 31 to April 8, 7.30pm, except April 2 and 3; 2.30pm, April 1, 2 and 8. Box office:

York actor Ian Giles’s paternal grandfather, Sergeant William Giles, with men of the Duke of Cornwall’s Light Infantry on Christmas Day 1915 at Fleurbaix, near Béthune

Did you know?

MARLENA Kellie played Mary Magdalene in Jesus Christ Superstar in her debut for York Musical Theatre Company at the Joseph Rowntree Theatre, York, in November 2019.

Here’s Jonny Holbek, adding directing and sketch comedy to his theatrical portfolio

Jonny Holbek: Actor, director, sketch comedy performer

YORK actor Jonny Holbek is stepping out of the ranks to co-direct Pick Me Up Theatre’s 60th anniversary production of Oh! What A Lovely War.

Last seen on stage as the emotionally damaged Tobias Ragg in York Light Opera Company’s Sweeney Todd: The Demon Barber Of Fleet Street at York Theatre Royal in February and early March, he is working alongside artistic director Robert Readman at Theatre@41, Monkgate.

“I’ve not done much directing before,” he says. “I directed a concert/show for York Light, A Night With The Light, at Friargate Theatre in June last year and also did some assistant directing for Nik Briggs for York Stage Musicals’ The Flint Street Nativity in 2019.

“This time it’s in between assistant directing and directing. It’s co-directing, which is the toughest form of directing in terms of presenting a coherent production.”

How has the partnership worked out with Robert? “I missed some of the early rehearsals because of doing Sweeney Todd, with Robert doing a lot of the early blocking. Then we worked on scenes in separate rooms, and for the last two weeks it’s been entirely me, while Robert has been busy building the set.”

The collaboration emerged through Jonny expressing an interest in co-directing. “Robert suggested working on Oh! What A Lovely War, a piece that I didn’t know, but I know very well now,” he says.

“I’m really glad I said yes. What a great show it is. I’m so pleased to get to know its full cycle, its humour and its darkness.”

Devised and premiered by Joan Littlewood’s Theatre Workshop at the Theatre Royal, Stratford East, London in 1963 before being turned into a film by Richard Attenborough in 1969, this satirical chronicle of the Great War is told through music-hall songs, hymns with rewritten verses and vignettes in the form of a seaside Pierrot entertainment, accompanied by statistics of the growing body count on the war front.

Jonny Holbek, fourth from right, leading the singing in God, That’s Good! in York Light Opera Company’s Sweeney Todd: The Demon Barber Of Fleet Street at York Theatre Royal

“The first thing to say is that so many people died absolutely needlessly, and this show gives us the chance to explore that situation and find the absurd comedy in it, or in this case the careful juxtaposition of comedy and the horror of war,” says Jonny.

“One minute, the audience will be laughing at something; the next, they will be bulldozed by a harrowing image, a shocking fact – and when you make them feel an emotion, they feel it even more.

“The songs have a powerful impact too. A lot of the audience will know most of them, certainly the music-hall ones that provide the sense of pride and excitement the soldiers would have been feeling at first. That gives the show its energy, and then the other side of warfare comes through: the wistful songs that become gut-wrenchingly haunting.”

Contrasting directing with acting, Jonny says: “Firstly, they’re obviously very different disciplines, although they do overlap. In terms of performance, in both roles, you look for the comedy, the drama, and the nuances in the piece.

“Directing, I find it more rewarding helping others to find and highlight the various levels of light and dark to keep the audience interested; whether a scene needs to be reined in or played bolder.

“You also have that tricky balancing act of trying to encourage the best performances, without causing stress or knocking morale.”

Jonny’s daytimes find him working for the Rural Payments Agency, part of DEFRA. By night, he is a regular on the York stage, adding another string to his bow with The Dead Ducks, the sketch comedy troupe he has joined, made up mostly of University of York post-grads, such as Tommy Harris and Eloise Ward.

“We do little shows every few weeks,” he says. “The last one was in a big lecture room at the university, and we’ve also played The Den at Micklegate Social. This summer we’ll be playing the Edinburgh Fringe at one of ‘theSpace’ venues. No show title yet.”

Summing up his love of performing (and directing too), Jonny says: “It’s the camaraderie you build, putting together something in such a tight time frame. I haven’t found anything like it outside the arts. That buzz.”