What’s on? The Watsons at the double, that’s what, in York and Helmsley

A montage of Black Treacle Theatre cast members in Laura Wade’s The Watsons at the Joseph Rowntree Theatre

TWO productions of The Watsons, Laura Wade’s take on unfinished Jane Austen business,  are opening on the same night in York and Helmsley tonight.

Jim Paterson directs Black Treacle Theatre’s production at the Joseph Rowntree Theatre; Pauline Noakes is at the helm for 1812 Theatre Company at Helmsley Arts Centre. 

What happens when the writer loses the plot? Find out as Emma Watson, 19 and new in town in the elegant world of early 19th-century England, is cut off by her rich aunt and dumped back in the family home, from where she must navigate society, marriage prospects and her future.

Emma and her sisters must marry, fast, but there is one hitch (not of the marital kind). Jane Austen did not finish this story. Who will write Emma’s happy ending now? Enter Laura Wade, who takes the incomplete novel to fashion a sparklingly witty play that looks under Austen’s bonnet to ask: what can characters do when their author abandons them?

As a recognisably Austen tale begins to unfold, something unexpected happens. Bridgerton meets Austentatious, Regency flair meets modern twists, and the plot goes ever more off-piste.

Florence Poskitt’s Margaret Watson, left, Jennifer Jones’s Elizabeth Watson and Livy Potter’s Emma Watson in the poster for York company Black Treacle Theatre’s The Watsons

Playful, clever, and full of surprises, The Watsons starts as a period drama and transforms into a bold reimagining that spins Regency charm into a dazzling modern theatrical experience, exploring storytelling, free will and who gets to write our endings.

Penned by Posh and Home I’m Darling writer Wade, the play was first produced at Chichester Festival Theatre. Now Black Treacle Theatre takes up the challenge, collaborating with the Joseph Rowntree Theatre in a fundraising production for the JoRo.

Director Jim Paterson says: “The Watsons is simply brilliant. My mind was fizzing from the moment I first read this funny, smart and dynamic play that offers us so much scope for creativity in staging it.

“Laura Wade is one of our best playwrights, and her adaptation of Jane Austen’s unfinished novel both fulfils and plays with expectations of what ‘a Jane Austen story’ is, and what she means to us all. With the brilliant cast and creative team bringing this to life, I can’t wait for us to share this with an audience this summer – and celebrate Jane’s 250th birthday.”

Appearing in Paterson’s cast will be: Livy Potter as Emma Watson; Jennifer Jones, Elizabeth Watson; Florence Poskitt, Margaret Watson; Matt Pattison, Robert Watson; Abi Baxter, Mrs Robert; Maggie Smales, Nanny; Victoria Delaney, Lady Osbourne; Cameron O’Byrne, Lord Osbourne; Effie Warboys, Miss Osbourne; Nick Patrick Jones, Tom Musgrave; Andy Roberts, Mr Howard; Sally Mitcham, Mrs Edwards; Paul Miles,  Captain Bertie, and Sanna Jeppsson, Laura.

Jeanette Hambidge’s Nanny, left, Becca Magson’s Emma Watson, Vicki Mason’s Margaret Watson, Linda Tester’s Servant and Oliver Clive’s Lord Osborne in 1812 Theatre Company’s The Watsons

MEANWHILE, how is the 1812 Theatre Company promoting the same play? Here’s how: “The Watsons are coming! Who, you may ask? The Watsons are a family created by Jane Austen in a story she never finished, possibly due to grief over the death of her beloved father.

Whatever the reason, we have been unable to follow their unfolding lives, although several characters and their concerns bear close similarity to popular Austen figures, until now.

“Step forward Laura Wade, a playwright whose works have graced the stages of the National Theatre and the Stephen Joseph Theatre in Scarborough with the West End hit Home I’m Darling.

“Wade has taken the story of The Watsons, their affairs, values and outlooks, and continued their lives in an altogether unexpected and intriguing way. Gradually we come to realise that despite the outward differences of clothes and habits of the early 19th century, their interests are not too dissimilar to our own. Though perhaps ours are becoming stranger!

Vicki Mason’s Margaret Watson, left, and Jeanette Hambidge’s Nanny in 1812 Theatre Company’s The Watsons

“The result is a play inspired by Jane Austen’s work, in this, the 250th anniversary of her birth. Presented by the 1812 Theatre Company at Helmsley Arts Centre, giving Austen fans a chance to relish a new work and others to observe that her people are not just Georgian dresses and uniforms but have personalities, feelings and problems. The play wears its comedy lightly and is a lively piece, authentically using dance music that Jane herself copied out!”

Pauline Noakes’s cast comprises: Becca Magson as Emma Watson; Julia Bullock, Elizabeth Watson; Vicki Mason, Margaret Watson; Richard Noakes, Uncle Robert Watson, ; Julie Wilson, Aunt Robert Watson; Barry Whitaker, Mr Watson; Jeanette Hambidge, Nanny; Beaj Johnson, Tom Musgrave; Oliver Clive, Lord Osborne; Sue Smith, Lady Osborne; Rosie Hayman, Miss Osborne; Mike Martin, Mr Howard; Robert Perry, Charles Howard; Linda Tester, Servant; Heather Linley, Servant, and Graham Smith, Dancing Master.

The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, July 9 to 12, 7.30pm and 2.30pm Saturday matinee; 1812 Theatre Company, Helmsley Arts Centre, July 9 to 12, 7.30pm. Box office: York, 01904 501935 or josephrowntreetheatre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk. 

What’s On in Ryedale, York and beyond. Hutch’s List No. 30 from Gazette & Herald

Christopher Glynn: Directing the 2025 Ryedale Festival, opening on Friday

RYEDALE Festival heads July’s summer delights, taking in the shipping forecast too, in Charles Hutchinson’s leisure list.

Festival of the week; Ryedale Festival 2025, July 11 to 27

ARTISTIC director Christopher Glynn presents a multitude of festival delights, led off by this year’s artists in residence, saxophonist Jess Gillam, soprano Claire Booth and viola player Timothy Ridout, joined by Quatuor Mosaiques, VOCES8 and composer Eric Whitacre.

The festival also welcomes pianists Sir Stephen Hough and Dame Imogen Cooper and organist Thomas Trotter; Arcangelo in Selby; York countertenor Iestyn Davies; the Royal Liverpool Philharmonic’s festival ; a revival of long-neglected Tippett works and a new Arthur Bliss orchestration. 

Jazz, folk and literature weave into the programme too: reeds player Pete Long and vocalist Sara Oschlag salute Duke Ellington; Barnsley’s Kate Rusby showcases her new album, When They All Looked Up, and Dame Harriet Walter channels Jane Austen’s wit in Pride And Prejudice. Full details and tickets at: ryedalefestival.com. Box office: 01751 475777.

The ELO Experience, led by Andy Louis, at the Grand Opera House, York, tonight

Tribute gig of the week: The ELO Experience, Grand Opera House, York, tonight, 7.30pm

THE ELO Experience have been bringing the music of Jeff Lynne and The Electric Orchestra to the stage since forming in Hull in 2006, performing 10538 Overture, Evil Woman, Living Thing, The Diary Of Horace Wimp, Don’t Bring Me Down, All Over The World, Mr Blue Sky et al.

Andy Louis fronts this tribute to  a songbook spanning more than 45 years, taking in such albums as A New World Record, Discovery and Out Of The Blue and  2016’s Alone In The Universe. Box office: atgtickets.com/york.

Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Blossoms, tomorrow; Rag’n’Bone Man, Friday, and McFly, Saturday. Gates open at 6pm

CHART-TOPPING Stockport indie group Blossoms make their Scarborough OAT debut tomorrow, supported by Inhaler and Leeds band Apollo Junction, promoting their August 22 new album What In The World.

Rag’N’Bone Man, alias blues, soul and hip-hop singer Rory Graham, cherry-picks from his albums Human, Life By Misadventure and What Do You Believe In? on Friday, with support from Elles Bailey and Kerr Mercer. McFly’s Tom Fletcher, Danny Jones, Dougie Poynter and Harry Judd head to the Yorkshire coast on Saturday when Twin Atlantic and Devon complete the bill. Box office: scarboroughopenairtheatre.com.

Vicki Mason’s Margaret Watson, Beaj Johnson’s Tom Musgrave and Becca Magson’s Emma Watson in 1812 Theatre Company’s production of The Watsons

Play of the week times two: The Watsons, 1812 Theatre Company, Helmsley Arts Centre, today to Saturday, 7.30pm; The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, today to Saturday, 7.30pm and 2.30pm Saturday matinee

TWO productions of Laura Wade’s The Watsons open on the same night in Helmsley and York.  What happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.

One problem: Jane Austen did not finish this story. Who will write Emma’s happy ending now? Step forward Wade, who looks under Austen’s bonnet to ask: what can characters do when their author abandons them? Bridgerton meets Austentatious, Regency flair meets modern twists, as Pauline Noakes directs in Helmsley; Jim Paterson directs in York. Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; York, 01904 501935 or josephrowntreetheatre.co.uk.

Second Summer Of Love: Emmy Happisburgh’s coming-of-age and midlife- recovery tale at Theatre@41, Monkgate, York

One for the ravers: Contentment Productions in Second Summer Of Love, Theatre@41, Monkgate, York, tomorrow, 7.30pm

ORIGINAL raver Louise wonders how she went from Ecstasy-taking idealist to respectable, disillusioned, suburban Surrey mum. Triggered  by her daughter’s anti-drugs homework and at peak mid-life crisis, Louise flashes back to the week’s emotional happenings and the early Nineties’ rave scene.

Writer-performer Emmy Happisburgh’s play addresses the universal themes of coming of age and fulfilling potential while offering a new perspective for conversations on recreational drug use, recovery from addiction and embracing mid-life. Box office: tickets.41monkgate.co.uk.

An old story told in a new way: Russell Lucas’s Titanic tale of Edward Dorking in Third Class at Theatre@41, Monkgate. Picture: Steve Ullathorne

Titanic struggle of the week: Russell Lucas in Third Class at Theatre@41, Monkgate, York, July 12, 3pm

EDWARD Dorking was openly gay. On Wednesday, April 10 1912, he set sail for New York on a ticket bought for him by his mother in the hope his American family could put him “right”.

Writer-performer Russell Lucas’s Third Class charts Dorking’s journey from boarding the Titanic to swimming for 30 minutes towards an already full collapsible lifeboat,  and how, on arrival in New York, he toured the vaudeville circuit as an angry campaigner against the injustices of the shipping disaster. Using music, movement, projection and text, Lucas gives a “thrilling new perspective on what feels a familiar tale”, topped off with a Q&A. Box office: tickets.41monkgate.co.uk.

Charlie Connelly: Rain later, talk now, as he celebrates the quirks and joys of the shipping forecast at the Milton Rooms, Malton

From Viking to South East Iceland: Charlie Connelly’s Attention All Shipping, Milton Rooms, Malton, July 16, 7.30pm

AS the shipping forecast embarks on its second century, author and broadcaster Charlie Connelly celebrates what he regards as the greatest invention of the modern age. How did a weather forecast for ships capture the hearts of a nation, from salty old sea dog to insomniac landlubber? How is it possible for “rain later” to be “good”? And where on earth is North Utsire?

Delving into the history of the forecast and the extraordinary people who made it, Connelly explains what those curious phrases really mean, assesses its cultural impact and shares rip-roaring adventures from his own extraordinary journey through the 31 sea areas. Box office: 01653 696240 or themiltonrooms.com.

Drummer Tom Townend: Bandleader for Tommy T’s Blue Note Dance Party at Pocklington Arts Centre

Jazz At PAC Presents: Tommy T’s Blue Note Dance Party, Pocklington Arts Centre, July 17, 8pm

HERE come the hippest tunes in a night of Blue Note Records’ coolest cuts: all killer, no filler, with grooves from Horace Silver, Cannonball Adderley, Art Blakey and more, brought to Pocklington by bandleader Tom Townsend, drums, Paul Baxter, double bass, Andrzej Baranek, piano, Tom Sharpe, trumpet, and Kyran Matthews, saxophone. Box office: 01759 301547 or pocklingtonartscentre.co.uk

More Things To Do in York and beyond when it’s never too late for Early Music. Hutch’s List No. 30, from The York Press

Richard Hawley: Revisiting Coles Corner with strings attached at Live At York Museum Gardens today. Picture: Dean Chalkley

WHAT happens when York Museum Gardens turns into Coles Corner and the same play opens in two places at once? Find out in Charles Hutchinson’s leisure list.

Open-air concert of the week: Futuresound Group  presents Live At York Museum Gardens, Richard Hawley, today; gates open at 5pm

SHEFFIELD guitarist, songwriter and crooner Richard Hawley revisits his 1995 album Coles Corner with a string section on its 20th anniversary this evening, complemented by Hawley highlights from his 2001 to 2024 albums (9pm to 10.30pm).

He will be preceded by Mercury Prize-winning Leeds band English Teacher (7.45pm to 8.30pm); Manchester-based American songwriter BC Camplight, introducing his new album, A Sober Conversation (6.30pm to 7.15pm), and Scottish musician Hamish Hawk, whose latest album, A Firmer Hand, emerged last August (5.40pm to 6.10pm). Box office: seetickets.com.

The Tallis Scholars: Performing Glorious Creatures, directed by Peter Philips, at York Minster at 7.30pm tonight at York Early Music Festival. Picture: Hugo Glendinning

Festival of the week:  York Early Music Festival, Heaven & Hell, until July 11

EIGHT days of classical music are under way featuring international artists such as The Sixteen, The Tallis Scholars, Academy of Ancient Music, Helen Charlston & Toby Carr and the York debut of Le Consort, performing Vivaldi’s Four Seasons “but not quite as you know it” on Sunday.

Directed by Delma Tomlin, the festival weaves together three main strands: the 400th anniversary of Renaissance composer Orlando Gibbons, the Baroque music of Vivaldi and Bach and reflections on Man’s fall from grace, from Heaven to Hell. Full programme and tickets at ncem.co.uk/whats-on/yemf/. Box office: 01904 658338.

Bridget Christie: Late replacement for Maisie Adam at Futuresound Group’s inaugural York Comedy Festival. Picture: Natasha Pszenicki

Comedy event of the week: Futuresound Group presents Live At York Museum Gardens, York Comedy Festival, Sunday, 2.30pm to 7.30pm

HARROGATE comedian Maisie Adam will not be playing the inaugural York Comedy Festival this weekend after all. The reason: “Unforeseen circumstances”. Into her slot steps trailblazing Bridget Christie, Gloucester-born subversive stand-up, Taskmaster participant and writer and star of Channel 4 comedy-drama The Change.

The Sunday fun-day bill will be topped by Dara Ó Briain and Katherine Ryan. Angelos Epithemiou, Joel Dommett, Vittorio Angelone, Clinton Baptiste and Scott Bennett perform too, hosted by “the fabulous” Stephen Bailey. Tickets update: last few still available at york-comedy-festival.com.

Justin Panks: Headlining Laugh Out Loud Comedy Club at The Basement, City Screen Picturehouse

The other comedy bill in York this weekend: Laugh Out Loud Comedy Club presents Justin, Panks, Tony Vino, Liam Bolton and MC Damion Larkin, The Basement, City Screen, York, tonight, 8pm

COMEDIAN and podcaster Justin Panks tops tonight’s Laugh Out Loud Comedy Club with his skewed observational eye and ability to approach seemingly ordinary subjects from extraordinary angles in his raw, honest  tales of relationships, parenthood and life in general.  

Tony Vino bills himself as “the only half-Spanish, half-Scottish hybrid working comic in the world”; experimental Liam Bolton favours a bewildering, train-of-thought approach to unpredictable stand-up comedy; Damion Larkin hosts in improvisational style. Box office: lolcomedyclubs.co.uk or on the door.

The Script: Returning to Scarborough Open Air Theatre this weekend

Coastal gig of the week: The Script and Tom Walker, Scarborough Open Air Theatre, today; gates open at 6pm

THE Script head to the Yorkshire coast this weekend as part of the Irish rock-pop act’s Satellites UK tour, completing their hat-trick of Scarborough Open Air Theatre visits after appearances in 2018 and 2022.  Special guest Tom Walker, the Scottish singer-songwriter, performs songs from 2019 chart topper What A Time To Be Alive and 2024’s I Am. Box office: scarboroughopenairtheatre.com.

Dianne Buswell and Vito Coppola: Red Hot and Ready to dance at York Barbican

Dance show of the week: Burn The Floor presents Dianne & Vito, Red Hot & Ready!, York Barbican, Sunday, 7.30pm

STRICTLY Come Dancing’s stellar professional dancers, 2024 winner Dianne Buswell and 2024 runner-up Vito Coppola are Red Hot and Ready to perform a dance show with a difference, choreographed by BAFTA award winner Jason Gilkison. The dream team will be joined by a cast of multi-disciplined Burn The Floor dancers from around the world. Box office: yorkbarbican.co.uk.

Florence Poskitt’s Margaret Watson, left, Jennifer Jones’s Elizabeth Watson and Livy Potter’s Emma Watson in Black Treacle Theatre’s The Watsons at the JoRo

Play of the week times two: The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, July 9 to 12, 7.30pm and .30pm Saturday matinee; The Watsons, 1812 Theatre Company, Helmsley Arts Centre, July 9 to 12, 7.30pm

TWO productions of Laura Wade’s The Watsons open on the same night in York and Helmsley.  What happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.

One problem: Jane Austen did not finish this story. Who will write Emma’s happy ending now? Step forward Wade, who takes her incomplete novel to fashion a sparklingly witty play that looks under Austen’s bonnet to ask: what can characters do when their author abandons them? Bridgerton meets Austentatious, Regency flair meets modern twists, as Jim Paterson directs in York; Pauline Noakes in Helmsley. Box office: York, 01904 501935 or josephrowntreetheatre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk. 

An old story told in a new way: Russell Lucas’s Titanic tale of Edward Dorking in Third Class at Theatre@41, Monkgate. Picture: Steve Ullathorne

Titanic struggle of the week: Russell Lucas in Third Class at Theatre@41, Monkgate, York, July 12, 3pm

EDWARD Dorking was openly gay. On Wednesday, April 10 1912, he set sail for New York on a ticket bought for him by his mother in the hope his American family could put him “right”.

Writer-performer Russell Lucas’s Third Class charts Dorking’s journey from boarding the Titanic to swimming for 30 minutes towards an already full collapsible lifeboat,  and how, on arrival in New York, he toured the vaudeville circuit as an angry campaigner against the injustices of the shipping disaster. Using music, movement, projection and text, Lucas gives a “thrilling new perspective on what feels a familiar tale”, topped off with a Q&A. Box office: tickets.41monkgate.co.uk.

In Focus: Contentment Productions in Second Summer Of Love, Theatre@41, Monkgate, York, July 10, 7.30pm

Second Summer Of Love: Emmy Happisburgh’s coming-of-age and midlife-recovery tale at Theatre@41, Monkgate

ORIGINAL raver Louise wonders how she went from Ecstasy-taking idealist to respectable, disillusioned, suburban Surrey mum. Triggered  by her daughter’s anti-drugs homework and at peak mid-life crisis, Louise flashes back to the week’s emotional happenings and the early Nineties’ rave scene.

Writer-performer Emmy Happisburgh’s play addresses the universal themes of coming of age and fulfilling potential while offering a new perspective for conversations on recreational drug use, raising palms to the skies in fields, recovery from addiction and embracing mid-life.

Originally Second Summer Of Love was developed with producers Pants On Fire as a 15-minute and showcased by Emmy at the SHORTS Festival 2020.

“The play premiered as a one-woman performance at the 2022 Edinburgh Fringe,” she says. “Then it was refreshed in 2023; some scenes were re-written, taking into consideration reviewers’ practical criticisms and audience responses.

“We enlisted two more actors and Scott Le Crass to direct and tested out this new version for Contentment Productions on a three-night run in Worthing and Guildford where it sold out.” 

In this 60-minute performance, Emmy’s Louise is joined by Molly, played by Emmy’s daughter, Rosa Strudwick, and Christopher Freestone’s Brian, prompted by Louise’s flashbacks,

“Now our cast of three is playing 15 dates this summer and autumn, from York to Penzance, to connect with our target audiences, build partnerships, give us feedback and raise awareness of of our play to help us develop and upscale it into a fully cast production for larger auditoriums.”

Memories around Sterns nightclub in Worthing – a venue that Carl Cox once called “100 per cent equivalent to the Hacienda in Manchester” – wove themselves into Emmy’s play. “Second Summer Of Love isn’t a ‘true story’ but it’s inspired by real-life events and real people from when I was luckily, and very accidentally, right in the middle of the rave zeitgeist,” she says.

“It’s not a tale I’ve seen authentically told in theatres; especially not by a mid-life woman. I’m grateful to bring the ‘one love’ message of the original rave movement to the stage. I’m excited to play several different characters, using the physical skills of Le Coq again and genuinely overjoyed to be in scenes opposite Rosa and Christopher.”

Director Scott Le Crass adds: “I’m excited to direct Second Summer Of Love as it’s a fresh voice. It’s a perspective which I’ve never seen on stage. Older female voices are something we need to champion more and in a way which is strong, dynamic and playful. This play embodies that.”

Happisburgh trained at the Poor School and Guildford School of Acting; Le Crass trained as an actor at Arts Ed and was a director on Birmingham Rep’s first Foundry Programme; Freestone trained with Actor in Session, and Strudwick was trained through the LAMDA examination syllabus by Happisburgh.

For tickets, go to: tickets.41monkgate.co.uk.

What’s On in Ryedale, York and beyond. Hutch’s List No. 27, from Gazette & Herald

Hats galore: Be Amazing Arts Youth Theatre’s guys in Guys And Dolls at the Joseph Rowntree Theatre, York

BE Amazing Arts and more amazing arts besides add up to attractions aplenty for Charles Hutchinson’s list of recommendations

Burgeoning talent of the week: Be Amazing Arts Youth Theatre in Guys And Dolls, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

MALTON company Be Amazing Arts Youth Theatre heads to York to present Frank Loesser, Jo Swerling and Abe Burrows’ musical fable of Broadway, Guys And Dolls.

Set in Damon Runyon’s mythical New York City, this oddball romantic comedy finds gambler Nathan Detroit seeking the cash to set up the biggest craps game in town while the authorities breathe down his neck. Into the story venture his girlfriend, nightclub performer Adelaide, fellow gambler Sky Masterson and straight-laced missionary Sarah Brown. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

The Wandering Hearts: Introducing new album Deja Vu (We Have All Been Here Before) at Pocklington Arts Centre

Americana gig of the week: The Wandering Hearts, Pocklington Arts Centre, tomorrow, 8pm

BRITISH Americana and folk band The Wandering Hearts combine enchanting harmonies and heartfelt songwriting influenced by Simon & Garfunkel, Crosby, Stills, Nash & Young and First Aid Kit.

Tomorrow’s set by Tara Wilcox, Francesca “Chess” Whiffin and A J Dean-Revington features songs from 2018’s Wild Silence, 2021’s The Wandering Hearts and 2024’s Mother, complemented by a showcase of new album Deja Vu (We Have All Been Here Before), released on June 20. Norwich singer-songwriter Lucy Grubb supports. Box office:  01759 301547 or pocklingtonartscentre.co.uk.

Snow Patrol: More chance of sunshine than snow at Scarborough Open Air Theatre on Friday

Coastal gig of the week: Snow Patrol, Scarborough Open Air Theatre, Friday; gates open at 6pm

SNOW Patrol visit Scarborough Open Air Theatre on Friday for the first time since July 2021. The Northern Irish-Scottish indie rock band will be led as ever by Gary Lightbody, accompanied by long-time members Nathan Connolly, lead guitar, and Johnny McDaid, piano. Box office: scarboroughopenairtheatre.com.

Danny Lee Grew: 24K Magic at Friargate Theatre, York

Magic show of the week: Danny Lee Grew, 24K Magic, Friargate Theatre, York, Friday, 7.30pm

CLACTON-ON-SEA magician Danny Lee Grew presents his new mind-boggling one-man show of magic, illusion, laughs, gasps and sleight of hand sorcery. 24K Magic showcases the kind of magic usually seen on television, but now live, in the flesh and under the most impossible conditions. Box office: ticketsource.co.uk/ridinglights.

Olly Murs: Returning to York Racecourse for Summer Music Saturday

Back on track: Olly Murs, York Racecourse, Summer Music Saturday, June 28, first race at 1.55pm; last race, 5.25pm, followed by concert

ESSEX singer, songwriter, actor and television personality from Olly Murs completes his hat-trick of appearances at York Racecourse this weekend, having played the Knavesmire track in 2010 and 2017.

Performing after Saturday’s race card, his set list will draw on his seven albums and 25 singles, including the number ones Please Don’t Let Me Go, Heart Skips A Beat, Dance With Me Tonight and Troublemaker and Top Five hits Thinking Of Me, Dear Darlin, Wrapped Up and Up. Race day tickets: yorkracecourse.co.uk.

Hotbuckle Productions’ Little Women, on tour at Helmsley Arts Centre. Picture: Peter Mould

Ryedale play of the week: Hotbuckle Productions in Little Women, Helmsley Arts Centre, Saturday, 7.30pm

SHROPSHIRE company Hotbuckle Productions follow up last year’s tour of Pride And with Adrian Preater’s typically inventive make-over of Louisa May Alcott’s American novel Little Women, performed by a cast of only three, Joanna Purslow, Gemma Aston and MaryAnna Kelly.

Hotbuckle explore girlhood, family and female ambition in Alcott’s tale of love, loss and the challenges of growing up in 19th century Massachusetts in a fast-paced, humorous, multi-role-playing adaptation that crosses age and gender traditions as the four March sisters journey from adolescence to adulthood. Box office: 01439 771700 or helmsleyarts.co.uk.

Justin Moorhouse: Giving two of the greatest performances of his life at Pocklington Arts Centre this weekend

Comedy gig of the week: Justin Moorhouse, The Greatest Performance Of My Life, Pocklington Arts Centre, Saturday, 3pm and 8pm

ASHTON-UNDER-LYNE comedian, radio presenter and actor Justin Moorhouse covers subjects ranging from pantomimes to dreams, how to behave in hospitals, small talk, realising his mum is a northern version of Columbo, and how being a smart-mouthed child saved him from a life of continually being beaten up. Funny, interesting, perhaps it will warm the soul too. Box office:  01759 301547 or pocklingtonartscentre.co.uk.

Dawn Landes: Performing at Rise@Bluebird Bakery, Acomb, York

Country gig of the week: Dawn Landes, Rise@Bluebird Bakery, Acomb, York, July 2, 8pm

AMERICAN country roots singer-songwriter Dawn Landes showcases The Liberated Woman’s Songbook, her March 2024 album that re-imagines music from the women’s liberation movement.

Inspired by a 1971 songbook of the same name, Landes breathes new life into powerful songs spanning 1830 to 1970, amplifying the voices of women who fought for equality throughout history. Box office: seetickets.com/event/dawn-landes/rise-bluebird/.

James Sheldon’s Mr Darcy and Rosa Hesmondhalgh’s Lizzy Bennet in Pride And Prejudice at the SJT, Scarborough

Introducing America’s most performed living playwright to North Yorkshire: Pride And Prejudice, Stephen Joseph Theatre, Scarborough, July 3 to 26, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

BOLTON Octagon Theatre artistic director Lotte Wakeham directs American writer Kate Hamill’s adaptation of Jane Austen’s Pride And Prejudice in a co-production with the SJT, Hull Truck Theatre and Theatre by the Lake, Keswick.

Austen’s story of love, misunderstandings and second chances is staged with music, dancing and humour aplenty in a whirl of Regency parties and courtship as hearts race, tongues wag and passions swirl around the English countryside, with a cast led by Rosa Hesmondhalgh’s Lizzy Bennet and James Sheldon’s  Mr Darcy. Box office: 01723 370541 or sjt.uk.com.

Danny Hendrix, Christopher Finn and Sarah Palmer in The Koala Who Could. Picture: Pamela Raith

Children’s show of the week: The Koala Who Could, York Theatre Royal, July 3, 1.30pm; July 4, 10.30am and 4.30pm; July 5, 11am and 2pm 

JOIN Kevin the koala, Kangaroo and Wombat as they learn that “life can be great when you try something new” in this adaptation of Rachel Bright and Jim Field’s picture book, directed by Emma Earle (Oi Frog & Friends!), with music and lyrics by Eamonn O’Dwyer (The Lion Inside). 

Danny Hendrix (Wombat/Storyteller 1), Sarah Palmer (Cossowary/Storyteller 2) and Christopher Finn (Kevin/Storyteller 3) perform this empowering story of embracing change – whether we like it or not. Box office: 01904 623568 or yorktheatreroyal.co.uk.

More Things To Do in York and beyond as the heat is on for summer entertainment. Hutch’s List No. 27, from The York Press

Out of the woods and into The Basement for Navigators Art’s Making Waves Live!, Sounds Of The Solstice today

BEST Musical multiple award winner Dear Evan Hansen and a Eurovision spoof light Charles Hutchinson’s fire as the June heat rises.

Midsummer festival of the weekend: Navigators Art presents Making Waves Live! Sounds Of The Solstice, The Basement, City Screen Picturehouse, York, today, 4pm to 10pm 

FAVOURITE Navigators Art poets, comedians, singers and bands from the past two years will be complemented new friends in sessions from 4pm to 6.30pm, then 7.30pm to 10pm.

Taking part will be folk song duo Adderstone, poet Becca Drake, comedian Cooper Robson, storyteller Lara McClure, punk/jazz trio Borgia, psychedelic band Soma Crew; Will Martin; Jessica Van Smith; Cai Moriarty & Mason Chetnik, Mike Amber and more. Box office:  bit.ly/nav-events.

The Wild Murphys: Performing One Night In Dublin for one night in York

Irish craic of the week: One Night In Dublin, Joseph Rowntree Theatre, York, tomorrow, 7.30pm

THE Wild Murphys revel in sing-along Irish classics Galway Girl, I’ll Tell Me Ma, The Irish Rover, Dirty Old Town, Whiskey In The Jar, The Wild Rover, Black Velvet Band and many more in two hours of song and humour.

Songs by The Pogues, The Saw Doctors, The Dubliners, The Fureys, Flogging Molly and The Dropkick Murphys receive the fiddle and accordion treatment. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Flowers And Friendship Bracelets: Celebrating Taylor Swift, Sabrina Carpenter, Miley Cyrus, Chappell Roan and Olivia Rodrigo’s pop power at Grand Opera House

Pop party of the week: Flowers And Friendship Bracelets, Grand Opera House, York, Sunday

FLOWERS And Friendship Bracelets combines music, dance and excitement in “the ultimate pop concert in celebration of the biggest hits from the hottest artistes of the moment”. The songs of Taylor Swift, Olivia Rodrigo, Miley Cyrus, Chappell Roan and Sabrina Carpenter will climax with a huge pop party finale. Box office: atgtickets.com/york.

Kamaljeet Ahluwalia and Jas Ahluwalia: Absolute Focus programme on santoor and tabla at the NCEM on Sunday evening

Indian classical concert of the week: Kamaljeet Ahluwalia and Jas Ahluwalia, Absolute Focus, National Centre for Early Music, York, Sunday, 6.30pm 

HUSBAND and wife duo Kamaljeet Ahluwalia, on santoor, and Jax Ahluwalia, on tabla, perform their Absolute Focus programme at the NCEM. These former students of  the late Pandit Shivkumar Sharma and Ustaad Tari work on diverse projects, from Netflix, Apple TV+, Amazon and Disney series to live theatre, while introducing Indian classical music to audiences around the world in concerts of meditative introspection and energy-filled heights. Box office: 01904 658338 or ncem.co.uk.

Looking to fit in: Ryan Kopel’s Evan Hansen in Dear Evan Hansen, on tour at Grand Opera House, York

Last chance to see: Dear Evan Hansen, Grand Opera House, York, June 24 to 28, 7.30pm plus 2.30pm Wednesday, Friday and Saturday matinees

THE Grand Opera House will be the last English port of call on the UK tour of Benj Pasek, Justin Paul and Steven Levinson’s Olivier, Tony and Grammy Best Musical award winner.

Dear Evan Hansen tells the story of a teenager with a social anxiety disorder that inhibits his ability to connect with his peers. After the death of fellow student Connor Murphy, Evan (played by Ryan Kopel) entangles himself in an unwieldy fib, claiming he was Connor’s secret best friend. Thrust ever deeper into a web of lies, he gains everything he has ever wanted: a chance to belong. Box office: atgtickets.com/york.

Ione Cummings’ Antonia in York Opera’s The Tales Of Hoffmann. Picture: John Saunders

Opera of the week: York Opera in The Tales Of Hoffmann, York Theatre Royal, June 25 to 28, 7.15pm plus 4pm Saturday matinee

ELIZABETH Watson and John Soper direct York Opera in Jacques Offenbach’s The Tales Of Hoffmann, based on three short stories by German romantic writer E.T.A. Hoffmann.

Tenors Karl Reiff and Hamish Brown perform the title role on alternate nights; Hoffmann’s evil enemies will be played by Ian Thomson- Smith and Mark Simmonds and his love interests will be sung by Stephanie Wong (Olympia), Ione Cummings (Antonia) and Katie Cole (Giulietta). Alexandra Mather takes the role of Hoffmann’s loyal friend, Nicklaus. Box office: 01904 623568 or yorktheatreroyal.co.uk.

York Light Opera Company cast members in rehearsal for Neil Wood’s production of Eurobeat: Pride Of Europe

Eurovision celebration of the week: York Light Opera Company in Eurobeat – Pride Of Europe, Theatre@41, Monkgate, York, 7.30pm, June 25 to 27 and July 1 to 4; 3pm, June 28 and 29 and July 5

AUSTRALIAN composer, writer and lyricist Craig Christie’s high-octane, electrifying musical Eurobeat: The Pride Of Europe celebrates the vibrant energy and spirit of the continent. Expect non-stop, infectious Eurobeat rhythms, dazzling visuals and a show to leave audiences breathless. 

Prepare to dance and soak up the fun of an annual European song contest where audience participation decides the winner. Neil Wood directs a cast led by Annabel van Griethuysen as hostess Marlene Cabana and Zander Fick as master of protocols Bjorn Bjornson. Box office: tickets.41monkgate.co.uk.

Just like hat: Be Amazing Arts Youth Theatre’s guys rehearsing Guys And Dolls for next week’s Joseph Rowntree Theatre run

Burgeoning talent of the week: Be Amazing Arts Youth Theatre in Guys And Dolls, Joseph Rowntree Theatre, York, June 26 to 28, 7.30pm plus 2.30pm Saturday matinee

MALTON company Be Amazing Arts Youth Theatre heads to York to present Frank Loesser, Jo Swerling and Abe Burrows’ musical fable of Broadway, Guys And Dolls.

Set in Damon Runyon’s mythical New York City, this oddball romantic comedy finds gambler Nathan Detroit seeking the cash to set up the biggest craps game in town while the authorities breathe down his neck. Into the story venture his girlfriend, nightclub performer Adelaide, fellow gambler Sky Masterson and straight-laced missionary Sarah Brown. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Snow Patrol: More likely sun than snow on return to Yorkshire coastline on Friday

Coastal gig of the week: Snow Patrol, Scarborough Open Air Theatre, June 27; gates open at 6pm

SNOW Patrol visit Scarborough Open Air Theatre on Friday for the first time since July 2021. The Northern Irish-Scottish indie rock band will be led as ever by Gary Lightbody, accompanied by long-time members Nathan Connolly, lead guitar, and Johnny McDaid, piano. Box office: scarboroughopenairtheatre.com.

Danny Lee Grew: Mind-boggling magic at Friargate Theatre, York

Magic show of the week: Danny Lee Grew, 24K Magic, Friargate Theatre, York, June 27, 7.30pm

CLACTON-ON-SEA magician Danny Lee Grew presents his new mind-boggling one-man show of magic, illusion, laughs, gasps and sleight of hand sorcery. 24K Magic showcases the kind of magic usually seen on television, but now live, in the flesh and under the most impossible conditions. Box office: ticketsource.co.uk/ridinglights.

More Things To Do in York and beyond as the ‘Sheds’ have a day out amid the huts. Hutch’s List No. 26, from The York Press

Shed Seven, huts five: Heading to the Yorkshire coast for the York band’s Scarborough Open Air Theatre debut today

OPEN studios, chocolate tales, dinosaurs and reflections on time make for a typically diverse week ahead in Charles Hutchinson’s diary.

Coastal gig of the week: Shed Seven, Jake Bugg and Cast, Scarborough Open Air Theatre, tonight; gates open at 6pm

THE 2025 season of Cuffe & Taylor concerts in the bracing sea air of Scarborough is under way. After two chart-topping 2024 albums in their 30th anniversary year, York band Shed Seven make their belated Scarborough Open Air Theatre debut tonight, supported by Jake Bugg and Cast. Box office: scarboroughopenairtheatre.com.

Ric Liptrot: Taking part in North Yorkshire Open Studios at PICA Studios, Grape Lane, York, today and tomorrow

Festival of the week: North Yorkshire Open Studios, today and tomorrow, 10am to 5pm

MORE than 200 artists and makers are taking part in North Yorkshire Open Studios 2025. In and around York, look out for Helen Drye; Emma James; Alex Ash; Dee Thwaite; Veronica Ongara; Rachel Jones; Laura Duval; Karen Winship; Donna Maria Taylor; Di Gomery;  Caroline Utterson; Jacqueline Warrington; Constance Isobel; Jill Tattersall and Adele Karmazyn.

Opening their studios too will be: Mo Nisbet; Robin Groveer-Jacques; Fran Brammer; Rob Burton; Jo Walton; Ric Liptrot; Rae George; Lu Mason; Lisa Power; Lesley Shaw; Katrina Mansfield; Evie Leach; Drawne Up; Sam Jones; Greenthwaite Sculptor (Janie Stevens); Sarah Schiewe Ceramics; Gonzalo Blanco, Gina Bean; Freya Horsley; Graham Jones; Justine Warner; Andrew Bloodworth and Steve Page. Full details can be found at nyos.org.uk.

Theatre Of Connections: Bringing to life the deep roots of chocolate’s story in IxCacao at York Theatre Royal Studio

Chocolate story of the week: Theatre Of Connections, IxCacao, York Theatre Royal Studio, today, 4pm

INSPIRED by the Mayan legend of the Cacao Goddess, IxCacao journeys into an ancient time when the Earth thrived under the care of matriarchs and the rhythm of nature. Movement, song, and storytelling combine in a reclamation of community, pleasure and ancestral knowledge in the face of domination:  a reminder that joy is a revolutionary act and that true abundance is meant for all.

Theatre Of Connections, a York theatre group made up of “individuals from the global majority and people with refugee and asylum-seeker background”, brings to life the deep roots of chocolate’s story to honour the many who have carried its legacy forward. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Shepherd Group Brass Band : In concert at Joseph Rowntree Theatre

Brass concert of the week: Shepherd Group Brass Band Spring Concert, Joseph Rowntree Theatre, York, tonight, 7.30pm

FROM their Brass Roots through to their Championship section, the Shepherd  Group Brass Band presents a mix of all genres of music, culminating in a grand finale when all band members play together on stage. Tickets update: Last few still available on 01904 501935 or josephrowntreetheatre.co.uk.

Robert Lloyd Parry: Telling tales from The Archive Of Dread at Theatre@41, Monkgate

Tales of terror of the week: Robert Lloyd Parry in The Archive Of Dread: Revisited, Theatre@41, Monkgate, York, tonight, 7.30pm

IN late 2019, Southport storyteller Robert Lloyd Parry inherited the contents of a flat belonging to a dead man he had never met. The property was full of boxes, stuffed with chilling documents: letters, diaries, newspaper cuttings, notebooks and postcards. Filed in disarray, they all told impossible tales of terror. 

After the stunning revelation of two of these documents in York last year, Lloyd Parry now begs leave to share more items from The Archive Of Dread. Box office: tickets.41monkgate.co.uk.

Rock’n’looroll: The Dinosaur That Pooped: The Rock Show at Grand Opera House, York, tomorrow

Children’s show of the week: The Dinosaur That Pooped: A Rock Show, Grand Opera House, York, tomorrow, 12.30pm and 3.30pm 

WHEN Danny and Dino’s favourite rock band announce their last ever concert, they go on a quest to acquire the last two tickets. However, a villainous band manager is lurking, so nothing goes to plan. Will the band perform? Will Danny rock out? Or will Dino’s rumbling tummy save the day?

Adapted from the number one best-selling books by McFly’s Tom Fletcher and Dougie Poynter, this new 60-minute stage show, directed by Miranda Larson, promises a “poopy good time” for all the family. Cue new songs by Fletcher and Poynter, loads of laughs and “a whole lot of poo”. Box office: atgtickets.com/york.

Singer Jessa Liversidge, left, and her poet sister Andrea Brown: Combining in A Tapestry Of Life at Theatre@41, Monkgate

Life, love and loss: Jessa Liversidge: A Tapestry Of Life, Theatre@41, Monkgate, York, tomorrow, 6pm

EASINGWOLD singer, songwriter and community singing workshop champion Jessa Liversidge presents her 60-minute solo musical performance, inspired by Carole King’s album Tapestry.

Such much-loved songs as You’ve Got A Friend, Will You Love Me  Tomorrow?, It’s Too Late, So Far Away, I Feel The Earth Move and Natural Woman will be interspersed with original songs, rooted in the powerful poetry of Jessa’s sister, Andrea Brown, from her Life, Love, Loss collection, reflecting on “life’s big themes of love and friendship and loss, situations and journeys, that every human can identify with”. Box office: tickets.41monkgate.co.uk.

Comedian Raul Kohli: Exploring what it means to be British in Raul Britannia at Theatre@41, Monkgate

Comedy gig of the week: Raul Kohli: Raul Britannia, Theatre@41, Monkgate, York, June 21, 8pm

COMEDIAN and proud Brit Raul Kohli is the son of a Hindu Indian and Sikh Singaporean, raised in Newcastle upon Tyne, where his best friend was a Pakistani Muslim.

Kohli has lived in every corner of this glorious nation and is fascinated by the diversity of these small isles.  Imagine his surprise to hear from politicians and the media that “multiculturalism has failed”: the spark that lit the flame for his exploration of what it means to be British. Box office: tickets.41monkgate.co.uk.

Poet Ian Parks: Performing in About Time Too at St Olave’s, Marygate, York, this evening

In Focus: York Festival of Ideas event of the day: Navigators Art presents About Time Too, St Olave’s, Marygate, York,today, 7pm

ABOUT Time Too rounds off a day of free talks celebrating time. Navigators Art’s evening concert features poetry readings, music and original song settings, including works by York-born poet W H Auden and Nobel Prize winner Seamus Heaney, together with time-related works by York writers and musicians.

Taking part will be Jane Stockdale, from White Sail; poet Ian Parks; electronic musicians  Namke Productions; writer and University of York creative industries academic JT Welsch and poet and novelist Janet Dean Knight. Box office: bit.ly/nav-events.

Meanwhile, the Micklegate Arts Trail is in its final week, ending on Sunday (15/6/2025) with live music at The Falcon and The Hooting Owl at 2pm and 7pm, as well as works by 35 York artists in shops, cafes, pubs and restaurants.

Look out, in particular, for the display of 3D work in Holy Trinity church, curated by Navigators team member Nick Walters.

Navigators Art’s poster for Making Waves Live!, Sounds of the Solstice

In addition, the Making Waves exhibition is extending the Arts Trail into City Screen Picturehouse, Micklegate, where collage artist George Willmore has curated an exhibition by 20 further artists, including new and more familiar York names. The works are on show in the cafe and the first-floor corridor gallery until July 4.

All events are free and the trail and exhibition are open during business and licensing hours.

In the aftermath of the festival, Making Waves Live! Sounds of The Solstice in The Basement at City Screen Picturehouse will showcase some of Navigators Art’s favourite performers from the past two years of live events, complemented new friends, on June 21.

The first session will run from 4pm to 6.30pm; the second will start at 7.30pm after a break. “We’ve lined up a superb range of local poets, comedians, singers and bands in a celebratory midsummer festival,” says Navigators Art co-founder Richard Kitchen.

Taking part will be folk song duo Adderstone, poet Becca Drake, comedian Cooper Robson, storyteller Lara McClure, punk/jazz trio Borgia, psychedelic band Soma Crew and more. For full details and tickets (from Ticket Source), go to:  bit.ly/nav-events.


York Beethoven Project Orchestra to perform Symphony No. 5 at St Mary’s Church, Hemingbrough, on June 9. French horn and bassoon players still needed

Conductor John Atkin, front, centre, with York Beethoven Project musicians

YORK Beethoven Project Orchestra is approaching the half way point in its aim to play a complete cycle of all nine Beethoven symphonies before his bi-centenary in 2027. 

Next up will be “probably the best known of all”, Symphony No. 5 Op 67 in C minor, at St Mary’s Church in Hemingbrough on Saturday, June 28,  concluding with an informal, free public performance at 4pm.

Founder and  conductor John Atkin says: “To reach the half way point is a great milestone. It’s come around so quickly since the first discussion to set up the project took place under the stage in Harrogate Theatre in 2023.

“We have played the first four symphonies with an average of 52 musicians and the format works well for us. Registrations take place up to six months in advance, with music being distributed electronically, then we meet and rehearse the whole work throughout the day, finishing with the free concert.”

Some musicians have done all four days, others only one. “We have played with more than 80 musicians in total so far,” says John.

“Symphony No. 6 is coming up in September at Selby Abbey with Symphonies No. 7, 8 and 9 planned over the next 18 months. We are always interested in hearing from new players, especially an extra bassoon and French horn, but we are not short of  players.

“The problem we are having is finding venues big enough for us all to fit in but I think we are now sorted for the next three. Details are to be announced soon.”

The York Beethoven Project aims to use “local players in local venues” and hopes to continue after No. 9 with similar occasional days, two or three times a year, playing some more varied repertoire.  

“By the time we performed the Eroica (No. 3) at the Joseph Rowntree Theatre last year, we were getting invitations to  work with a number of venues and questions about what we will do next,” says John.

“To be honest, I’d not thought beyond No.9, as it was set up as part of my bucket list to complete a cycle I started at university 35 years ago. We’ve discussed the York Puccini Projector the York Sondheim Project, but I think we’ll just keep it open for now, complete the nine symphonies and see where we are in 2027.

Anyone interested in playing with the orchestra should email yorkbeethovenproject@gmail.com. Anyone wanting to attend Symphony No. 5 on June 28  should turn up at around 3.45pm.

Question: Why will NE Theatre York shows no longer be reviewed? Here is the answer

NE Theatre York director Steve Tearle with his pooch Millie Bell

NE Theatre York will no longer provide press tickets for reviews, donating them instead to charity.

“Our reason for going forward without professional reviews is simple really,” says chairman, director and producer Steve Tearle. 

“As we are a diverse and inclusive company, we create a safe environment for everyone and build up confidences to a level to get them on the stage and start to have faith in themselves and above all self-belief. 

“For instance, we had 27 people on the stage for The Sound Of Music [Joseph Rowntree Theatre, April 29 to May 3] that had never been on stage or sang before. Twenty of these  had to sing in Latin. It was a wonderful, outstanding achievement. To which we celebrated that success.”

Steve’s statement, on behalf of the NE Team, continues: “Professional reviews are always open to individual interpretation, and they should be, but do tend to compare and rate.

“They can lead to people feeling let down, disappointed in themselves, and can create personal setbacks. They also can go against everything we have achieved with that individual, even ourselves.

Rebecca Jackson as Maria in The Sound Of Music, the last NE Theatre York show to be reviewed by CharlesHutchPress on April 30 after more than three decades

“This has been been proved already with the cast and the team. Hence the time to change. Therefore, we have added this into our manifesto. 

“The teams and myself have made the decision not to invite any professional reviewers to ensure that we have put our cast first and put the people ahead of the company. 

“We sell tickets based on the campaigns we create around each the show; creating different campaigns for different demographics. 

“I have also found out, with the help of some market research, that previews are better than reviews to sell tickets for our company as we are only in the theatre for a small limited time.”

Did you know?

FORMED in 1914 as the New Earswick Dramatic Society, the society has mutated into New Earswick Dramatic and Operatic Society, New Earswick Operatic Society, New Earswick Musical Society, latterly NE Musicals York, NE and now NE Theatre York. “NE” stands for New Exciting Theatre York.

Coming next: Carousel, Tempest Anderson Hall, Museum Gardens, York, June 5 to 7

NE Theatre York’s poster artwork for Carousel, The Fully Staged Concert

NE Theatre York will present a fully staged concert version of Rodgers and Hammerstein’s Carousel at Tempest Anderson Hall, Yorkshire Museum, Museum Gardens, York, from June 5 to 7.

After the sold-out run of Rodgers and Hammerstein’s The Sound Of Music at the Joseph Rowntree Theatre, director Steve Tearle is turning his focus to another R&H favourite, Carousel, premiered on Broadway in April 1945.

This time, follow the swaggering path of carefree carnival barker Billy Bigelow as he falls in love with the sweet but naive mill worker Julie Jordan, but romance comes at the price of both their jobs.

The story turns darker still when Billy participates in a robbery to provide for Julie and their unborn child. After the heist goes wrong, Julie turns to her Aunt Netty for comfort. Meanwhile, Julie’s best friend Carrie Pepperidge has her eyes on Mr Snow, leading to a marriage proposal.

NE Theatre York cast members for Carousel: top row, Kit Stroud and Maia Beatrice; bottom row,
Finlay Butler and Rebecca Jackson

Cue such R&H classics as June Is Burstin’ Out All Over, If I Loved You, When I Marry Mister Snow, Blow High, Blow Low and the iconic Liverpool and Celtic terrace anthem You’ll Never Walk Alone.

Tearle’s cast for this tale of hope, redemption and the power of love will be led by Kit Stroud as Billy Bigelow; Rebecca Jackson as Julie Jordan; Maia Beatrice as Carrie Pepperidge; Finlay Butler as Mr Snow and Perri Ann Barley as Aunt Netty. 

 “This will be a fully staged concert version with 29 voices,” says Steve. “The score will be given its full glory with an 18-piece orchestra led by Joe Allen. “You get every word said, so you can follow the story between the songs. Projections will transport the audience to Middle America to capture every moment of the story.”

The composers are said to have regarded Carousel as their personal favourite among their works. In 1999, Time magazine named Carousel as the best musical of the 20th century.

Tickets for this week’s 7.30pm evening shows and 2.30pm Saturday matinee are on sale at ticketsource.co.uk/netheatre-york.

REVIEW: York Musical Theatre Company in Sister Act, A Divine Musical Comedy, Joseph Rowntree Theatre, York ****

Hayley Bamford’s Deloris Van Cartier, now hiding as Sister Mary Clarence, centre, in York Musical Theatre Company’s Sister Act, A Divine Musical Comedy. Picture Lucy Baines, Joy Photography

AFTER York Stage Musicals’ York premiere in 2014 and Coronation Street star Sue Cleaver’s Mother Superior and Landi Oshinowo’s Deloris Van Cartier on tour at the Grand Opera House in  2024, Sister Act, A Divine Musical Comedy returns to the city in Kathryn Addison’s hands in 2025.

You can see why companies are making a habit of staging Alan Menken’s Broadway and West End musical spin on Emile Ardolino’s 1992 movie. We know nuns en masse are fun from the film, so full of cheery daftness.

Then add Motown, funk, soul and disco pastiches and even a brief burst of rap by Little Shop Of Horrors’ maestro Menken, lyrics by Glenn Slater and a sassy book by Cheri and Bill Steinkellener, steeped in the original spirit and re-booted with theatrical camp sparkle.

Jack Hooper’s Eddie Souther performing I Could Be That Guy. Picture: Lucy Baines, Joy Photography

It has been the norm for the likes of Alexandra Burke at Leeds Grand Theatre and Cleopatra Rey for York Stage to whoop up the lead role of lounge singer Deloris in the Whoopi Goldberg manner, but the movie part was first offered to Bette Midler.

Step forward Hayley Bamford, and, wham-bam, Bamford still stands out from her fellow wimple wearers, on account of her height, her strut and her soul-filled lung power.

We lose the nods to Richard Roundtree movies, Pam Grier and Shaft, but Addison’s smart production still echoes the American Seventies of Studio 54, Saturday Night Fever and Telly Savalas’s Kojak (although the programme states Act I is set at Christmas 1997 in Philadelphia, New Jersey).

Director Kathryn Addison, right, in rehearsal with Kirsten Griffiths (Mother Superior), right, and Hayley Bamford (Deloris Van Cartier)

Bamford’s Deloris has been placed in protective custody by gun-shy, profusely sweaty cop Eddie Souther (Jack Hooper) after witnessing her cool but cruel mobster lover  Curtis Jackson (Zander Fick) commit murder.

She may sing Take Me To Heaven, but Curtis has taken her closer to hell. Now she must flee from the Mafia’s clutches into the safety and sanctity of the Queen Of Angels convent, whose stained glass frames double as the nightclub decor.

Bamford’s irrepressible Deloris kicks the habits into shape, transferring the sisters’ hapless, off-key singing from doleful into soulful and herself into a divine diva. In doing so, she impresses Monsignor O’Hara (Rob Davies); exasperates the earnest Mother Superior (Kirsten Griffiths, whose singing hits the spectacular heights); re-invigorates the rundown neighbourhood’s church services and coffers, and rekindles the flame in Eddie’s schooldays crush.

Philadelphia mobster Curtis Jackson (Zander Fick, second from left) and his hoodlums, Eddie (Jonathan Wells), TJ (James Dickinson), Pablo (Adam Gill) and Joey (Joe Marucci). Picture: Lucy Baines, Joy Photography

Addison directs with an eye to both individual expression and collective impact, bringing an irreverent edge to the comedy and fabulous flair and fun to the choreography, while musical director John Atkin’s11-strong orchestra are as soulful as James Brown’s band The J.B.’s.

Bamford is feisty, lippy, funny and a natural show leader; Hopper’s amusing Eddie pulls at the heart strings; Eve Clark, in her gap year after A-levels, announces her singing talent as Sister Mary Robert; Fick’s Curtis, with his cigarette-card moustache,  is a matine-idol villain, and Katie Melia, so “super excited to be playing Sister Mary Patrick”, is exactly that in her scene-stealing role.

Look out too for Sandy Nicholson’s Sister Mary Lazarus, rapping in shades, and the bungling badinage of Curtis’s hoodlums, Joe Marucci’s Joey, James Dickinson’s TJ, Adam Gill’s Pablo and Jonathan Wells’s soon-to-be-deadie Eddie. All’s well that ends up Wells, however, as he has three further cameos, topped by a camp flurry as a drag queen.

Sister Act, A Divine Musical Comedy, Joseph Rowntree Theatre, until Saturday, 7.30pm and 2.30pm Saturday matinee. Box office: limited availability on 01904 501935 or josephrowntreetheatre.co.uk.

Nun better as Hayley Bamford takes on Deloris Van Cartier’s role in York Musical Theatre Company’s Sister Act The Musical

Hayley Bamford in rehearsal for the lead role of Deloris Van Cartier in York Musical Theatre Company’s Sister Act The Musical

First published on May 15 2025

YORK Musical Theatre Company will perform Sister Act The Musical at the Joseph Rowntree Theatre, York, next Wednesday (21/5/2025) to Saturday under the direction of Kathryn Addison with Hayley Bamford in the sassy role of “novice nun” Deloris Van Cartier.

As you will recall from Emile Ardolino’s 1992 film, the story is centred on club singer Deloris, who  witnesses her partner, nightclub owner Curtis Jackson (Zander Fick), commit murder, forcing the police to hide her in a convent where she meets the Mother Superior (Kirstin Grififths) and an ensemble of 22 nuns. Cue multiple upbeat numbers as friendships grow and the convent is saved from financial ruin. Hallelujah!

“The company chose this show, and they did ask me for my thoughts,” says Kathryn of Alan Menken’s musical with its 1970s-inspired score. “I think it’s a super piece of theatre that’s even better than the film. It’s ideal for this company. It has everything in it you want in a musical.  

“There’s a real depth to it, beyond the music, with real emotion to Deloris’s story, but it’s also fun and the music is fabulous. The voices are phenomenal. It has a beautiful original score for a show that needs the right style vocally and physically to retain the essence of the movie’s jukebox musical hits.”

Deloris Von Cartier will forever be associated with Whoopi Goldberg’s tour-de-force movie performance and was played by Cleopatra girl group singer, I’d Do Anything  finalist and West End musical actress Cleopatra  Rey in York Stage Musicals’ York premiere at the Joseph Rowntree Theatre: a September 2014 production on which Kathryn worked.

Sister Act The Musical director Kathryn Addison

Explaining her choice of Hayley for the role, she says: “Hayley never stops. From  the moment she rocks up, it’s an absolute powerhouse performance.

“We had some amazing auditions for the part, and they all really delivered. I had no preconceived ideas about who should play Deloris, but I needed a special spark and that’s what Hayley brought to the room. That energy.

“It’s an instinct. You can’t necessarily say what it is, but there’s a combination of things that strike you. It’s about having the right style and being able to adapt to the demands of this part, understand what you have to do, and Hayley has done that.”

Singer, children’s party entertainer and Hay Jays Disco boss Hayley has long contemplated auditioning for Deloris. “I saw that production at the Opera House, and had considered doing the show with Ripon Operatic Society,” she says. “I thought, ‘I’d love to audition for it’, but the timing wasn’t right, but now it’s come about naturally for me to do it in York, as if it was meant to be.”

Hayley auditioned last autumn and began singing rehearsals in January, followed by floor rehearsals since March. “It’s been such good  fun to do,” she says. “It’s a dream come true. I’ve toyed with it for some time now, because I’ve had it in my mind that Deloris is played by a very famous black actress [Whoopi Goldberg].

Hayley Bamford, front, centre, with fellow cast members for York Musical Theatre Company’s production of Sister Act The Musical

“But when John [musical director John Atkin] said it wasn’t written specifically for a black actress, but was first offered to Bette Midler, then I could see Deloris as just a club singer where you have to put your own take on it.

 “Deloris is a woman with dreams, and she has her ups and downs as we all do, but it’s what she learns from her experience that’s important.”

Hayley has loved the challenge of playing Hayley. “I played Morticia in The Addams Family a few years ago, but it wasn’t as big a role as this. It’s been good for my brain. Teaching myself things again. Like Deloris, we all have dreams to fulfil to work in theatre.

“Luckily my voice is naturally quite a low voice, the Whoopi Goldberg level, so I can do the American  voice like that, but I think I’m camper than Whoopi – and you don’t want to be a copycat.”

Kathryn concludes: “What Hayley is very good at is being able to use her physicality in scenes, and it’s very definitely not like Whoopi! It’s Hayley’s interpretation; we get the whole character because she gets the movement right. Hayley is tall with long limbs and that brings individuality to her performance.”

York Musical Theatre Company in Sister Act The Musical, Joseph Rowntree Theatre, May 21 to 24, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.