Katherine Priddy at The Crescent: “You simply believe her and that’s a key part of the magic,” says revewer Paul Rhodes. Picture: Paul Rhodes
CERTAIN artists have ‘it’, an intangible something that allows their music to escape whatever genre they inhabit and reach a wider audience. Katherine Priddy is ostensibly a folk musician but her winning voice and modern takes on timeless themes of love, kin and connection see her poised for much greater success.
Performing as a trio, Priddy benefited from having two very talented performers on her side: George Boomsma on guitars (from Northallerton, by way of Holland and Birmingham) and Harry Fausing Smith on violin and guitar.
Boomsma teed her set up perfectly with his winning opening set. Precise in appearance, style and delivery, his mostly melancholy songs were capped off with a dry sense of humour that we readily embraced. He’d already sold his stash of Promise Of Spring albums, so his warm reception was clearly not a one-off. Something of a whistling wizard it turns out too.
Northallerton musician George Boomsma performing his solo set. Picture: Paul Rhodes
They have all known each other and played together for years, and this rapport was obvious. Boomsma was alongside Priddy when she last played in York at the National Centre for Early Music in 2022.
All three sang, between them creating an excellent version of the soundscapes crafted on Priddy’s sophomore album, The Pendulum Swing. While note perfect (as the tour nears its end), it never felt slick or rote.
The Pendulum Swing leaves behind the classical interests of her debut, rooting itself in home and family. First House On The Left memorialises a normal home while A Boat On The River takes her dream of living on a houseboat to elegiac heights. With her travelling lifestyle, you wonder if that boat is probably always around the next bend.
Katherine Priddy: “Winning voice and modern takes on timeless themes of love, kin and connection”
Priddy is careful not to get too sentimental. A highlight was her ode to tipsy 3AM calls to an ex- partner, Anyway, Always. Played as though leaving an answerphone message, her poise was as impeccable as ever, with no hint whatsoever of any slurring!
There was enough variation to keep us on our toes. Does She Hold You Like I Did and Letters From A Travelling Man kicked up the tempo, with lovely melodies to carry them.
The beating heart of the set was of course Priddy herself, a Warwickshire native with age-old preoccupations. Like Kate Rusby, she can connect with an audience, not so much with humour but with openness and sharing just enough to draw you in. You simply believe her and that’s a key part of the magic.
Harry Fausing Smith on violin, performing in Katherine Priddy’s trio at The Crescent. Picture: Paul Rhodes
The seated, sold-out Crescent audience were in her thrall from the beginning, each song met with loud applause and more polite exhales of “lovely”and “wonderful”.
As the trio left the stage, following the well-chosen Ready To Go, like the May blossom she was gone. Fortunately, there is no need for a 12-month wait, as Priddy is playing at July’s Deer Shed Festival where she should go down a storm (probably in a storm).
Review by Paul Rhodes, 15/5/2024
Katherine Priddy plays Deer Shed Festival, Baldersby Park, Topcliffe, near Thirsk, on July 26. Box office: deershedfestival.com
Until next time: Katherine Priddy, George Boomsma and Harry Fausing Smith take a bow at the close of their gig at The Crescent, York. Deer Shed Festival awaits in July. Picture: Paul Rhodes
News just in….
KATHERINE Priddy will play Pocklington Arts Centre on Wednesday, February 26 2025 on her final run of The Pendulum Swing Tour. Tickets for the 8pm show are on sale at pocklingtonartscentre.co.uk or on 01759 301 547.
Katherine Priddy: “Always found myself wandering back, craving the comfort and nostalgia of the past,” she says.
KATHERINE Priddy grew up in the first house on the left, the title of the first single from her second album, The Pendulum Swing, whose title came from a lyric in that song.
“Despite its soft and dreamy sound, this song provides the cornerstone around which the album and its themes orbit,” says the Birmingham contemporary roots singer-songwriter and finger-picking guitarist, who plays at The Crescent, York, on Wednesday night (15/5/2024).
“It’s inspired by the little old house where I grew up and all the memories captured within those four walls – both for me and for all the other inhabitants who’ve lived there over the centuries. It might just be another terraced cottage to passers-by, but to those who’ve called it home, it’s everything.
“There’s something magical about past inhabitants. That was something that intrigued me as a child, digging in the garden, finding old toy soldiers and bits of china: it’s a reminder you’re not the first to live there and you won’t be the last. It’s a comforting thought, how a house can look like any old terraced house outside but inside a scratch on the wall means everything.”
Explaining the album title, Katherine says: “It describes the urge to leave and the even stronger urge to return. Something I’ve felt a lot in recent few years as I’ve tried to carve out a corner for myself elsewhere, but always found myself wandering back, craving the comfort and nostalgia of the past.”
Released in February on Cooking Vinyl as the follow-up to 2021’s The Eternal Rocks Beneath, The Pendulum Swing is a step forward for Katherine. “My songs have matured since my debut, seeing as most of those were written in my childhood, but despite moving forward and feeling the need to do something different with this second release, I still can’t help but return to those fundamental, unchanging things at the root of it all: home, family, love,” she says.
“Overall, I wanted this song and the album to feel lived in, and this is captured in part by the ghostly atmospheres, mechanical clockwork sounds, creaking floorboards, indistinct whispers and old tape recordings of my family that are littered throughout. I want to invite the listener to come in, sit down and inhabit the album for a little while, and First House On The Left is right at the heart of that.”
Describing the rural village house, Katherine says: “It’s an old terraced house in Alvechurch, 11 miles from Birmingham, quite a few hundred years old with a lot of history. It’s where I grew up; I’ve moved out, moved back in again, moved out, then moved back in again with my parents over lockdown, with mixed feelings.
“When rapidly approaching 30, you feel you must move out, move on, but at the same it’s really hard to deny the pleasure of being back home with your parents.”
Katherine reflects on the itinerant nature of a singer-songwriter’s life. “Being a musician, it’s always about picking the most scenic route. I will find my home,” she says, having moved out again. “At the moment I’ve found a lovely little flat in Birmingham by the river.”
Will she write about it? “Who knows! Maybe I will. Probably I have another house song in me,” she says.
The cover artwork for Katherine Priddy’s sophomore album The Pendulum Swing
Katherine wrote her first album in her teens. “It dealt with mythology, which I was more interested in then. Now I’ve turned back to more fundamental things because they are there all the time and I’m trying to find myself. When everything else seems unstable, these things stay the same, and I wanted to capture that nostalgia, which is something I crave.”
Craving comfort in the past, Katherine says: “I’ve picked a fairly unstable career, which is very much about being in the moment, planning but not sure if things will come to fruition, but I feel very lucky to have a family that’s an unchanging bedrock and are always so supportive.
“Sometimes you just want to go back and feel like a kid again, and I think it’s fine that I feel grateful to have that feeling of nostalgia. It’s impossible not to want to still be back there and re-live those moments – and I can do that in song.”
She returned to the same producer, Simon J Weaver, who had recorded her first album at his Rebellious Jukebox studio in Birmingham, joined by guest musicians John Smith (lead guitar), Harry Fausing Smith (strings), Marcus Hamblett (brass and double bass), George Boomsma, from Northallerton (guitar and backing vocals), and Polly Virr (cello).
“This album feels like a step up in being more cinematic in places and taking me out of my comfort zone,” says Katherine. “I really like it on albums where you can hear things that take it from being a song to be more immersive, and that what’s we’ve done for The Pendulum Swing
“I wanted it to feel like you are entering a house, but also bookending the album with instrumentals that convey returning to the house and then leaving again at the end. It’s that urge to stay and that urge to leave that I’ve been doing battle with.
“Some of the songs are very personal to me, like when I’ve featured clips throughout of me and my dad talking from a tape that I found at my parents’ house – and I’ve squeezed my family into a cameo on the last track.
“I thought there’d be more resistance, but my dad loves his vinyl and a credit on an album is something he couldn’t resist, so it’s a family affair with my brother and parents on there.”
Katherine’s 14-date tour finds her expanding from a duo format to a trio with support act George Boomsma and Harry Fausing Smith joining her on stage. “It’s lovely to have Harry for this tour, capturing some of the soundscapes from the album, as well as integrating some of the samples into the set,” she says.
“It’s really emotive to have the strings. I’ve been getting goosebumps listening to these musicians adding their beautiful skills to songs that have been occupying my head for so long.”
Katherine Priddy plays The Crescent, York, on May 15, supported by George Boomsma, 7.30pm; The Live Room, Saltaire, May 16, 7.30pm. Both sold out. Box office for returns only: katherinepriddy.co.uk/
Katherine Priddy: the back story
Katherine Priddy: Singer, songwriter, guitarist
First set foot on stage to play Dorothy in school play The Wizard Of Oz, aged nine.
Wrote first song at 14/15.
Love of language, literature and poetry rooted in English Literature studies at University of Sussex, Brighton. Favourite novel Wuthering Heights would later inspire her first album title: “I loved how Cathy described her love for Heathcliff as being ‘the eternal rock beneath’,” she says.
Folk luminary Richard Thompson chose her as “The Best Thing I’ve Heard All Year” in Mojo magazine on the strength of her 2018 EP, Wolf.
Received airplay on Guy Garvey, Gideon Coe, Tom Robinson, Cerys Matthews, Radcliffe & Maconie, Steve Lamacq and the late Janice Long’s radio shows.
2021 debut albumThe Eternal Rocks Beneath (Navigator Records) drew glowing reviews from the Observer, the Sun, Uncut, Songlines and Folk Radio UK with its songs of mythology, childhood and growing up. Charted at number one in Official UK Folk Chart and number five in Official UK Americana Chart, rounded off the year on Mojo’s Folk Albums of the Year list.
Played Cambridge Folk Festival, winning Christian Raphael Prize; Glastonbury, appearing on BBC Two’s coverage; Green Man; End Of The Road; Beautiful Days and BBC Proms.
Katherine Priddy and John Smith performing together at Selby Town Hall in November 2022. Picture: Paul Rhodes
As well as headline tours, she has supported Richard Thompson, The Chieftains, Loudon Wainwright III and Vashti Bunyan.
In 2022, she played in Australia, including Port Fairy Folk Festival, plus showcase in Kansas City, USA, as part of Folk Alliance International.
In 2023, she recorded I Think They’re Leaving Me Behind for double album The Endless Coloured Ways – The Songs Of Nick Drake, on Chrysalis Records, featuring alongside Self Esteem, Aldous Harding, John Grant, Bombay Bicycle Club and more.
Supported Guy Garvey at The Roundhouse, London.
In February 2024, she released second album The Pendulum Swing on Cooking Vinyl.
Past shows around here: The Magpies Festival, Sutton Park, near York, August 2021; National Centre for Early Music, York, June 2022; Selby Town Hall, with John Smith, playing 14 songs together over 100 minutes, November 2022.
One last question
Do you consider herself to be a folk musician, Katherine?
“I THINK I’m just outside, with one foot in folk and one foot elsewhere, but what I appreciate about folk songs is that they tell stories.”
Florally attired York Art Gallery senior curator Dr Beatrice Bertram stands by Claude Monet’s The Water-Lily Pond, on loan from the National Gallery. Picture: Charlotte Graham
NATURE in full bloom, hothoused Shakespeare, blossoming student creativity and teenage blues put the colour in Charles Hutchinson’s cheeks for warmer days ahead.
Exhibition of the summer: National Treasures: Monet In York: The Water-Lily Pond, York Art Gallery, in bloom until September 8
FRENCH Impressionist painter Claude Monet’s 1899 work, The Water-Lily Pond, forms the York centrepiece and trigger point for the National Gallery’s bicentenary celebrations in tandem with York Art Gallery.
On show are key loans from regional and national institutions alongside York Art Gallery collection works and a large-scale commission by contemporary artist Michaela Yearwood-Dan, Una Sinfonia. Monet’s canvas is explored in the context of 19th-century French open-air painting, pictures by his early mentors and the Japanese prints that transformed his practice and beloved gardens in Giverny. Tickets: yorkartgallery.org.uk.
Stewart Dylan-Campbell’s Rob, left, and Aiden Kane’s Marc in Qweerdog Theatre’s Jump, playing Rise@Bluebird Bakery tomorrow
Relationship drama of the week: Qweerdog Theatre in Jump, at Rise@Bluebird Bakery, Acomb, tomorrow (12/5/2024), 8.30pm; doors 7.30pm
DEVELOPED through Manchester company Qweerdog’s LGBTQ+ writing project, Nick Maynard’s dark comedy takes an unusual look at contemporary gay life, exploring the possibility of relationships and how they are not always the way we imagine.
Directed by West End director Scott Le Crass, Jump depicts the lives, love lives and past lives of two lost souls drawn to a canal one night. As the weary, embittered Rob (Stewart Dylan-Campbell) contemplates the lure of the water, a handsome young man, the “chopsy” Marc (Aiden Kane), engages him in conversation. So begins a strange and fractious relationship that might just prove beneficial to them both. Box office: bluebirdbakery.co.uk/rise.
Paloma Faith: “Celebrating taking responsibility for your own happiness” at York Barbican tomorrow
Recommended but sold out already: Paloma Faith, York Barbican, tomorrow, 8pm; Katherine Priddy, The Crescent, York, Wednesday, 7.30pm
STOKE Newington soul tour de force Paloma Faith showcases her sixth studio album, February’s deeply personal The Glorification Of Sadness, her “celebration of finding your way back after leaving a long-term relationship, being empowered even in your failures and taking responsibility for your own happiness”.
Birmingham folk singer and guitarist Katherine Priddy will be promoting second album The Pendulum Swing, released on Cooking Vinyl in February. For the first time, her 14-date May tour finds her performing in a trio, joined by Harry Fausing Smith (strings) and support act George Boomsma (electric guitar).
Hollie McNish: Performing at the TakeOver festival at York Theatre Royal. Picture: Kat Gollock
Festival of the week: TakeOver – In The Limelight, York Theatre Royal, May 13 to 18
IN this annual collaboration between York Theatre Royal and York St John University, third-year drama students are put in charge of the theatre and programming its events for a week, with support and mentoring from professionals.
Among those events will be writer Hollie McNish, reading from her latest book, Lobster And Other Things I’m Learning To Love (Thursday, 7.30pm), dance troupe Verve: Triple Bill (next Saturday, 7.30pm) and multiple shows by York St John students. For the full programme, head to: yorktheatreroyal.co.uk/be-part-of-it/children-and-young-people/takeover/. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Gray O’Brien’s Juror 10, left, and Michael Greco’s Juror 7 in the 70th anniversary production of Twelve Angry Men. Picture: Jack Merriman
Jury service: Twelve Angry Men, Grand Opera House, York, May 13 to 18, 7.30pm plus 2.30pm Wednesday and Saturday matinees
IN its 70th anniversary touring production, Reginald Rose’s knife-edge courtroom thriller Twelve Angry Men resonates with today’s audiences with its intricately crafted study of human nature. Within the confines of the jury deliberating room, 12 men hold the fate of a young delinquent, accused of killing his father, in their hands.
What looks an open-and-shut case soon becomes a dilemma, wherein Rose examines the art of persuasion as the jurors are forced to examine their own self-image, personalities, experiences and prejudices. Tristan Gemmill, Michael Greco, Jason Merrells, Gray O’Brien and Gary Webster feature in Christopher Haydon’s cast. Box office: atgtickets.com/york.
Steven Arran: Directing Shakespeare’s Speakeasy’s debut play in a day in York at Theatre@41, Monkgate
York debut of the week: Shakespeare’s Speakeasy, Theatre@41, Monkgate, York, Thursday, 7.30pm
SHAKESPEARE’S Speakeasy is heading from Newcastle to York for the first time, making its Theatre@41 debut under the directorship of Steven Arran. “It’s Shakespeare, but it’s secret,” he says. “Can a group of strangers successfully stage a Shakespearean play in a day? Shakespeare’s Speakeasy is the place for you to find out.”
After learning lines over the past four weeks, the cast featuring the likes of Claire Morley, Esther Irving and Ian Giles meets for the first time on Thursday morning to rehearse an irreverent, entertaining take on one of Bill’s best-known plays, culminating in a public performance. Which one? “Like all good Speakeasys, that’s a secret,” says Arran. Box office: tickets.41monkgate.co.uk.
Toby Lee: Blues prodigy heads to the Fulford Arms next Saturday
Blues gig of the week: Toby Lee, Fulford Arms, York, May 18, 7.30pm
BLUES rock prodigy Toby Lee, the 19-year-old Oxfordshire guitarist and singer, will be playing 100 showshome and abroad this year, 40 of them his own headline gigs, 60 as a special guest of boogie-woogie pianist Jools Holand and his Rhythm & Blues Orchestra.
The 2023 Young Blues Musician of the Year learned his trade playing Zack Mooneyham in the first West End production of School Of Rock and has since shared stages with his hero Joe Bonamassa, Buddy Guy, Peter Frampton and Slash. First up, Fulford Arms next Saturday, then come Jools engagements at York Barbican on December 1 and Leeds First Direct Arena on December 20. Box office: ticketweb.uk/event/toby-lee-the-fulford-arms-tickets/13366163.
Her name is Del Rio: And she lives for stand-up comedy as drag queen Bianca feels Dead Inside on York-bound world tour
Gig announcement of the week: Bianca Del Rio, Dead Inside, York Barbican, September 18
COMEDY drag queen and RuPaul’s Drag Race champion Bianca Del Rio heads to York on her 11-date stand-up tour. Up for irreverent discussion will be politics, pop culture, political correctness, current events, cancel culture and everyday life, as observed through the eyes of a “clown in the gown”, who will be “coming out of my crypt and hitting the road again to remind everyone that I’m still dead inside”. Tickets go on sale on Tuesday at 10am at yorkbarbican.co.uk.
John Smith and Katherine Priddy: “Quietly lovely”. All pictures: Paul Rhodes
ANYONE expecting fireworks may have chosen the wrong evening.
So often over the years, this reviewer has been left mulling on what if the performers on the same bill actually played together? The folk world seems more into this swing of things, through necessity and perhaps companionship on the road.
While the prospect of this joint concert between the highly regarded John Smith and rising folk star Katherine Priddy was enough to set sparks flying, the show was rather muted.
That isn’t to say it wasn’t quietly lovely. Priddy, in particular, has the gift of a lovely voice and melodies that feel timeless. With Smith providing extra steel guitar, the two created a beautiful sound that had the sell-out crowd applauding loudly from the start.
The fireworks that were on offer were of the indoor kind. Like in Elvis Costello’s song of that title, Smith’s material was situated in the domestic seam, once star-crossed lovers dealing with relentless normality.
A new tune, Lily, written with the great Joe Henry, bodes well for his next album. Smith has an everyman appeal, and his material expertly, without fuss or fancy, deals with very relatable subjects.
Katherine Priddy: “The gift of a lovely voice and melodies that feel timeless”
Priddy’s songs do too, although her subject matter is sometimes many centuries old. This Eng Lit graduate has used her love of classical literature to craft at least two fine songs, with Eurydice the pick of the two.
From the between-song tuning chats, Priddy sounds like she has packed in plenty of song-worthy experiences that hopefully can be played out over a long career.
The two voices blended well, although Smith had picked up a cold, so his normally smoky warm burr was more of a gentle breeze. This was not a Nancy Sinatra and Lee Hazlewood, or Isobel Campbell and Mark Lanegan study in contrasts.
Combined with a setlist that was pitched mostly at the same pace and on similar subjects, the evening was missing a note or two of variety. Priddy picked up on this, and they included her up-tempo Letters From A Travelling Man, which showcased Smith’s flair for country picking.
Over 14 songs and 100 minutes, the pair made a warm impression. Nestled in the lovely atmosphere of Selby Town Hall, it felt as though they were among friends. For an encore, they played their new single, a cover of The McGarrigle Sisters’ Talk To Me Of Mendocino (from Kate and Anna’s perfect 1976 debut album).
Priddy did a wonderful job with Kate’s song, her voice masterfully conveying a powerful yearning for home. By then we didn’t want them to leave, but the tour must roll on.
Review by Paul Rhodes
Take a bow: John Smith and Katherine Priddy at the finale
Katherine Priddy: “One foot in folk music and one foot elsewhere”. Picture: Sam Wood
KATHERINE Priddy’s debut EP, Wolf, was chosen by Richard Thompson, no less, as The Best Thing I’ve Heard All Year.
That was in 2018, since when the Alvechurch singer-songwriter has been on the gradual rise, leading to the June 2021 release of her debut album, The Eternal Rocks Beneath, on Navigator Records.
It duly topped the Official UK Folk Chart; reached number five in the Americana charts; received a five-star review in Songlines; made Mojo magazine’s Top Ten Folk Albums of 2021 and attracted airplay from Radcliffe & Maconie, Gideon Coe, Cerys Matthews, Guy Garvey, Tom Robinson and Steve Lamacq on BBC 6Music, as well as on the BBC Radio 2 Folk Show.
On the road there have been tours with Thompson in 2019 and 2021, a joint run with Sam Kelly; support slots with The Chieftains and Vashti Bunyan; a sold-out December solo tour and an appearance at the Folk Alliance International Showcase in Kansas City in February.
Now, the penultimate night of Katherine’s 15-date spring travels brings her to the National Centre for Early Music in York tomorrow (1/6/2022), on her return to North Yorkshire for the first time since playing the Magpies Festival at Sutton Park in August 2021.
“It was their first year running the festival in the grounds there, and it was really brave of them, to be honest, as we were just coming out of the Covid lockdowns, but we had a really lovely crowd,” she recalls.
Katherine is making her mark on the contemporary roots scene with songs that bear testament both to growing up surrounded by nature and to her love of language, literature and poetry from her days of studying English Literature at the University of Sussex in Brighton.
“I first wrote a song when I was maybe 14/15, but it took a few years for me to really progress,” she says. “I did some performing in my teens and early twenties, but now I’m making up for lost time.”
Katherine had first set foot on stage to play Dorothy in her school play [The Wizard Of Oz] when she was nine. “I later taught myself to play guitar but I was convinced I couldn’t sing, though I did pass my GCSE, and I did do the odd show and performance at university,” she says. “But it wasn’t until I graduated that I went into a studio for the first time.”
As for performing live, “I’ve always been really nervous,” Katherine admits. “When I first started, I had to play sitting down because my knees were shaking so much! I still get nervous, but you have to enjoy it or you won’t have the energy to keep going. Having some self-belief and focusing on the good feedback is important.”
Katherine grew up in Alvechurch, a rural village to the south of Birmingham. “There wasn’t an awful lot of music going on there, though they did start a folk night at the men’s club, just over the fence from my garden, so I played there, and it was good to have Birmingham on the doorstep,” she says.
“Some people hear a melody first, others write the lyrics first, and for me it’s always been the lyrics,” says former English Literature student Katherine Priddy. Picture: Sam Wood
She has now moved to the Second City. “It’s not quite as lovely and green, but it’s still lovely,” she says. “I recorded The Eternal Rocks Beneath there, at Rebellious Jukebox, a studio that Simon Weaver runs almost as a hobby but he’s a fantastic superstar producer.
“It’s next to the factory where all the whistles are made for FIFA in the industrial heart of Birmingham, underneath a road next to the Jewellery Quarter.”
When writing songs, she puts an emphasis on the lyrics . “Some people hear a melody first, others write the lyrics first, and for me it’s always been the lyrics. I want them to be able to stand on their own like poetry, where each word has weight,” says Katherine. “It should be the same with lyrics, where you have to concentrate on finding the right word.”
On her debut EP Wolf, the title track was inspired by Heathcliff, and Katherine returned to Emily Bronte’s book for her debut album. “Wuthering Heights is my favourite novel, and I loved how Cathy described her love for Heathcliff as being ‘the eternal rock beneath’,” she says.
“A lot of my songs have themes of childhood and growing up, and for me, it fitted in as a foundation for what’s coming next.”
Does haunting vocalist and finger-picking guitarist Katherine consider herself to be a folk musician? “I think I’m just outside, with one foot in folk and one foot elsewhere, but what I appreciate about folk songs is that they tell stories,” she says.
Sometimes she performs her storytelling songs solo, but “these days I play sometimes with George Boomsma [a surname of Dutch origin, should you be wondering], “she says.
“He’s from Northallerton, so he’ll definitely be with me tomorrow, doing the supporting set as well as playing with me. He plays electric guitar and sings some really nice harmonies, and we’ve done a song together called Ready To Go. That’s the working title. It’s unreleased so far, but we’re quite likely to perform it tomorrow.”
A summer of festivals awaits Katherine, to be followed by recording sessions in the autumn and winter for her second album, with song-writing in progress.
In the meantime, tomorrow offers the chance to discover why Richard Thompson was so impressed by that first EP, Wolf. “It was bonkers that he heard it,” Katherine says.” I still don’t know how he got hold of a copy! When it’s a first release, you’re proud of it yourself, but for someone of his standing to say what he did was such a boost.”
Revolver presents Katherine Priddy and George Boomsma at National Centre for Early Music, Walmgate, York, June 1, 7.30pm. Box office: 01904 658338 or ncem.co.uk.
Fourmidable: York children’s entertainer Josh Benson will perform four Just Josh shows a day at the York Spring Fair and Food Festival
BIG beards, food and funfairs galore, Irish whimsy, postcard art, tree theatre, Moronic music, female folk and a year’s notice of camp comedy catch Charles Hutchinson’s eye.
York Spring Festival and Food Fair, Clocktower Enclosure, York Racecourse, Knavesmire, York, running until June 5
IN its second year at York Racecourse, this event takes in the Platinum Jubilee long weekend celebrations to complement the 15 vintage funfair rides, food stalls, live music and family entertainment, highlighted by the lighting of York’s Jubilee Beacon on Thursday evening.
Look forward to 6.30pm performances by York musicians Huge, The Y Street Band, Hyde Family Jam and New York Brass Band, plus Wales’s Old Time Sailors.
Busiest of all will be York children’s entertainer, “balloonologist”, juggler and magician Josh Benson, performing his high-energy Just Josh show four times a day. Tickets: ticketsource.co.uk/yorkspringfair.co.uk.
Jorvik Viking Festival: Invading forces take over York city centre for five days. Picture: Charlotte Graham
Half-term festival of the week: Jorvik Viking Festival, York, today until Wednesday
NEARLY two and a half years after hordes of Viking warriors and settlers last descended on the city, York is ready for five days of Norse-themed fun and entertainment.
Moved from February to fit into the summer half-term holiday, the 2022 festival sees the return of a living history encampment, March to Coppergate, Strongest Viking and Best Beard contests and Poo Day at DIG, as well as a new arena event this evening, The Jorvik Games. For full festival details and tickets, go to: jorvikvikingfestival.co.uk.See full preview below.
Furious romp:The poster for Dylan Moran’s We Got This tour, visiting York tonight
Comedy gig of the week: Dylan Moran, We Got This, Grand Opera House, York, tonight, 8pm
DROLL Irish comedian Dylan Moran promises a joyously furious romp through the frustration and folly of modern-day life in his new tour show.
“These times have not been easy,” he says. “Learn how to make breakfast not even knowing you are out of bed. Diagnose the mirror, reason with the mice and boil yoghurt blindfolded. Enjoy the fruits of hurtling cognitive decline and your neighbours’ sprawling ghastliness, absence of humanity and so, so much more.” Box office: 0844 871 7615 or atgtickets.com/York.
Postcards on the edge: Rows of original postcard artworks on sale at PICA Studios
Art event of the weekend: PICA Postcard Show and Sale, PICA Studios, Grape Lane, York, today and tomorrow, 10am to 4pm
THE artists at the PICA Studios workshop are branching out into one-off postcard artworks for one weekend only. Each postcard will sell for £25 to raise funds towards improving the studio space and to create a gallery in the foyer.
Taking part will be Lesley Birch, Evie Leach, Emily Stubbs, Katrina Mansfield, Ealish Wilson, Sarah Jackson, Ric Liptrot, Jo Edmonds, Lisa Power, Amy Stubbs, Mick Leach, Rae George, Lesley Shaw Lu Mason and Kitty Pennybacker. Purchases also can be made online via instagram@picastudios.
Badapple Theatre Company’s poster for Danny Mellor’s Yorkshire Kernel at Theatre@41
Family drama of the weekend: Badapple Theatre Company in Yorkshire Kernel, Theatre@41, Monkgate, York, today, 2.30pm and 7.30pm
JAMES’S Grandad is at death’s door, but he has one last mission: to find a tree. Many trees in fact, scattered around the country in memory of his Second World War comrades. So begins writer, performer and puppeteer Danny Mellor’s play for Green Hammerton company Badapple.
Divided between being haunted by his plain-speaking grandfather, his mother rekindling her romance with an old flame, and James’s pregnant partner, Rosie, thinking he is cheating on her, Mellor’s “bonkers” solo show undertakes a journey of Yorkshire wit and grit through one man’s determination to leave a long-lasting legacy. Box office: tickets.41monkgate.co.uk.
The Lovely Eggs: Playing The Crescent at the seventh attempt
Cracking gig of the week: The Lovely Eggs, supported by Arch Femmesis and Thick Richard, The Crescent, York, tomorrow, 7.30pm
PROUDLY independent northern psychedelic punk rock duo The Lovely Eggs do not give up. After re-scheduling the tour to promote April 2020’s release of their I Am Moron album seven times, they play The Crescent at last this weekend.
Iggy Pop, no less, contributed to their track I, Moron. “For him just to say nothing but ‘moron’ over and over again fitted in with the sentiment of the song perfectly,” says Lovely Egg Holly Ross. “He just got it. We are all morons. In a world of moronic things. In a world of moronic ideas. You are Moron. I am Moron. We are Moron.” OK, Morons and Eggheads, tickets are on sale at thecrescentyork.com.
Rachel and Becky Unthank: York Barbican debut on Tuesday, showcasing new songs from Sorrows Away
Folk gigs of the week: The Unthanks, Sorrows Away Tour, York Barbican, Tuesday, 7.45pm; Katherine Priddy, supported by George Boomsma, National Centre for Early Music, York, Wednesday, 7.30pm
RETURNING to touring after two years off the road, Northumbrian folk musicians The Unthanks will be previewing their upcoming autumn album Sorrows Away in their York Barbican debut with an 11-piece ensemble. Box office: yorkbarbican.co.uk.
The following night at the NCEM, finger-picking guitarist and haunting singer Katherine Priddy performs enchanting songs on the theme of childhood, distant memories and whatever will follow next from last June’s debut album, The Eternal Rocks Beneath. Box office: 01904 658338 or ncem.co.uk.
Katherine Priddy: Contemporary roots singer and guitarist, playing songs from The Eternal Rocks Beneath at the NCEM. Picture: Sam Wood
Gig launch of the week: Tom Allen, Completely, York Barbican, May 28 2023
YOU will have to wait 12 months for comedian, raconteur, arch television jester and radio presenter Tom Allen’s new show, Completely, to arrive in York. Tickets go on sale rather sooner, from 10am on Monday at yorkbarbican.co.uk.
At 38, Bromley-born Allen has finally moved out of his parents’ house, prompting his eagerness to share his life updates, gain audience opinions on his vegetable patch and delve into the protocol of inviting friends with children for dinner.
On the distant horizon: Tom Allen’s newly announced York Barbican show is a full year away
Jorvik Viking Festival returns with more fun and games…
TENTS for an encampment are being set up in Parliament Street and screens installed at the Eye of York. Traders are transporting their wares to the Guildhall and St Sampson’s Square and a faint smell of mead is wafting through the air. Welcome to the return of the Jorvik Viking Festival.
Nearly two and a half years after hordes of Viking warriors and settlers last descended on the city, York is preparing for five days of Norse-themed fun and entertainment, starting today (28/5/2022).
Postponed from February to fit snugly into the half-term holiday before the Jubilee bank holiday, this year’s festival will see the return of such favourite events as a living history encampment, the March To Coppergate and the Strongest Viking and Best Beard contests, alongside a new arena event at 6.45pm this evening, The Jorvik Games.
“In February, our evening spectacular is usually a dramatic presentation of a Viking story, but with the evenings being so much lighter in May, our event will also be a little more fun,” says event manager Gareth Henry.
Viking warriors ready for a clash of styles
“The Viking Games will pit the finest warriors from four teams against each other, with spectators invited to pick their champion and cheer them on to victory. Henry. Of course, being Vikings, they might not always play by the rules – and with their own horde of supporters behind them on the arena field, sparks will fly with skirmishes inevitable!”
Tickets for The Jorvik Games are still available, priced £15 for adults and £11 for concessions, with family tickets also available at jorvikvikingfestival.co.uk.
While Saturday will be the festival’s busiest day, visitors from Sunday to Wednesday will enjoy a host of events and activities too. On Sunday, at 29/31 Coney Street, visitors can meet Vikings from all over Europe, brought together under the Erasmus scheme, including fun crafting activities.
Young warriors can hone their skills in Have-A-Go Sword sessions on the Parliament Street stage and the Ting Tang re-enactors will bring theatre to the stage every day too.
Five go Viking in York for five days
The last few places remain on crafting workshops taking place Monday to Wednesday at York Medical Society, on Stonegate, including Nalebinding (Viking knitting), Trichinopoly (wire weaving) and tablet weaving.
On Wednesday, Jorvik’s sister attraction, DIG in St Saviourgate, will host the ever-popular Poo Day, a chance for children (and adults!) to try their hand at making a replica Viking poo, based on the world-famous Lloyds Bank Coprolite (fossilised poo, should you be wondering).
Jorvik Viking Centre’s exhibition of items from the Silverdale Hoard, on loan from Lancashire County Museums, is also expected to be popular, with tickets for the attraction selling out for many time slots throughout the half-term break.
“With good weather forecast for the weekend, we’re expecting York to be particularly busy, so would urge visitors to pre-book their tickets wherever possible to avoid disappointment,” says Henry.
Full details of all Jorvik Viking Festival events can be found at jorvikvikingfestival.co.uk.
