Effie Warboys’ Ann Walker, left, and Sally Mitcham’s Anne Lister in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
YORK Shakespeare Project audiences are greeted by not one, but two testaments to the groundbreaking impact of Anne “Gentleman Jack” Lister at Holy Trinity Church, Goodramgate.
First, by the entrance, York Civic Trust’s rainbow plaque commemorates the Easter 1834 wedding sacraments of “Anne with an ‘E’ and Anne without”, Ann Walker, recorded as the first lesbian marriage in Great Britain. Another historic landmark in this most storied of cities.
Once inside, by the churchyard path, Anne Lister has temporarily taken on tansy beetle form in a metallic sculpture for the York Trailblazers trail of unsung heroes until September 30.
Theatre spat: Rival actresses Lily (Alexandra Logan), left, and Felicity (Grace Scott) in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
In Jen Dring’s design, the beetle’s back is covered in the diary scribblings of Anne Lister: words that have helped to shape the opening to Josie Campbell’s script to accompany 12 of Shakespeare sonnets in this tenth anniversary YSP production.
YSP’s theatrical conceit is to offer an invitation to a secret wedding – spoiler alert, the nuptials of Anne Lister (Sally Mitcham) and Ann Walker (Effie Warboys) – toasted on arrival with a free celebratory drink.
The audience is welcomed by the Reverend Goode, the “poptastic vicar and host” played by director Tony Froud, who promptly introduces himself as Ebenezer Goode in the first of a plethora of “couldn’t resist” pop culture references by Campbell. Status Quo, Paul McCartney and The Rolling Stones all follow, Rev Goode at one point quoting the lyrics of You Can’t Always Get What You Want.
Cleaning up: Marie-Louise Feeley’s Doreen and Helen Wilson’s Maureen, the church-cleaning double act in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
Attired in York Theatre Royal costumes, Mitcham and Warboys play out the Lister-Walker betrothal, each bursting into a sonnet in the manner of characters breaking into song in a musical when there is no other form of expression that will suffice in that moment.
Mitcham’s assertive When I Have Seen By Time’s Fell Hand Defaced will be the first of four Shakespeare sonnets making their YSP debut in this summer’s set.
Warboys follows, one of six new sonneteers in Froud’s 2024 ranks, having made her mark in cheery fashion in YSP productions such as The Tempest. As she discovers in her opening conversation with Mitcham’s Miss Lister, the challenge for all is to acclimatise to performing outdoors, against the absorbant backdrop of the church walls, under the open sky.
Emily Hansen’s Lavinia, the unflappable costume designer, in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
What’s more, the nearby restaurant kitchen fan is whirring loudly and the staff are busy with bustling crockery and food prep on the 6pm shift. Not the easiest of circumstances in which to perform, and Froud’s last words of advice before the first performance were of the need for volume.
In such a space, as soon as heads turn sideways, the loss in clarity can be considerable, but only through experience does a performer learn the skill of projection. Best advice here: follow the example of Maurice Crichton and Helen Wilson, old hands at this sonneteering malarkey.
No doubt, Froud will have given post-show notes to re-emphasise that volume speaks volumes. There is a case too for having the actors move closer to the seated audience, or indeed for the seating to be moved forward, and also to project straight on as much as possible in this declamatory framework.
Maurice Crichton’s intemperate director, Callum, offering advice to Alexandra Logan’s wilful leading lady, Lily, in Summer Sonnets. Picture: John Saunders
Crichton, in beret, cravat and exasperated Scottish accent, is playing Callum, “the far from calm director” of what turns out to be a rehearsal for an amateur company at Rev Goode’s church. And so, rather than a play within a play in keeping with Frayn’s Noises Off, Ayckbourn’s A Chorus Of Disapproval or Mischief’s The Play That Goes Wrong, instead we have sonnets within backstage shenanigans.
One by one, or two by two, we shall encounter staff, actresses and helping hands. Here come the church cleaners, debutant sonneteer Marie-Louise Feeley’s Doreen, an aspiring performer, and Wilson’s world-weary, seen-it-all-before Maureen, marigold gloves stuffed in her overalls. Her sonnet, Th’expense Of Spirit In A Waste Of Shame, is one of the high points.
Two rival actresses, steady-away Felicity (Grace Scott) and flighty young leading lady Lily (Alexandra Logan) will spar amusingly, the latter’s nascent prima-donna tendencies in the role of Anne Lister’s earlier paramour Maria Belcombe, testing Crichton’s acerbic Callum to breaking point.
Liam Godfrey’s Graham, the tardy actor, in a tender moment with Grace Scott’s Felicity in Summer Sonnets. Halina Jarosewska’s Maggie, the indispensable stage manager, looks on. Picture: John Saunders
Liam Godfrey, another of the debutants, captures the diffidence of tardy actor Graham (playing Captain Sutherland, from Anne Lister’s story) as he makes his reacquaintance with Felicity, his partner in pantomime cow, as Campbell brings another artform into play.
Emily Hansen’s Lavinia, the unflappable costume designer, and Halina Jarosewska’s Maggie, the indispensable stage manager, pop up regularly, in that quietly essential way that such theatre stalwarts do. Hansen’s delivery of Being Your Slave, What Should I Do But Tend suits Maggie perfectly.
The finale brings everyone together, Lister, Walker, et al, led by Froud’s good shepherd Rev Goode in Let Me Not To The Marriage Of True Minds, rounding out Campbell’s amusing caricature of the theatre world, celebration of love and abiding joy in Shakespeare’s sonnets.
York Shakespeare Project, Summer Sonnets, Holy Trinity Church, Goodramgate, York, until August 17, 6pm and 7.30pm nightly, plus 4.30pm on Saturday. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Tony Froud’s Reverend Goode, the “poptastic vicar and host”in Summer Sonnets, addressing the flock in the Holy Trinity churchyard. Picture: John Saunders
Coming next:
William Shakespeare’s The Two Gentlemen Of Verona, Theatre@41, Monkgate, York, October 22 to 26, 7.30pm plus 2.30pm Saturday matinee
AFTER “much deliberation, and too many wonderful people auditioning”, director Tempest Wisdom has picked York Shakespeare Project’s cast for The Two Gentlemen Of Verona.
In the company will be: Jodie Fletcher; Stuart Lindsay; Jamie Williams; Nick Patrick Jones; Thomas Jennings; Lily Geering; Anna Gallon; Liz Quinlan; Lara Stafford; Wilf Tomlinson; Effie Warboys; Mark Payton; Stuart Green; Jon Cook; Charlie Spencer; Pearl Mollison; Kay Maneerot; Celeste North Finocchi and Charlie Barras.
The first night, October 22, will be a preview performance (£10). Tickets for the rest of the week cost £15. Box office: tickets.41monkgate.co.uk.
Josie Campbell: Writer of the script to accompany Shakespeare’s sonnets in York Shakespeare Project’s outdoor show at Holy Trinity, Goodramgate, York
YORK Shakespeare Project’s Summer Sonnets return to the churchyard of Holy Trinity, Goodramgate, York, from tomorrow to August 17.
“After attracting a record audience of more than 600 people to the show last year in the Bar Convent gardens, we are delighted again to be offering a taste of Shakespeare that is both entertaining and accessible,” says YSP chair Tony Froud, who is directing for a second year. “It’s a lovely event for both the Shakespeare enthusiast and those new to Shakespeare.”
Holy Trinity last hosted YSP’s Sit-Down Sonnets in September 2020, under social distancing restrictions during the Covid pandemic.
“This year we plan to take full advantage of such a beautiful setting with all its historic associations,” says Tony. “The church has been incredibly welcoming, in keeping with being used for various theatrical and cultural events and for location filming too.
York Shakespeare Project’s poster for Summer Sonnets at Holy Trinity Church, Goodramgate
“Many people will know the church as the site of the blessing of the relationship of Anne ‘Gentleman Jack’ Lister and Ann Walker [at Easter 1834], and we are building this year’s show around that famous event” [now marked by a York Civic Trust rainbow plaque with the wording “took sacrament here to seal her union”).
The Summer Sonnets show has been scripted by Josie Campbell, who performed the role of one of Macbeth’s witches for YSP on the Rose Theatre’s Shakespeare Wagon in 2019 at the Eye of York.
Sharing her time between Ampleforth and Dubai, Josie is a professional actor/director and co-founder of Little Britches Theatre Company. In 2021 she toured Yorkshire with a pop-up production of Shakespeare’s Will, a one-woman show about Anne Hathaway, Shakespeare’s wife.
“Josie had never been to Holy Trinity but did her research and was immediately captivated by the idea of using Anne Lister and Ann Walker’s story as the starting point,” says Tony. “A lot of the language she uses, she found in Anne Lister’s diary, which adds authenticity.”
York Shakespeare Project sonneteer Helen Wilson in rehearsal for Summer Sonnets. Picture: John Saunders
For Summer Sonnets, Josie has come up with an entertaining plot, taking full advantage of the church’s setting and rich history. “I have thoroughly enjoyed writing a Sonnets show, featuring Anne Lister, one of Yorkshire’s most uncompromising and resilient women”, she says.
For the Summer Sonnets, audiences are “invited to a secret wedding in Holy Trinity, Goodramgate, in the heart of York”, where they will “meet the church’s most famous couple while enjoying a complimentary drink, but as they witness the happy event, they may start to wonder: is everything quite what it seems?”
“As ever, the show will feature a wide variety of colourful characters, each speaking in everyday English until they shift into their 14 lines of verse from one of Shakespeare’s sonnets to reveal the heart of their story,” says Tony, who is keeping the exact nature of those characters under wraps until the opening evening.
“It’s a lovely experience. You can sip your complimentary drink on a summer’s evening in a delightful setting. Very often, the characters slip into a sonnet and the audience hardly notices that the language has become Shakespearean. And you should look forward to a surprise or two!”
Summer Sonnets director Tony Froud. Picture: John Saunders
2024 marks the tenth anniversary of YSP’s first show built around Shakespeare’s sonnets in the form of 2014’s Sonnet Walks, wherein groups of audience members met assorted characters as they walked through the streets of York.
“Sadly, I never saw the Walks, but there’s an advantage in having a single setting where characters can meet, start a story and then reappear to complete it,” says Josie.
Tony adds: “Part of the joy of the piece is that Josie has come to the Shakespeare sonnet format, having never seen our sonnets shows before, whereas all our previous writers have had the theatrical equivalent of muscle memory.
Summer Sonnets debutant sonneteer Liam Godrey: Reuniting with writer Josie Campbell after he played Macbeth in York Shakespeare Project’s wagon play at Shakespeare’s Rose Theatre in York in 2019, when Josie “threw herself wholeheartedly” into her role as one of the witches. Picture: John Saunders
“She came to it with fresh eyes, and the full credit I would give her is that she has been extraordinarily generous and open with her script and has allowed me as director and the cast to develop their character to suit the sonnet format.
“All the cast have to find a way to allow their character to discover their Shakespeare sonnet as a natural part of their progression.”
Tony’s cast is a blend of actors new to the YSP Sonnets, Marie-Louise Feeley, Liam Godfrey, Halina Jaroszewska, Alexandra Logan, Grace Scott and Effie Warboys, and seasoned sonneteers Maurice Crichton, Emily Hansen, Sally Mitcham, Helen Wilson and Tony Froud himself.
Alexandra Logan: Newcomer in the Summer Sonnets ranks in rehearsal in the Holy Trinity churchyard. Picture: John Saunders
“Our YSP casts for The Taming Of The Shrew and Edward II have demonstrated a greater variety of casting, and that has continued with Summer Sonnets,” says Tony, who has held rehearsals over the past six weeks. “We seem to be casting our net more widely, attracting a wider set of actors.
“That said, YSP has always tried to do that because we’ve aways had a policy of selecting a different director for each production and we operate an open casting policy.”
Writer Josie Campbell suggested the sonnets to be performed by each character. “The vast majority were chosen by her, though as part of the development of the script, two of the cast asked to use another for their character,” says Tony.
Grace Scott: Taking part in York Shakespeare Project’s Summer Sonnets for the first time. Picture: John Saunders
“My experience is that there’s always a collective sense of appreciation among the audience when they recognise a familiar sonnet, but we also try each year to include some new sonnets from Shakespeare’s collection.”
Reflecting on the tenth anniversary of YSP’s Sonnets seasons, Tony says: “I understand it was a very different animal when it began, starting as Sonnets Walks around the city, where each actor would develop their character and then choose their sonnet.
“But now we’ve hit on a format with a single venue and we have the opportunity for a writer and director to develop the characters, the dramatisation and the narrative arc and that prescribes the choice of sonnets rather more.”
York Shakespeare Project, Summer Sonnets, Holy Trinity Church, Goodramgate, York, August 9 to 17, 6pm and 7.30pm nightly, except August 12, plus 4.30pm on August 10 and 17. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
The York Civic Trust rainbow plaque at the entrance to Holy Trinity Church, Gooramgate, to mark the sacrament of the union of Anne “Gentleman Jack” Lister and Ann Walker that inspired the theme for York Skakespeare Project’s Summer Sonnets
Did you know?
YORK Shakespeare Project will perform all three parts of Shakespeare’s Henry VI history plays, condensed into one play, at next April’s York International Shakespeare Festival, under the direction of Irwin Appel, American professor of drama and theatre studies at the University of California, Santa Barbara.
Elle Wootton in The 13-Storey Treehouse at Grand Opera House, York. Picture: James D Morgan
SHAKESPEARE sonnets, a treehouse with bowling alley and sea monster, The Magpies’ music festival and a thrilling children’s workshop will keep the summer diary busy, advises Charles Hutchinson.
Family show of the week: The 13-Storey Treehouse, Grand Opera House, York, today(8/8/2024) to Sunday, 1pm and 5pm
ADAPTED by Richard Tulloch (The Book Of Everything, Bananas In Pyjamas), this one-hour play for children aged six to 12 brings Andy Griffiths and Terry Denton’s story to stage life with a seriously funny cast and a treehouse replete with a bowling alley, a secret underground laboratory, self-making beds and a marshmallow machine.
Expect magical moments of theatrical wizardry and a truckload of imagination from the cast of Elle Wootton, Edwin Beats and Ryan Dulieu when Andy and Terry forget to write their debut play. Where will they find flying cats, a mermaid, a sea monster, an invasion of monkeys and a giant gorilla? Find out this week. Box office: atgtickets.com/york.
Josie Campbell: Writer of the script to accompany Shakespeare’s sonnets in York Shakespeare Project’s outdoor show at Holy Trinity, Goodramgate, York
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, Friday to August 17, except August 12, 6pm and 7.30pm plus 4.30pm on both Saturdays
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets are performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
The poster for Safe Suburban Home Records’ August ’24 Roadshow at The Crescent, York
York gig of the week: Safe Suburban Home Records presents August ’24 Roadshow, Cowgirl, Teenage Tom Petties and Oort Clod, The Crescent, York, Friday, 7.30pm
SAFE Suburban Home Records will be in party mood at The Crescent, celebrating Friday’s release of York garage rock quartet Cowgirl’s new album, Cut Offs. Built around chief songwriters Danny Trew Barton and Sam Coates, they wrap melodies in walls of wailing guitar fuzz.
Teenage Tom Petties deliver transatlantic slacker rock with just the right amount of slop, fuzz and melody; Manchester’s mask-wearing Oort Clod promise post-punk, garage rock and jangly indie. Box office: thecrescentyork.com.
Fountains By Water, by Peter Hicks, on show at Fountains Abbey. Picture: Joe Cornish
Exhibition of the week: Peter Hicks, Fountains Abbey and Studley Royal Water Garden, near Ripon
THIS summer’s run of Peter Hicks’s exhibition, Fountains Abbey & Studley Royal – A Landscape Painter’s Perspective, is being extended to September 15. On show are works painted in response to the John and William Aislabie-designed landscapes at Fountains during Hicks’s residency in 2023.
Commissioned by the National Trust, the Yorkshire landscape artist’s paintings, studies and sketchbooks are on display in Fountains Mill. Hicks specialises in abstract landscapes with acrylic washes on canvas and board, making his own benches and brush handles and using humble and accessible materials, such as old margarine pots for mixing his paints. Tickets: nationaltrust.org.uk/visit/yorkshire/fountains-abbey-and-studley-royal-water-garden.
Actress, vocalist and accordion player Natalia Tena fronts Molotov Jukebox at The Magpies Festival, backed by Balkan fiddle, Latin trumpet and a pounding rhythm section, on Friday
Festival of the week: The Magpies Festival, Sutton Park, near York, Friday and Saturday
RUN by transatlantic folk band The Magpies, The Magpies Festival is rooted in the trio’s native Yorkshire, where they first met. Now in its fourth year, the 2024 event will be headlined on Friday on the main stage by bi-lingual six-piece Molotov Jukebox at 10pm, preceded by Chris While & Julie Matthews, 6pm, and Jim Moray, 8pm.
Friday’s Brass Castle Stage bill features Em Risley, 5pm; Taff Rapids Stringband, 7pm; The Turbans, 9pm, and Easingwold musician Gary Stewart’s Graceland, 11pm.
Saturday’s main stage bill will be topped by Sam Kelly & The Lost Boys at 10pm, preceded by Charm Of Finches, 12 noon, The Often Herd, 2pm, Jesca Hoop, 4pm, The Magpies, 6pm, and Nati (formerly known as Nati Dreddd), 8pm. Saturday’s Brass Castle Stage line-up comprises Painted Sky, 1pm; Suntou Susso, 3pm; Northern Resonance, 5pm; Awkward Family Portraits, 7pm, and Marvara, 9pm. Box office: themagpiesfestival.co.uk/tickets.
The poster for the Three Day Thriller workshop for children at Helmsley Arts Centre
Children’s activity of the week: The Three Day Thriller, Helmsley Arts Centre, August 12 to 14, 10am to 2pm. CANCELLED
BUCKLE up for this improvising and devising workshop for 11 to 16-year-olds, designed to look at different theatre and performance techniques to make a new story in the thriller genre. The focus will be on character, plot and staging to create excitement, mystery and suspense, keeping audiences on the edge of their seats. At the end of day three, the work explored will be shared with family and friends. Places on the £75 workshop can be booked on 01439 771700 or at helmsleyarts.co.uk.
Robert Gammon: Playing at Dementia Friendly Tea Concert at St Chad’s Church, York
Dementia Friendly Tea Concert: Robert Gammon, piano, St Chad’s Church, Campleshon Road, York, August 15, 2.30pm
PIANIST Robert Gammon returns to St Chad’s to perform Bach’s Prelude and Fugue in F sharp Minor from the Well Tempered Clavier Book 2, Schumann’s Kinderszenen and two Chopin Polonaises. As usual, 45 minutes of music will be followed by tea and homemade cakes in the church hall.
“This relaxed event is ideal for people who may not feel comfortable at a formal classical concert, so we do not mind if the audience wants to talk or move about,” says organiser Alison Gammon. Seating is unreserved; no admission charge, but donations are welcome.
The gang is back: Martin Stephenson performs with his fellow Daintees stalwarts at Milton Rooms, Malton, this autumn
Gig announcement of the week: Martin Stephenson & The Daintees, Milton Rooms, Malton, October 13, 8pm
MARTIN Stephenson’s focus will be on You Belong To Blue, the February 2023 album that saw original Daintees’ members Gary Dunn, Anthony Dunn and Charlie Smith, plus a selection of special guests, joining up with the Durham-born singer-songwriter once again.
His Malton set will feature Daintees and Stephenson solo favourites stretching back to his 1986 debut Boat To Bolivia as he dips into country, folk, jazz, blues, skiffle and reggae. Box office: 01653 696240 or themiltonrooms.com.
What’s On in Ryedale, York and beyond, from August 14 onwards. Here’s Hutch’s List No. 29, from Gazette & Herald
Tony Froud’s Reverend Ebenezer Goode in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
DON’T poo-poo Ada Grey’s exhibition for children at Nunnington Hall, advises Charles Hutchinson, as he picks cultural highlights for the weeks ahead.
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, until August 17, 6pm and 7.30pm plus 4.30pm Saturday
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets is performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Heather Findlay: Busking at Sunday’s York River Art Market. Picture: Adam Kennedy
York’s answer to the Left Bank in Paris: York River Art Market, August 17 and 18, 10am to 5pm
YORK River Art Market sets out its stalls on the Dame Judi Dench Walk riverside for its third weekend this summer, featuring up to 30 artists and makers per day. Among Saturday’s stallholders will be Bejojo Art, Jillie Lazenby, Woody’s Creations, Emily Littler, Happy Pot Mama, Magdalena Biernacka, Kissed Frog, I’ve Been Creative, Matt Lightfoot Photography, Inky Print Designs and Wood Wyrm.
Popping up on Sunday will be Urban Infill Store, Wild Orange Tree, Jo O’Cuinneagan, Rock and Twig Studio, David Lobley Photography, The Littlest Falcon, Feather Isle, Fei’s Crochet, Painter Merv, Stairwell Books, Ounce Of Style and plenty more. Look out for York singer-songwriter Heather Findlay on busking duty on Sunday. Admission is free.
Bedern Hall: Playing host to SconeFest from August 14 to 16
Festival of the week: SconeFest, Bedern Hall, Bartle Garth, St Andrewgate,York, August 14 to 16, 11am to 3pm
BEDERN Hall, York’s 14th-century dining hall, hosts the city’s second annual SconeFest, promising a new mystery flavour every day, with the chance to win an afternoon tea for two at the hall if your guess is correct. In addition, the menu will include beloved flavours such as cheese, fruit and lavender.
Director Roger Lee says: “We’re honoured to have Bernadette – famed for her Christmas Pudding scones – baking for us, and we can’t wait for everyone to experience her incredible scones.” No need to book; visitors are welcome at any time throughout the day. Takeaway scones and hot drinks will be available.
Poo power: Illustrator and author Ada Grey’s exhibition at Nunnington Hall
Exhibition of the week: Ada Grey, Splat! Patter! Plop!, Nunnington Hall, Nunnington, until September 8
DIVE into a world where the “hilarity of poo” takes centre stage in this “unique children’s illustration exhibition like no other” by Ada Grey, creator of such picture books as Poo In The Zoo, Great Poo Mystery, Island Of Dinosaur Poo and Super Pooper Road Race.
Noted for the vibrant colours, lively characters and comical twists of her children’s tales, for the first time Grey is showcasing illustrations of such beloved characters as Bob McGrew and Hector Gloop in iconic moments from her favourite stories. Children have the chance to immerse themselves in Ada’s books, draw inspiration to create their own characters and proudly display their creations in the Poop-a-Doodle gallery. Grey will drop in on August 20 to run workshops for children from 11am to 4pm. Tickets and workshop bookings: nationaltrust.org.uk/visit/yorkshire/nunnington-hall/exhibitions.
MeatLoud: Paying tribute to MeatLoaf and Jim Steinman at Joseph Rowntree Theatre
Another slice of MeatLoaf: MeatLoud – Bat Out Of Hades, Joseph Rowntree Theatre, York, August 24, 7.30pm
FOUNDED in 2015, this powerhouse tribute to MeatLoaf and songwriter Jim Steinman is fronted by vocalist Andy Plimmer, who is joined Sally Rivers to take on the guise of Bonnie Tyler, Celine Dion and Cher. The second half features a complete performance of the classic 1977 album Bat Out Of Hell. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Jake Vaadeland & The Sturgeon River Boys: Making debut appearance at Selby Town Hall next month
New season opener: Jake Vaadeland & The Sturgeon River Boys, Selby Town Hall, September 4, 7.30pm
SELBY Town Hall kicks off its autumn season with the debut visit of Jake Vaadeland & The Sturgeon River Boys, purveyors of bluegrass and rockabilly from Saskatchewan, Canada.
Selby Town Council arts officer Chris Jones enthuses: “I absolutely love these guys. It’s probably the show I’m most looking forward to in the second half of the year. At just 21 years old, Jake is terrifyingly talented. He and the band – dressed in authentic 1950s’ suits – make the most fantastically fun, upbeat, toe-tapping music, already gracing the main stages of festivals across North America.” Box office: 01757 708449 or selbytownhall.co.uk.
Simon Russell Beale: Shakespeare actor, now starring as Ser Simon Strong in House Of The Dragon, will be in conversation at York Theatre Royal in September
Theatre chat: An Evening With Simon Russell Beale, York Theatre Royal, September 10, 7.30pm
WAS Shakespeare an instinctive “conservative” or, rather, gently subversive? How collaborative was he? Did he add a line to Hamlet to accommodate his ageing and increasingly chubby principal actor Richard Burbage? Did he suffer from insomnia and experience sexual jealousy?
In An Evening With Simon Russell Beale, in conversation with a special guest, the Olivier Award-winning actor will share his experiences of “approaching and living with some of Shakespeare’s most famous characters”, from his school-play days as Desdemona in Othello to title roles in Hamlet and Macbeth. Expect anecdotes of Sam Mendes, Nick Hytner, Stephen Sondheim and Lauren Bacall too. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Elkie Brooks: Heading out on her Long Farewell Tour. Leeds and York await. Picture: Neil Kirk
Gig announcement of the week: Elkie Brooks, Long Farewell Tour, Leeds City Varieties Music Hall, September 12; York Barbican, April 11 2025
AFTER 64 years of performing live, the “British queen of blues”, Elkie Brooks, is to undertake her Long Farewell Tour, visiting Leeds and York among 24 dates.
The Salford singer, 79, will perform such hits as Pearl’s A Singer, Lilac Wine, Fool (If You Think It’s Over), Sunshine After The Rain, No More The Fool and Don’t Cry Out Loud in a career-spanning show of blues, rock and jazz numbers that will showcase material from her forthcoming 21st studio album for the first time. Box office: elkiebrooks.com/elkie-brooks-tour-dates-2024; leedsheritagetheatres.com and yorkbarbican.co.uk.
York Shakespeare Project’s poster for Summer Sonnets at Holy Trinity Church
YORK Shakespeare Project’s Summer Sonnets return to the churchyard of Holy Trinity, Goodramgate, York from August 9 to 17.
“After attracting a record audience of more than 600 people to the show last year in the Bar Convent gardens, we are delighted again to be offering a taste of Shakespeare that is both entertaining and accessible,” says YSP chair Tony Froud, who is directing the sonnet season for a second year.
Holy Trinity last hosted YSP’s Sit-Down Sonnets in September 2020, under social distancing restrictions during the Covid pandemic.
Writer Josie Campbell
“This year we plan to take full advantage of the historic and beautiful setting”, says Tony. “Many people will know the church as the site of the blessing of the relationship of Anne Lister (Gentleman Jack) and Ann Walker [at Easter 1834] and we are building this year’s show around that famous event” [now marked by a York Civic Trust rainbow plaque with the wording “took sacrament here to seal her union”).
The Summer Sonnets show has been scripted by Josie Campbell, who performed for YSP on the Rose Theatre’s Shakespeare Wagon in 2019 at the Eye of York.
Sharing her time between Yorkshire and Dubai, Josie is a professional actor/director and co-founder of Little Britches Theatre Company. In 2021 she toured Yorkshire with a pop-up production of Shakespeare’s Will, a one woman show about Anne Hathaway, Shakespeare’s wife.
Summer Sonnets director Tony Froud
For Summer Sonnets, Josie has come up with an entertaining plot, taking full advantage of the church’s setting and rich history. “I have thoroughly enjoyed writing a Sonnets show, which includes Anne Lister, one of Yorkshire’s most uncompromising and resilient women”, she says.
Audiences are “invited to a secret wedding in Holy Trinity, Goodramgate, in the heart of York”, where they will “meet the church’s most famous couple while enjoying a complimentary drink. As they witness the happy event, they may start to wonder: is everything quite what it seems?”
Debutant York Shakespeare Project sonneteer Grace Scott in rehearsal. Picture: John Saunders
“As ever, the show features a wide variety of colourful characters, each speaking in everyday English until they shift into their 14 lines of verse from one of Shakespeare’s sonnets to reveal the heart of their story,” says Tony.
“It’s a lovely experience. You can sip your complimentary drink on a summer’s evening in a delightful setting. Very often, the characters slip into a sonnet and the audience hardly notices that the language has become Shakespearean. And you should look forward to a surprise or two!”
2024 marks the tenth anniversary of YSP’s first show built around Shakespeare’s sonnets in the form of 2014’s Sonnet Walks, wherein groups of audience members met assorted characters as they walked through the streets of York.
Liam Godfrey: Making his Summer Sonnets debut. Picture: John Saunders
“Sadly, I never saw the Walks, but there’s an advantage in having a single setting where characters can meet, start a story and then reappear to complete it,” says Josie.
Tony’s cast is a blend of actors new* to the YSP Sonnets and seasoned sonneteers: Maurice Crichton; Marie-Louise Feeley*; Liam Godfrey*; Emily Hansen; Halina Jaroszewska*; Alexandra Logan*; Sally Mitcham; Grace Scott*; Effie Warboys*; Helen Wilson and Tony Froud himself.
York Shakespeare Project in Summer Sonnets, Holy Trinity Church, Goodramgate, York, August 9 to 17, except August 12, 6pm and 7.30pm, plus 4.30pm on August 10 and 17. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/. Tickets: £10; £5, age 14 to 17; two under-14s per adult. The price includes a free drink.
Regular York Shakespeare Project sonneteer Helen Wilson in rehearsal. Picture: John Saunders
Imogen Hope, left, and Josie Campbell in rehearsal for Shakespeare’s Will. Pictures: Michael J Oakes
LITTLE Britches Theatre Company should have launched already in Dubai but “guess what happened in between” then and now.
Instead, pushed back by the pandemic and now back home, North Yorkshire duo Josie Campbell and Imogen Hope will present Vern Thiessen’s two-hander Shakespeare’s Will in a private show in a Sutton-on-the-Forest garden on Friday night, followed by a public performance with afternoon tea at Hearts of Ampleforth, near Helmsley, on Sunday at 2.30pm.
In this one-hour, pop-up outdoor show about Anne Hathaway’s imagined life with, but mostly without, playwright William Shakespeare, teacher, theatre-maker, performer and erstwhile voiceover artist Josie will play Anne.
Theatre-maker, actor, musician and performing arts teacher Imogen will take the role of Actor-Musician.
“We are delighted to be performing our work within the community,” says Josie, who officially formed Little Britches with Imogen earlier this year while she was still living in the United Arab Emirates. Now the company is based in Ampleforth.
“Join us for a taste of some Renaissance mud, blood, and occasional stud, in this hilarious, energetic and ultimately tragic tale of love, labour and loss,” says Josie.
Here, she and Imogen answer CharlesHutchPress’s questions about Shakespeare’s Will, Little Britches’ projects and their creative partnership.
How and where did you meet Imogen, Josie?
“We’ve known each other since Immy was 13! She was in the same year as my son, Archie, at Gilling (Ampleforth College). I was subsequently her assistant housemistress when she moved to Ampleforth.
“I taught her A-level Theatre Studies, as well as coaching her through her ATCL Acting Diploma. We’ve kept in touch on and off through the years.”
How did you settle on the name Little Britches and why, Josie?
“Ha! I had a shortlist of possibles but we both liked the fact that this is a bit cheeky. We’re both little in stature – Immy’s taller! – and the ‘breeches’ reference resonated with the fact that our first play was set in a time when these were worn.”
How did you come across Vern Thiessen’s Shakespeare’s Will, Josie?
“It premiered in 2005 in Canada, where it has been performed extensively. The USA premiere was produced by Leonard Nimoy (yes, Spock!).
“I had spent ages and ages looking for a one-act, small-cast play that featured a woman of my age. It wasn’t easy, I can tell you! From a Little Britches point of view, there is still acres more space for women’s stories to be told.”
Josie Campbell rehearsing a scene from Little Britches Theatre Company’s Shakespeare’s Will
How would you sum up the play, Josie?
“It’s a play about Anne’s imagined life with – but mostly without – her increasingly famous husband. Beginning just after his funeral, she prevaricates over reading the will, using the time to reminisce about her life.
“It’s been described as ‘catnip for Shakespeare fans’ and I love that! It’s light and irreverent, but there’s a point in the play when it darkens as the plague arrives…and there’s a tragic twist at the end.
“It does help to have a bit of knowledge about who Anne Hathaway was, and especially the debate surrounding ‘the second-best bed’, but it’s not essential.”
What are the themes, Josie?
“What appealed to me was that the play is a life as seen through the eyes of a woman – from a very domestic point of view. She’s more or less a single mother, keeping it together while her husband’s life turns out to be bigger than hers.
“There is so much that resonates for woman: accidental pregnancy, the less-than-idyllic realities of childbirth and babies, single motherhood, challenging relationships with in-laws, absent husbands, sexual freedom. I see a lot of wry smiles from women in the audience when we perform this!
“Its femininity as a play is represented by the fluidity of the repeated water/sea motif. The sea is Anne’s ‘safe space’, her retreat.
“There are also references in the play to theatres closing because of the plague. Maybe Vern Thiessen had a crystal ball when he wrote this!”
What does your staging of a show involve, Josie?
“We’re truly a pop-up show, so our set is whatever and wherever the backdrop is. We can perform in very intimate spaces – anywhere where you can fit an audience, from private gardens and cafés/pubs to larger arts centres and theatres.
“We can fit all our props – from model ships to a bunch of rosemary…and the will – in a hand basket. If the host can’t provide anything suitable, we bring along a table and chair. Of course, Imogen brings her violin, her guitar and her beautiful voice.”
What music have you composed for Shakespeare’s Will, Imogen?
“The period of the play is Elizabethan and so a folk-music style felt fitting. Some of the pieces, such as the fiddle jigs and the ‘Love Theme’, are taken from traditional folk tunes.
“However, some of the other tunes played and sung are composed by me, making sure to keep the folk genre and style consistent.
Where there’s Hope: Imogen Hope will provide the music for Little Britches’ production of Shakespeare’s Will
“Music is integral to our performance. It’s multi-purpose by its addition to the context of a scene, providing sub-text and fitting in with the overall performance arc. The use of leitmotifs is important in supporting this and also allows for a more conjunct flow between the spoken text and the music.”
What do you enjoy about performing two-handers, Josie?
“I much prefer it to performing solo! It allows us more flexibility in staging and the energy.
“It’s a wonderfully collaborative experience as we learn to bounce off each other. Imogen accuses me of giving her all the lines that I don’t want to learn, but that’s absolutely not true!
“It’s also great to build a relationship with the audience over the course of the play. There’s no fourth wall.”
What did your lockdown What Makes Me Woman online monologue project involve, Imogen?
“I took the lead on this project, where a collection of original monologues was rehearsed and performed online on the subject of ‘What Makes Me Woman’.
“We asked for submissions and received an eclectic range of different writing styles and varied topics related to the given title. After receiving the submissions, we posted a call-out for performers and directors. Short summaries of the monologues were given so people could choose a first and second option for which monologue they were most interested in performing/directing.
“After putting the different teams together, it was up to them to rehearse and record: they had a choice on how much editing they would like to do and the style in which they recorded it.
“Also note that none of these teams had met before.”
Who took part, Imogen?
“Our writers, performers and directors were a mix of ages and levels of experience – we had well-seasoned and experienced theatre-makers and we also had those who wanted to try their hand at something new.
“Wanting to promote a self-space where people could explore this and help each other with nurturing these skills was something important to the project.”
When was the work premiered, Imogen?
“We held a premiere in May of all the monologues online and hosted a Q&A afterwards to allow all the teams to meet and to discuss what the process had been like.
“Something that struck us was the community we had created. We weren’t entirely sure what the project would be like, but it was beautiful. A collection of voices from places near and far coming together to celebrate, commiserate and contemplate what it meant for them to be a woman.”
“There is so much that resonates for woman,” says Josie Campbell of Shakespeare’s Will
Who have you had as guests and what have you discussed in Coffee Morning Chats, your series of Zoom sessions where you talk to theatre makers about claiming their space within the industry, Imogen?
“Coffee Morning Chats was something we wanted to start after our ”What Makes Me Woman’ project. We wanted to continue this idea of a community through arts and conversation.
“We started pre-recording these and asked some of our fellow artists to join. However, we have had to take a hiatus with this when starting our tour of Shakespeare’s Will. It is something we want to continue but have put on the back burner, so watch this space!”
What are your upcoming plans, Josie?
“This autumn, I’m off to Central [School of Speech and Drama, London] to do an MA in Training and Coaching Actors, while Imogen returns to her job as a performing arts teacher in the West Midlands.
“But we will continue to pop up when we can, plus hopefully we’ll launch schools’ workshops. We’re also beginning to develop our own material.”
Four facts about Josie Campbell
1. At the 2019 Shakespeare’s Rose Theatre season at the Eye of York, Josie performed “on the wagon” as part of the pre-show entertainment in Shakespeare’s Village as Third Witch in the opening scene of Macbeth. Director Eleanor Ball is now executive producer of the Marilyn 60 project, One Night With Marilyn.
2.Josie is the voice of Oxford Park & Ride. “I used to be a voiceover artist, but my microphone has been packed away for a while as I much prefer live theatre performance,” she says.
3. In Dubai, Josie performed in the Short and Sweet Festival and directed Henrik Ibsen’s A Doll’s House for Dubai Drama Group.
4. Josie has not read Hamnet, Maggie O’Farrell’s family drama about William Shakespeare, his wife Agnes Hathwey (also called Anne Hathaway) and their grief over the death of their son Hamnet. “But everyone keeps telling me to read it. It’s next on my list!” she says.
Four facts about Imogen Hope
1.Actor, writer, director, producer, musician and teacher Imogen is from Northallerton, North Yorkshire .
2. She studied music (first study, singer) at the University of York, graduating in 2020.
3. At present, she is based between North Yorkshire and the West Midlands because of her job down there, teaching performing arts to pupils aged eight to 18.
4. On Zoom, she performed in Thunk-It Theatre’s project Common Ground for the National Student Drama Festival.
Little Britches Theatre Company in Shakespeare’s Will, at Hearts of Ampleforth, near Helmsley, August 15 at 2.30pm. Tickets cost £15, including afternoon tea, from the café or on 01439 788166; cash only. Proceeds will go to Cancer Research UK.
