Balancing act: York Theatre Royal postpones The Penelopiad until 2021 but that enables “a little more dreamtime” for the creative team
YORK
Theatre Royal’s summer production of Margaret Atwood’s The Penelopiad has been
postponed.
Originally in the 2020 diary for July 10 to 25, associate director Juliet Forster’s show will be staged in 2021 instead on dates yet to be confirmed.
Uncertainty
surrounding the Coronavirus pandemic is holding up pre-production work by Forster’s
creative team.
Juliet Forster: York Theatre Royal associate director, directing The Penelopiad
Juliet says:
“The joy of Atwood’s work is that it doesn’t date, so although we are
disappointed that we have to postpone our production of The Penelopiad, I know
it will be just as relevant and exciting to stage this wonderful play in
2021.
“And on
the upside, for the creative team involved, having a little more dreamtime on
this story will only make the final staging of it all the more spectacular!”
Written
by the Booker Prize-winning author of The Handmaid’s Tale and 2019’s The
Testaments, The Penelopiad tells the story of Odysseus’ wife Penelope and the
Trojan Wars from her point of view.
Writer Margaret Atwood
Ticket
holders will be contacted by the Theatre Royal box office in the coming weeks.
Juliet Forster, left, directing rehearsals for Out Of Character’s Less Than Human
SOMETHING strange is happening,
something disturbing, say York company Out Of Character in Less Than Human,
this week’s production at the York Theatre Royal Studio.
After their sold-out November 2017 show about Victorian freak shows and mad doctors, Objects Of Terror, they are collaborating once more with the Theatre Royal, whose associate director, Juliet Forster, again directs the new piece.
Out Of Character’s publicity artwork for Less Than Human
Less Than
Human plays out against the backdrop of Planet Earth having less to give but
its inhabitants
taking more. In this struggling world of diminishing resources, humanity is
forced to wrestle with the true cost of survival. What does it mean to be
truly human? Are some lives worth more than others? Who decides who lives and
dies? A question that suddenly has a new urgency and prescience amid the
rise of Coronavirus.
As evolving technologies offer new
forms of “human being”, is there still hope for a bright future…or do some
people have to pay the price, the play asks.
Out Of Character in rehearsal for Less Than Human
Out Of Character’s company of artists and
performers brings together people who use or have used mental health services.
Their bold, creative and darkly comedic approach to making theatre aims to stir
both the mind and the heart.
The company won the Excellence in
Equality and Cultural Diversity Prize at the 2018 York Culture Awards. Audiences
on social media have described their work as compelling, deeply affecting,
intense, beautiful, clever, articulate, challenging, powerful, poignant and
thought-provoking.
Out Of Character cast members in a tug-of-war scene in Less Than Human
Out Of Character’s previous shows included Tales From Kafka in July 2010, Henry IV in May 2012 and More Tales From Kafka in November 2014.
Less Than Human runs from Thursday to Saturday (March 12 to 14) at 7.45pm nightly. Tickets cost £10, concessions £8, on 01904 623568 or at yorktheatreroyal.co.uk.
New pantomime partnership: York Theatre Royal associate director Juliet Forster and executive director Tom Bird with Evolution Productions producer Paul Hendy,
THE new age of pantomime at York
Theatre Royal will involve Evolution rather than revolution.
For the first panto of the post-Berwick
Kaler era, the Theatre Royal is teaming up with award-winning pantomime producers
Evolution to present Cinderella.
The show dates will be December 4 to
January 10 2021, an earlier start and finish than the December 7 to January 25
run for Sleeping Beauty, Dame Berwick’s last pantomime as co-director and writer
after a 41-year association with the Theatre Royal.
Cinderella will be directed by Theatre
Royal associate director Juliet Forster, who directed Shakespeare’s comedy A
Midsummer Night’s Dream for Shakespeare’s Rose Theatre in York in 2018 and Arthur
Miller’s A View From The Bridge in the Theatre Royal main house last September,
as well as children’s shows aplenty.
Juliet Forster, who will direct York Theatre Royal’s pantomime, Cinderella
The script will be written by Evolution
co-founder and producer Paul Hendy in tandem with York-born comedy writer and
podcaster David Reed, who has returned to his home city and will provide
additional material.
The cast is yet to be announced but
will not be a star vehicle, with variety acts and blossoming pantomime talent
and a “York flavour” likely to be to the fore instead. The set designer, not
confirmed yet, will be charged with creating magical transformations and glittering
sets to complement the “stunning songs and side-splitting laughs”.
Formed in 2005 by Paul Hendy and Emily
Wood, Evolution Productions present “bespoke pantomimes of epic spectacle and
hilarity” for the Lyceum Theatre, Sheffield; Marlowe Theatre, Canterbury; The
Hawth Theatre, Crawley; Garrick Theatre, Lichfield; Theatre Severn, Shrewsbury;
Alban Arena, St Albans; Octagon Theatre, Yeovil, and Grove Theatre, Dunstable,
now joined in a co-producing partnership by York Theatre Royal.
Juliet Forster and Theatre Royal
executive director Tom Bird were exhilarated by Evolution’s 2019-2020 pantomime
for Sheffield Theatres, starring long-running dame Damian Williams in
Cinderella at the Lyceum.
Paul Hendy’s script from that hit show will
provide an early template for Reed to set to work on giving it a York branding,
with Cinderella’s rags-to-riches story being switched to this historic city in
a “new pantomime for everyone”.
Evolution producer Paul Hendy: co-writer of Cinderella at York Theatre Royal
Executive
director Bird says: “We are
over the moon to be creating a spectacular new pantomime for the people of York:
one that’s tailor-made for the whole family, while honouring the pantomime
traditions that our audiences love so much.
“Our recipe includes two of the most
exciting voices in our city, David Reed and Juliet Forster, together with Emily
Wood and Paul Hendy, the finest makers of pantomime in the country – a
fairytale combination.”
Bird continues: “This phenomenal team
will give the York Theatre Royal pantomime a new lease of life with a fresh,
family friendly, fun-filled approach to the story of Cinderella. It’s a
pantomime for the new decade, set with pride in our amazing city.”
Evolution Productions has built a
reputation for superior, bespoke pantomimes with the emphasis on high-quality
production values, strong casting and funny scripts, twice winning Pantomime of
the Year at the Great British Pantomime Awards.
Producer and writer Hendy says: “Emily
and I are absolutely thrilled to be working with York Theatre Royal on this
year’s pantomime. We are huge fans of the theatre and we’re looking forward to
collaborating with Tom and his brilliant team to produce a wonderful, family-friendly
pantomime with spectacular production values, a superbly talented cast,
and a genuinely funny script.”
Ticket prices will remain the same as
for 2019-2020. Family tickets and Sunday shows are being introduced, as well as
schools and groups discounts so that “everyone can go to the ball”.
Theatre Royal members’ ten-day priority booking opened today; members’ five-day priority booking on February 8; 9am in person at the box office, 10am online and phone booking. General booking opens on February 13; same times as above. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Meanwhile, Berwick Kaler’s first pantomime
at his new York home, the Grand Opera House, will be Dick Turpin Rides Again, with
writer, director and revived dame Kaler being joined by regular cohorts Martin
Barrass, David Leonard, Suzy Cooper and AJ Powell for Qdos Entertainment’s
panto partnership with the Ambassador Theatre Group.
