Tag: Joseph Rowntree Theatre

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REVIEW: Black Sheep Theatre Productions in Parade, Joseph Rowntree Theatre, York, until tomorrow ***1/2

On trial: Dan Poppitt’s Leo Frank, front, with Jack James Fry’s defence lawyer Luther Rosser, left, Jack Hooper’s prosecution lawyer Hugh Dorsey and David Copley Martin’s Judge Roan

IN an age of programmes being plucked from the ether via QR codes or reduced to a piece of paper with a cast list and production team, Black Sheep Theatre Productions buck the cost-cutting trend by printing a superb, glossy-covered yet earnest old-school version in A4 size.

Written in the style of a newspaper article for The Atlanta Georgian, the highly detailed two-page synopsis is followed by lead actor Dan Poppitt’s fascinating essay The Truth Behind The Tale, exploring this controversial slice of American history from 1913.

Cast profiles are comprehensive too, revealing the wide range of theatre backgrounds and diverse experience, from Leeds performer and entertainer Reggie Challenger, best known for his Bob Marley and reggae tribute act, to University of York English Literature student Eloise Shneck and theatre, writing, directing and performance student Oskar Nuttall.

Molly Whitehouse’s Lucille Frank and Dan Poppitt’s Leo Frank in Black Sheep Theatre Productions’ Parade

Bringing it all together is company founder, director and musical director Matthew Peter Clare, whose programme note speaks of the York company being dedicated to “creating bold, emotionally resonant and artistically ambitious works”, born out of a shared desire to challenge expectations of what amateur theatre can achieve through its depth of storytelling.

Black Sheep are committed to telling “very human stories, interrogating identity, morality, relationships and the complexities of the human condition”, from Elegies For Angels, Punks & Raging Queens to Songs For The New World, The Hunchback Of Notre Dame to Clare’s own work Inner Selves, a study trauma, mental health and fractured bonds, in an exploration of “otherness, politics, prejudice and queer media”.

Parade fits that bill in its 1913 story of the persecution/prosecution of Leo Frank, a studious, eloquent Jewish factory manager from Brooklyn, who had taken up a superintendent’s post at a Marietta pencil factory, near Atlanta, Georgia, swapping New York for the Deep South somewhat cautiously  after his wife Lucille’s uncle invites him to join the company. Leo (Dan Poppitt) will end up being charged with the murder of 13-year-old factory worker Mary Phagan (Eloise Shneck).

Jonny Holbek’s zealot Tom Watson, reprising the role he first played in 2009 for Encore Theatre Productions, this time stepping in at three weeks’ notice

No spoiler alert is required here because Parade is based on a true story, one that ends with Leo’s lynching and clan hanging, but still shocks in its brutality, not least in the starkness applied by Clare, who likes his productions to “place emphasis on substance over spectacle”.

Despite this Tony Award-winning 1998 show being the work of Driving Miss Daisy’s Alfred Uhry and The Last 5 Years’ Jason Robert Brown,  the chances are that you may not be familiar with Parade or its Dixie, blues, gospel and R&B songs, given that your reviewer can find only one reference in The York Press files to a past production here.

Directed by Gilly Adam and Craig Kirby and produced by Jenny Scoullar, it formed  Encore Theatre Productions’ debut show in the Alan Ayckbourn Theatre at York College in its first and seemingly only York staging in October 2009. Whatever happened to Encore Theatre Productions, by the way?

Jack Hooper’s bent prosecution lawyer Hugh Dorsey holds the floor. In the courtroom shadows are Dan Poppitt’s defendant Leo Frank, left, Jack James Fry’s defence lawyer Luther Rosser and David Copley Martin’s Judge Roan

Parade is back on parade in York at a time of rising media coverage of anti-Semitism, chiming with Leo Frank’s own experience in 1913 when such sentiments were prevalent, against a backdrop of post-American Civil War poverty and prejudice.

Faced by bent prosecution lawyer Hugh Dorsey (Jack Hooper), the salacious reporting of Atlanta Constitution hack Britt Craig (Richard Bayton); the white supremacist poison of zealot politician Tom Watson (Jonny Holbek, reprising his scary 2009 role) and the unreliable testimony of chief prosecution witness Jim Conley (Reggie Challenger), the heavy-drinking factory janitor, how did Leo ever stand the chance of a fair trial?

Within that framework, a re-kindling of a love story plays out between the stern, strict, Hebrew-reciting Leo and his wife Lucille (Molly Whitehouse). She is described as “assimilated” for putting being Georgian first, compromising her Jewish faith in his eyes, only for her to find new strength in adversity when standing by her convicted husband in challenging the verdict by confronting Georgia’s principled  Governor, John Slaton (Mark Simmonds).

University of York students Oskar Nuttall and Eloise Shneck in the roles of Frankie Epps and Mary Phagan respectively

The original New York production ran for only 94 performances from 1998 to 1999, but its songs are better than that, all the more so for being placed wholly in the spotlight when the staging and lighting is minimalist (combining most effectively on the bare backdrop to evoke “the old Red Hills “ of Georgia). A raised platform with a hole for Mary Phagan’s coffin and boxes that double as seating suffice for set design.

The impact, therefore, is emotional rather than visual, albeit that physicality plays its part too. Poppitt gives a lead performance of serious, outspoken demeanour, his singing his best yet on the York stage; Whitehouse’s Molly grows ever more impressive in her resolve. Hooper’s Dorsey has plenty of the night about him; Simmonds cuts a lone, principled figure as Slaton; Nuttall and Shneck announce talents to watch.

The multi-role playing choreographer Charlie Clarke, Bayton’s duplicitous reporter Craig, Jack James Fry’s dual roles as defence lawyer and prison guard, Joycelyn Searles Duncan’s Minner McKnight, David Copley Martin’s Judge Roan and Georgina Burt’s lying Iola Stover make their mark too. Challenger’s That’s What He Said is the most characterful, soulful vocal of all.

Molly Whitehouse’s Lucille Frank in discussion with Richard Bayton’s court reporter Britt Craig

Clare leads his eight-piece band with typical conviction, driving its diversity of reeds, horns and strings, topped off by Jez Smith, on particularly striking form on drums and percussion.

Parade remains a brave, stark, challenging musical, delivered in that manner by a progressive York company unafraid to explore, to jolt, to ask questions and demand answers.   

Black Sheep Theatre Productions present Parade, Joseph Rowntree Theatre, York, tonight, 7.30pm; tomorrow, 2.30pm and 7.30pm. Box office: 01904 501935 or josephrwontreetheatre.co.uk.

Charlie Clarke: Parade assistant director and choreographer in her role as Mrs Phagan

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More Things To Do in York and beyond as the clocks go forward and arts spring up. Hutch’s List No. 12, from The York Press

James Bye, left, Shvorne Marks, Natalie Casey and Grant Kilburn in Danny Robins’ 2:22 A Ghost Story, on tour at Grand Opera House, York

THE clock is ticking to see a ghostly thriller, a madcap murder mystery, a poetic book launch and an unjust trial as Charles Hutchinson sets his arts alarm.

Supernatural thriller of the week: 2:22 A Ghost Story, Grand Opera House, York, March 30 to April 4, 7.30pm and 2.30pm Wednesday and Saturday matinees

“THERE’S something in our house. I hear it every night. At the same time,” says Jenny, who believes her new home is haunted, but her husband Sam is having none of it. Whereupon they argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening and is moving closer. Only by staying up until 2:22 will they know the answer.

James Bye, Shvorne Marks, Natalie Casey and Grant Kilburn perform Uncanny and The Battersea Poltergeist podcaster Danny Robins’s supernatural thriller, the Best New Play winner at the 2022 WhatsOnStage Awards, on its return to York. As secrets emerge and ghosts may or may not appear, dare you discover the truth? Box office: atgtickets.com/york.

What We Could Have, by Sarah Williams, from the Other Viewpoints exhibition at Pyramid Gallery

Meet The Makers event of the week: Other Viewpoints, Lesley Williams, Sarah Williams, Peter Heaton and Adele Howitt, Pyramid Gallery, Stonegate, York, today, 11.30am to 2.30pm

YORKSHIRE artists Lesley Williams, Sarah Williams and Peter Heaton and ceramicist Adele Howitt have teamed up for Other Viewpoints, on show until May 9. Today, they will be on hand to discuss their work.

Lesley, from York, makes semi-abstract oil paintings based on rural landscape and gardens; Sarah, also from York, employs colours, textural marks and shapes in blending abstract and figurative elements; Peter, from North Yorkshire, is exhibiting landscape fine art prints, and Hornsea maker Adele’s ceramics are marked by notions of the living landscape, abstraction, pollen grains and natural pattern.

Main Street Sound: In harmony with Harmonia at the NCEM

Choral concert of the week: Choirs In Harmony, Main Street Sound & Harmonia, National Centre for Early Music, York, today, 7.30pm

CHOIRS In Harmony brings together two Yorkshire vocal groups for an evening of rich, expressive choral music. York’s only ladies’ barbershop chorus, Main Street Sound, and Malton contemporary, folk, jazz, and musical theatre ladies’ choir Harmonia join forces to showcase a vibrant mix of contemporary arrangements, close harmony and uplifting ensemble singing. Expect moments of intimacy, bursts of energy and the joy of voices uniting in a space made for resonance. Box office: 01904 658338 or ncem.co.uk.

Giddy up: Country queen Twinnie rides into The Crescent tonight

Recommended but sold out already: Twinnie, The Crescent, York, tonight, 7.30pm

BORN in York and now established as the UK’s leading country-pop trailblazer on the American circuit after her West End musical theatre days and TV soap career as Porsche McQueen in Hollyoaks and ruthless boxing promoter Jade Garrick in Emmerdale, Twinnie-Lee Moore returns home on her Dirt Road Disco Tour.

Noted for her fearless honesty and storytelling truths, she blends Nashville-inspired country roots with pop hooks and her own gypsy-influenced flair in songs of empowerment, vulnerability, and unapologetic individuality. She made her Grand Ole Opry debut in November 2023 as the first British Romani Traveller to perform in the circle and featured on Rob Brydon’s Honky Tonk Road Trip documentary series on BBC Two last year.

Lucy Kierl in rehearsal for the Stephen Joseph Theatre’s madcap musical mystery Murder For Two. Picture: Tony Bartholomew

Whodunit of the week: Murder For Two, Stephen Joseph Theatre, Scarborough, today to April 18, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

JOE Kinosian and Kellen Blair’s fast-paced musical whodunit is a madcap murder mystery with a twist, performed by two actors, Tom Babbage and Lucy Kierl, who play 13 characters between them, plus the piano, as they put the laughter into manslaughter.

When famous novelist Arthur Whitney is found dead at his birthday party, it is time to call in the detectives, but they are out of town. Enter Officer Marcus Moscowicz, a neighbourhood cop who dreams of climbing the ranks. Here is his chance to prove his super sleuthing skills and solve the crime before the real detective arrives. Box office: 01723 370541 or sjt.uk.com.

Stu Freestone: Launching first poetry collection at The Crescent

Book launch of the week: York Literature Festival and Say Owt present Stu Freestone, The Lights That Blur Between, The Crescent, York, March 30, 7pm to 10pm

YORK performance poet, Say Owt gobby collective associate artist and Cheese Trader cheesemonger Stu Freestone launches his debut poetry collection, The Lights That Blur Between, with two sets, one comedic, the other accompanied by guitarist Simone Focarelli, accordionist Ben Crosthwaite and drummer Joe Douglas. In support will be Grantham singer-songwriter Adam Leeson and York political satirist and performance poet Sarah Armitage.

Freestone’s poems explore the nostalgia of adolescence, relationships, loss and processing, as well as humorous themes of condiment addiction, festival trips gone wrong, cheesemonger battle raps and the perils of “after-work’ drinking in his honest portrayal of life experiences. Box office: thecrescentyork.com.

Dan Poppitt, Charlie Clarke, front, and Georgina Burt in rehearsal for Black Sheep Theatre Productions’ Parade

The other American musical of the week: Black Sheep Theatre Productions in Parade, Joseph Rowntree Theatre, York, April 1 to 4, 7.30pm plus 2.30pm Saturday matinee

PRESENTED by York company Black Sheep Theatre Productions under the direction of Matthew Peter Clare, Jason Robert Brown and Alfred Uhry’s stirring Tony Award-winning musical explores love and hope against the odds, set against a backdrop of political injustice and rising racial tension. 

Leo Frank, a Brooklyn-raised Jew, is put on trial for murder in Marietta, Georgia, but when the world seems against you, receiving a fair trial might prove impossible. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alison Moyet: Re-visiting Yazoo’s two synth-pop albums after more than 40 years at York Barbican. Picture: Naomi Davison

Gig announcement of the week: Alison Moyet, Songs Of Yazoo, the minutes and Other Tour, York Barbican, November 18

BASILDON soul, blues and pop singer-songwriter Alison Moyet will play York in one of ten new additions to her autumn tour, when she will focus on songs from Yazoo’s 1982-1983 catalogue, recorded with Vince Clarke, and a selection from her solo electronica albums, 2013’s the minutesand 2017’s Other, both co-written with producer Guy Sigsworth.

“Many years touring the same pool of songs and I am keen for a palate refresher,” says Moyet, 64. “Specifying which years I will be fishing from too, I think, is a grand way to serve pot luck for specific tastes. No bones.” Box office: yorkbarbican.co.uk.

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Black Sheep Theatre puts justice on trial in Parade at Joseph Rowntree Theatre amid religious intolerance and racial tension

Dan Poppitt, Charlie Clarke and Georgina Burt in rehearsal for Black Sheep Theatre Productions’ Parade

MURDER in myriad forms is making its way on to North Yorkshire’s stages this spring, whether Tigerslane Studios’ real-true-crime courtroom drama Murder Trial Tonight IV: Death Of A Landlord at York Barbican last Sunday or Joe Kinosian and Kellen Blair’s madcap musical whodunit Murder For Two, “putting the laughter into manslaughter” at the Stephen Joseph Theatre, Scarborough, from Saturday.

Next comes York company Black Sheep Theatre Productions’ staging of Jason Robert Brown and Alfred Uhry’s stirring Tony Award-winning musical Parade, first performed in 1998 and now more topical than ever in its exploration of love and hope against the odds, set against a backdrop of religious intolerance, political injustice and rising racial tension.

The tragic true story of the trial and lynching of  a man wrongly accused of murder will be brought to life anew at the Joseph Rowntree Theatre, York, from April 1 to 4.

The setting is 1913, when Leo Frank, a Brooklyn-raised Jew living in Georgia, is put on trial for the murder of 13-year-old Mary Phagan, a factory worker under his employ. Already guilty in the eyes of everyone around him, his only defenders are a governor with a conscience and his assimilated Jewish wife, who finds the strength and love to become his greatest champion when the world seems against you and receiving a fair trial might prove impossible.

Director/musical director  Matthew Peter Clare welcomes the chance to put Parade on parade. “It was due to be done in Leeds but that production got pulled because of Covid,” he says. “It’s not been done in York for at least a decade, and it’s fantastic for us to get hold of the rights, but it is an upsetting piece.

“It’s set in Marietta, near Atlanta, Georgia, post the race riots there, but pre the Great Depression and it’s based on a real-life trial of Leo Frank, who worked in middle management as a superintendent in a pencil factory.

“When one of the employees, Mary Phagan, is murdered, instead of doing a proper investigation, they arrest the nearest Jewish guy – whereas the the nearest black guy is let off because of the race riots, when politically it now wasn’t seen to be right to prosecute a black man.

“So they go with prosecuting Leo Frank, with all the prejudices  of the public heavily influencing the trial with the attitude of ‘he’s Jewish, so get rid.’”

Parade chimes with Black Sheep’s policy of presenting “theatre with a point  that encourages audience reflection”. “This is a show that, like our productions of Elegies For Angels, Punks And Raging Queens and Falsettos, is pushing the concept of ‘other’ to the front and shows the impact of moving against the ‘other’ at a time of racial prejudice,” says Matthew.

Playing the role of Leo Frank will be Black Sheep regular Dan Poppitt. “With regard to Leo, we said from very early on in rehearsals that he was not raised in Atlanta, unlike his wife Lucille, but from Brooklyn, and only moved there when offered a job by Lucille’s uncle, so Leo is seen as a Jewish man first, whereas Lucille is seen as Georgian first, Jewish second,” he says

“These are the nuances that we wanted to promote: the significance of his Jewish heritage and how that leads to prejudice.”

Dan has been particularly keen to be authentic in his portrayal. “Like having to learn Hebrew,” he says. “I’ve studied it phonetically to make sure that the dialogue is pronounced accurately.

Eloise Schneck rehearsing her role as Mary Phagan in Parade

“It’s a case of speaking it properly and with clear intention and how it should be delivered in society at that time.”

Molly Whitehouse is playing Leo’s wife Lucille, an assimilated Jewish woman, which means she “adopts the language, dress and secular cultural habits of the majority population”.

“I’m a northerner first and had a very secular upbringing,” she says. “That regional identity that you draw so much pride from, especially as a queer, working-class woman, can put you on the edge of the community.

“In Lucille’s case, she is already so close to the border of what’s acceptable in Georgia.”

Charlie Clarke has four roles in Parade, two on stage, as Mrs Phagan and Sally Slaton, and two off, as assistant director and choreographer. “I don’t do things by halves!” she says. “Luckily with Matthew directing and being the musical director too, I can spread what I do.

“As choreographer and assistant director, we’ve spoken about how each actor has to give each character their own identity, like Reggie Challenor playing two characters [Jim Conley and Newt Lee] who are the complete antithesis of each other.

“We’ve also discussed how, first of all, they’re all representing real people on stage and how they must make sure that’s pushed through in their performances – and the cast have been really receptive to that.

“We have to ensure we tell the story with truth because, before it’s a musical, it’s a true story.”

Dan rejoins: “I think, especially with a stage show, it’s very easy to forget they’re real characters, but every single person in the show was a real person with a life from before the show’s story began.”

The design will be “incredibly minimalist,” says Matthew. “The blocks we used in Falsettos will be used again, but in a different way, not to evoke houses but the red hills of Georgia. They’re being utilised either as part of the choreography or they’re serving as the landscape.”

Should you be wondering, Parade is so named because the story opens and closes on the day of the Marietta parade for the Confederates’ Memorial Day. “So that’s the framing device, celebrating Georgian identity, but unfortunately there’s a dark underside to that identity, where it prevails, being regardless of the truth in this trial,” says Matthew.

Black Sheep Theatre Productions in Parade, Joseph Rowntree Theatre, York, April 1 to 4, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk

Who’s in the cast for Parade?

Dan Poppitt as Leo Frank; Molly Whitehouse, Lucille Frank; Reggie Challenor, Jim Conley/Newt Lee; Eloise Schneck, Mary Phagan; Oskar Nuttall, Frankie Epps/Young Soldier; Mark Simmonds, Governor Slaton/Old Slaton; Charlie Clarke, Mrs Phagan/Sally Slaton; Pauline Tomlin, Minnie McKnight; Jack Hooper, Hugh Dorsey; Richard Bayton, Britt Craig; Georgina Burt, Iola Stover;  David Copley Martin, Judge Roan; Jack James Fry, Luther Rosser/Officer Ivey; Sophia Razak, Essie, and Sarah Rudd, Monteen.

Who’s in the production team?

Director and musical director: Matthew Peter Clare; assistant director & choreographer: Charlie Clarke; assistant choreographer& welfare officer: Jack James Fry; costumier: Molly Whitehouse; sound designer: Ollie Nash; lighting designer: Adam Kirkwood; stage managers: Megan Bostock & Steve Hibbs.

Coming next from Black Sheep Theatre Productions

They did the monster match: Dan Poppitt’s Alan and Molly Whitehouse’s Minnie in Black Sheep Theatre Productions’ poster for Love At First Bite

JOSH Woodgate will direct Dan Poppitt and Molly Whitehouse’s seductive new work Love At First Bite at Theatre@41, Monkgate, from June 4 to 6.

“Dating can be hell, but what if one of them was a creature of the night?” ponder the co-writers.

What happens? Alan and Minnie meet at a speed-dating night. A spark flickers. Dates follow. Laughter lingers.

“Yet beneath the rhythms of a familiar rom-com, something waits in the dark,” say Poppitt and Whitehouse, who will play the lovers. “One of them is a vampire — but the secret shifts. Each night, the actors trade fangs, and the audience is left to wonder who is hunter, who is prey.”

Blending sharp-fanged wit with a brush of gothic shadow, Love At First Bite toys with romance, rewrites folklore and invites audiences to consider what it means to love…and to hunger!

Woodgate’s production will mark Black Sheep’s return to Theatre@41, Monkgate, after last year’s staging of The Tempest and The Inner Selves. Tickets for the 7.30pm evening performances and 2.30pm Saturday matinee are on sale at tickets.41monkgate.co.uk.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 12, from Gazette & Herald

Dale Vaughan, front, with Monica Frost and Matthew Warry, in a scene from Pick Me Up Theatre’s Next To Normal. Picture: Joanna Hird

A DYSFUNCTIONAL American family musical, a spirited band of newsboys, a madcap murder mystery and a bakery burlesque night confirm variety is the spice of Charles Hutchinson’s arts life.

American musical of the week: Pick Me Up Theatre in Next To Normal, Theatre@41, Monkgate, York, tonight to April 4, 7.30pm except Sunday and Monday; 2.30pm matinees, Saturday, Sunday and April 4

ANDREW Isherwood directs York company Pick Me Up Theatre in Brian Yorkey and Tom Kitt’s Tony Award-winning musical exploration of family and illness, loss and grief as a suburban American household copes with crisis and mental illness.

Dad is an architect; Mom rushes to pack lunches and pour cereal; their daughter and son are bright, wise-cracking teens but their lives are anything but normal, because Mom has been battling manic depression for 16 years.Next To Normal presents their story with love, sympathy and heart. Box office: tickets.41monkgate.co.uk.

Freida Nipples: Baps & Buns on board a baguette at Rise@Bluebird Bakery

Cabaret of the week: Freida Nipples presents Baps & Buns Burlesque, Rise@Bluebird Bakery, Acomb, York, Friday, 8pm, doors 7pm

YORK’S queen of burlesque, Freida Nipples, swaps teas for tease as she turns the bakery cafe into a cabaret joint for a night of fun, frolics and freedom of expression in all shapes and sizes.

On the fabulously zesty menu will be Donna Divine, Ezme Pump, Callum Robshaw and Freida herself, hosted by Harvey Rose. Box office: bluebirdbakery.co.uk/rise.

Tribute show of the week: The Supermodels, Kirk Theatre, Pickering, Saturday, 7.30pm

BACK by popular demand, The Supermodels return to Pickering with hits aplenty from the 1970s, 1980s and 1990s, from The Who to Led Zeppelin, Abba to A-ha Abba, ELO to Queen, Erasure to Oasis. The show is “guaranteed to put a smile on your face”, but book promptly because a sell-out is predicted. Box office:  01751 474833 or kirktheatre.co.uk.

The Snake Davis Trio: Jazz, soul, tales and banter at Helmsley Arts Centre

Jazz gig of the week: The Snake Davis Trio, Helmsley Arts Centre, Saturday, 7.30pm

SAXOPHONIST to the stars Snake Davis teams up with his best buddies, trumpet player Johnny Thirkell and guitarist Mark Creswell, for a night of gorgeously mellow musicianship infused with jazz, soul and pop. Expect beautiful tunes, fascinating tales and bags of banter. Box office: 01439 771700 or helmsleyarts.co.uk.

Lucy Keirl in rehearsal for Murder For Two at the Stephen Joseph Theatre, Scarborough. Picture: Tony Bartholomew

Whodunit of the week: Murder For Two, Stephen Joseph Theatre, Scarborough, Saturday to April 18

JOE Kinosian and Kellen Blair’s fast-paced musical whodunit is a madcap murder mystery with a twist, performed by two actors, Tom Babbage and Lucy Kierl , who play 13 characters between them, plus the piano, as they put the laughter into manslaughter.

When famous novelist Arthur Whitney is found dead at his birthday party, it is time to call in the detectives, but they are out of town. Enter Officer Marcus Moscowicz, a neighbourhood cop who dreams of climbing the ranks. Here is his chance to prove his super sleuthing skills and solve the crime before the real detective arrives. Box office: 01723 370541 or sjt.uk.com.

The clock is ticking: James Bye, left, Shvorne Marks, Natalie Casey and Grant Kilburn in 2:22 A Ghost Story, on tour at the Grand Opera House, York

Supernatural thriller of the week: 2:22 A Ghost Story, Grand Opera House, York, March 30 to April 4, 7.30pm and 2.30pm Wednesday and Saturday matinees

“THERE’S something in our house. I hear it every night. At the same time,” says Jenny, who believes her new home is haunted, but her husband Sam is having none of it. Whereupon they argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening and is moving closer. Only by staying up until 2:22 will they know the answer.

James Bye, Shvorne Marks, Natalie Casey and Grant Kilburn perform Uncanny and The Battersea Poltergeist podcaster Danny Robins’s supernatural thriller, the Best New Play winner at the 2022 WhatsOnStage Awards, on its return to York. As secrets emerge and ghosts may or may not appear, dare you discover the truth? Box office: atgtickets.com/york.

Black Sheep Theatre Productions on Parade in the rehearsal room for next week’s musical at the JoRo

The other American musical of the week: Black Sheep Theatre Productions in Parade, Joseph Rowntree Theatre, York, April 1 to 4, 7.30pm plus 2.30pm Saturday matinee

PRESENTED by York company Black Sheep Theatre Productions under the direction of Matthew Peter Clare, Jason Robert Brown and Alfred Uhry’s stirring Tony Award-winning musical explores love and hope against the odds, set against a backdrop of political injustice and rising racial tension. 

Leo Frank, a Brooklyn-raised Jew, is put on trial for murder, but when the world seems against you, receiving a fair trial might prove impossible. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Beth Steel’s Sandy and Jonathan Stockill’s Danny in Ryedale Youth Theatre’s production of Grease The Musical

You’re the one that they want: Ryedale Youth Theatre in Grease The Musical, Milton Rooms, Malton, April 1 to 4, 7.15pm plus 2pm Thursday and Saturday matinees

EACH Easter, Ryedale Youth Theatre welcomes up to 70 young people to participate in a theatre production. This time the show will be Grease, featuring book, music and lyrics by Jim Jacobs and Warren Casey and songs from the 1978 film by arrangement with Robert Stigwood.

Ryedale Youth Theatre heads back to the summer of 1959 at Rydell High to follow the epic love story of Danny and Sandy.  Here come the T-Birds and Pink Ladies, hot rods and timeless songs, such as Summer Nights, We Go Together and Greased Lightning. Box office: yourboxoffice.co.uk.

In Focus: Be Amazing Arts in Disney’s Newsies Jr, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

Be Amazing Arts’ cast for Disney’s Newsies Jr, this week’s production at the Joseph Rowntree Theatre, York

YORK audiences are invited to seize the day this week as Malton company Be Amazing Arts brings the high-energy, crowd-pleasing musical Disney’s Newsies Jr to the Joseph Rowntree Theatre.

This spectacular youth production features a cast of 60 young performers from the Ryedale and York area, aged seven to 18, who will share the unforgettable music, dynamic choreography and inspiring story after months of dedicated rehearsals.

Written by  Harvey Fierstein (book), Alan Menken (book) and Jack Feldman (lyrics), Disney’s Newsies The Musical was adapted from the 1992 film, premiering at the Paper Mill Playhouse, Milburn, New Jersey, before hitting Broadway in 2012.

Packed with moving numbers, bold dance routines and a powerful message of courage and unity, Newsies Jr follows a spirited band of newsboys as they fight for what is right against New York City’s powerful newspaper publishers.

In the news: Be Amazing Arts cast members rehearsing for Disney’s Newsies Jr

Promising to be an uplifting theatrical experience for audiences of all ages, the production will showcases not only the performers’ talent but also their commitment, teamwork and passion for live theatre.

Be Amazing Arts specialises in providing young people with the opportunity to work in a professional theatre environment while developing industry skills both on and off the stage. From performance and technical theatre to teamwork and discipline, participants gain invaluable experience that builds confidence and creativity in a supportive yet professional setting.

Creative director Roxanna Klimaszewska says: “Our cast has worked incredibly hard to bring this show to life. Their energy, dedication and enthusiasm have been inspiring. We cannot wait for the people of York to see what these amazing young performers have achieved.

“Be Amazing Arts strives to inspire the next generation, keeping at the heart of everything they do, making work with, for or by young creatives.”

Box office: 01904 501935 or josephrowntreetheatre.co.uk.

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REVIEW: Rowntree Players in The Importance Of Being Earnest, going Wilder at Joseph Rowntree Theatre, York ***

Jorja Cartwright’s Algernon Moncrieff, in Ernest mode, right, woos Katie Shaw’s Cecily Cardew in Rowntree Players’ The Importance Of Being Earnest. All pictures: Jamie McKeller

LIKE the best cucumber sandwiches, Oscar Wilde’s “trivial comedy for serious people” can be sliced in different ways, but always with the crusts, not the upper crust, removed.

The dust has not long settled on Stephen Fry’s Lady Bracknell in the National Theatre production at the Noel Coward Theatre, a role David Suchet had played on the London stage a decade earlier.

Cross-dressing comedy duo Hinge & Bracket went Wilde in 1977, as did satirical duo Lip Service in 2001, when the late Maggie Fox and Sue Ryding set the Victorian comedy of manners in the 1950s.

In 2015, Nigel Havers’s Algernon Moncrieff and Martin Jarvis’s John Worthing teamed up with Siân Phillips’s Lady Bracknell for the Bunbury Company of Players’ “golden-oldies” version, playing the Grand Opera House on tour that November.

Lizzie Lawton’s yearning Jack Worthing and Bethan Olliver’s enamoured Gwendolen Fairfax in Rowntree Players’ The Importance Of Being Earnest

In September 2022, Denzel Westley-Sanderson sassy co-production for English Touring Theatre, Leeds Playhouse and Rose Theatre, Kingston, “melded Wilde’s wit with chart-toppers, shade and contemporary references”.

Setting Oscar’s satire of dysfunctional families, class, gender and sexuality in Black Victorian high society, he cast Daniel Jacob, alias drag queen Vinegar Strokes, as Lady Bracknell and added to the gender fluidity with Dr Chasuble being played by Anita Reynolds, bonding in a lesbian relationship with Joanne Henry’s Miss Prism.

All this is by way of introduction to Hannah Shaw’s LGBTQ+ exploration of gay playwright  Wilde’s comedy for Rowntree Players, where she introduces new young players to the company too. This re-invention is not far-fetched, by the way, as a quick search reveals that “Importance” is “widely interpreted by critics and scholars as having a significant queer subtext, acting as a ‘gay play’ encoded for contemporary audiences”.

To further quote “AI Thinking”, “while the plot revolves around heterosexual romances, it is celebrated for its camp style, irony and subtle references to same-sex desire, often termed ‘Bunburying’.”

Checking the diary: Katie Shaw’s Cecily Cardew, left, and Bethan Olliver’s Gwendolen Fairfax

And there’s more: ‘Bunburying’ is “a code for leading a secret life to pursue forbidden, potentially gay, sexual activity”; the name “Earnest” was “a late-Victorian euphemism for a homosexual or queer man”; the play is “a foundational work of queer literature”.

Until now, your reviewer has been in Wilde’s “serious people” mode, but Hall’s light and bright production is very much in the spirit of “trivial comedy”, having as much fun and games as possible by going Wilder in the country, even when stretched to Wilde’s original four-act, three-hour version, reconstructed by Vyvyan Holland, at the request of the Rowntree Players committee.

From Stephanie Cullingford  & Hannah Shaw’s costumes, all vintage lines yet modern too, to Nathan Kirby’s classical instrumental arrangements of pop  nuggets such as Abba’s I Do, I Do, I Do and Sabrina Carpenter’s Nonsense, Shaw’s show straddles Wilde’s dapper past and today’s dandy designs.

Algernon’s London abode is dominated by heavy curtains, complemented by an old lamp shade, a timeless hat stand and modern sofas. Max Palmer’s butler, Lane, is thoroughly modern in attire, but old school in demeanour.

Jorja Cartwright’s Algernon Moncrieff, in the guise of Ernest, evoking Gentleman Jack in The Importance Of Being Earnest

Jorja Cartwright’s Miss Algernon Moncrieff, in tassled boots, dark trousers and waistcoat, is working her way through the cucumber sandwiches, awaiting effervescent, financially reckless bachelor friend Jack Worthing (Leeds Conservatoire graduate Lizzie Lawton (they/them)). Therein lies Shaw’s gender exploration and LGBTQ+ integration into Wilde’s mannered comedy.

Both must lead double lives, Algernon inventing an ever-ailing friend Bunbury to escape dull duties; Jack engineering a fictional younger brother, Ernest, to facilitate his partying in London and wooing of Gwendolen Fairfax (Leeds Conservatoire third-year student Bethan Ollivier), rebellious daughter of Lady Bracknell.

Lady Bracknell has always been a snob, a stickler for social niceties, a dragon snorting disdain, but here, as played with burning acidity by Jeanette Hambridge, she becomes a social climber, a successful businesswoman, in Shaw’s vision,  working her way up from nothing to be the breadwinner for the stay-at-home Lord Bracknell, never shedding her London accent  in her rise up the ladder.

In this guise, she is more cynical, on occasion sarcastic, her manner perma-frosty, putting a more poisonous sting into Wilde’s waspish wit.

Lizzie Lawton’s Jack Worthing checking the military records for the importance of being Ernest

Olliver’s Gwendolen has all the trappings and airs of a posh education, bursting with over-excitement at the mention of the name “Ernest”, even growling playfully; all part of turning Wilde wilder. Likewise, Lawton, so dextrous both vocally and physically, so joyously energetic, so top of the fops, has a tendency to take exaggerated movement into clowning territory.

By contrast, Jorja Cartwright, arriving on the York scene via Greater Manchester, favours a less gaudy acting style, a flick of a leg here, an elegant clamber over a sofa there. Miss Algernon Moncrieff  becomes Mr Ernest when wooing Jack’s ward, Cecily Cardew (Londoner Katie Shaw) in country matters behind Jack’s back, by now in tassled boots, white trousers and a brocade waistcoat, blond locks in a ponytail.

If you are picking up Gentleman Jack/ Ann Lister vibes, then Cullingford and Shaw’s work is done here. Cartwright is outstanding, her voice playful, her movement just right, even when talking while filling her face with muffins.

Katie Shaw’s Cecily Cardew writing her latest gushing diary entry

Katie Shaw’s diary-keeping Cecily is to the spoilt-ingenue manner born, behind the pretty frills, and her spat over tea and cake with Olliver’s Gwendolen is a comedic high point as they climb ever higher on chairs to assert their claims to each being betrothed to Ernest Worthing.

Palmer’s brace of long-suffering butlers, Lane and not-so-Merriman, adds cameo dry humour, while the slow-burning romance of Wayne Osguthorpe’s bookish Reverend Canon Chasuble  and Rebecca Thomson’s moral novel-writing tutor Miss Prism warms pleasingly in the background, played in a lower key to match Hambridge’s underwhelmed Lady Bracknell.

Under the Shaw touch, The Importance Of Being Earnest bends willingly to the gender agenda, bringing fresh fun and freedom to Wilde’s Victorian social satire, but Lady Bracknells of yore would surely give short shrift to this nouvelle-riche arriviste, more snotty than snooty.

Rowntree Players, The Importance Of Being Earnest, Joseph Rowntree Theatre, York, 2pm and 7.30pm today (21/3/2026). Box  office for “last few tickets”: 01904 501935 or josephrowntreetheatre.co.uk.

Jorja Cartwright’s Algernon Moncrieff makes a hasty exit. You will not be seeking to do likewise, even though Rowntree Players’ four-act The Importance Of Being Earnest runs to three hours

NEWFLASH 23/03/2026

HANNAH Shaw will direct Rowntree Players’ production of Marc Camoletti’s French farce Boeing Boeing in Beverley Cross’s English adaptation at the Joseph Rowntree Theatre, York, from July 23 to 25.

In Paris, in 1960, Bernard, a successful architect living abroad, reckons he can juggle his three flight attendant fiancées with ease. All it demands is a question of timing and a little help from his trusted housekeeper, who reluctantly plays “romantic air traffic controller”. Tickets are on sale on 01904 501935 or josephrowntreetheatre.co.uk.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 11, from Gazette & Herald

Leeds abstract surrealist Nicolas Dixon, front, spotted at the launch of the debut RARE v WET exhibition with WET proprietors James Wall and Ella Williams and RARE Collective organiser Sharon McDonagh

A SURREALIST wine bar exhibition, a comedy thriller in an hotel and Australian children’s games  stir Charles Hutchinson’s interest.  

Exhibition of the week: Nicolas Dixon, RARE v WET, at WET, Micklegate, York, until April 22

YORK  artist and event organiser Sharon McDonagh and DJ/artist Sola launch their RARE v WET series of solo exhibitions in aid of York charity SASH (Safe and Sound Homes) at WET, James Wall and Ella Williams’ indie wine bar and restaurant, with Nicolas Dixon first up.

Leeds abstract surrealist Dixon’s murals and artworks have become landmarks in Leeds, including at Kirkgate Market, Trinity Shopping Centre and the University of Leeds, as well as Leeds United tributes to the 1972 FA Cup Winners at Elland Road and the iconic Bielsa the Redeemer in Wortley. On show is a mixture of new and older work, both prints and originals.

In the shadows: Michael Hugo in Claybody Theatre’s The Grand Babylon Hotel. Picture: Andrew Billington

Thriller of the week: Claybody Theatre in The Grand Babylon Hotel, Stephen Joseph Theatre, Scarborough, tonight to Saturday, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees; Harrogate Theatre, April 1 to 4, 7.30pm plus 2pm Saturday matinee

CONRAD Nelson directs an ensemble cast of multiple flamboyant characters in a rollicking comedy thriller of rapid-fire character changes, sharp humour and theatrical fun, presented in association with the New Vic Theatre.

In Deborah McAndrew’s  adaptation of Arnold Bennett’s novel, Nella Racksole discovers steak and beer are not on the menu for her birthday treat at the exclusive Grand Babylon Hotel, prompting  her American millionaire father to buy the chef, the kitchen, the entire hotel. Cue  kidnapping and murder. Have Theodore and Nella bitten off more than they can chew? Box office: Scarborough, 01723 370541 or sjt.uk.com; Harrogate, 01423 502116 or harrogatetheatre.co.uk.

Bluey’s Big Play: Australian bean bags, games and cleverness at Grand Opera House, York

Children’s show of the week: Windmill Theatre Co in Bluey’s Big Play, Grand Opera House, York, 10am, tomorrow and Friday; 10am, 1pm and 4pm, Saturday and Sunday

COMBINING puppets and original voices from Ludo Studios’  Emmy Award-winning Australian children’s television series, including Dave McCormack and Melanie Zanetti as Dad and Mum, this theatrical adaptation is based on an original story by Bluey creator Joe Brumm, featuring music by series composer Joff Bush. When Dad wants a bean bag time-out, Bluey and Bingo have other plans as they pull out all the games and cleverness at their disposal. Box office: atgtickets.com/york.

The Brand New Heavies: Acid Jazz joy, funk, love and fancy clothes at York Barbican

York gig of the week: The Brand New Heavies, York Barbican, tomorrow, doors 7pm

EALING Acid Jazz pioneers The Brand New Heavies – Simon Bartholomew, vocals and guitar, Andrew Levy, bass and keyboards, and Angela Ricci, vocals  – mark their 35th anniversary with a 12-date tour that takes in York Barbican as their only Yorkshire destination. Expect  joy, funk, love and fancy clothes. Galliano support. Box office: yorkbarbican.co.uk.

Lizzie Lawton’s Jack Worthing, front, and Jorja Cartwright’s Algernon Moncrieff in Rowntree Players’ The Importance Of Being Earnest

Comedy classic of the week: Rowntree Players in The Importance Of Being Earnest, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm plus 2pm Saturday matinee

ROWNTREE Players bring Oscar Wilde’s 1895 farcical comedy of manners to the York stage in the original four-act version reconstructed by Vyvyan Holland, under the direction of Hannah Shaw.

Lizzie Lawton’s Jack Worthing and Jorja Cartwright’s Algernon Moncrieff lead double lives under the false name of “Ernest” to escape social obligations, leading to romantic entanglements and comedic misunderstandings, played out by a cast featuring Jeanette Hambridge’s Lady Bracknell, Bethan Olliver’s Gwendolen Fairfax, Katie Shaw’s Cecily Cardew, Wayne Osguthorpe’s Reverend Canon Chasuble, Rebecca Thomson’s Miss Prism and Max Palmer’s Lane/Merriman. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Jessica Fostekew: “The silliest of comedy for the scariest of days”in Iconic Breath at Pocklington Arts Centre

Comedy gig of the week: Jessica Fostekew: Iconic Breath, Pocklington Arts Centre, Friday, 8pm

ICONIC Breath, Jessica Fostekew’s most rousing and uplifting show yet, provides the silliest of comedy for the scariest of days as The Guilty Feminist, Hoovering and Contender Ready podcaster discusses tolerance and temperance.

 “I can feel myself becoming an emotional wildebeest right when my world (and the whole world, thanks) demands cool, collected, ultra detached, saint-like kindness and understanding,” says Fostekew, who has hosted two series of Sturdy Girl Club on BBC Radio 4. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

This won’t hurt: Andrew Margerison, Rebecca Vaughan and Gavin Robertson in General Medical Emergency Ward 10

Hospital drama homage of the week: Dyad Productions and Company Gavin Robertson in General Medical Emergency Ward 10, Theatre@41, Monkgate, York, Friday, 7.30pm

UNITING for the first time, Dyad Productions and Company Gavin Robertson’s Rebecca Vaughan, Andrew Margerison and the aforementioned Gavin Robertson knit every cliché-ridden doctors-and-nurses TV and film drama into a pacy comedy mash-up spoof that promises to leave you in stitches.

On Dr Ann Fleming’s first day at St David’s, her unfortunately-named mentor, Dr Death, is determined to show her who’s boss. As medical emergencies overload the hapless staff, Dr Fleming must juggle a complicated budding love affair with a kidney and a nosey hospital boss. Not literally, of course. Box office: tickets.41monkgate.co.uk.

The Budapest Café Orchestra: Fronted by Christian Garrick at Helmsley Arts Centre

Snappiest attire of the week: Christian Garrick & The Budapest Café Orchestra, National Centre for Early Music, York, Friday, 7.30pm, sold out; Helmsley Arts Centre, Saturday, 7.30pm

CHRISTIAN Garrick (violin, darbuka), Murray Grainger (accordion), Kelly Cantlon (double bass) and Adrian Zolotuhin (guitar, saz, balalaika, domra) team up in this refreshingly unconventional and snappily attired boutique orchestra. Playing gypsy and folk-flavoured music in a unique and surprising way, The Budapest Café Orchestra combine Balkan and Russian traditional music with artful distillations of Romantic masterworks and soaring Gaelic folk anthems.

Established by British composer Garrick in 2009, BCO have 16 albums to their name, marked by an “astonishing soundscape and aural alchemy” characteristic of larger ensembles, evoking Tzigane fiddle maestros, Budapest café life and gypsy campfires. Box office: 01439 771700 or helmsleyarts.co.uk.    

Hope & Social: Unforgettable spectacle, energetic songs and chaotic moments at Milton Rooms, Malton

Ryedale gig of the week: Hope & Social, Milton Rooms, Malton, Saturday, 8pm

LEEDS band Hope & Social’s eight musicians pour their heart and soul into creating exuberant, high-energy tunes in gigs full of pure joy, infectious enthusiasm, unforgettable spectacle and chaotic moments.

Each performance by “Yorkshire’s own E-Street Band” is spiced up with Northern wit and self-deprecating humour as a powerhouse three-piece horn section and intricate five-part harmonies contribute to a massive sound that spans genres, drawing influence from soul, indie, folk, disco and art rock. Box office: 01653 696240 or themiltonrooms.com.

Crosscut Saw’s Alex Eden : Leading his blues band at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Crosscut Saw, Milton Rooms, Malton, March 26, 8pm

YORKSHIRE blues trio Crosscut Saw’s Alex Eden (lead singer, guitarist and harmonica player), Richard Ferdinando (drums) and Richard Green (bass) draw inspiration from Magic Sam, RL Burnside, Taj Mahal and Dr John in performances marked by raw energy and unpredictability.

They hold a monthly residency at the Duck & Drake in Leeds, have played the Great British Blues Festival and Tenby Blues Festival, collaborated with TJ Norton, Paddy Wells and The Haggis Horns and worked as a backing band for Jake Walker and King Rollo. Box office: 01653 696240 or themiltonrooms.com.

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More Things To Do in York and beyond a mysterious garden and abstract surrealism. Hutch’s List No. 10, from The York Press

Elizabeth Marsh in rehearsal for The Secret Garden The Musical at York Theatre Royal. Picture: Marc Brenner

A MAGICAL Yorkshire garden, an hotel comedy thriller, a surrealist wine bar exhibition and Pulp confessions exhibition stir Charles Hutchinson’s interest.  

Musical of the week: The Secret Garden The Musical, York Theatre Royal, March 17 to April 4

TONY Award-winning director John Doyle, artistic director of York Theatre Royal from 1993 to 1997, returns to pastures past in more ways than one to present his actor-musician staging of Lucy Simon and Marsha Norman’s Broadway musical account of Frances Hodgson Burnett’s story of love, loss, healing and hope, set on Yorkshire moorland in 1906.

Newly orphaned, Mary Lennox is sent to live with her widowed uncle at the secluded Misselthwaite Manor, a house in habited by memories and spirits from the past. On discovering her Aunt Lily’s neglected garden, she vows to breathe new life into its mysterious stasis as she learns the restorative magic of nature. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Leeds abstract surrealist Nicolas Dixon, front, spotted at Thursday’s launch of his RARE v WET exhibition with WET proprietors James Wall and Ella Williams and RARE Collective organiser Sharon McDonagh, right

Exhibition of the week: Nicolas Dixon, RARE v WET, at WET, Micklegate, York, until April 22

YORK  artist and event organiser Sharon McDonagh and DJ/artist Sola launch their RARE v WET series of solo exhibitions in aid of York charity SASH (Safe and Sound Homes) at WET, James Wall and Ella Williams’ indie wine bar and restaurant, with Nicolas Dixon first up.

Leeds abstract surrealist Dixon’s murals and artworks have become landmarks in Leeds, including at Kirkgate Market, Trinity Shopping Centre and the University of Leeds, as well as Leeds United tributes to the 1972 FA Cup Winners at Elland Road and the iconic Bielsa the Redeemer in Wortley. On show is a mixture of new and older work, both prints and originals.

Stephen Joseph Theatre favourite Bill Champion as American billionaire Theodore Racksole in Claybody Theatre’s The Grand Babylon Hotel, on tour at the SJT next week. Picture: Andrew Billington

Thriller of the week: Claybody Theatre in The Grand Babylon Hotel, Stephen Joseph Theatre, Scarborough, March 18 to 21, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

CONRAD Nelson directs an ensemble cast of multiple flamboyant characters in a rollicking comedy thriller of rapid-fire character changes, sharp humour and theatrical fun, presented in association with the New Vic Theatre.

In Deborah McAndrew’s  adaptation of Arnold Bennett’s novel, Nella Racksole discovers steak and beer are not on the menu for her birthday treat at the exclusive Grand Babylon Hotel, prompting  her American millionaire father to buy the chef, the kitchen, the entire hotel. Cue  kidnapping and murder. Have Theodore and Nella bitten off more than they can chew? Box office: 01723 370541 or sjt.uk.com.

Baroque Alchemy’s Lyndy Mayle and Piers Adams: Playing NCEM tonight

Classical-electronic concert of the week: Baroque Alchemy, National Centre for Early Music, York, tonight, 7.30pm

ANCIENT and modern meet in a spectacular musical fusion in Baroque Alchemy, the realisation of recorder virtuoso Piers Adams and keyboard player Lyndy Mayle’s long-held dream. Ever since the rise of synth-led bands and New Age music in the 1980s, Red Priest frontman Adams has nurtured a vision to combine the drama of baroque music with the expansive sound-world of the electronic era. Now Baroque Alchemy turn the traditional early music recital on its head for the 21st century. Box office: 01904 658338 or ncem.co.uk.

Dominic Halpin & The Hurricanes: Evoking the Grand Ole Opry in A Country Night In Nashville at the Grand Opera House

Tribute gig of the week: A Country Night In Nashville, Grand Opera House, York, Sunday, 7.30pm

A COUNTRY Night In Nashville re-creates the scene of a buzzing Honky Tonk in downtown Nashville, capturing the energy and atmosphere of a night in the home of country music in a journey through the history of its biggest stars past and present. Hits from Johnny Cash to Alan Jackson, Dolly Parton to The Chicks, Willie Nelson to Kacey Musgraves are showcased by Dominic Halpin & The Hurricanes. Box office: atgtickets.com/york.

The book cover for Mark Webber’s I’m With Pulp, Are You?, under discussion by the author and guitarist at York Literature Festival

Book event of the week: York Literature Festival, I’m With Pulp, Are You?, An Evening With Mark Webber, The Crescent, York, March 17, 7pm

PULP guitarist and avant-garde film curator Mark Webber discusses I’m With Pulp, Are You?, his visually rich chronicle of the Sheffield band’s history from the perspective of a fan-turned-manager-turned-guitarist.

In his music memoir, 40 years of archived material comes to life as Chesterfield-born Webber recalls his fascination with David Bowie, The Velvet Underground, Andy Warhol and counterculture, writing fanzines and organising concerts from the age of 15, joining Pulp in 1995 and playing on Different Class, This Is Hardcore, We Love Life and More, 2025’s recording renaissance after a 24-year hiatus. Box office: 01904 623568, yorktheatreroyal.co.uk or yorkliteraturefestival.co.uk.

Bluey’s Big Play: Australian fun and games for children at the Grand Opera House

Children’s show of the week: Windmill Theatre Co in Bluey’s Big Play, Grand Opera House, York, March 19 to 22, 10am, Thursday and Friday; 10am, 1pm and 4pm, Saturday and Sunday

COMBINING puppets and original voices from Ludo Studios’  Emmy Award-winning Australian children’s television series, including Dave McCormack and Melanie Zanetti as Dad and Mum, this theatrical adaptation is based on an original story by Bluey creator Joe Brumm, featuring music by series composer Joff Bush. When Dad wants a bean bag time-out, Bluey and Bingo have other plans as they pull out all the games and cleverness at their disposal.  Box office: atgtickets.com/york.

Scouting For Girls: Re-visiting Everybody Wants To Be On TV at York Barbican

York Barbican gigs of the week: Scouting For Girls, Everybody (Still) Wants To Be On TV Tour 2026, March 17, doors 7pm; The Brand New Heavies, March 19

AS Scouting For Girls’ vocalist, guitarist and songwriter Roy Stride puts it: “I can’t believe we’re already celebrating the 15th anniversary of our second album [Everybody Wants To Be On TV], and I’m beyond excited to get back on the road in 2026! The shows are going to be immense: a massive nostalgic Scouting singalong every night.” Expect further hits to feature too.

Ealing Acid Jazz pioneers The Brand New Heavies – Simon Bartholomew, vocals and guitar, Andrew Levy, bass and keyboards, and Angela Ricci, vocals  – mark their 35th anniversary with a 12-date tour that takes in York Barbican as their only Yorkshire destination. Expect  joy, funk, love and fancy clothes. Box office: yorkbarbican.co.uk.

The Brand New Heavies: Acid Jazz joy, funk, love and fancy clothes at York Barbican

Comedy classic of the week: Rowntree Players in The Importance Of Being Earnest, Joseph Rowntree Theatre, York, March 19 to 21, 7.30pm plus 2pm Saturday matinee

ROWNTREE Players bring Oscar Wilde’s cherished 1895 farcical comedy of manners to the York stage in the original four-act version reconstructed by Vyvyan Holland, under the direction of Hannah Shaw.

Lizzie Lawton’s John Worthing and Jorja Cartwright’s Algernon Moncrieff lead double lives under the false name of “Ernest” to escape social obligations, leading to romantic entanglements and comedic misunderstandings, played out by a cast featuring Jeanette Hambridge’s Lady Bracknell, Bethan Olliver’s Gwendolen Fairfax, Katie Shaw’s Cecily Cardew, Wayne Osguthorpe’s Reverend Canon Chasuble, Rebecca Thomson’s Miss Prism and Max Palmer’s Lane/Merriman. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

A collage from the rehearsal photo-shoot for Rowntree Players’ production of The Importance Of Being Earnest

Comedy gig of the week: Rob Rouse, Funny Bones, Helmsley Arts Centre, March 20, 8pm; Stephen Joseph Theatre, Scarborough, March 21, 7.45pm

FRESH from being picked as the Comics’ Comic Best Act of the Year 2025, Rob Rouse is touring Funny Bones: a daft whirlwind of craftily spun tall tales, a bucketful of manic energy, canny stagecraft, eerily convincing characters and a barrage of one-liners.

“Warning: this show has been meticulously assembled to make you laugh as much as possible,” says Rouse. “However, you will not learn anything from it. You may even come out stupider than when you came in.” Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; Scarborough, 01723 370541 or sjt.uk.com.

Super scooper: Funny Bones comedian Rob Rouse and his skeleton dog on tour at Helmsley and Scarborough

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What’s On in Ryedale, York and beyond. Hutch’s List No. 9, from Gazette & Herald

JAPANESE prints, a Belgian detective, a Tudor queen and a West Riding pioneer are all making waves in Charles Hutchinson’s early March recommendations. 

Exhibition of the week: Making Waves, The Art of Japanese Woodblock Print, York Art Gallery, until August 30, open Wednesday to Sunday, 10am to 5pm

MAKING Waves: The Art of Japanese Woodblock Print presents Japanese art and culture in more than 100 striking and iconic works from renowned artists such as Katsushika Hokusai, Utagawa Hiroshige and Kitagawa Utamaro, among many others.

At the epicentre of this intriguing insight into the history and development of Japanese woodblock printing is the chance to see Hokusai’s The Great Wave Off Kanagawa, one of the most recognisable and celebrated artworks in the world. Tickets: yorkartgallery.org.uk.

York Community Choir Festival 2026: Showcase for choirs aplenty at Joseph Rowntree Theatre, York

Festival of the week: York Community Choir Festival 2026, Joseph Rowntree Theatre, York, tonight to Friday, 7.30pm; Saturday, 2.30pm and 7.30pm

THE annual York Community Choir Festival brings together choirs of all ages to perform in a wide variety of singing styles on each bill. Across the week, 43 choirs are taking part in nine concerts, making the 2026 event the largest yet. Concert programmes feature well-known classical and modern popular songs, complemented by show tunes, world music, folk song, gospel, jazz and soul. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Death On The Nile: European premiere of Ken Ludwig’s new adaptation of Agatha Christie’s murder mystery at Grand Opera House, York. Picture: Manuel Harlan

Murder mystery of the week: Fiery Angel presents Agatha Christie’s Death On The Nile, Grand Opera House, York, March 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees

AFTER tours of And Then There Were None and Murder On The Orient Express, Death On The Nile reunites director Lucy Bailey, writer Ken Ludwig and producers Fiery Angel for the European premiere of a new adaptation of Agatha Christie’s Death On The Nile.

On board a luxurious cruise under the heat of the Egyptian sun, a couple’s idyllic honeymoon is cut short by a brutal murder.  As secrets buried in the sands of time resurface, can Belgian detective Hercule Poirot (Mark Hadfield), untangle the web of lies? Box office: atgtickets.com/york.

Nick Patrick Jones’s Henry VIII and Lara Stafford’s Anne Boleyn in Black Treacle Theatre’s Anne Boleyn. Picture: John Saunders

Historical drama of the week: Black Treacle Theatre in Anne Boleyn, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

YORK company Black Treacle Theatre presents Howard Brenton’s account of one of England’s most important and intriguing historical figures: Tudor lover, heretic, revolutionary, queen Anne Boleyn (played by Lara Stafford).

Traditionally seen as either the pawn of an ambitious family manoeuvred into the King’s bed, or as a predator manipulating her way to power, Anne – and her ghost – re-emerges in a very different light in Brenton’s epic play, premiered by Shakespeare’s Globe Theatre in 2010. Box office: https://tickets.41monkgate.co.uk.

Poetry event of the week: York Poetry Society, Poetry Pharmacy launch celebration, Jacob’s Well, Trinity Lane, York, Friday, 7.30pm to 9.30pm 

TO mark Friday’s opening of the third Poetry Pharmacy, part bookshop, part apothecary, part reading room, and venue for readings, workshops, creative writing clubs in Coney Street, founder Deborah Alma talks about its concept of fostering the therapeutic effects of poetry.

Local poets are invited to read poems with this aim in mind in the second half. “Normally we ask of non-members a £3 entry fee, but on this occasion, if you write a poem relevant to the evening, all we will ask is that you read it to us as part of the programme,” says programme secretary Marta Hardy.

Irish dance and magic combine in Celtic Illusion, on tour at York Barbican

Magical experience of the week: Celtic Illusion, York Barbican, Friday, 7.30pm

AFTER dazzling audiences across Australia, New Zealand, Hong Kong, Canada and the USA, this thunderous Irish dance and grand-illusion magic show is making its premiere UK tour in 2026. 

Created by Anthony Street, illusionist and former lead of Lord Of The Dance, Celtic Illusion brings together dancers from Riverdance and Lord Of The Dance, who perform to a soaring original score and remastered classics by composer Angela Little. Box office: yorkbarbican.co.uk.

Annabelle Lopez Ochoa, as Anne Lister, rehearsing for Northern Ballet’s Gentleman Jack. Picture: Colleen Mair

Dance premiere of the week: Northern Ballet and Finnish National Opera and Ballet in Gentleman Jack, Leeds Grand Theatre, Saturday to March 14, except Sunday and Monday, 7.30pm, plus 2.30pm matinees on March 12 and 14

THIS groundbreaking new ballet marks a trio of ‘firsts’: the first time the story of Anne Lister has been told through ballet, the first large-scale commission for Northern Ballet since 2021 and the first under artistic director Federico Bonelli.

Yorkshirewoman Anne, the “first modern lesbian”, lived, dressed and loved as she desired, not as 19th century society expected of her. Northern Ballet’s interpretation of her life is choreographed by Annabelle Lopez Ochoa, leading a female artistic team that includes Sally Wainwright, writer of the BBC/HBO television series Gentleman Jack. Box office: 0113 243 0808 or leedsheritagetheatres.com.

The poster for the Merely Players’ Fakespeare exposé at Helmsley Arts Centre

The Great Shakespeare Fraud of the week: Merely Players, Fakespeare, Helmsley Arts Centre, Saturday, 7.30pm

THERE are two problems with deception: being found out and not being found out. In 1794, noted antiquarian Samuel Ireland is delighted when his son William brings him unknown documents in the hand of Shakespeare, obtained from an anonymous source. However, scholars question their authenticity and denounce Samuel as a forger.  The household is thrown into turmoil and family skeletons come tumbling out of cupboards.

Roll forward to  2026, when Samuel, William and their housekeeper Mrs Freeman meet again to sort out the truth of it all, if such a thing is possible. So runs Stuart Fortey’s tragicomic, scarcely believable, deceptively truthful tale of 18th century literary fraud  and family deceit. Box office:  01439 771700 or  helmsleyarts.co.uk.

Very Santana: Celebrating Carlos Santana’s songs and guitar mastery at Milton Rooms, Malton

Tribute gig of the week: Very Santana, Milton Rooms, Malton, Saturday, 8pm

VERY Santana’s musical time travel experience celebrates the beautiful guitar melodies and creatively diverse, challenging songs of Carlos Santana, performed with room for extra improvisation.

The set list spans the Santana legacy, from the Abraxas album early peaks of Black Magic Woman, Oye Como Va and Samba Pa Ti, through the late 1970s’ hits such as Europa and She’s Not There, to the modern-era Grammy winners Smooth and Maria-Maria. Box office: 01653 696240 or themiltonrooms.com.

Harry Enfield: No Chums but a cornucopia of comical characters at Grand Opera House, York

Comedy gig of the week: Harry Enfield And No Chums, Grand Opera House, York, Sunday, 2.30pm and 7.30pm

FROM the meteoric rise of Loadsamoney, a Thatcherite visionary, to the fury of Kevin the Teenager, satirical comedian and self-styled “stupid idiot” Harry Enfield  reflects on 40 years in comedy, bringing favourite characters vividly back to life on stage.

Then comes your chance to ask how it all works for the former University of York politics student (Derwent College, 1979 to 1982), discover what makes him most proud and find out what would he say to the many who ask, “You wouldn’t be allowed to do your stuff today, would you?”. Box office: atgtickets.com/york.

Elvis Costello: Revisiting his 1977-1986 back catalogue in Radio Soul! at York Barbican in June. Picture: Ray Di Pietro

Gig announcement of the week: Elvis Costello & The Imposters with Charlie Sexton, Radio Soul!: The Early Songs Of Elvis Costello, York Barbican, June 17

ELVIS Costello will return to York Barbican for the first time since May 2012’s Spectacular Singing Book tour, joined by The Imposters’ Steve Nieve, Pete Thomas and Davey Faragher and Texan guitarist Charlie Sexton.

Costello, 71, will focus on songs drawn from 1977’s My Aim Is True to 1986’s Blood & Chocolate in 1986, complemented by “other surprises”. Tickets go on sale at 10am on Friday at https://www.yorkbarbican.co.uk/whats-on/elvis-costello/.

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More Things To Do in York and beyond when sparking up the little grey cells. Here’s Hutch’s List No. 8, from The York Press

Katsushika Hokusai’s The Great Wave Off Kanagawa, circa 1829-1832, from Making Waves at York Art Gallery. Picture: courtesy of Maidstone Museum

JAPANESE prints, a Belgian detective, a Tudor queen and a West Riding pioneer are all making waves in Charles Hutchinson’s early March recommendations. 

Exhibition launch of the week: Making Waves, The Art of Japanese Woodblock Print, York Art Gallery, until August 30, open Wednesday to Sunday, 10am to 5pm

MAKING Waves: The Art of Japanese Woodblock Print presents Japanese art and culture in more than 100 striking and iconic works from renowned artists, such as Katsushika Hokusai, Utagawa Hiroshige and Kitagawa Utamaro, among many others.

At the epicentre of this intriguing insight into the history and development of Japanese woodblock printing is the chance to see Hokusai’s The Great Wave Off Kanagawa, one of the most recognisable and celebrated artworks in the world. Tickets: yorkartgallery.org.uk.

Phoenix Dance Theatre in Interplay, premiering at York Theatre Royal. Picture: Drew Forsyth

Connectivity of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, today, 2pm and 7.30pm

LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!) Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin. 

Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Death On The Nile: European premiere of Ken Ludwig’s new adaptation of Agatha Christie’s murder mystery at Grand Opera House, York. Picture: Manuel Harlan

Murder mystery of the week: Fiery Angel presents Agatha Christie’s Death On The Nile, Grand Opera House, York, March 3 to 7, 7.30pm plus 2.30pm Wednesday and Saturday matinees

AFTER tours of And Then There Were None and Murder On The Orient Express, Death On The Nile reunites director Lucy Bailey, writer Ken Ludwig and producers Fiery Angel for the European premiere of a new adaptation of Agatha Christie’s Death On The Nile.

On board a luxurious cruise under the heat of the Egyptian sun, a couple’s idyllic honeymoon is cut short by a brutal murder.  As secrets buried in the sands of time resurface, can Belgian detective Hercule Poirot (Mark Hadfield), untangle the web of lies? Box office: atgtickets.com/york.

Lara Stafford’s Anne Boleyn, with the masked ladies of the Tudor court behind her, in rehearsal for Black Treacle Theatre’s Anne Boleyn. Picture: Paul Hutson

Historical drama of the week: Black Treacle Theatre in Anne Boleyn, Theatre@41, Monkgate, York, March 3 to 7, 7.30pm plus 2.30pm Saturday matinee

YORK company Black Treacle Theatre presents Howard Brenton’s account of one of England’s most important and intriguing historical figures: Tudor lover, heretic, revolutionary, queen Anne Boleyn (played by Lara Stafford).

Traditionally seen as either the pawn of an ambitious family manoeuvred into the King’s bed, or as a predator manipulating her way to power, Anne – and her ghost – re-emerges in a very different light in Brenton’s epic play, premiered by Shakespeare’s Globe Theatre in 2010. Box office: https://tickets.41monkgate.co.uk.

Annabelle Lopez Ochoa, as Anne Lister, rehearsing for Northern Ballet’s Gentleman Jack. Picture: Colleen Mair

Premiere of the week: Northern Ballet and Finnish National Opera and Ballet in Gentleman Jack, Leeds Grand Theatre, March 7 to 14, except March 8 and 9, 7.30pm, plus 2.30pm matinees on March 12 and 14

THIS groundbreaking new ballet marks a trio of ‘firsts’: the first time the story of Anne Lister has been told through ballet, the first large-scale commission for Northern Ballet since 2021 and the first under artistic director Federico Bonelli.

Yorkshirewoman Anne, the “first modern lesbian”, lived, dressed and loved as she desired, not as 19th century society expected of her. Northern Ballet’s interpretation of her life is choreographed by Annabelle Lopez Ochoa, leading a female artistic team that includes Sally Wainwright, writer of the BBC/HBO television series Gentleman Jack. Box office: 0113 243 0808 or leedsheritagetheatres.com.

Obert String Quartet: Opening York Late Music’s 2026 concert programme at Unitarian Chapel, St Saviourgate. Picture: Drew Forsyth and BBC Philharmonic Orchestra (top left and bottom left)

Classical concert of the week: York Late Music, Obert String Quartet, Unitarian Chapel, St Saviourgate, York, March 7, 7.30pm

SALFORD’S Obert String Quartet explores themes of transformation, spirituality, and mortality in a celebration of  performers and composers from the North of England, pairing Schubert’s Death And The Maiden (String Quartet No. 14 in D minor) with new miniature works written in response by Northern Composers Network members Jenny Jackson (Flex), Hayley Jenkins (Give Me Your Hand), Ben Gaunt (Skulls, Various), James Cave (Rouffignac) and James Else (Still Movement).

The first half comprises Arvo Pärt’s Fratres, curator Else’s On The Wind and Bradford-born Steve Crowther’s String Quartet No. 2. Violinist Lisa Obert, Jackson, Gaunt, Cave and Else take part in a pre-concert talk at 6.45pm. Box office: latemusic.org.

Del Amitri’s Justin Currie, left, and Iain Harvie: Cherry-picking from four decades of songs at York Barbican in November

Gig announcement of the week: Del Amitri, Past To Present UK Tour 2026, November 16

GLASGOW band Del Amitri will open their 17-date Past To Present autumn tour at York Barbican, where core members Justin Currie and Iain Harvie will mark four decades of songs, stories and live shows.

The career-spanning set list will chart their early breakthroughs, classic singles such as Nothing Ever Happens, Always The Last To Know and Roll To Me, fan favourites and recording renaissance after an 18-year hiatus with 2021’s Fatal Mistakes. Box office: www.gigsandtours.com, www.ticketmaster.co.uk and www.delamitri.info.

York Community Choir Festival 2026: Showcase for 43 choirs at Joseph Rowntree Theatre

In Focus: Festival of the week: York Community Choir Festival 2026, Joseph Rowntree Theatre, York, March 1 to 7

THE annual York Community Choir Festival brings together choirs of all ages to perform in a wide variety of singing styles on each bill. Across the week, 43 choirs take part in nine concerts, making the 2026 event the largest yet.

Concert programmes feature well-known classical and modern popular songs, complemented by show tunes, world music, folk song, gospel, jazz and soul. Performances start at 2.30pm and 7.30pm tomorrow; 7.30pm, March 2 to 6; 2.30pm and 7.30pm, March 7.

Sunday, March 1, matinee

Stagecoach York Show Choir, Singing Communities Poppleton, Selby Youth Choir, Aviva Vivace! and The Stray Notes.

Sunday, March 1, evening

Easingwold Community Singers, Some Voices, Supersingers, Harrogate Male Voice Choir and Heworth Community Choir.

Monday, March 2

Huntington School Choirs, Tadcaster Community Choir and Community Chorus.

Tuesday, March 3

York Military Wives Choir, Jubilate, Sing Space York Musical Theatre Choir, Garrowby Singers and The Abbey Belles.

Wednesday, March 4

Elvo Choir, Sounds Fun Singers, In Harmony, Euphonics and Stamford Bridge Community Choir.

Thursday, March 5

Track 29 Ladies Close Harmony Chorus, Cantar Community Choir, York City Harmonisers, Stamford Bridge Singers and York Rock Choir.

Friday, March 6

Ryedale Voices, Eboraca, The Wellbeing Choir, Bishopthorpe Community Choir and Harmonia.

Saturday, March 7, matinee

The Leveson Centre Choir, Fairburn Singers, The Bridge Shanty Crew,The Rolling Tones and York Celebration Singers.

Saturday, March 7, evening

Pocklington Singers, Sound Fellows, Stonegate Singers, Main Street Sound and York Philharmonic Male Voice Choir.

Tickets are on sale on 01904 501935 or at josephrowntreetheatre.co.uk; proceeds go to the Joseph Rowntree Theatre.

Alan Heaven: Pageant Master for York Mystery Plays 2026

In Focus too: York Mystery Plays 2026 volunteer launch event,  Bedern Hall, Bartle Garth, York, March 5, 7.30pm; doors, 7pm. Free entry; all welcome

THE Guilds of York will be the driving force behind the York Mystery Plays in June this year, marking more than 25 years of bringing the medieval plays to the city streets on pageant wagons.

The plays will be staged in procession on Sunday, June 28 and Sunday, July 5, complemented by twilightperformances in the Shambles Market on Tuesday, June 30 and  Wednesday, July 1. A Festival Fringe of various events will run for two weeks from around June 22, leading up to the main performances. 

This summer’s production renews a tradition that has belonged to the people of York for more than 700 years as a defining expression of the city’s history, identity and community spirit.

Produced by York Festival Trust, the 2026 production once again will bring medieval drama into the streets and historic spaces of the city, reconnecting modern York with a cycle of plays first performed by its medieval guilds.

From their earliest beginnings, the Mystery Plays have been a civic undertaking – created by local people, for local people – and that principle remains at the heart of the 2026 revival.

To begin this next chapter, York Festival Trust is inviting the city to a public volunteer launch event, calling on residents from all walks of life to help shape the production.

The event will combine a traditional call-out with a jobs fair-style marketplace, making it clear that there is a place for everyone. Opportunities range from music performance to costume, set and prop making, stewarding, administration and fundraising.

Many roles require no previous experience, only a willingness to contribute time, skills and enthusiasm to a shared civic project.

York Festival Trust chair Roger Lee says: “The Mystery Plays are one of the strongest expressions of York’s collective identity. They only happen because people step forward to give their time and talents. This launch is about opening the door wide and inviting the city to take ownership of the plays once again.”

The launch is open to all ages and backgrounds and is aimed particularly at those who may never have taken part previously. Families, students, craftspeople, historians, performers and those who simply care about York’s heritage are all warmly encouraged to attend.

Those attending will be able to meet members of the production team, led by Pageant Master Alan Heaven, as well as learning about specific volunteer roles and signing up for auditions, workshops and taster sessions taking place later in the year.

Further information on York Mystery Plays 2026 is available at yorkmysteryplays.co.uk  or by emailing volunteer@yorkmysteryplays.co.uk.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 7, from Gazette & Herald

Victoria Delaney in rehearsal for York Settlement Community Players’ Blue Remembered Hills. Picture: John Saunders

FROM Dennis Potter to Stephen Sondheim, showman  P.T. Barnum to a Phil Collins tribute, Charles Hutchinson is spoilt for cultural choice amid the incessant rainfall.

Play of the week: York Settlement Community Players in Blue Remembered Hills, York Theatre Royal Studio, tonight to February 28, 7.45pm, except Sunday and Monday; February 21 and 28, 2pm matinees

FLEUR Hebditch, former Stephen Joseph Theatre dramaturg for a decade, makes her Settlement Players directorial debut with Dennis Potter’s stage adaptation of his 1979 BBC Play For Today drama.

Seven children are playing in the Forest of Dean countryside on a hot summer’s day in 1943. Each aged seven, they mimic and reflect the adult world at war around them. Their innocence is short lived, however, as reality hits. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Blue Remembered Hills director Fleur Hebditch

Spooky adventure of the week: Flying Ducks Youth Theatre in The Addams Family Musical, Joseph Rowntree Theatre, York, tomorrow  to Saturday, 7pm plus 2pm Saturday matinee

YORK company Flying Ducks Youth Theatre undertake a whimsical, spooky musical adventure into the delightfully dark world of the hauntingly eccentric Addams Family on a night of unexpected revelations.

When Wednesday Addams falls in love with a “normal” boy, chaos ensues. As the two families converge over dinner, secrets are revealed and the true meaning of family is put to the test. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Kathryn Williams: Opening Mystery Park Tour at Pocklington Arts Centre

Time’s shifting tides of the week: Kathryn Williams, Mystery Park Tour 2026, Pocklington Arts Centre, Friday, 8pm

KATHRYN Williams, the Liverpool-born, Newcastle-based folk singer-songwriter, novelist, podcaster, tutor and artist long celebrated for her quiet emotional depth and lyrical precision, promotes her 15th studio album, last September’s Mystery Park, with support and special guest guitarist Matt Deighton in tow.

Opening her 12-date tour in Pocklington, 2000 Mercury Music Prize nominee Williams marks 27 years of diverse, multi-faceted music projects with a reflective, textured work, made in the quiet margins of motherhood and memory, shaped by time’s shifting tides. “This is the most personal record I’ve made,” she says. “The artwork is my own painting, based on the willow pattern from my grandmother’s tea sets. Each part of it ties into the songs: a map of memories.” Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Megson’s Debs Hanna and Stu Hanna: Performing at Helmsley Arts Centre on Friday

Folk gig of the week: Megson, Helmsley Arts Centre, Friday, 7.30pm

FOUR-TIME BBC Radio 2 Folk Awards nominees and double Spiral Earth Awards winners Megson combine heavenly vocals, lush harmonies and driving rhythmic guitars, topped off with northern humour. 

Hailing from Teesside and now based in Cambridgeshire, husband-and-wife folk roots duo Debs Hanna (vocals, whistle, piano accordion) and Stu Hanna (guitar, mandola, banjo) followed up 2023 studio album What Are We Trying To Say with Megson – Live In Teesside, recorded at Stockton-on-Tees Arc in 2025. Box office: 01439 771700 or helmsleyarts.co.uk.

Ryedale film event of the week: Summit Stories, Kirk Theatre, Pickering, Friday, 7.30pm

THIS evening of adventure films to raise funds for the Scarborough & Ryedale branch of Mountain Rescue England & Wales features a variety of exciting off-piste adventures, such as ski mountaineering, mountain climbing and mountain biking.

Created by elite athletes from around the world, the Faction Collective’s 150 Hours From Home, Blair Aitken of British Backcountry’s 10 In A Weekend, Commencal’s Dolomites and Jessie Leong’s The Last Forgotten Art contain scenes to take the breath away. The mountain rescue team, by the way, supports adventurers when things go wrong and conducts  day-to-day searches and rescues off the beaten track. Box office: 01751 474833 or kirktheatre.co.uk.

Seriously Collins: Taking Phil Collins at Face Value in tribute to solo and Genesis years at Milton Rooms, Malton

Tribute gig of the week: Seriously Collins – A Tribute To Phil Collins & Genesis, Milton Rooms, Malton, Saturday, 8pm

RETURNING by popular demand, Seriously Collins relive the hits of Phil Collins and Genesis, taking a musical journey through the songs that defined an era, echoing Collins’s soulful solo sound and re-creating the energy, intricacy and intensity of his more expansive original band. Expect “no gimmicks, just a genuine tribute to one of the greatest artists of our time”. Box office: 01653 696240 or themiltonrooms.com.

Lee Mead, centre, as showman P. T. Barnum, surrounded by actor musicians and circus acts in Barnum: The Circus Musical, on tour at Grand Opera House, York. Picture: Pamela Raith

Touring musical of the week: Bill Kenwright Ltd in Barnum: The Circus Musical, Grand Opera House, York, February 24 to 28, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

MUSICALS leading man Lee Mead plays the most challenging role of his career, stepping into P. T. Barnum’s shoes and on to the tightrope as the legendary circus showman, businessman and politician in Jonathan O’Boyle’s touring production of the Broadway musical.

Mead leads the cast of more than 20 actor-musicians (playing 150 instruments), acrobats and international circus acts as, hand in hand with wife Charity, Barnum finds his life and career twisting and turning the more he schemes and dreams his way to headier heights. Box office: atgtickets.com/york.

Maggie Smales’s Madame Armfeldt and Libby Greenhill’s Fredrika rehearsing for Wharfemede Productions’ A Little Night Music

Sondheim show of the week: Wharfemede Productions in A Little Night Music, Theatre@41, Monkgate, York, February 24 to 28, 7.30pm plus 2.30pm Saturday matinee

SET in turn-of-the-century Sweden, A Little Night Music explores the tangled web of love, desire, and regret through Stephen Sondheim’s signature blend of sophistication, humour and hauntingly beautiful music, not least the timeless Send In The Clowns.

Directed by Helen “Bells” Spencer, Wharfemede Productions’ show combines the York company’s hallmark attention to emotional depth, musical high quality and character-driven ensemble storytelling. Box office: tickets.41monkgate.co.uk.

Levellers: Revisiting Levelling The Land at York Barbican this autumn. Picture: Steve Gullick

Gig announcement of the week: Levellers, Levelling The Land 35th Anniversary Tour, York Barbican, October  29

BRIGHTON folk-rockers Levellers have been among Britain’s most enduring and best-loved bands for nearly 40 years, their success built in part on the anthems that comprised their platinum-selling second album Levelling The Land, whose 35th anniversary falls on October 7.

To mark the occasion, Levellers will head out on a UK and European tour from October 16 to November 21, playing many songs from that album, alongside fan favourites from their extensive catalogue. Hotly tipped Essex punk duo The Meffs will support. Tickets go on sale on Friday at 10am from https://www.yorkbarbican.co.uk/whats-on/levellers-2026/.