Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary
AUGUST’S arrival heralds the return of riverside art, Georgian festival frolics and moorland classical music in Charles Hutchinson’s guide to a cornucopia of culture.
Art event of the month: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, York, August 9 and 10, August 16 and 17, 10am to 5.30pm
YORK River Art Market returns for its tenth anniversary season by the Ouse riverside railings, where 30 artists and designers will be setting up stalls each day.
Organised by York artist and tutor Charlotte Dawson, the market offers the chance to buy directly from the makers of ceramics, jewellery, paintings, prints, photographs, clothing, candles, soaps, cards and more besides. Admission is free.
Scott Bennett: Presenting Blood Sugar Baby at Pocklington Arts Centre
Storyteller of the week: Scott Bennett, Blood Sugar Baby, Pocklington Arts Centre, tonight, 8pm
ONE family, one condition, one hell of a hairy baby: Scott Bennett, from The News Quiz and the Parenting Hell podcast, relates how his daughter fell ill with a rare genetic condition, congenital hyperinsulinism (CHI).
Never heard of it? Neither have new parents Scott and Jemma as they fight to achieve the right diagnosis for their daughter and are plunged into months of bewildering treatment, sleepless nights, celebrity encounters and bizarre side effects, but a happy ending ensues. Box office: Pocklington, 01759 301547 or pocklingtonartscentre.co.uk.
Ryosuke Kiyasu: Drumming prowess on The Arts Barge
Beat that: No Instrument and Arts Barge present Ryosuke Kiyasu, The Arts Barge, Foss Basin Moorings, York, tonight, 7.30pm
PIONEERING snare-drum soloist Ryosuke Kiyasu has redefined percussion since 2003, releasing more than 200 albums, both solo and with his band, drawing 23 million views for his 2018 Berlin live set and featuring on BBC News.
He drums for noise-grind duo Sete Star Sept, the Kiyasu Orchestra and Keiji Haino’s Fushitsusha and co-founded Canada’s cult hardcore unit The Endless Blockade. Box office: artsbarge.com/events.
Iago Banet: Finger-style Spanish guitar playing at The Basement
Guitarist of the week: Iago Banet, The Basement, City Screen Picturehouse, York, tonight, 7.30pm
VIRTUOSO finger-style Spanish guitarist Iago Banet, who moved to London from Galicia in 2014, combines gypsy jazz, blues, country, Dixieland, swing, pop, folk and Americana in his acoustic repertoire, as heard on his third album, 2023’s Tres.
He has performed on BBC Radio 3’s In Tune and Cerys Matthews’ The Blues Show on BBC Radio 2, appeared at Brecon Jazz, Hellys International Guitar Festival and Aberjazz and played with Josh Smith, Mark Flanagan, Jack Broadbent and Clive Carroll. Box office: ticketsource.co.uk.
Four actors, two plays, forty minutes each: 440 Theatre in Much Ado About Nothing and Macbeth at Joseph Rowntree Theatre
Shaking up Shakespeare: 440 Theatre in Much Ado About Nothing and Macbeth, Joseph Rowntree Theatre, York, tomorrow, 7.30pm
FOUR actors perform 40-minute versions of Much Ado About Nothing and Macbeth, transforming the Scottish play from tragedy into comedy in this raucous, breakneck double bill. “Experience the hilarity of not only one of the Bard’s best comedies but also a side-splitting (literally!) Macbeth,” say director Dom Gee-Burch and producer-composer Laura Sillett. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Terry Deary presents Revolting at York Mansion House tomorrow at 5.30pm at York Georgian Festival
York festival of the week: York Georgian Festival 2025, August 7 to 11
ORGANISED by York Mansion House, in tandem with York businesses, the York Georgian Festival will be a whirl of dashing dandy fashions, extravagant feasting and romantic country dancing in a celebration of a golden social scene hidden within the brickwork of York’s abundant 18th century architecture.
Among the highlights will be Terry Deary Presents Revolting; the Life and Loves of Anne Lister; a Georgian dance lesson at the Guildhall; Men’s Hats; Mad Alice’s history talk and gin tasting; the York Georgian Ball; Sounds of Regency by Candlelight; The World of Georgian Fashion; Portraits in Jane Austen and a revival of York actor-playwright Joseph Peterson’s comic romp The Raree Show or The Fox Trap’t. For the full programme and tickets, go to: mansionhouseyork.com/york-georgian-festival.
Alex Phelps, left, Christopher Godwin, Olivia Woolhouse, Valerie Antwi, Susan Twist, Charlie Ryan and Andy Cryer in rehearsal for Michael Frayn’s Noises Off at the SJT, Scarborough. Picture: Tony Bartholomew
Play of the week: Noises Off, Stephen Joseph Theatre, Scarborough, August 9 to September 6, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
SJT artistic director Paul Robinson directs the first ever in-the-round production of Michael Frayn’s legendary 1982 farce with its play-within-a- play structure. “Good luck!” said the playwright on hearing the Scarborough theatre was taking on what has always been considered an impossible task.
Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On. Across three acts, Frayn charts the shambolic final rehearsals, a disastrous matinee seen entirely from backstage and the brilliantly catastrophic final performance. Box office: 01723 370541 or sjt.uk.com.
Jamie Walton: North York Moors Chamber Music Festival director and cellist. Picture: Matthew Johnson
Ryedale festival of the week: North York Moors Chamber Music Festival, August 10 to 23
IN its 17th year, cellist Jamie Walton’s festival presents 14 concerts designed to mirror the 14-line structure of a sonnet, guiding audiences through a pagan year with its unfolding seasons, solstices and equinoxes.
The four elements – Fire, Air, Water and Earth – will be explored through the lens of TS Eliot’s Four Quartets and staged in four historic moorland churches: St Hilda’s, Danby; St Hedda’s, Egton Bridge; St Michael’s, Coxwold, and St Mary’s, Lastingham. Ten concerts will be held in an acoustically treated venue in the grounds of Welburn Manor, near Kirkbymoorside. For the full programme, go to northyorkmoorsfestival.com. Box office: 07722 038990 or email bookings@northyorkmoorsfestival.com.
The Smashing Pumpkins: Heading to Scarborough on Aghori Tour next Wednesday
Coastal gig of the week: Smashing Pumpkins and White Lies, TK Maxx Presents Scarborough Open Air Theatre, August 13, gates 6pm
AMERICAN alternative rockers The Smashing Pumpkins play Scarborough on their Aghori Tour. Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by London post-punk revival band White Lies.
Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums worldwide and collected two Grammy Awards, seven MTV VMAs and an American Music Award. Box office: ticketmaster.co.uk.
TWO well-loved York ensembles will reunite for Sounding Brass and Voices at the Joseph Rowntree Theatre, York, on September 6 to celebrate 100 years of music.
York Philharmonic Male Voice Choir and York RI Golden Rail Band will perform a joint concert for the fourth time in a pairing of brass and voices that is both tender and thrilling.
The first pairing in 2020 came three weeks before the first Covid-19 lockdown in the UK, followed by concerts in 2023 and 2024 to enthusiastic York audiences.
York Philharmonic Male Voice Choir – or “The Phil” as it is known affectionately – was founded in 1925 and is marking its centenary year with a season of high-profile concerts with partner choirs from Europe and closer to home, as well as with the Golden Rail Band.
From humble beginnings, The Phil has become one of the country’s best choirs, achieving television fame in the 1970s, performing internationally and still winning awards in 2025. The latest was won in April at the National Choir Day at Eskdale Festival of the Arts in Whitby.
Berenice Lewis, the choir’s musical director for 25 years, says: “It’s a tremendous privilege and pleasure to be collaborating again with the York RI Golden Rail Band, one of our region’s leading concert brass bands.
“Our two groups are exceptionally compatible, and we love working together – and it’s particularly special in this centenary year for the choir. We’re excited to share an evening of music in the gorgeous setting of the Joseph Rowntree Theatre. Don’t miss it!”
York Philharmonic Male Voice Choir: 100th anniversary
Golden Rail Band, based next to York Station, celebrated its own milestone last year, marking 40 years of music-making, although the band’s parentage stretches back to 1883.
For its ruby anniversary, the band recorded a special radio programme and performed concerts at the National Centre for Early Music, Selby Abbey and York Barbican.
This year will see the band making its television debut in November, details of which are being kept closely under wraps.
Band conductor Nick Eastwood said: “We’re thrilled to be performing with The Phil again, even more so as they celebrate their 100th anniversary. To mark such a huge occasion, we’ve taken the opportunity to reflect on 100 years within our brass band world, which offers a rich and inspiring musical heritage to draw on.
“From romantic film music to toe-tapping hits, there will be something for everyone. And prepare yourselves for the finale, when the choir and the band will take the stage together for a couple of glorious and rousing numbers that will gladden your heart and send you home singing.”
A fifth collaboration between the Golden Rail Band and The Phil will ensue at the York Barbican on September 21 when the band will be among the ‘Friends’ at the choir’s Music of The Phil and Friends concert. Box office: yorkbarbican.co.uk.
York Philharmonic Male Voice Choir and York RI Golden Rail in Sounding Brass and Voices, Joseph Rowntree Theatre, York, September 6, 7.30pm. Box office: 01904 501935 or josephrowntreetheatre.co.uk/whats-on/concert/sounding-brass-and-voices/2810.
York Philharmonic Male Voice Choir and York RI Golden Rail Band in concert together. Picture: Keith Meadley
Everybody’s talking about Harvey Stevens’ Jamie: the break-out star of Pick Me Up Theatre’s production
MADE in Sheffield and exported to the musical theatre world, Everybody’s Talking About Jamie has its second York run this week after Nik Briggs’s Teen Edition for York Stage in June 2023.
Young actors are no less prominent in York company Pick Me Up Theatre’s production, led by Harvey Stevens, even younger at 15 than Ryan Addyman was when fronting Briggs’s cast of 13 to 19-year-olds at 17.
Harvey has been dancing since his first class at the Yorkshire Rose Academy of Dance aged three and will begin musical theatre studies at SLP College in Garforth in September. He is a stage natural, tall and lithe and mischievously energetic, here bringing his dream role of Jamie New to life with cheek and chutzpah.
There to watch him on the first night was his father, Antonie Williams-Browne, who had travelled up from Plymouth specially for the show. Twenty years ago, Antonie had shown off his own dance moves in Robert Readman’s UK amateur premiere of The Full Monty for Shipton Theatre Company at the JoRo, “lifting the first half to new heights” (York Press, July 27 2005) when playing the veteran, arthritic-limbed Horse.
Harvey Stevens’ Jamie New, front left, and his Mayfield School classmates in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Picture: Matthew Kitchen
Son Harvey is a colt by comparison, with room for expansion in both his vocal and acting range, but already he has a thrilling presence on stage: everybody will be talking about his Jamie this week.
Inspired by the Firecracker documentary Jamie: Drag Queen At 16, composer Dan Gillespie Sells (from Horsham pop practitioners The Feeling) and writer/lyricist Tom MacRae drew on an original idea by co-writer Jonathan Butterell for the 2017 Sheffield Crucible Theatre premiere of a show that completed a populist trilogy of Steel City comedy dramas.
First came the defiant spirit and sheer balls of The Full Monty; next, the classroom politics and fledgling frustrations of Alan Bennett’s The History Boys, and lastly “Jamie”, the unapologetic story of the boy who sometimes to be wants to be a girl, wear a dress to the school prom and be a drag queen.
Eight years on, “Jamie” still lives up to its billing as “the hit musical for today”, replete with bold humour, withering wit, northern nous and sassy social awareness, in a barometer of our changing times and attitudes towards gender, bigotry, bullying, homophobia, absentee fathers and the right to self-expression. Jamie’s reverence for RuPaul, whose Drag Race was not aired on BBC Three until 2019, affirms how the show has kept an eye on cultural shifts.
First we meet the Year 11 pupils of Mayfield School, a typical comprehensive classroom of 16-year-olds full of hopes and aspirations, but filtered through the realities of life in a northern town that makes them cynical and unruly too, typified by Stevens’ Jamie, draped languidly over his chair, bored and inattentive.
Zander Fick’s feisty drag queen Loco Chanelle in Everbody’s Talking About Jamie Picture: Matthew Kitchen
In the wake of Billy Liar’s Billy Fisher and Kes’s Billy Casper, here is another young, restless Yorkshire dreamer in need of escape from the grey grime of a Sheffield council estate in a classic teen rebel story.
A breaker of rules and hearts alike, this lippy kid in lip gloss oozes confidence on the surface, graceful in high heels, but Jamie is naive and vulnerable too, desperate to strut before he can walk, especially when his stay-away father (Andrew Isherwood) is so disapproving and teacher Miss Hedge (Alexandra Mather) is so narrow-minded.
Stevens’ Jamie will be the teen star of the show, but gold stars also go to Fergus Green’s loathsome, self-loathing bully, Dean Paxton, and Ruby Salter’s quietly self-assured doctor-in-waiting Pritti Pasha, Jamie’s best friend, whose rendition of It Means Beautiful lives up to its title.
Everybody’s Talking About Jamie is told from more than the teen perspective, giving it the grit of a kitchen-sink drama, where the adult viewpoint of father and teacher is compounded by Jamie’s world-weary, self-sacrificial, ever supportive mum Margaret (Rowntree Players’ pantomime clown Gemma McDonald revealing a deeper side, her voice cracking under the emotion of singing her second heartfelt ballad, He’s My Boy.
Meet Sheffield drag queens Loco Chanelle, Tray Sophisticay, Laika Virgin and Sandra Bollock, alias Zander Fick, Andrew Isherwood, Mark Simmonds and Ryan Richardson, in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Make-up: Renee Delait. Hair: The Birdcage, Brighton. Picture: Matthew Kitchen
She forms a defiant double act with Lottie Farmer’s Ray, her blunt but sharp friend, who is always popping round with a market stall bargain, backed up by a choice putdown for authority.
Equally supportive too is dress-shop boss Hugo/veteran drag act Loco Chanelle (Zander Fick, continuing his year of outstanding performances), in tandem with the bantering drag-queen veterans Sandra Bollock (Ryan Richardson), Tray Sophisticay (Andrew Isherwood at the double) ) and Laika Virgin (Mark Simmonds), Sheffield’s variation on The Adventures Of Priscilla, Queen Of The Desert.
Posted high above the stage, musical director Adam Tomlinson and his band, trumpet, trombone, tenor sax et al, are in top form throughout, for big numbers and instrumental interludes alike, while Ilana Weets’s choreography hits the mark, from And You Don’t Even Know It opening to Out Of The Darkness (A Place Where We Belong) finale.
Readman wears his director and designer hats with elan, aside from a misbehaving, overworked central door* that opens to Margaret’s kitchen, Loco Chanel’s studio, school classroom and Dad’s house alike. His triumphant production epitomises this musical’s call to “celebrate being yourself and find a place where you belong”: the stage for Jamie New and Harvey Stevens alike.
Pick Me Up Theatre, Everybody’s Talking About Jamie, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Gemma McDonald’s Margaret, left, Harvey Stevens’ Jamie New and Lottie Farmer’s Ray in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Picture: Matthew Kitchen
* Footnote from director-designer Robert Readman:
“JUST a quick note to say the misbehaving centre door is now fixed! It was originally going to swing both ways but it just decided to come out…”
Amelia Donkor and Antony Jardine: Playing Gulie Harlock and Seebohm Rowntree respectively alongside 100-strong community ensemble in His Last Report at York Theatre Royal. Picture: Millie Stephens
YORK Theatre Royal’s community play takes top billing in Charles Hutchinson’s selections for summer satisfaction.
Community play of the week: York Theatre Royal and Riding Lights Theatre Company present His Last Report, York Theatre Royal, today to August 3
FOCUSING on pioneering York social reformer Seebohm Rowntree and his groundbreaking investigation into the harsh realities of poverty, Misha Duncan-Barry and Bridget Foreman’s play will be told through the voices of York’s residents, past and present.
Seebohm’s findings illuminate the struggles of the working class, laying the foundation for the welfare state and sparking a movement that will redefine life as we know it. However, when fast forwarding to present-day York, what is Seebohm’s real legacy as the Ministry begins to dismantle the very structures he championed in His Last Report’s York story with a national impact? Box office: 01904 623568 or yorktheatreroyal.co.uk.
Bean there, done that: “Appetite For Destruction” artist Lincoln Lightfoot takes his spay can to York’s iconic Bile Beans mural advert at VandalFest
Street art takeover of the summer: Vandals At Work present VandalFest, today, Sunday, then July 25 to 27, 11am to 6pm
VANDALS At Work reunite with youth homelessness charity Safe and Sound Homes (SASH) for VandalFest, the immersive street art takeover of a disused office block with a 2025 theme of the playful, cheeky, witty and mischievous.
Among more than 30 artists from the UK and beyond are Bristol graffiti pioneer Inkie, subversive stencilist Dotmasters, inflatable prankster Filthy Luker, master of optical illusions Chu, rooftop renegade Rowdy and York’s own Sharon McDonagh, Lincoln Lightfoot and Boxxhead. Entry is free, with a suggested £3 donation to SASH.
Craig David: In party mood at Scarborough Open Air Theatre today
Coastal gigs of the week: TK Maxx Presents Scarborough Open Air Theatre, Craig David TS5 Show plus special guest Patrick Nazemi, today; Judas Priest, July 23. Gates open at 6pm
SOUTHAMPTON rhythm & blues musician Craig David parades his triple threat as singer, MC and DJ at his TS5 party night – patented at his Miami penthouse – on the East Coast this weekend. On the 25th anniversary of debut album Born To Do It, expect a set combining old skool anthems from R&B to Swing Beat, Garage to Bashment, while merging chart-topping House hits too.
Judas Priest, formed in Birmingham in 1969, are still receiving a Grammy nomination in 2025 for Best Metal Performance, on top of being inducted into the Rock & Roll Hall of Fame, appointed by shock rocker Alice Cooper, in 2022. Their 19th studio album, Invincible Shield, was released in March 2024. Wednesday’s support act will be Phil Campbell & The B**stard Sons. Box office: scarboroughopenairtheatre.com.
Heather Leech in Gleowit Productions’ King Harold’s Mother at the Joseph Rowntree Theatre
Historical solo show of the week: Gleowit Productions in King Harold’s Mother, Joseph Rowntree Theatre, York, tonight, 7.30pm
IN 1066, a mother loses four sons; three killed at the Battle of Hastings, one branded as a traitor. However, these are times of turmoil, where crowns on the head go with swords in the hand, and this mother has lost everything.
Two years later in Exeter, King Harold’s mother, Gytha Thorkelsdottir, makes her last stand against the might of the new king, William. She is forced to face the consequences of her own actions, to accept the overwhelming might of the Conqueror. Is nothing all she is left with? Is nothing better than this, asks Gleowit Productions in King Harold’s Mother, written and performed by Heather Leech. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Dame Harriet Walter: Pride And Prejudice celebration at Wesley Centre, Malton
Ryedale Festival theatre event of the week: Pride And Prejudice, Dame Harriet Walter, Melvyn Tan and Madeleine Easton, Wesley Centre, Malton, Sunday, 7pm
THIS theatrical retelling of Pride And Prejudice by novelist and Austen biographer Gill Hornby marks the 250th anniversary of Jane Austen’s birth. Star of stage and screen Dame Harriet Walter brings the romance of Elizabeth Bennet and Mr Darcy to life in an intimate drawing-room setting, in much the same way that Jane herself first read the story aloud to family and friends.
Carl David’s score for the 1995 BBC television adaptation will be performed by pianist Melvyn Tan and violinist Madeleine Easton. The festival runs until July 27; full details and tickets at ryedalefestival.com. Box office: 01751 475777.
The Wedding Present’s David Gedge, left, and Reception writer-director Matt Aston, pictured walking through Leeds, will be teaming up for a chat at Bluebird Bakery, Acomb, on Sunday
Gig and chat show the week: An Evening of Conversation and Music with David Gedge from The Wedding Present, Rise@Bluebird Bakery, Acomb Road, Acomb, York, Sunday, 8pm, doors 7pm
DAVID Gedge, long-time leader of The Wedding Present, discusses his “semi-legendary” Leeds indie band’s 40-year-career and his life in the music industry, in conversation with Amanda Cook. York writer/director Matt Aston joins him too on the eve of rehearsals for Reception – The Wedding Present Musical, ahead of its premiere at Slung Low, The Warehouse, Holbeck, Leeds, from August 22 to September 6.
Sunday’s event concludes with Gedge’s 20-minute acoustic set drawn from The Wedding Present’s cornucopia of arch, romantic yet perennially disappointed songs of love, life’s high hopes and woes, chance and no chance. Box office: eventbrite.com.
Listen to David Gedge discuss 40 years Of The Wedding Present, the Reception musical and his Rise@Bluebird Bakery show with Two Big Egos In A Small Car podcasters Charles Hutchinson and Graham Chalmers at:
Out with the old, in with New: Harvey Stevens’ Jamie, front left, with his Sheffield school classmates in Pick Me Up Theatre’s Everybody’s Talking About Jamie
Musical of the week: Pick Me Up Theatre in Everybody’s Talking About Jamie, Joseph Rowntree Theatre, York, July 22 to 26, 7.30pm and 2.30pm Saturday matinee
AT 16, Sheffield schoolboy Jamie New is terrified of the future and has no interest in pursuing a traditional career. He wants to be a drag queen. He knows he can be a sensation. Supported by his loving mum and encouraged by friends, can Jamie overcome prejudice, beat the bullies and step out of the darkness, into the spotlight?
Written by Tom MacRae and The Feeling’s Dan Gillespie Sells, this joyous underdog story is staged by York company Pick Me Up Theatre with Harvey Stevens, 15, and Gemma McDonald leading the cast. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
The poster for Steve Steinman’s Love Hurts, Power Ballads & Anthems!, on tour at the Grand Opera House, York
Jukebox show of the week: Steve Steinman’s Love Hurts, Power Ballads & Anthems!, Grand Opera House, York, July 24, 7.30pm
FROM the producers of Anything For Love and Vampires Rock comes the latest Steve Steinman venture, this one built around power ballads and anthems performed by a powerhouse cast of singers and a seven-piece band.
Love Hurts embraces Fleetwood Mac, Heart, Whitesnake, Billy Idol, Aerosmith, Tina Turner, Cutting Crew, Foreigner, REO Speedwagon, Rainbow, Van Halen, Europe, Air Supply and more. Box office: atgtickets.com/york.
Sophie Ellis-Bextor: On course for Knavesmire
Dancefloor double bill of the week: Sophie Ellis-Bextor and Natasha Bedingfield, York Racecourse Music Showcase Weekend, July 25.Gates, 4pm; first race, 5.30pm; last race, 8.23pm
AT the only evening meeting of the Knavesmire racing calendar, kitchen disco queen Sophie Ellis-Bextor and fellow Londoner Natasha Bedingfield each play a set after the seven-race sporting action.
Ellis-Bextor, 46, will draw on her five top ten albums and eight top ten singles, such as Murder On The Dancefloor and Take Me Home, from a pop career now stretching beyond 25 years. Bedingfield , 43, has the hits Unwritten, Single, These Words, I Wanna Have Your Babies and Soulmate to her name. For race-day tickets, go to: yorkracecourse.co.uk.
In Focus: The Floating Fringe, Arts Barge, York, July 24 to 26
The launch poster for The Floating Fringe
ALL aboard for The Floating Fringe, a celebration of grassroots, home-grown performances on the Arts Barge, moored at Foss Basin Moorings, off Tower Street, York.
This bold new arts festival is taking over the Selby Tony former cargo barge for three jam-packed days of comedy, theatre and family entertainment, offering a long-overdue space for the city’s vibrant and emerging Fringe scene.
“Led by a new generation of creatives, The Floating Fringe is here to shake things up,” says lead organiser Kai West, the York artist, printmaker and Bull band member. “It’s a spirited response to past commercial Fringe attempts that failed to take root, replacing polished formulas with passion, playfulness and local and up-and-coming talent.
“This is about more than just putting on a show. It’s about building a community. With its intimate setting and grassroots ethos, The Floating Fringe aims to be the artistic home for Fringe arts, acts and audiences alike: a long-awaited space for expression where alternative, up-and-coming and independent voices can truly thrive.”
Kai continues: “York has always had the talent, the audiences and the appetite for Fringe. What it’s been missing is a space that actually belongs to the community. After seeing other commercial attempts come and go, we wanted to create something independent, accessible and genuinely rooted in York’s creative scene. The Arts Barge has always been about building something meaningful for York, by York. The Fringe is just another part of that.”
The Arts Barge itself is part of that story. A passion project years in the making, it was crowd-funded and community-built by the Arts Barge Project to bring an accessible floating arts space to York. Now fully operational and moored in the centre of the city, the barge is more than a venue. “It’s a symbol of what’s possible when local creatives are given the freedom to build something of their own,” says Kai.
From comedy to original theatre and family-friendly daytime shows, The Floating Fringe promises a weekend packed with performances, connection and grassroots energy. “Whether you’re a Fringe fanatic or just curious to see what York’s creative underground has to offer, everyone is welcome aboard,” says Kai.
5pm to 6pm, Robocop vs The Terminator vs Gabriel Featherstone. Three titans of entertainment face off in a bloody, mind-mangling, no-holds-barred battle to the death.
6.30pm to 7.30pm, Richard Brown: Nauseatingly Woke Full-Grown Jellyfish. Underground Fringe favourite known for thoughtful, intelligent and dark alternative comedy.
8pm to 9pm, Seymour Mace Does Things With Stuff. “It’s better than watching people do things,” says Seymour. “It’s better than paying to watch people do things. I was doped up on watching other people do things. I forgot how to do things I’ve just remembered. Look what I done!”
9.30pm to 10.30pm, Theo Mason Wood: Legalise Kissing. York-raised Netflix writer and award-winning comedian delivers a punk-clown manifesto on love, identity and modern chaos in a genre-defying mix of stand-up, surreal storytelling and live techno anthems. “This is comedy like you’ve never seen before,” says Mason Wood.
Bobby Cockles
Friday
5pm to 6pm, Clown: Bobby Cockles Goes To Hell! The Good Room presents a dark stand-up journey through the terrible adventure of a cursed Cockney clown. Being in love can be absolute hell!
6.30pm to 7.30pm, Eryn Tett Is Sponsored By The Global Megacorp Institute of Manchester, work in progress. Multi award-winner is developing her next show: an immersive comedy packed with her trademark offbeat (mostly “yo mama”) jokes, top-secret ceremonies and a non-stop handshake.
8pm to 9pm, York The Plank: A Bunch of Local Legends. Fast, furious and gloriously chaotic stand-up comedy showcase helmed by Chris Booker, comedian, aspiring sci-fi writer and charmingly under-qualified sea captain for the night.
9.30pm to 10.30pm, Thor Odin Stenhaug, One Night Stand Baby. A show about love, life (drawings) and being not only a son to your parents but more like a mutual friend.
Sir Dickie Benson
Saturday
2pm to 3pm, Moon Rabbit Theatre presents Shirley: A Ghost Story. Why do people write ghost stories? Is it to explain away the fear? To spread it? Or do they write to reveal the ghosts inside them?
3.30pm to 4.30pm, Caroline McEvoy: Train Man. Tale of sibling rivalry in post-Troubles Northern Ireland, told with gut-punch gags and emotional blows as McEvoy reckons with her lifelong battle with her younger brother, who loves trains and getting his way.
5pm to 6pm, Alfie Packham: My Apologies To The Chef. Voilà! Alfie serves up new jokes in his fresh show about friends, family, loneliness, enemies – and which of these he prefers. Bon appétit.
6.30pm to 7.30pm, Jain Edwards, She-Devil. Jain isn’t like other girls. She’s worse. But she’s finally ready to lean in (and receive a little forehead kiss from hubby). Expect silly, subversive comedy in a show about conspiracy theories, autism and men turning on you.
9.30pm to 10.30pm, Sir Dickie Benson Interacts With The Audience Whether They Like It Or Not. Encounter the last Hollywood hell-raiser; an octogenarian, thespian barbarian with a pint of vodka and a smouldering hash pipe whose capacity for drink is matched only by his boundless charm and mercurial temper.
Sisters doing it for themselves? Jennifer Jones’s Elizabeth Watson, left, Livy Potter’s Emma Watson and Florence Poskitt’s Margaret Watson in Black Treacle Theatre’s The Watsons. Picture: Dave Lee
WHEN studying semiotics and semantics in year three of Cardiff University’s English Literature degree more than 40 years ago, one discussion point was ‘Who’s in control of a novel’. The writer? The characters? Or the reader?
Roll forward to York company Black Treacle Theatre’s York premiere of The Watsons, where writer Laura Wade and indeed the characters ask that same question. The reader is replaced by audience members, whose control here is whether to laugh or not at Wade’s ever more anxious comedy.
The question is heightened by the playwright’s challenge. Wade penned Posh (the Royal Court one about the Oxford University dining club of Cameron and BoJo notoriety) and Home, I’m Darling (the darkly comic one about sex, cake and the quest to be the perfect 1950s’Welwyn Garden City housewife): two social studies of English behaviour. The Watsons is a third such study, but with a difference.
Not a fan: Victoria Delaney’s oft-disapproving Lady Osborne. Picture: Dave Lee
Wade picks up the unfinished business of a Jane Austen novel with all the familiar tropes of young sisters desperately having to seek husbands as the only way to improve their circumstances from a pool of unsuitable cads and awkward aristocrats, but with one sister demanding to do it on her own terms. For Pride And Prejudice’s Lizzy Bennet, read The Watsons’ Emma Watson (Livy Potter).
Emma is 19, new in town in 19th century English society, but promptly cut off by her rich aunt and consigned back to the family home with her sisters, the more earnest Elizabeth (Jennifer Jones) and ever excitable Margaret (Florence Poskitt).
Into Austen’s whirl spin the irresistible cad, Nick Patrick Jones’s Tom Musgrave, the tongue-tied toff, Cameron O’Byrne’s Lord Osborne, and his grandstanding mother, Victoria Delaney’s Lady Osborne, with daughter Miss Osborne (Effie Warboys) in tow. A vicar is on the marital march too, Andrew Roberts’s awfully nice Mr Howard.
Livy Potter’s 19th century Emma Watson looks startled as Sanna Jeppsson’s Laura uses her 21st century phone in The Watsons. Picture: Dave Lee
So far, so Austen, if Austen mini, and then…enter Laura (Sanna Jeppsson in her stage return after time out for yoga-teaching studies). Laura, wearing period costume when first seeking to fit in, turns out to be Laura Wade, wading in to explain that Austen’s story went no further (beyond notes to her sister containing advice on who Emma should not marry).
What happens when the writer loses the plot? Jeppsson’s Laura takes over, but it is not as straightforward as that. She does not merely grab Austen’s reins and gallop to the finishing line as the affairs of their heart play out. Instead, The Watsons becomes a piece of meta-theatre, exploring the role, the motives and the creative process of a writer, who, spoiler alert, ends up losing the plot herself.
What’s more, Laura will not have it all her own way. Potter’s feisty Emma speculates: what if she decides what she wants to do, rather than going along with Laura’s plotlines. Trouble is brewing, trouble accentuated by Emma’s fellow abandoned Austen characters rebelling too. Time for a breather, plenty to discuss.
Livy Potter’s Emma Watson puts Andrew Roberts’s clergyman, Mr Howard, to use carrying parcels in The Watsons. Picture: Dave Lee
Re-enter Jeppsson’s Laura, mobile phone in pocket and by now wearing jeans. Re-enter Austen’s increasingly errant characters as The Watsons heads ever further off-piste.
Not everything works – after all, this a reactivated novel in progress with room for trial and error – and you will not be surprised when Jeppsson’s Laura has an exhausted, exasperated meltdown, but you will surely love the characters’ philosophical discussions on Thomas Hobbes and Jean-Jacques Rousseau, led by Matt Pattison’s scene-stealing Robert Watson.
What begins as stilted Regency period drama becomes free-form modern theatre of the absurd, mischievous yet smart, like the works of Austentatious, wherein Wade examines the art of storytelling, the right to free will and who has the final say on our finales.
Cry havoc: Effie Warboys’ Miss Osborne, centre, leads the battle charge in Black Treacle Theatre’s The Watsons. Picture: Dave Lee
Under Jim Paterson’s playful yet still sincere direction, The Watsons keeps the surprises coming, the energy dynamic, the intellect busy and the humour unpredictable. All the while, Jeppsson’s vexed Laura is the serious one, coming up with a theory to Potter’s Emma as to why Austen put the pen down on her.
Amid the social commentary, the parallels with today’s values, the ever dafter comedy, this union of writer, character and audience hits its peak.
Black Treacle Theatre in The Watsons, Joseph Rowntree Theatre, York, tonight, 7.30pm; tomorrow, 2.30pm and 7.30pm. Box office: York, 01904 501935 or josephrowntreetheatre.co.uk.
Harvey Stevens’s Jamie New, front left, with his fellow Year 11 pupils at Mayfield School in Pick Me Up Theatre’s Everybody’s Talking About Jamie. Picture: Matthew Kitchen
EVERYBODY’S talking about the new Jamie New in Everybody’s Talking About Jamie in York.
From July 22 to 26, GCSE schoolboy Harvey Stevens will play the title role in York company Pick Me Up Theatre’s production of Tom MacRae and Dan Gillespie Sells’s award-winning musical at the Joseph Rowntree Theatre, York.
This joyous underdog story was last staged in York in its Teenage Version by York Stage in June 2023. “I was too young for that, which I was really gutted about,” says Harvey, 15, from Acomb.
He has loved the story of Jamie New ever since his first experience of the film. “My mum hadn’t heard of it, so she was mortified, not knowing what she’d taken me to, but I loved it!” he says.
“I’ve seen every tour, every cast, since then. My favourite Jamie was Layton Williams, who I went to see at Leeds Grand [Theatre], though I take a bit from every Jamie to be honest, like the riffs in their singing…”
“…But you have your own style, in your singing and in your dancing,” says Gemma McDonald, the Rowntree Players pantomime favourite, who will be playing Jamie’s world-weary, self-sacrificial, ever supportive mum, Margaret.
Harvey Stevens’s Jamie New with the high heels that will transform him from 6ft to 6ft 6ins in Everybody’s Talking About Jamie. Picture: Colin Wallwork
Premiered at the Sheffield Crucible Theatre in 2017, Everybody’s Talking About Jamie is the unapologetic story of the boy who sometimes wants to be a girl, wear a dress to the school prom and be a drag queen. Jamie New, from a Sheffield council estate, but feeling out of place, is so restless at sweet 16 to be “something and someone fabulous”, standing out from the crowd of Year 11 pupils of Mayfield School.
You sense that Harvey has that drive too. He took his first dance steps at the age of three at the Yorkshire Rose Academy of Dance in York. “I then started studying ballet at Let’s Dance, picked up jazz, tap and contemporary there in Year 4, and then I went to Northern Ballet in Leeds for three years,” he says.
From there, he moved on to Elmhurst Ballet School in Birmingham, boarding there as he studied musical theatre, jazz and ballet dancing in Year 7 and 8, adding dancing in heels to his repertoire at SK Dance Fusion in York.
That will come in handy in Everybody’s Talking About Jamie. “I’ll be 6ft 6 with my heels on as I’m 6ft,” says Harvey. “I’ll be looking over everyone on stage!
“I first wore heels on stage at the Move It dance convention in London in 2022.” As with all his dance moves, he took it in his stride. “For this role I’ve taken everything I’ve learnt from ballet and contemporary [dance], all the core techniques, taking the styles and joining them together.”
To be playing Jamie is “like a dream come true as it’s my first main role,” says Harvey. “I’ve always said I wanted to play him, and here I am. It’s such a good character to play and story to tell and I feel I can really relate to that age, and what he’s going through.”
“Playing Jamie is like a dream come true as it’s my first main role,” says Harvey Stevens. Picture: Jo Hird
Gemma, a former teacher, whose 15-year-old son, Ethan, is in the cast too, says: “There’s all those similarities, all those experiences, of what boys face. When I saw that Robert [director Robert Readman] was doing this show, I was thinking, I’m of an age where I can play this character, the mother, who’s got true Yorkshire grit to her.
“I love her songs, If I Met Myself Again and He’s My Boy, and all the words in those songs resonate with me. With having my son there as well, I know how he feels, having just done his Proms.
“I love how Margaret is so supportive of Jamie and never wants him to feel any of that negativity that he experiences from his dad. What she does is everything you would want to her to do as a mum in that situation.
“Any mum in the audience will sit there thinking, ‘I hope that’s how I am with my child’, even though Jamie’s mum does question it, worrying if he will be bullied.”
Jamie, like Billy Liar’s Billy Fisher and Kes’s Billy Casper, is a young Yorkshire dreamer, one who must overcome prejudice, beat the bullies and “step out of the darkness into the spotlight”. Harvey has experienced bullying. “It can be anything, online bullying, but I don’t care what they say online. That just gets a block from me,” he says.
From September, Harvey will study musical theatre at SLP College in Garforth, his next step after taking GCSEs in Maths, English, Art, History and Salon (hair-styling). First, however, everybody will be talking about his Jamie from July 22.
Pick Me Up Theatre in Everybody’s Talking About Jamie, Joseph Rowntree Theatre York, July 22 to 26, 7.30pm and 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
A montage of Black Treacle Theatre cast members in Laura Wade’s The Watsons at the Joseph Rowntree Theatre
TWO productions of The Watsons, Laura Wade’s take on unfinished Jane Austen business, are opening on the same night in York and Helmsley tonight.
Jim Paterson directs Black Treacle Theatre’s production at the Joseph Rowntree Theatre; Pauline Noakes is at the helm for 1812 Theatre Company at Helmsley Arts Centre.
What happens when the writer loses the plot? Find out as Emma Watson, 19 and new in town in the elegant world of early 19th-century England, is cut off by her rich aunt and dumped back in the family home, from where she must navigate society, marriage prospects and her future.
Emma and her sisters must marry, fast, but there is one hitch (not of the marital kind). Jane Austen did not finish this story. Who will write Emma’s happy ending now? Enter Laura Wade, who takes the incomplete novel to fashion a sparklingly witty play that looks under Austen’s bonnet to ask: what can characters do when their author abandons them?
As a recognisably Austen tale begins to unfold, something unexpected happens. Bridgerton meets Austentatious, Regency flair meets modern twists, and the plot goes ever more off-piste.
Florence Poskitt’s Margaret Watson, left, Jennifer Jones’s Elizabeth Watson and Livy Potter’s Emma Watson in the poster for York company Black Treacle Theatre’s The Watsons
Playful, clever, and full of surprises, The Watsons starts as a period drama and transforms into a bold reimagining that spins Regency charm into a dazzling modern theatrical experience, exploring storytelling, free will and who gets to write our endings.
Penned by Posh and Home I’m Darling writer Wade, the play was first produced at Chichester Festival Theatre. Now Black Treacle Theatre takes up the challenge, collaborating with the Joseph Rowntree Theatre in a fundraising production for the JoRo.
Director Jim Paterson says: “The Watsons is simply brilliant. My mind was fizzing from the moment I first read this funny, smart and dynamic play that offers us so much scope for creativity in staging it.
“Laura Wade is one of our best playwrights, and her adaptation of Jane Austen’s unfinished novel both fulfils and plays with expectations of what ‘a Jane Austen story’ is, and what she means to us all. With the brilliant cast and creative team bringing this to life, I can’t wait for us to share this with an audience this summer – and celebrate Jane’s 250th birthday.”
Appearing in Paterson’s cast will be: Livy Potter as Emma Watson; Jennifer Jones, Elizabeth Watson; Florence Poskitt, Margaret Watson; Matt Pattison, Robert Watson; Abi Baxter, Mrs Robert; Maggie Smales, Nanny; Victoria Delaney, Lady Osbourne; Cameron O’Byrne, Lord Osbourne; Effie Warboys, Miss Osbourne; Nick Patrick Jones, Tom Musgrave; Andy Roberts, Mr Howard; Sally Mitcham, Mrs Edwards; Paul Miles, Captain Bertie, and Sanna Jeppsson, Laura.
Jeanette Hambidge’s Nanny, left, Becca Magson’s Emma Watson, Vicki Mason’s Margaret Watson, Linda Tester’s Servant and Oliver Clive’s Lord Osborne in 1812 Theatre Company’s The Watsons
MEANWHILE, how is the 1812 Theatre Company promoting the same play? Here’s how: “The Watsons are coming! Who, you may ask? The Watsons are a family created by Jane Austen in a story she never finished, possibly due to grief over the death of her beloved father.
“Whatever the reason, we have been unable to follow their unfolding lives, although several characters and their concerns bear close similarity to popular Austen figures, until now.
“Step forward Laura Wade, a playwright whose works have graced the stages of the National Theatre and the Stephen Joseph Theatre in Scarborough with the West End hit Home I’m Darling.
“Wade has taken the story of The Watsons, their affairs, values and outlooks, and continued their lives in an altogether unexpected and intriguing way. Gradually we come to realise that despite the outward differences of clothes and habits of the early 19th century, their interests are not too dissimilar to our own. Though perhaps ours are becoming stranger!
Vicki Mason’s Margaret Watson, left, and Jeanette Hambidge’s Nanny in 1812 Theatre Company’s The Watsons
“The result is a play inspired by Jane Austen’s work, in this, the 250th anniversary of her birth. Presented by the 1812 Theatre Company at Helmsley Arts Centre, giving Austen fans a chance to relish a new work and others to observe that her people are not just Georgian dresses and uniforms but have personalities, feelings and problems. The play wears its comedy lightly and is a lively piece, authentically using dance music that Jane herself copied out!”
Pauline Noakes’s cast comprises: Becca Magson as Emma Watson; Julia Bullock, Elizabeth Watson; Vicki Mason, Margaret Watson; Richard Noakes, Uncle Robert Watson, ; Julie Wilson, Aunt Robert Watson; Barry Whitaker, Mr Watson; Jeanette Hambidge, Nanny; Beaj Johnson, Tom Musgrave; Oliver Clive, Lord Osborne; Sue Smith, Lady Osborne; Rosie Hayman, Miss Osborne; Mike Martin, Mr Howard; Robert Perry, Charles Howard; Linda Tester, Servant; Heather Linley, Servant, and Graham Smith, Dancing Master.
The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, July 9 to 12, 7.30pm and 2.30pm Saturday matinee; 1812 Theatre Company, Helmsley Arts Centre, July 9 to 12, 7.30pm. Box office: York, 01904 501935 or josephrowntreetheatre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk.
Christopher Glynn: Directing the 2025 Ryedale Festival, opening on Friday
RYEDALE Festival heads July’s summer delights, taking in the shipping forecast too, in Charles Hutchinson’s leisure list.
Festival of the week; Ryedale Festival 2025, July 11 to 27
ARTISTIC director Christopher Glynn presents a multitude of festival delights, led off by this year’s artists in residence, saxophonist Jess Gillam, soprano Claire Booth and viola player Timothy Ridout, joined by Quatuor Mosaiques, VOCES8 and composer Eric Whitacre.
The festival also welcomes pianists Sir Stephen Hough and Dame Imogen Cooper and organist Thomas Trotter; Arcangelo in Selby; York countertenor Iestyn Davies; the Royal Liverpool Philharmonic’s festival debut; a revival of long-neglected Tippett works and a new Arthur Bliss orchestration.
Jazz, folk and literature weave into the programme too: reeds player Pete Long and vocalist Sara Oschlag salute Duke Ellington; Barnsley’s Kate Rusby showcases her new album, When They All Looked Up, and Dame Harriet Walter channels Jane Austen’s wit in Pride And Prejudice. Full details and tickets at: ryedalefestival.com. Box office: 01751 475777.
The ELO Experience, led by Andy Louis, at the Grand Opera House, York, tonight
Tribute gig of the week: The ELO Experience, Grand Opera House, York, tonight, 7.30pm
THE ELO Experience have been bringing the music of Jeff Lynne and The Electric Orchestra to the stage since forming in Hull in 2006, performing 10538 Overture, Evil Woman, Living Thing, The Diary Of Horace Wimp, Don’t Bring Me Down, All Over The World, Mr Blue Sky et al.
Andy Louis fronts this tribute to a songbook spanning more than 45 years, taking in such albums as A New World Record, Discovery and Out Of The Blue and 2016’s Alone In The Universe. Box office: atgtickets.com/york.
Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Blossoms, tomorrow; Rag’n’Bone Man, Friday, and McFly, Saturday. Gates open at 6pm
CHART-TOPPING Stockport indie group Blossoms make their Scarborough OAT debut tomorrow, supported by Inhaler and Leeds band Apollo Junction, promoting their August 22 new album What In The World.
Rag’N’Bone Man, alias blues, soul and hip-hop singer Rory Graham, cherry-picks from his albums Human, Life By Misadventure and What Do You Believe In? on Friday, with support from Elles Bailey and Kerr Mercer. McFly’s Tom Fletcher, Danny Jones, Dougie Poynter and Harry Judd head to the Yorkshire coast on Saturday when Twin Atlantic and Devon complete the bill. Box office: scarboroughopenairtheatre.com.
Vicki Mason’s Margaret Watson, Beaj Johnson’s Tom Musgrave and Becca Magson’s Emma Watson in 1812 Theatre Company’s production of The Watsons
Play of the week times two: The Watsons, 1812 Theatre Company, Helmsley Arts Centre, today to Saturday, 7.30pm; The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, today to Saturday, 7.30pm and 2.30pm Saturday matinee
TWO productions of Laura Wade’s The Watsons open on the same night in Helmsley and York. What happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.
One problem: Jane Austen did not finish this story. Who will write Emma’s happy ending now? Step forward Wade, who looks under Austen’s bonnet to ask: what can characters do when their author abandons them? Bridgerton meets Austentatious, Regency flair meets modern twists, as Pauline Noakes directs in Helmsley; Jim Paterson directs in York. Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; York, 01904 501935 or josephrowntreetheatre.co.uk.
Second Summer Of Love: Emmy Happisburgh’s coming-of-age and midlife- recovery tale at Theatre@41, Monkgate, York
One for the ravers: Contentment Productions in Second Summer Of Love, Theatre@41, Monkgate, York, tomorrow, 7.30pm
ORIGINAL raver Louise wonders how she went from Ecstasy-taking idealist to respectable, disillusioned, suburban Surrey mum. Triggered by her daughter’s anti-drugs homework and at peak mid-life crisis, Louise flashes back to the week’s emotional happenings and the early Nineties’ rave scene.
Writer-performer Emmy Happisburgh’s play addresses the universal themes of coming of age and fulfilling potential while offering a new perspective for conversations on recreational drug use, recovery from addiction and embracing mid-life. Box office: tickets.41monkgate.co.uk.
An old story told in a new way: Russell Lucas’s Titanic tale of Edward Dorking in Third Class at Theatre@41, Monkgate. Picture: Steve Ullathorne
Titanic struggle of the week: Russell Lucas in Third Class at Theatre@41, Monkgate, York, July 12, 3pm
EDWARD Dorking was openly gay. On Wednesday, April 10 1912, he set sail for New York on a ticket bought for him by his mother in the hope his American family could put him “right”.
Writer-performer Russell Lucas’s Third Class charts Dorking’s journey from boarding the Titanic to swimming for 30 minutes towards an already full collapsible lifeboat, and how, on arrival in New York, he toured the vaudeville circuit as an angry campaigner against the injustices of the shipping disaster. Using music, movement, projection and text, Lucas gives a “thrilling new perspective on what feels a familiar tale”, topped off with a Q&A. Box office: tickets.41monkgate.co.uk.
Charlie Connelly: Rain later, talk now, as he celebrates the quirks and joys of the shipping forecast at the Milton Rooms, Malton
From Viking to South East Iceland:Charlie Connelly’s Attention All Shipping, Milton Rooms, Malton, July 16, 7.30pm
AS the shipping forecast embarks on its second century, author and broadcaster Charlie Connelly celebrates what he regards as the greatest invention of the modern age. How did a weather forecast for ships capture the hearts of a nation, from salty old sea dog to insomniac landlubber? How is it possible for “rain later” to be “good”? And where on earth is North Utsire?
Delving into the history of the forecast and the extraordinary people who made it, Connelly explains what those curious phrases really mean, assesses its cultural impact and shares rip-roaring adventures from his own extraordinary journey through the 31 sea areas. Box office: 01653 696240 or themiltonrooms.com.
Drummer Tom Townend: Bandleader for Tommy T’s Blue Note Dance Party at Pocklington Arts Centre
Jazz At PAC Presents: Tommy T’s Blue Note Dance Party, Pocklington Arts Centre, July 17, 8pm
HERE come the hippest tunes in a night of Blue Note Records’ coolest cuts: all killer, no filler, with grooves from Horace Silver, Cannonball Adderley, Art Blakey and more, brought to Pocklington by bandleader Tom Townsend, drums, Paul Baxter, double bass, Andrzej Baranek, piano, Tom Sharpe, trumpet, and Kyran Matthews, saxophone. Box office: 01759 301547 or pocklingtonartscentre.co.uk
Richard Hawley: Revisiting Coles Corner with strings attached at Live At York Museum Gardens today. Picture: Dean Chalkley
WHAT happens when York Museum Gardens turns into Coles Corner and the same play opens in two places at once? Find out in Charles Hutchinson’s leisure list.
Open-air concert of the week: Futuresound Group presents Live At York Museum Gardens, Richard Hawley, today; gates open at 5pm
SHEFFIELD guitarist, songwriter and crooner Richard Hawley revisits his 1995 album Coles Corner with a string section on its 20th anniversary this evening, complemented by Hawley highlights from his 2001 to 2024 albums (9pm to 10.30pm).
He will be preceded by Mercury Prize-winning Leeds band English Teacher (7.45pm to 8.30pm); Manchester-based American songwriter BC Camplight, introducing his new album, A Sober Conversation (6.30pm to 7.15pm), and Scottish musician Hamish Hawk, whose latest album, A Firmer Hand, emerged last August (5.40pm to 6.10pm). Box office: seetickets.com.
The Tallis Scholars: Performing Glorious Creatures, directed by Peter Philips, at York Minster at 7.30pm tonight at York Early Music Festival. Picture: Hugo Glendinning
Festival of the week: York Early Music Festival, Heaven & Hell, until July 11
EIGHT days of classical music are under way featuring international artists such as The Sixteen, The Tallis Scholars, Academy of Ancient Music, Helen Charlston & Toby Carr and the York debut of Le Consort, performing Vivaldi’s Four Seasons “but not quite as you know it” on Sunday.
Directed by Delma Tomlin, the festival weaves together three main strands: the 400th anniversary of Renaissance composer Orlando Gibbons, the Baroque music of Vivaldi and Bach and reflections on Man’s fall from grace, from Heaven to Hell. Full programme and tickets at ncem.co.uk/whats-on/yemf/. Box office: 01904 658338.
Bridget Christie: Late replacement for Maisie Adam at Futuresound Group’s inaugural York Comedy Festival. Picture: Natasha Pszenicki
Comedy event of the week: Futuresound Group presents Live At York Museum Gardens, York Comedy Festival, Sunday, 2.30pm to 7.30pm
HARROGATE comedian Maisie Adam will not be playing the inaugural York Comedy Festival this weekend after all. The reason: “Unforeseen circumstances”. Into her slot steps trailblazing Bridget Christie, Gloucester-born subversive stand-up, Taskmaster participant and writer and star of Channel 4 comedy-drama The Change.
The Sunday fun-day bill will be topped by Dara Ó Briain and Katherine Ryan. Angelos Epithemiou, Joel Dommett, Vittorio Angelone, Clinton Baptiste and Scott Bennett perform too, hosted by “the fabulous” Stephen Bailey. Tickets update: last few still available at york-comedy-festival.com.
Justin Panks: Headlining Laugh Out Loud Comedy Club at The Basement, City Screen Picturehouse
The other comedy bill in York this weekend: Laugh Out Loud Comedy Club presents Justin, Panks, Tony Vino, Liam Bolton and MC Damion Larkin, The Basement, City Screen, York, tonight, 8pm
COMEDIAN and podcaster Justin Panks tops tonight’s Laugh Out Loud Comedy Club with his skewed observational eye and ability to approach seemingly ordinary subjects from extraordinary angles in his raw, honest tales of relationships, parenthood and life in general.
Tony Vino bills himself as “the only half-Spanish, half-Scottish hybrid working comic in the world”; experimental Liam Bolton favours a bewildering, train-of-thought approach to unpredictable stand-up comedy; Damion Larkin hosts in improvisational style. Box office: lolcomedyclubs.co.uk or on the door.
The Script: Returning to Scarborough Open Air Theatre this weekend
Coastal gig of the week: The Script and Tom Walker, Scarborough Open Air Theatre, today; gates open at 6pm
THE Script head to the Yorkshire coast this weekend as part of the Irish rock-pop act’s Satellites UK tour, completing their hat-trick of Scarborough Open Air Theatre visits after appearances in 2018 and 2022. Special guest Tom Walker, the Scottish singer-songwriter, performs songs from 2019 chart topper What A Time To Be Alive and 2024’s I Am. Box office: scarboroughopenairtheatre.com.
Dianne Buswell and Vito Coppola: Red Hot and Ready to dance at York Barbican
Dance show of the week: Burn The Floor presents Dianne & Vito, Red Hot & Ready!, York Barbican, Sunday, 7.30pm
STRICTLY Come Dancing’s stellar professional dancers, 2024 winner Dianne Buswell and 2024 runner-up Vito Coppola are Red Hot and Ready to perform a dance show with a difference, choreographed by BAFTA award winner Jason Gilkison. The dream team will be joined by a cast of multi-disciplined Burn The Floor dancers from around the world. Box office: yorkbarbican.co.uk.
Florence Poskitt’s Margaret Watson, left, Jennifer Jones’s Elizabeth Watson and Livy Potter’s Emma Watson in Black Treacle Theatre’s The Watsons at the JoRo
Play of the week times two: The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, July 9 to 12, 7.30pm and .30pm Saturday matinee; The Watsons, 1812 Theatre Company, Helmsley Arts Centre, July 9 to 12, 7.30pm
TWO productions of Laura Wade’s The Watsons open on the same night in York and Helmsley. What happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.
One problem: Jane Austen did not finish this story. Who will write Emma’s happy ending now? Step forward Wade, who takes her incomplete novel to fashion a sparklingly witty play that looks under Austen’s bonnet to ask: what can characters do when their author abandons them? Bridgerton meets Austentatious, Regency flair meets modern twists, as Jim Paterson directs in York; Pauline Noakes in Helmsley. Box office: York, 01904 501935 or josephrowntreetheatre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk.
York debut of the week: Kemah Bob in Miss Fortunate, Theatre@41, Monkgate, York, July 9, 8pm
“LIFE is gunna life and brains are gunna brain,” says Kemah Bob as the American host of the Foc It Up Comedy Club and podcast brings their debut stand-up tour to York in a show directed by Desiree Burch and Sarah Chew.
Born in Houston, Texas, and now living in London, Bob has been seen on QI, Richard Osman’s House Of Games, Jonathan Ross’s Comedy Club, Don’t Hate The Playaz and Guessable and heard on the Off Menu podcast, The Guilty Feminist, James Acaster’s Perfect Sounds, Springleaf and Brett Goldstein’s Films To Be Buried With. Box office: tickets.41monkgate.co.uk.
An old story told in a new way: Russell Lucas’s Titanic tale of Edward Dorking in Third Class at Theatre@41, Monkgate. Picture: Steve Ullathorne
Titanic struggle of the week: Russell Lucas in Third Class at Theatre@41, Monkgate, York, July 12, 3pm
EDWARD Dorking was openly gay. On Wednesday, April 10 1912, he set sail for New York on a ticket bought for him by his mother in the hope his American family could put him “right”.
Writer-performer Russell Lucas’s Third Class charts Dorking’s journey from boarding the Titanic to swimming for 30 minutes towards an already full collapsible lifeboat, and how, on arrival in New York, he toured the vaudeville circuit as an angry campaigner against the injustices of the shipping disaster. Using music, movement, projection and text, Lucas gives a “thrilling new perspective on what feels a familiar tale”, topped off with a Q&A. Box office: tickets.41monkgate.co.uk.
In Focus:Contentment Productionsin Second Summer Of Love, Theatre@41, Monkgate, York, July 10, 7.30pm
Second Summer Of Love: Emmy Happisburgh’s coming-of-age and midlife-recovery tale at Theatre@41, Monkgate
ORIGINAL raver Louise wonders how she went from Ecstasy-taking idealist to respectable, disillusioned, suburban Surrey mum. Triggered by her daughter’s anti-drugs homework and at peak mid-life crisis, Louise flashes back to the week’s emotional happenings and the early Nineties’ rave scene.
Writer-performer Emmy Happisburgh’s play addresses the universal themes of coming of age and fulfilling potential while offering a new perspective for conversations on recreational drug use, raising palms to the skies in fields, recovery from addiction and embracing mid-life.
Originally Second Summer Of Love was developed with producers Pants On Fire as a 15-minute and showcased by Emmy at the SHORTS Festival 2020.
“The play premiered as a one-woman performance at the 2022 Edinburgh Fringe,” she says. “Then it was refreshed in 2023; some scenes were re-written, taking into consideration reviewers’ practical criticisms and audience responses.
“We enlisted two more actors and Scott Le Crass to direct and tested out this new version for Contentment Productions on a three-night run in Worthing and Guildford where it sold out.”
In this 60-minute performance, Emmy’s Louise is joined by Molly, played by Emmy’s daughter, Rosa Strudwick, and Christopher Freestone’s Brian, prompted by Louise’s flashbacks,
“Now our cast of three is playing 15 dates this summer and autumn, from York to Penzance, to connect with our target audiences, build partnerships, give us feedback and raise awareness of of our play to help us develop and upscale it into a fully cast production for larger auditoriums.”
Memories around Sterns nightclub in Worthing – a venue that Carl Cox once called “100 per cent equivalent to the Hacienda in Manchester” – wove themselves into Emmy’s play. “Second Summer Of Love isn’t a ‘true story’ but it’s inspired by real-life events and real people from when I was luckily, and very accidentally, right in the middle of the rave zeitgeist,” she says.
“It’s not a tale I’ve seen authentically told in theatres; especially not by a mid-life woman. I’m grateful to bring the ‘one love’ message of the original rave movement to the stage. I’m excited to play several different characters, using the physical skills of Le Coq again and genuinely overjoyed to be in scenes opposite Rosa and Christopher.”
Director Scott Le Crass adds: “I’m excited to direct Second Summer Of Love as it’s a fresh voice. It’s a perspective which I’ve never seen on stage. Older female voices are something we need to champion more and in a way which is strong, dynamic and playful. This play embodies that.”
Happisburgh trained at the Poor School and Guildford School of Acting; Le Crass trained as an actor at Arts Ed and was a director on Birmingham Rep’s first Foundry Programme; Freestone trained with Actor in Session, and Strudwick was trained through the LAMDA examination syllabus by Happisburgh.
Hats galore: Be Amazing Arts Youth Theatre’s guys in Guys And Dolls at the Joseph Rowntree Theatre, York
BE Amazing Arts and more amazing arts besides add up to attractions aplenty for Charles Hutchinson’s list of recommendations
Burgeoning talent of the week: Be Amazing Arts Youth Theatre in Guys And Dolls, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee
MALTON company Be Amazing Arts Youth Theatre heads to York to present Frank Loesser, Jo Swerling and Abe Burrows’ musical fable of Broadway, Guys And Dolls.
Set in Damon Runyon’s mythical New York City, this oddball romantic comedy finds gambler Nathan Detroit seeking the cash to set up the biggest craps game in town while the authorities breathe down his neck. Into the story venture his girlfriend, nightclub performer Adelaide, fellow gambler Sky Masterson and straight-laced missionary Sarah Brown. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
The Wandering Hearts: Introducing new album Deja Vu (We Have All Been Here Before) at Pocklington Arts Centre
Americana gig of the week: The Wandering Hearts, Pocklington Arts Centre, tomorrow, 8pm
BRITISH Americana and folk band The Wandering Hearts combine enchanting harmonies and heartfelt songwriting influenced by Simon & Garfunkel, Crosby, Stills, Nash & Young and First Aid Kit.
Tomorrow’s set by Tara Wilcox, Francesca “Chess” Whiffin and A J Dean-Revington features songs from 2018’s Wild Silence, 2021’s The Wandering Hearts and 2024’s Mother, complemented by a showcase of new album Deja Vu (We Have All Been Here Before), released on June 20. Norwich singer-songwriter Lucy Grubb supports. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Snow Patrol: More chance of sunshine than snow at Scarborough Open Air Theatre on Friday
Coastal gig of the week: Snow Patrol, Scarborough Open Air Theatre, Friday; gates open at 6pm
SNOW Patrol visit Scarborough Open Air Theatre on Friday for the first time since July 2021. The Northern Irish-Scottish indie rock band will be led as ever by Gary Lightbody, accompanied by long-time members Nathan Connolly, lead guitar, and Johnny McDaid, piano. Box office: scarboroughopenairtheatre.com.
Danny Lee Grew: 24K Magic at Friargate Theatre, York
Magic show of the week: Danny Lee Grew, 24K Magic, Friargate Theatre, York, Friday, 7.30pm
CLACTON-ON-SEA magician Danny Lee Grew presents his new mind-boggling one-man show of magic, illusion, laughs, gasps and sleight of hand sorcery. 24K Magic showcases the kind of magic usually seen on television, but now live, in the flesh and under the most impossible conditions. Box office: ticketsource.co.uk/ridinglights.
Olly Murs: Returning to York Racecourse for Summer Music Saturday
Back on track: Olly Murs, York Racecourse, Summer Music Saturday, June 28, first race at 1.55pm; last race, 5.25pm, followed by concert
ESSEX singer, songwriter, actor and television personality from Olly Murs completes his hat-trick of appearances at York Racecourse this weekend, having played the Knavesmire track in 2010 and 2017.
Performing after Saturday’s race card, his set list will draw on his seven albums and 25 singles, including the number ones Please Don’t Let Me Go, Heart Skips A Beat, Dance With Me Tonight and Troublemaker and Top Five hits Thinking Of Me, Dear Darlin, Wrapped Up and Up. Race day tickets: yorkracecourse.co.uk.
Hotbuckle Productions’ Little Women, on tour at Helmsley Arts Centre. Picture: Peter Mould
Ryedale play of the week: Hotbuckle Productions in Little Women, Helmsley Arts Centre, Saturday, 7.30pm
SHROPSHIRE company Hotbuckle Productions follow up last year’s tour of Pride And with Adrian Preater’s typically inventive make-over of Louisa May Alcott’s American novel Little Women, performed by a cast of only three, Joanna Purslow, Gemma Aston and MaryAnna Kelly.
Hotbuckle explore girlhood, family and female ambition in Alcott’s tale of love, loss and the challenges of growing up in 19th century Massachusetts in a fast-paced, humorous, multi-role-playing adaptation that crosses age and gender traditions as the four March sisters journey from adolescence to adulthood. Box office: 01439 771700 or helmsleyarts.co.uk.
Justin Moorhouse: Giving two of the greatest performances of his life at Pocklington Arts Centre this weekend
Comedy gig of the week: Justin Moorhouse, The Greatest Performance Of My Life, Pocklington Arts Centre, Saturday, 3pm and 8pm
ASHTON-UNDER-LYNE comedian, radio presenter and actor Justin Moorhouse covers subjects ranging from pantomimes to dreams, how to behave in hospitals, small talk, realising his mum is a northern version of Columbo, and how being a smart-mouthed child saved him from a life of continually being beaten up. Funny, interesting, perhaps it will warm the soul too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Dawn Landes: Performing at Rise@Bluebird Bakery, Acomb, York
Country gig of the week: Dawn Landes, Rise@Bluebird Bakery, Acomb, York, July 2, 8pm
AMERICAN country roots singer-songwriter Dawn Landes showcases The Liberated Woman’s Songbook, her March 2024 album that re-imagines music from the women’s liberation movement.
Inspired by a 1971 songbook of the same name, Landes breathes new life into powerful songs spanning 1830 to 1970, amplifying the voices of women who fought for equality throughout history. Box office: seetickets.com/event/dawn-landes/rise-bluebird/.
James Sheldon’s Mr Darcy and Rosa Hesmondhalgh’s Lizzy Bennet in Pride And Prejudice at the SJT, Scarborough
Introducing America’s most performed living playwright to North Yorkshire: Pride And Prejudice, Stephen Joseph Theatre, Scarborough, July 3 to 26, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees
BOLTON Octagon Theatre artistic director Lotte Wakeham directs American writer Kate Hamill’s adaptation of Jane Austen’s Pride And Prejudice in a co-production with the SJT, Hull Truck Theatre and Theatre by the Lake, Keswick.
Austen’s story of love, misunderstandings and second chances is staged with music, dancing and humour aplenty in a whirl of Regency parties and courtship as hearts race, tongues wag and passions swirl around the English countryside, with a cast led by Rosa Hesmondhalgh’s Lizzy Bennet and James Sheldon’s Mr Darcy. Box office: 01723 370541 or sjt.uk.com.
Danny Hendrix, Christopher Finn and Sarah Palmer in The Koala Who Could. Picture: Pamela Raith
Children’s show of the week: The Koala Who Could, York Theatre Royal, July 3, 1.30pm; July 4, 10.30am and 4.30pm; July 5, 11am and 2pm
JOIN Kevin the koala, Kangaroo and Wombat as they learn that “life can be great when you try something new” in this adaptation of Rachel Bright and Jim Field’s picture book, directed by Emma Earle (Oi Frog & Friends!), with music and lyrics by Eamonn O’Dwyer (The Lion Inside).
Danny Hendrix (Wombat/Storyteller 1), Sarah Palmer (Cossowary/Storyteller 2) and Christopher Finn (Kevin/Storyteller 3) perform this empowering story of embracing change – whether we like it or not. Box office: 01904 623568 or yorktheatreroyal.co.uk.
