Joseph And The Amazing Technicolor Dreamcoat Archives

March 29, 2025April 4, 2025

Vivienne Carlyle delights in return to Grand Opera House as Blood Brothers makes record tenth York visit from Tuesday

Vivienne Carlyle’s Mrs Johnstone in Willy Russell’s Blood Brothers, on tour at Grand Opera House, York, from next Tuesday

THE Grand Opera House in York holds special memories for Scottish actress Vivienne Carlyle ahead of her appearance there as Mrs Johnstone in Willy Russell’s Blood Brothers.

“I’m so delighted to be going back to York as I made my debut there as the Narrator in Joseph And The Amazing Technicolor Dreamcoat in 1999 with Richard Swerrun – who’s sadly since passed away – as Joseph,” she recalls,

“I remember messing up the brothers’ names, saying ‘Zebedee’ instead of ‘Zebulun’, and do you know why? It’s because one of the ‘brothers’ said to me just before going on, ‘make sure you don’t say ‘Zebedee’…and of course I then said it! Oh, the humiliation!”

Vivienne went on to play adoptive mother Mrs Lyons, the rich, barren businessman’s wife up the hill for whom Mrs Johnstone cleans, in Blood Brothers on tour at the York theatre in 2008 and now takes top billing as Russell’s emotionally turbulent musical makes its tenth visit – yes, tenth – from April 1 .

“I’m originally from Glasgow, so I grew up at the King’s Theatre, where you couldn’t keep me off the stage from being a wee tot. I remember going to see Blood Brothers when I was eight years old with my mum and dad, sitting there, riveted, in silence,” says Vivienne, who “had the lovely honour of going back there in October to play Mrs Johnstone”.

Blood Brothers carries a minimum age recommendation of 12, but Vivienne was mesmerised by the musical all of four years younger. “Because you have adults playing kids in it, that captures your imagination,” she says.

Vivienne Carlyle’s Mrs Johnstone and Seán Keany’s Narrator in Blood Brothers. Picture: Jack Merriman

Vivienne saw the show a couple more times before joining the London cast in 2006, playing Mrs Lyons at the Phoenix and understudying Mrs Johnstone too. “Every so often, I would play Mrs Johnstone on tour,” she says.

“One time, when Linda Nolan’s husband Brian had passed away, I was in Joseph at the time and they asked me if I could do a Saturday matinee of Blood Brothers, in Linda’s place, in Dunstable and then put me in a taxi back to High Wycombe for the evening performance as the Narrator in Joseph, which I played in the West End as well.”

Blood Brothers, a musical as powerful in impact as a Greek tragedy or an opera, tells the heartrending tale of twins separated at birth, who grow up on the opposite sides of the tracks in Liverpool, only to meet again with tragic consequences.

At its heart is Mrs Johnstone, a young mother deserted by her wastrel husband. Left to her own devices to provide for seven hungry children, she takes a job as a housekeeper to make ends meet, but discovers she is pregnant yet again, this time with twins. In a moment of weakness and desperation, she enters a secret pact with her employer, Mrs Lyons, with shattering consequences.

Note Mrs J is described as a ‘young mother’, and yet she has been played by actresses of myriad ages, Lyn Paul, for example, still playing her into her 70s. “The script direction says Mrs J ‘is 30 but looks 50,” says Vivienne, who gives her own age as “in the 40 to 50 bracket”. “It works, whatever age, because she starts the story at the end, in the boys’ adult years.

“I started playing her in my 30s, considered very young for the role, and after playing her for nine months just before it closed in the West End in 2012, I’m now coming back to it from a 12-year gap, after all the curve balls that life throws at you.”

“It always has to be as raw and authentic as possible to make it believable,” says Vivienne Carlyle. “You feel those emotions every time you do it, and that’s a testimony to Willy Russell’s writing.” Picture: Jack Merriman

Vivienne believes she benefited from playing Mrs Lyons first. “Very much so. Even from the perspective of working with all the other great Mrs Johnstones, seeing their creative processes,” she says.

“It gives you the perspective of both these women, both trying to do the best they can in their different ways. I’ve had so many mothers come up to me to say that when Mrs Johnstone gives her child Mickey away to Mrs Lyons, they can feel their heart turn.”

Blood Brothers remains as potent as ever, as much a fixture on the GCSE English Literature syllabus as on the theatre calendar. “We have a really wonderful director in Bob Tomson, who instills in us that it always has to be as raw and authentic as possible to make it believable. You feel those emotions every time you do it, or every time you see it, and that’s a testimony to Willy’s writing.

“The songs are iconic too, Tell Me It’s Not , Easy Terms, and it amazes me still when young people come to the stage door to tell me how much they love the show, buying into the 1950s to 1990s story; the culture and the politics; whether it’s fate or not fate. But no matter what age you are, you will connect with it.”

On tour since January, Vivienne is into the final three weeks of the spring itinerary. “We don’t yet know the casting for the rest of the year but of course I’d like to continue in it,” she concludes.

By her side is Blood Brothers mainstay Sean Jones, still playing Mrs Johnstone’s son Mickey from the age of seven, despite the 2022 itinerary being billed as his farewell tour after more than two decades, with all the accompanying interviews that went with that announcement.

Vivienne Carlyle’s Mrs Johnstone with Sean Jones’s Mickey, the “gift of a role” he continues to play at 54. Picture: Jack Merriman

“Sean is a remarkable actor,” says Vivienne. “When he said he was stopping, he meant it, but when you’re asked to come back ‘for a little while’, it can end up that you stay in!

“We first worked together when I did the tour as Mrs Lyons, so we’re old pals. He thinks of Mickey as a gift of a role, and so is Mrs J, who’s an extraordinary woman. Thing after thing happens to her: her husband leaves her; she finds she’s pregnant, with seven children already, but she never remains defeated.

“She always and tries to be strong and that’s what people do throughout the world, doing the best they can. That’s what people connect with in this play: everyday people with everyday problems.”

Playing Mrs Johnstone is emotionally and physically draining. “My duty is to keep fit,” says Vivienne. “I don’t drink when I’m working; I rest my voice: I eat well; I exercise; I do the bare minimum each day till I go on stage. It’s not a hardship. I love doing it; it’s what I do to bring Mrs J to the heights I want to.

“There’s a lot of stamina needed, but muscle memory kicks and it gets easier, the more you play it.”

Bill Kenwright Ltd presents Blood Brothers, Grand Opera House, York, April 1 to 5, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees. Box office: atgtickets.com/York. Age recommendation: 12 plus.

Vivienne Carlyle: the back story

Vivienne Carlyle: First appeared at Grand Opera House, York, in 1999 as the Narrator in Joseph And The Amazing Technicolor Dreamcoat

SCOTTISH Scottish actor, singer and voiceover artist, who works in the UK and internationally.

Theatre credits include: Mrs Lyons and Mrs Johnstone in Blood Brothers (Phoenix Theatre, London and UK Tour); Songbird in Cirque du Soleil’s Saltimbanco (South American tour); Narrator in Joseph And The Amazing Technicolor Dreamcoat (West End debut at New London Theatre and on tour); The Drowsy Chaperone (Novello Theatre, Original London Cast); Grizabella in Cats (Royal Caribbean); Usha in Lightseeker (Resort World Theatre, Singapore); Mrs Walker in The Who’s Tommy (UK tour); Queen Cackle in Geronimo Stilton Live On Stage (Singapore, Hong Kong); Mother Gothel in Tangled The Musical and Lady Tremaine in Twice Charmed (Broadway guest artist, Disney Cruise Line); Songs For
Everafter, one-woman show of Disney classics (also co-writer, Disney
Cruise Line).

TV credits include: Country singer Mindy McCready in Autopsy: The Last Hours Of Mindy
McCready (ITV); Narrator in Joseph And The Amazing Technicolor Dreamcoat for Blue Peter (BBC).

Recording credits include: ALBA, 1719, Sands Of Time and Showtime for
Scottish Opera, Shehallion and Lightseeker (Original Cast Recording).

Performed backing vocals for Barry Manilow, Michael Bolton and Dina Carroll.

April 16, 2024April 16, 2024

REVIEW: York Stage in Joseph And The Amazing Technicolor Dreamcoat, Grand Opera House, York, until Saturday ****

*Gold top performance: Reuben Khan’s Joseph in York Stage’s Joseph And The Amazing Technicolor Dreamcoat. All pictures: Charlie Kirkpatrick*

AFTER Lee Mead, Keith Jack, Joe McElderry and Union J’s Jaymi Hensley, Joseph’s coat of many colours fits Reuben Khan delightfully lightly at the Grand Opera House.

The University of York psychology student, from Burnley, has plenty on his mind: third-year studies; his debut York Stage title role and applications to London drama schools to do a Masters degree in musical theatre.

On the evidence of his assured performance at 23, especially vocally, his future looks as bright as the Technicolor Dreamcoat that had him “saying the colours of Jospeh’s coat before I could spell them” on car journeys with his mum.

Director, producer and designer Nik Briggs returns to Lloyd Webber and Rice’s early musical for the first time since his “Joseph as you’ve never seen it before” show at the Joseph Rowntree Theatre in November 2018 with its cast of 50 and Joseph in pyjamas.

*Performing on crutches: Finn East’s Simeon singing with the Brothers*

The Grand Opera House offers the opportunity to deliver a production on a bigger scale, not in cast size, but in lighting, staging and visual impact, aided by the fabulous parade of costume designs from Charades Theatrical Costume, St Helens.

The stage is built from scratch, as first the Narrator, Hannah Shaw, then Joseph and children from York Stage School (divided into Team Canaan and Team Egypt) oversee the creation of the world of Canaan, home to Jacob and his 11 sons (some of them daughters in Briggs’s company).

It looks so inviting, you want to book a holiday there. All it needs now to complete the scene is a camel. Oh, and here comes a camel on wheels, pretty much life-size!

From the off, this sung-through pop musical moves at a lick: typified by Finn East’s Simeon defying his injured knee to speed around on crutches, popping up everywhere and taking on a second role too as the Snake.

Hannah Shaw, who studied music at York St John University, sets the tone and style in glittering dress and shiny boots, engaging with the children like a teacher, driving the show forward and singing with oomph, both in her high notes and a lower register.

*Storyteller in song: Hannah Shaw’s Narrator*

Reuben Khan’s Joseph sings like a dream, whatever a song demands, whether tenderness, drama, power, or emotion further heightened by standing atop a ladder on a stage suddenly full of them in one of Briggs’s most striking designs.

Khan’s characterisation of Joseph has to be expressed largely through Rice’s narrative lyrics, and he does so particularly strongly in the dark ballad Close Every Door, while Any Dream Will Do is as irresistible as ever.

Lesley Hill’s choreography is as playful, fun and camp as this glitterball of a musical demands, at its best in the glorious ensemble number Joseph’s Coat, where Adam Moore’s lighting design matches every change of colour in the lyric.

Briggs’s company revels in playing old favourites with a knowing campness that has only increased with the passing of the years, especially in Jacob (Martin Rowley) and the brothers’ cod rendition of the sad chanson Those Canaan Days, exaggerated French accents et al.

*The York Stage company in Joseph And The Amazing Technicolor Dreamcoat*

Benjamin’s Calypso is even dafter, full of Caribbean joy as Cyanne Unamba-Oparah’s Judah has the brothers walking on sunshine.

Pop hit after pop hit hits home in all manner of musical styles, from Alex Hogg leading the brothers in the One More Angel In Heaven hoedown to Matthew Clarke’s vainglorious Potiphar luxuriating in the richness of his self-titled song.

In the absence of Carly Morton with shingles (get well soon, Carly), Amy Barrett takes on the rock’n’roll role of Pharaoh, traditionally played in sequinned-Elvis-in-Las-Vegas style. Not so much Elvis as Elvira here, but her Song Of The King is still a peach (one of the 29 colours in Joseph’s coat, by the way).

Adam Tomlinson’s 15-piece orchestra is on top form throughout, savouring the multitude of song styles and pumping up the beat for the Joseph Megamix finale as the party vibe suffuses the cast and cheering audience alike.

York Stage in Joseph And The Amazing Technicolor Dreamcoat, Grand Opera House, York, 7.30pm tonight, Wednesday and Thursday; 5pm and 8pm, Friday; 2.30pm and 7.30pm, Saturday. Box office: atgtickets.com/york

April 11, 2024April 16, 2024

Eat mindfully, go to the gym, rehearse, psychology student Reuben is ready for York Stage’s Joseph at Grand Opera House

*Lighting up the lead role: Reuben Khan as Joseph in York Stage’s Joseph And The Amazing Technicolor Dreamcoat*

REUBEN Khan will play the lead role for York Stage for the first time in Joseph And The Amazing Technicolor Dreamcoat from tomorrow (12/4/2024).

Not that the third-year University of York psychology student is a stranger to stepping into the spotlight in a Nik Briggs production at the Grand Opera House, York.

“I had more than a week’s notice this time, that’s the main difference,” says Reuben, 23, seated with his Technicolor attire behind him in Dressing Room No 1 ahead of Tuesday’s rehearsal.

“For Beautiful [the Carole King musical], Nik called me a week before the show opened to say, ‘look, you wouldn’t happen to be free, to play Gerry Goffin in the early performances, would you?’.”

Frankie Bounds had been rehearsing the role of King’s co-songwriter, husband and ‘serial womaniser’ for his last performance in York before starting studies at Mountview Academy of Theatre Arts.

“He’d checked with Mountview early on that it would be OK, but then suddenly Frankie was told he’d have to go down to the theatre school in the first week, and that’s why I stepped in. That was an interesting experience,” recalls Reuben.

“I didn’t know much about the show, I hadn’t seen it before. So I had to learn a few songs and learn the lines as quickly as possible, and l loved doing it. Obviously the music is phenomenal, the story moves at a pace and it’s just a great show – and it was nice to have the chance to watch Frankie when he came back during the second week.”

Reuben, from Burnley, has past experience of appearing in Andrew Lloyd Webber and Tim Rice’s Joseph. “I did the show twice when I was 12, once at my school, Unity School, and then with Basics Junior Theatre School. Both times I played Judah [one of Jacob’s sons], and there was a crossover between the two productions. I finished one and, not long after, I did the other.”

He is delighted to be taking on the title role, performing alongside Hannah Shaw’s Narrator and Amy Barrett’s Pharaoh, among others.

“It’s one of those shows where the vast majority of people have come into contact with it, whether it’s at school or, in my case, my mother having the songs on in the car,” says Reuben. Then there’s the film, and there’s always a tour going on or a local production – or people may know the Bible story of Joseph.

*Reuben Khan performing in York Stage’s Joseph And The Amazing Technicolor Dreamcoat. Picture: Charlie Kirkpatrick*

“I knew the vast majority of songs already, so I feel like I’ve barely touched the book because the songs were ingrained in me!”

Following in the sandal steps of the likes of Jason Donovan, Phillip Schofield, Donny Osmond, Lee Mead and Joe McElderry holds no fears for Reuben. “Honestly, it’s great fun. It’s a funny role to some extent, as you can kind of understand some of the qualms that his brothers have about him! Joseph is flawed, and you think, if I was one of his brothers, I’d be having problems with him,” he says.

“But at the same time, he represents the everyman. Yes he’s flawed but he tries his best, people around him either like him or they don’t, and there’s something nice about playing a character who the audience is rooting for. It’s good fun.”

Reuben has enjoyed responding to the direction of Nik Briggs. “He has this overarching vision that he puts across incredibly well, to get the best out of us by directing in a very fluid, creatively free way, which is massively important, without micro-directing us,” he says. “He also has this ability to stay level-headed, which is such a skill, something that I’ve not seen in a lot of people in his position.”

Reuben’s preparations have stretched beyond rehearsals to ensuring he will be in peak fitness for a role that involves “wearing not a lot of clothes” (except when he is in his “day to day” coat or the Technicolor dreamcoat of the title).

“It’s all part of the tongue-in-cheek side of the show that Joseph is this half-dressed man! When I knew I would be doing the role, initially it was at the back of my mind, but in the past two months it’s been very much to the front – and at the same time, I’m trying to focus on the third year of my university studies too!

“I’ve never spent so much time keeping an eye on what I’m eating, going to the gym most days of the week for six weeks, to be in the best shape – just in time for the summer!”

On top of his Joseph rehearsals and university studies, Reuben is in the middle of auditioning for drama schools. “I’m studying psychology, but I want to go into musical theatre, and the second I say I’m studying psychology, they say, ‘oh, that’s really interesting’!” he says of his auditions at Associated Studios and the Royal Academy of Music in London to do a Masters degree in musical theatre.

“I guess it’s because psychology is all about understanding people, and that’s the same with acting, understanding a character.”

Now, after such roles as Rapunzel’s Prince in Into The Woods and Bobby in Company for the university’s Central Hall Musical Society, Reuben is ready to go, go, go, Joseph from tomorrow.

York Stage in Joseph And The Amazing Technicolor Dreamcoat, Grand Opera House, York, April 12 to 20, 7.30pm except April 14, 15 and 19; 2.30pm, April 13 and 20; 4pm, April 14; 5pm and 8pm, April 19. Box office: atgtickets.com/york.

April 10, 2024April 10, 2024

Putting you in the picture for More Things To Do in Ryedale, York and beyond. Here’s Hutch’s List No. 10, from Gazette & Herald

*Michael Hasan Reda: Impressionist oil painter of landscapes, cityscapes and gardens, making his York Open Studios debut at his studio in Prices Lane, York*

ART out of this world, comedy in the news, a poetic war of words, an orchestra of two, a very colourful musical and a courtroom thriller have Charles Hutchinson reaching for the front door key.

Art event of the fortnight: York Open Studios, April 13 and 14, April 20 and 21, 10am to 5pm; preview, Friday, 6pm to 9pm

156 artists who live or work within a ten-mile radius of York will be welcoming visitors to 106 workspaces to show and sell their art, ranging from ceramics, collage, digital, illustration, jewellery and mixed media to painting, print, photography, sculpture, textiles, glass and wood. Among them will be 31 new participants. Full details and a map can be found at yorkopenstudios.co.uk. Look out for booklets around the city too.

*News alert: The Drop The Dead Donkey newsroom team reunites for Andy Hamilton and Guy Jenkin’s new play at Leeds Grand Theatre*

Breaking News of the week: Drop The Dead Donkey: The Reawakening!, Leeds Grand Theatre, until April 13

THIRTY years since the launch of the trailblazing television series Drop The Dead Donkey, the Globelink News team is back, live on stage for the first time. Original cast members Stephen Tompkinson, Neil Pearson, Susannah Doyle, Robert Duncan, Ingrid Lacey, Jeff Rawle and Victoria Wicks reunite for a new, constantly updated script by sitcom writing duo Andy Hamilton and Guy Jenkin, under Lindsay Posner’s direction.

“It’s going to be hugely enjoyable to watch those seven funny, flawed characters from Globelink News being plunged into the cutthroat world of modern 24-hour news-gathering and trying to navigate their way through the daily chaos of social media, fake news and interim Prime Ministers,” say the writers. Box office: 0113 243 0808 or leedsheritagetheatres.com.

*Reuben Khan: Playing the lead role in York Stage’s Joseph And The Amazing Technicolor Dreamcoat*

Musical of the week: York Stage in Joseph And The Amazing Technicolor Dreamcoat, Grand Opera House, York, April 12 to 20, 7.30pm except April 14, 15 and 19; 2.30pm, April 13 and 20; 4pm, April 14; 5pm and 8pm, April 19

BE ready to paint the city in every colour of the rainbow as Andrew Lloyd Webber and Tim Rice’s musical dazzles the Grand Opera House in York Stage’s vibrant production, directed by Nik Briggs, with musical direction by Adam Tomlinson and choreography by Lesley Hill.

Reuben Khan leads the cast as Joseph, joined by Hannah Shaw as the Narrator, Carly Morton as Pharaoh, Martin Rowley as Jacob, Finn East as Simeon, Matthew Clarke as Potiphar, among others. Tickets are selling fast at atgtickets.com/york.

*Shareefa Energy!: Guest performance poet at Friday’s Say Owt Slam clash at The Crescent, York*

Spoken word clash of the week: Say Owt Slam, featuring Shareefa Energy!, The Crescent, York, Friday, 7.45pm

SAY Owt, “York’s loveable gobby gang of performance poets”, take over The Crescent for a raucous, high-energy night of verse that combine a slam war of words with a guest performer. “In a slam, poets have three minutes to wow the audience,” says host Henry Raby. “It’s fast, frantic and fun: perfect for people who love poetry, and those who think they hate poetry too.”

Special guest Shareefa Energy! is a poet, writer, activist, educator, creative campaigner, workshop facilitator and arts and wellbeing practitioner of Indian and Muslim heritage from working-class Highfields in Leicester. Box office: thecrescentyork.com or on the door.

*East Riding Artists: Exhibiting at Nunnington Hall in From The Earth’s celebration of the natural world*

Ryedale exhibition of the week: From The Earth, East Riding Artists, at Nunnington Hall, Nunnington, near Helmsley, until May 12, 10.30am to 5pm

THE climate crisis is high on the worldwide agenda; evidence of nature’s fragility can be found everywhere we turn, and few would question that our Earth is changing dramatically, in some cases irrevocably. Nature, however, is a force to be reckoned with, prompting 32 painters, potters and creatives from East Riding Artists to celebrate everything our natural world has to offer.

From the power of the North Sea and the beauty of Yorkshire’s countryside and coastline to the food we grow and the flowers we cultivate, From The Earth cherishes the best of our ever-changing world. Normal admission applies; National Trust members, free.

*The Blackheart Orchestra’s Chrissy Mostyn and Rick Pilkington: Thirteen instruments divided between two musicians at Helmsley Arts Centre*

Prog rock for the space age: The Blackheart Orchestra, Helmsley Arts Centre, April 19, doors, 7.30pm

CHRISSY Mostyn and Rick Pilkington’s two-piece “orchestra” play 13 instruments between them from their prog-rock space station on stage, from acoustic and electric guitars, bass and bowed guitar to piano, organ, vintage synthesisers, omnichord, melodica and electric percussion.

Drawing on influences as varied as Kate Bush, Portishead, Cocteau Twins, Steve Reich and Philip Glass, they combine folk and rock roots with electronica and classical music. Foxpalmer, alias London singer-songwriter Fern McNulty, supports, from 8pm. Box office: 01439 771700 or helmsleyarts.co.uk.

*Patrick Draper, Tony Jameson and Alfie Joey: April 19’s comedy line-up at the Milton Rooms, Malton*

Hilarity Bites Comedy Club: Alfie Joey, Patrick Draper and Tony Jameson, Milton Rooms, Malton, April 19, 8pm

ALFIE Joey is a polymath: artist, radio presenter, podcaster, comedian, communication coach, Ted X speaker, impressionist, interviewer, charity auctioneer, motivator, children’s author, master of ceremonies, pantomime player, sitcom actor, Britain’s Got Talent participant and illustrator for York writer Ian Donaghy’s book Never Stop Drawing.

Comedy will be his focus in Malton, where he will be joined by Patrick Draper, purveyor of deadpan jokes, visual gags and songs, and host Tony Jameson. Box office: 01653 696240 or themiltonrooms.com.

*Jury service: Christopher Haydon’s cast for the courtroom thriller Twelve Angry Men, on tour at Grand Opera House, York*

Show announcement of the week: Twelve Angry Men, Grand Opera House, York, May 13 to 18, 7.30pm plus 2.30pm Wednesday and Saturday matinees

CHRISTOPHER Haydon’s touring production of Reginald Rose’s Twelve Angry Men for Bill Kenwright Ltd returns to York on the American courtroom thriller’s 70th anniversary tour, having last played the Grand Opera House in April 2015.

Tristan Gemmill, Michael Greco, Jason Merrells, Gray O’Brien and Gary Webster feature in the cast for this study of human nature and the art of persuasion set in the jury deliberating room, where 12 men hold the fate of a young delinquent, accused of killing his father, in their hands. What looks an open-and-shut case soon becomes a dilemma as the jurors are forced to examine their own self-image, personalities, experiences and prejudices. Box office: atgtickets.com/york.

April 6, 2024April 24, 2024

Bottom’s up for love & looning in More Things To Do in York & beyond. Here’s Hutch’s List No. 15, from The Press

*The eyes have it: Love-struck Natalie Windsor’s Titania and Tweedy the clown’s Bottom in A Midsummer Night’s Dream, on tour at York Theatre Royal*. *Picture: Andrew Huggins/Thousand Word Media*

GOTHIC Austen, a clowning Bottom, a dose of the blues, a Technicolor dreamcoat, open studios and a reactivated newsroom satire feature in Charles Hutchinson’s recommendations for a busy diary.

York play of the week: Cheltenham Everyman Theatre in A Midsummer Night’s Dream, York Theatre Royal, April 9 to 13, 7pm plus 2pm Thursday and 2.30pm Saturday matinees

EVERYMAN Theatre Company’s staging of Shakespeare’s A Midsummer Night’s Dream puts a new twist on the familiar tale by casting comedy clown Tweedy as Bottom and making him “comedy advisor” on Paul Milton’s production to boot.

The night’s magic, mischief, and mayhem unfold in an enchanted Athenean forest, intertwining the romantic misadventures of four young lovers, the playful meddling of mischievous fairies and the comedic antics of amateur actors, culminating in a tale of love, mistaken identity and reconciliation engineered by Jeremy Stockwell’s meddlesome Puck. Box office: 01904 623568 or yorktheatreroyal.co.uk.

*Tom Killner: Soul-drenched Southern rock and Americana at York Blues Festival*

Festival of the week: York Blues Festival, The Crescent, York, today, 1pm to 11pm; doors, 12.30pm

NAME of the week? Step forward The 20ft Squid Blues Band, participants in this weekend’s York Blues Festival, curated by Paul Winn and Ben Darwin, hosts of Jorvik Radio’s Blues From The Ouse show and the Ryedale Blues Club.

Performing too will be Dirty Ruby, Bison Hip, The James Oliver Band, Hot Foot Hall, York band DC Blues, The Milk Men and Tom Killner. Tickets update: Sold out; for returns only, yorkbluesfest.co.uk.

*Ceramicist Patricia Qua, who will make her York Open Studios debut in Hemplands Drive, York*

Preview of the week: York Open Studios, Hospitium, York Museum Gardens, York, today and tomorrow, 10am to 4pm

YORK Open Studios 2024 hosts a taster exhibition this weekend at the Hospitium, ahead of the full event on April 13, 14, 20 and 21. More than 150 artists who live or work within a ten-mile radius of the city will be welcoming visitors to 100 workspaces to show and sell their art, ranging from ceramics, collage, digital, illustration, jewellery and mixed media to painting, print, photography, sculpture, textiles and wood. Among them will be 29 new participants. Full details can be found at yorkopenstudios.co.uk.

*Back in the news: The original cast reassembles for Drop The Dead Donkey: The Reawakening! at Leeds Grand Theatre*

Breaking News of the week: Drop The Dead Donkey: The Reawakening!, Leeds Grand Theatre, April 9 to 13, 7.30pm plus 2.30pm Wednesday and Saturday matinees

THIRTY years since the launch of the trailblazing television series Drop The Dead Donkey, the Globelink News team is back, live on stage for the first time. Original cast members Stephen Tompkinson, Neil Pearson, Susannah Doyle, Robert Duncan, Ingrid Lacey, Jeff Rawle and Victoria Wicks reunite for a new script by sitcom writing duo Andy Hamilton and Guy Jenkin.

“It’s going to be hugely enjoyable to watch those seven funny, flawed characters from Globelink News being plunged into the cutthroat world of modern 24-hour news-gathering and trying to navigate their way through the daily chaos of social media, fake news, and interim Prime Ministers,” say the writers. Box office: 0113 243 0808 or leedsheritagetheatres.com.

*Go, go, Joseph: Lead actor Reuben Khan in York Stage’s poster for Joseph And The Technicolor Dreamcoat at the Grand Opera House, York*

Reuben Khan leads the cast as Joseph, joined by Hannah Shaw as the Narrator, Carly Morton as Pharaoh, Martin Rowley as Jacob, Finn East as Simeon and Matthew Clarke as Potiphar, among others. Tickets are selling fast at atgtickets.com/york.

*Shareefa Energy!: Guest performance poet at April 12’s Say Owt Slam at The Crescent*

Spoken word clash of the week: Say Owt Slam, featuring Shareefa Energy!, The Crescent, York, April 12, 7.45pm

SAY Owt, “York’s loveable gobby gang of performance poets”, take over The Crescent twice a year for raucous, high-energy nights of verse that combine a slam war of words with a guest performer.

“In a slam, poets have three minutes to wow the audience to become the champion,” says host Henry Raby. “It’s fast, frantic and fun: perfect for people who love poetry, and those who think they hate poetry too.”

*Robert Gammon: Performing with Maria Marshall and Alison Gammon at St Chad’s Church*

Dementia Friendly Tea Concert: Maria Marshall, Robert Gammon and Alison Gammon, St Chad’s Church, Campleshon Road, York, April 18, 2.30pm

CELLIST Maria Marshall opens this Dementia Friendly Tea Concert with Faure’s Elegy, accompanied by pianist Robert Gammon, who then plays two short solo Grieg piano pieces. Alison Gammon joins them for Beethoven’s trio Opus 11 for clarinet, piano and cello.

The relaxed 45-minute concert, ideal for people who may not feel comfortable at a formal classical concert, will be followed by tea and homemade cakes in the church hall. Seating is unreserved; no charge applies to attend but donations are welcome for hire costs and Alzheimer’s charities.

*Lucy Worsley: Revelations about Jane Austen at York Barbican*

Show announcement of the week: An Audience with Lucy Worsley on Jane Austen, York Barbican, October 14, 7.30pm

FOLLOWING up her Agatha Christie tour, historian and presenter Lucy Worsley’s latest illustrated talk steps into the world of Jane Austen, one of English literature’s most cherished figures as the author of Pride And Prejudice, Sense And Sensibility and Persuasion.

Through the houses, places and possessions that mattered to Austen, Worsley looks at what home meant to her and to the women like her who populate her novels. Austen lived a “life without incident”, but with new research and insights Worsley reveals a passionate woman who fought for her freedom. Box office: yorkbarbican.co.uk.

In Focus: Exhibition launch, Makiko, Picture Imperfect, York Theatre Royal, April 8 to 28

*Exhibition poster for Makiko’s Picture Imperfect at York Theatre Royal*

YORK photographer Makiko has shifted her focus to the mental health of vulnerable children in her Picture Imperfect exhibition at York Theatre Royal.

After her trip to photograph scenes from Gunkanjima (Battleship Island), as well as a spiritual journey to the uninhabited island of Nozaki, Japanese-born Makiko has responded to the impact of Brexit and the Covid-19 pandemic.

The result is this month’s Theatre Royal foyer exhibition featuring remote portrait photography, colour photos taken by children and a short film on the theme of the lives of vulnerable children and teenagers in the artist’s community in York, exploring their struggles with mental health and their developing identities.

Makiko’s project has received funding from Arts Council England and was conceived to work alongside The Island, a charity that offers mentorship and safeguarding for young people in the community regardless of their socio-economic circumstances or life experiences.

“The more I began to know the charity, the more I learned of a darker reality and of things such as child trafficking and sexual exploitation,” says Makiko. “All the children involved in this project have experienced early life trauma or pre-existing mental challenges or both.

“The conceptualisation of the project coincided with the lockdowns imposed by the UK government to combat Covid-19. Northern England was particularly hard hit: this in turn has had a profound impact on these children’s lives.”

The Covid strictures placed significant restrictions on how Makiko needed to approach her work, imposing the necessity of a creative solution to comply with social distancing and meeting the necessary regulations.

The artist provided the children with disposable cameras to shoot their everyday life. Much of her own photo-shooting was carried out remotely during the lockdown, to document what they were doing and thinking at home.

“Once the restrictions were lifted in early spring 2022, I visited the children during the art activity sessions and let them express themselves both in front of my viewfinder, as well as in writing,” says Makiko. “Subsequently, the work was exhibited at York Open Studios in April that year.”

The story is intertwined with the experience of Makiko and her younger son following their relocation back to the United Kingdom. “He suffered from assault and racial discrimination at school, resulting in school refusal and being housebound for several years,” she recalls. “This provided a precursor to the isolating experiences that children would go on to face during the pandemic.”

Makiko encountered direct racial abuse too, including a physical assault. “Both of us had struggled to fit into the environment,” she says. “The UK has continued to manifest deep division in the aftermath of Brexit, including rises in racism, anti-social behaviour and hate crimes in general.”

Most importantly, Makiko realised that the entire process worked as a catalyst, helping her to recover from a psychological wound she had endured over the past few years. “I began to better understand what my younger son and other children have experienced,” she says. “This included an insight into the thoughts and behaviours of Generations Z during a unique period of UK history.”

This project was carried out when Makiko was a mentee of Magnum Photos during 2021-2022. The exhibition is produced in collaboration with The Island and in association with York Theatre Royal. Its accompanying photobook version will be published in 2024. For more information on Makiko, go to: makikophoto.com.

Makiko’s Picture Imperfect runs at York Theatre Royal, St Leonard’s Place, York, from April 8 to 27; on view from 10am, Monday to Saturday

Makiko: the back story

AWARD-WINNING photographer who has lived, studied and worked in Japan, France, North America, Switzerland and the United Kingdom.

Studied photography at International Center of Photography in New York.

Since 2006 her work has been exhibited in Japan, North America, and Europe. Best known for her black and white photography.

At present at Royal College of Art in London.

Features among 89 award-winning professional photographers from around the world in What Does Photography Mean To You?, selected by Scott Grant (Bluecoat Press).

Particular interest in high-functioning autism. In 2014 she launched her first documentary/photography book, Beautifully Different. Re-published in Japanese in March
2016.

January 3, 2024January 3, 2024

On your marks, get set, go, go, go, Joseph as York Stage opens audition registration

GO, go, go, Joseph! Audition registration time is here for York Stage’s “dazzling” spring production of Joseph And The Amazing Technicolor Dreamcoat.

“Alongside our main adult casting, we’re also looking for children aged seven to 12, at the time of the audition, to join our cast,” says producer Nik Briggs.

Auditions will be held this month, beginning with initial adult auditions on January 9 from 7pm, followed by children’s ensemble auditions on January 11 from 7pm and recall auditions on January 14 from 1pm, all at Theatre@41, Monkgate. Nik will aim to release the cast list within 48 hours.

To resister for an audition, go to: www.yorkstage.com/event-details/joseph-2024-auditions. The full audition pack can be found at: www.yorkstage.com/_files/ugd/ce9cd2_86a604a4aafa470e82d1c030ef479fb4.pdf.

Joseph was first written by Andrew Lloyd Webber and Tim Rice at the request of a friend of Andrew’s father, Colet Court School choirmaster Alan Doggett, for the school’s 1968 end-of-term concert.

The full-scale musical will be presented by York Stage at the Grand Opera House, York, from April 12 to 20, at 7.30pm, except Fridays and Sunday; Fridays, 5pm and 8pm, and Sunday matinee, 4pm.

Set in ancient Egypt, this vibrant musical tells the biblical story of Joseph, his coat of many colours, and his prophetic journey as he learns that dreams really can come true. Among the songs are Any Dream Will Do, Go, Go, Go, Joseph, Close Every Door and the Elvis pastiche Song Of The King.

Tickets are on sale at atgtickets.com/york.

May 25, 2023May 26, 2023

REVIEW: York Musical Theatre Company in Joseph And The Amazing Technicolor Dreamcoat, Joseph Rowntree Theatre ****

*Ah, that Technicolor Dreamcoat moment as colours spread across the Joseph Rowntree Theatre stage. Picture: Lucy Baines, Joy Photography*

COLET Court School in London has its place in British musical theatre history.

It was at this Barnes prep school that Andrew Lloyd Webber and Tim Rice – whatever became of them? – first staged Joseph And The Amazing Technicolor Dreamcoat, performed by the school choir as a 15-minute pop cantata.

The original West End production opened in February 1973 at the Albery Theatre; the soundtrack LP followed in 1976, and many a revival and tour since then. Jason Donovan, Donny Osmond, Phillip Schofield, Joe McElderry, Gareth Gates, Steps’ Ian H Watkins and Lee Mead have all donned that famous coat on the London stage.

Some things change – Colet Court School became St Paul’s Juniors in 2016 – but some things don’t. School choirs (from Knavesmire Primary and Wiggington Primary Singstars) still feature in York Musical Theatre Company’s Joseph.

This week’s run is selling well, very well. No change there. Go, go, go, Joseph ticket seekers; there’s not a second to be wasted. Saturday’s matinee has sold out and only the last few tickets are available for the evening performances.

*Red is the dominant colour in this scene in Joseph And The Amazing Technicolor Dreamcoat. Picture: Lucy Baines, Joy Photography*

One significant change to report in this 50th anniversary production: Songs still refer to Egypt, but director-choreographer Kathryn Addison has switched the setting to the Yorkshire farming community of the 1920s/1930s with a “Peaky Blinders vibe” to Joseph’s brothers. “They were a nasty bunch,” she reasons, as waistcoats and caps flatter than Yorkshire vowels adorn the stage.

Antony Gardner’s Pharaoh is still the expanding Elvis Presley of the Las Vegas rhinestone years, albeit more of an Elvis tribute act on the Scarbrough sea front, where he rules the roost from his casino.

Always in shades, but never one for the shadows, his Song Of The King is a gloriously daft Presley pastiche, thank you very much, typical of the joy that percolates through Lloyd Webber’s plethora of musical magpie styles and Rice’s witty, storytelling lyrics.

Egypt, Yorkshire, wherever! Lloyd Webber and Rice take in Parisian chanson for Those Canaan Days, sung with a wonderfully exaggerated French cabaret accent by Anthony Pengelly, who also makes his mark as Potiphar, lounging like Jacob Rees-Mogg in the House of Commons. Later they veer wildly to the Caribbean for Adam Gill’s Benjamin Calypso (a kind of forerunner of 10CC’s reggae chart topper Dreadlock Holiday).

*Dreamcoat dreamboat: Jonathan Wells’s all-in-white Joseph with Jennie Wogan-Wells’s Narrator and the Wiggington Primary Singstars* *choir*. *Picture: Lucy Baines, Joy Photography*

Any other changes? Joseph, son of Jacob (Rob Davies), is one of ten, rather 12 brothers, two of them strictly sisters as they are played by Lauren Charlton-Mathews and Rachel Higgs but credited as brothers and looking the part in their Great Yorkshire Show farming gear.

The leads are new to York Musical Theatre Company but not new to the musical theatre scene: husband and wife Jonathan Wells and Jennie Wogan-Wells, living their dream theatrical life in their dream roles as Joseph and the Narrator respectively.

The bearded Wells looks more like the Bee Gees of the Saturday Night Fever Seventies era all in white, later adding shades and a red waistcoat, rather than stripping down in Joseph and his amazing bare chest tradition.

He has the toothpaste smile, the twinkle in the eye, the handsome swagger, for the Dreamcoat dreamboat, and he sings with warmth and boy band appeal, if a little diffidently in his first rendition of Close Every Door. Go, go, go, for it, Joseph! Don’t hold the drama in check!

*Kathryn Addison: Director-choreographer for York Musical Theatre Company’s Joseph And The Technicolor Dreamcoat*

Since childhood days of listening to the soundtrack LP, Knavesmire Primary teacher Wogan-Wells has craved playing the Narrator. Aside from opening the show on her laptop, with pupils on screen on Zoom, this is not an Are You Sitting Comfortably, Then I’ll Begin narrator. She is on her feet, dancing, singing, even fitting in a cameo as Mrs Potiphar, and no-one sings more through this sung-through musical than her. Her singing is top notch throughout, full of personality and power.

The set is a familiar construction: a scaffolding edifice with a mezzanine level and stairways either side, populated by the young choir, the rest left empty to accumulate the ensemble work of the 23-strong adult cast.

Musical director John Atkin has fun with Lloyd Webber’s chameleon ability for constant change, from ballad to pop anthem and more besides. Director Kathryn Addison has even more fun, sheep puppets, megamix finale and all. Rehearsals were a delight, and it shows in this radiant show, one that captures the innocence of Lloyd Webber and Rice’s bygone days and puts summer rather than a spring in your step.

Now, go, go, go for those last few tickets before they’re gone, gone, gone.

Joseph And The Amazing Technicolor Dreamcoat, York Musical Theatre Company, Joseph Rowntree Theatre, York. Performances at 7.30pm tonight and tomorrow; 2.30pm and 7.30pm on Saturday. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

May 20, 2023June 19, 2023

More Things To Do in York and beyond as the summer of love arrives early. Here’s Hutch’s List No. 21 for 2023, from The Press

*A study of people studying People We Love’s digital portraits in the Chapel at Castle Howard. Picture: Charlotte Graham*

LOVE lost and found is all around in Charles Hutchinson’s picks from the shelf marked culture.

Goin’ to the chapel of love: People We Love, Castle Howard, near York, until October 15, 10am to 4pm

AFTER gracing York Minster twice, Pittsburgh, USA, Viborg, Denmark, and Selby Abbey, North Yorkshire, KMA’s latest contemplative digital art installation takes over the Chapel at Castle Howard, a setting that provides a contrast between portraiture old and new. Produced by York-based Mediale and designed by Kit Monkman, People We Love explores “the invisible transaction between a person, a piece of art and the emotion which bonds us all: love”.

A quintet of high-definition screens display portraits of estate staff and volunteers, Castle Howard visitors and Ryedale residents, filmed in March, as they gaze at a picture of someone they love. A picture you never see, but you will feel each unspoken story as the faces tell the tale of a person they love.

*Alexandra Mather’s Adina, left, in York Opera’s The Elixir Of Love*

Opera of the weekend: York Opera in The Elixir Of Love, Joseph Rowntree Theatre, York, today at 7.30pm

WILL Nemorino, a simple village farm lad, ever find love without the help of a magic potion? Discover the answer in Donizetti’s comic opera L’Elisere d’Amore, packed with light-hearted music sung in an English translation by Ruth and Thomas Martin with orchestral accompaniment.

Under the direction of Chris Charlton-Mathews, principal roles go to Hamish Brown as the lovelorn, lovable Nemorino; stalwart Ian Thompson-Smith as opportunistic Doctor Dulcamara; David Valsamidies as the boastful Belcore; Alexandra Mather as the intelligent, beautiful Adina and Emma Burke in her York Opera debut as the flirtatious Giannetta. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

*Harvey Badger, Eddie Ahrens, Hannah Baker and Rachel Hammond in Mikron Theatre Company’s Twitchers*

Bird song of the week: Mikron Theatre Company in Twitchers, Scarcroft Allotments, Scarcroft Road, York, Sunday (21/5/2023), 2pm, and on tour until October 21

IN Mikron Theatre Company’s premiere of Poppy Hollman’s Twitchers, Springwatch is coming to RSPB Shrikewing nature reserve, home to raucous rooks and booming bitterns.

Can Jess take inspiration from the RSPB’s tenacious female founders and draw on its history of campaigning to save them? Can she find her own voice to raise a rallying cry for nature in Mikron’s flight through RSPB and birdwatching history, feathered with bird song and humour. No reserved seating or tickets are required, and instead a ‘pay what you feel’ collection will be taken after the show.

*Kate Rusby: On song at Harrogate Royal Hall on Monday*

Folk gig of the week: Kate Rusby, Harrogate Royal Hall, Monday, 7.30pm

BARNSLEY folk nightingale Kate Rusby rounds off a year of 30th anniversary celebrations with an 18-date spring tour, in the wake of releasing her 30: Happy Returns compendium last May to acknowledge three decades as a professional musician.

Coming later this year will be Kate’s Established 1973 Christmas Tour, visiting York Barbican on December 7, three days after she turns 50: a landmark she will mark with her sixth album of South Yorkshire pub carols and winter songs. Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; York, yorkbarbican.co.uk.

*Beware the Green Fingers: Fladam’s Flo Poskitt and Adam Sowter launch their debut children’s show at York Theatre Royal*

Children’s show of the week: Fladam, Green Fingers, TakeOver Festival, York Theatre Royal, May 27, 3pm

GREEN Fingers is a work-in-progress performance to test out madcap York musical comedy double act Fladam’s first foray into family theatre ahead of its full debut at this summer’s Edinburgh Fringe.

Flo Poskitt and Adam Sowter present a deliciously Roald Dahl-style musical storytelling show for children aged five to 12 about a boy born with bright green hands. Is he really rotten or just misunderstood? Box office: 01904 623568 or yorktheatreroyal.co.uk.

Homeward bound: Amy May Ellis, The Band Room, Low Mill, Farndale, May 27, 7.30pm

BEWITCHING ambient Yorkshire rose folkster Amy May Ellis makes an overdue return to her “local” moorland venue, where she has opened for Hiss Golden Messenger, Willy Mason, Michael Chapman, Ryley Walker and Howe Gelb since teen days…and always brought the house down.

This time she is touring her debut album, Over Ling And Bell, released on Isle of Eigg’s cult Lost Map Records, home of Pictish Trail and one-time Lost Map Sessions singer and songwriter James Yorkston, with whom Amy has toured. Wanderland and Nessy Williamson support. Box office: thebandroom.co.uk.

*Awaiting his coat of many colours: Jonathan Wells in rehearsal for his title role in York Musical Theatre Company’s Joseph And The Technicolor Dreamcoat*

Musical of the week: York Musical Theatre Company in Joseph And The Amazing Technicolor Dreamcoat, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee

KATHRYN Addison directs York Musical Theatre Company in Andrew Lloyd Webber and Tim Rice’s 1968 debut musical: the biblical journey of Joseph, son of Jacob and one of 12 brothers, and his coat of many colours.

From the book of Genesis to the musical’s genesis as a cantata written for a school choir, Joseph And The Amazing Technicolor Dreamcoat has grown into an iconic musical theatre staple. Here husband and wife Jonathan Wells and Jennie Wogan-Wells lead the cast as Joseph and the Narrator. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

*Richard E Grant: Reflecting on love and loss at the Grand Opera House, York*

Talk show of the week: An Evening With Richard E Grant, Grand Opera House, York, Friday, 7.30pm

ACTOR Richard E Grant tells stories from his life, entwining tales from his glittering career with uplifting reflections on love and loss, as told in last September’s memoir, A Pocketful Of Happiness.

Grant will be considering the inspiration behind the book – how, when his beloved wife Joan died in 2021 after almost 40 years together, she set him a challenge of finding a pocketful of happiness in every day. The book and now the tour show honour that challenge. Box office: atgtickets.com/york.

*Leon Francois Dumont’s Ring Of Fire: Not one of the “life drawings” but featuring in the Donderdag Collective exhibition nonetheless at Pyramid Gallery, York*

York exhibition launch of the week: The Donderdag Collective, Artists And The Human Form, Pyramid Gallery, Stonegate, York, York, today, from 11am, until June 25

FOUNDED in 2011 by a group of artists in York, The Donderdag Collective members – both professionals and keen amateurs – meet at St Olave’s Church Hall, in Marygate Lane, on Thursday evenings to sketch or paint from a life model (‘Donderdag’ being Dutch for ‘Thursday’).

Taking part in this resulting show are: Julie Mitchell; Rory Barke; Bertt deBaldock; Diane Cobbold; Carolyn Coles; Leon Francois Dumont; Jeanne Godfrey; Anna Harding; Adele Karmazyn; Michelle Galloway; Andrian Melka; Kate Pettitt; Swea Sayers; Barbara Shaw and Donna Maria Taylor.

*Dame Joan Collins: Going Behind The Shoulder Pads at the Grand Opera House in October*

Show announcement of the week: Dame Joan Collins, Behind The Shoulder Pads, Grand Opera House, York, October 2, 7.30pm

TO coincide with the release of her memoir Behind The Shoulder Pads, Hollywood legend, author, producer, humanitarian and entrepreneur Dame Joan Collins, who will turn 90 on May 23, will embark on a tour with husband Percy Gibson by her side.

Returning to the Grand Opera House, where they presented Unscripted in February 2019, they will field audience questions and tell seldom-told tales and enchanting anecdotes, accompanied by rare footage from Dame Joan’s seven decades in showbusiness. Box office: atgtickets.com/york.