PICA Studios artists loading up to move to Walmgate, York
PICA Studios are on the move to Walmgate after nine years in Jackson House at Grape Lane, York, opening in time for York Open Studios.
Based in an historic Georgian building at Unit 4, Enterprise Complex, Walmgate, the new studios will offer painting, printmaking and life drawing, as well as re-housing every PICA artist.
Ceramicist and PICA founding member Emily Stubbs says: “We’ve been searching for nearly a year and it’s been a challenge, but we’ve managed to take all of our artists with us and to offer them better spaces, as well as the opportunity to teach in a lovely workshop room.”
PICA Studios artists Sarah Jackson, left, Emily Stubbs and Lesley Birch carrying the last items out of the Grape Lane studio
Goodbye to the artists’ keys for the Grape Lane studio
Painter and fellow founding member Lesley Birch says: “The rent at Grape Lane was going up and up and it was becoming increasingly difficult to manage. We were having to fund-raise to keep us going and we felt overcrowded too.
“We put out a call on Instagram, saying we hoped to expand, and SPACE, a community-led co-working space located in Walmgate, contacted Emily. They were really helpful in giving us advice and leading us to our new property.“
PICA Studios are run by a committee of six – Lu Mason, Mark Hearld, Lesley Birch, Evie Leach, Ric Liptrot and Emily Stubbs. Leach, Liptrot and Stubbs will be seen, but not Hearld, surprisingly, nay bewilderingly, at York Open Studios on April 18 & 19 and 25 & 26, when PICA artists Lesley Shaw, Katrina Mansfield and Sarah Jackson will be participating too from 10am to 5pm each day.
Out with the old: Artist Ric Liptrot turns his hands to cleaning windows as part of the clear-out at Grape Lane
In with the new: The workshop space at PICA Studios’ studio in Walmgate
Who are the PICA Studios’ artists?
RIC Liptrot; Mark Hearld; Sarah Jackson; Lesley Shaw; Jess Mahy; Jo Edmonds; Lisa Power; Katrina Mansfield; Evie Leach; Lesley Birch; Lu Mason; Emily Stubbs; Andy Winn; Rae George, Kitty Pennybacker and Ealish Wilson.
Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary
YORK River Art Market’s tenth anniversary season on the banks of the Ouse begins this weekend.
As many as 80 artists will take be taking part this year, split into 30 exhibitors on each of the six days, August 2 and 3, August 9 and 10 and August 16 and 17, from 10am to 5.30pm.
For details of each day’s participating artists and designers stationed at riverside stalls on Dame Judi Dench Walk, by Lendal Bridge, head to YRAM’s Facebook page at https://facebook.com/YorkRiverArtMarket/events.
As ever, the free event is organised by founder Charlotte Dawson, a graphics, jewellery and vocational art and design tutor and Fenwick Street artist, who specialises in abstract paintings, layered with paint and collage, and is now setting up her own jewellery business too after making pieces for ten years.
“York River Art Market is something I’ve always run on my own, albeit with a little help this year,” she says. “People can see my graft and my passion for it, and it has that drive behind it. It’s about supporting the artists of York and beyond; it’s free to attend; it’s a grassroots initiative– and that has a positive knock-on effect for the artists.
“It’s a collective enterprise, where I hold the reins but it wouldn’t be anything without the artists and the people who support it by attending.
“We care that each of the six events are never the same and so we host a different variety of creatives at each one, which means there’s always something for everyone’s creative tastes and budget. You can buy an original artwork for £500 or a card for £2.”
Her market has been called York’s answer to Paris’s Left Bank and its multitude of bohemian arts fairs by the Seine, but Charlotte says: “I’ve still not been there, so I’ll have to take people’s word for it.”.
Looking back to the York market’s origins, Charlotte recalls: “Like everything, inspiration came from various things. I was working with Sophie Jewett at York Cocoa House and she knew I wanted to do something after I’d left university. I knew there wasn’t an arts market in York, and that’s when the space at Dame Judi Dench Walk was brought to my attention by Sophie’s friend at the council.
“It was the right time for me to go off and do something more freelance, and when I looked into setting up a market positioned by railings, Bayswater Road Art Market, in London, came to my attention, so I contacted the organiser for advice and started the York market after that.”
Charlotte marked out the cornerstones for establishing a market. “Part of the running of this event involves strong quality artists, but a huge part of it is creating an atmosphere that is welcoming. Part of the drive for me was to make it accessible and less imposing that having to go into a shop,” she says.
“You get the direct relationship between the artist and the potential buyer. There’s no middle man. That relationship between maker and buyer, for me, when I purchase something, you know it’s hand-made, and if you can get a bit of a back story, you’re getting more for your money as a buying experience, which makes it more valuable.”
Charlotte Dawson: York River Art Market founder and organiser, teacher, artist and jewellery designer
Reflecting on ten years of York River Art Market, crowned by winning the Best Community Project/Event at the York Culture Awards, Charlotte says: “In the Covid year, the event went online and obviously it wasn’t the same, but it survived and I can honestly say that the amount and the quality of the submissions has really grown, especially over the past two years.
“There were hundreds of applications this year, and plenty of them were new. The call-out goes out in January and the six days were full by the end of February – and I don’t take people on just because they apply; I do select who will take part. The quality is really good this year.
“If I were to run my own gallery, the art might be exclusively more to my taste, but I see York River Art Market as being ‘by the people, for the people’. There’s something for everybody.” To prove the point, ceramics, jewellery, paintings, prints, textiles, ceramics, photography, woodwork, clothing, soaps, candles and cards will be on sale.
Among the artists and makers taking part this year will be regular participants Bejojoart, Adele Karmazyn, York 360 illustrator Elliot Harrison and FangFest potters Fangfoss Pottery; York singer and artist Heather Findlay; North Eastern ceramicist Amy Rutherford; York College graphics degree tutor and Ripon artist Monica Gabb, of Twenty Birds designs.
So will be Katrina Mansfield, from PICA Studios, in Grape Lane, showcasing her fluid art animal inks; conceptual artist Hannah Turlington, whose paintings “evoke the fragility of emotions”, and Feis Crochet Studios. “With the way of the world right now, you think, ‘we need the vibrancy of her crochét flowers’,” says Charlotte.
Look out too for CharKnots’ eco-conscious macramé homeware and accessories, from Sheffield; LDM Designs’ eco-friendly lino-prints that raise awareness of environmental issues, and York landscape painter Charley Hellier, who is working on two collections: the dark, stormy and gothic Tempestarii, related to medieval storm creation mythology, and the peaceful and quietly pensive Reverie.
Lucy Hook Designs had “the absolute pleasure” of designing this year’s poster to mark YRAM’s tenth anniversary. “I had so much fun designing it,” says Lucy. “We wanted to incorporate the tools used by all the makers, and also different parts of this wonderful city. My favourite part is the river coming out of the gouache tube!
“We’ve done some limited-edition Risograph printed versions that have been put up in some special businesses around York and I’ll have some prints for sale at the markets too. I’ll be down by the river for all six dates, so let’s all pray for nice weather. Come on down to say ‘hi’.”
York River Art Market not only nurtures artistic talent from York and beyond but also supports charities, led off by York Rescue Boat, whose tenth anniversary also falls this year. Amnesty International’s Bookshop will be on site on August 9 and graphic designer Laura Sanderson’s Art Is My Career Studio on August 17. Her charity specialises in investing in arts education, travelling around schools to promote art as a career. How apt for YRAM.
Will York River Art Market still be here in a decade’s time, Charlotte? “The next ten years? Well, I like to take it one year at a time but I would be honoured if YRAM could continue and, like Bayswater, be a staple of the art scene. Maybe I could even hand it over one day,” she says.
“There is scope, when so far it’s been a sideline for me from my teaching, doing it without support. There’s potential for working with a team and growing where it can grow, but I like the organic nature of it as it is now: working with a different artist each year for the poster, supporting charities and promoting local artists.”
Laura Joy’s poster for the 2024 York River Art Market summer season
YORK River Art Market returns for its ninth summer season this weekend on the riverside walkway at Dame Judi Dench Walk.
Organised by artist and York College art tutor Charlotte Dawson, York’s answer to the markets on the Parisian Left Bank will be held on August 3 and 4, 10 and 11 and 17 and 18 from 10am to 5pm.
Along the riverside railings, up to 30 artists and makers per day will be exhibiting ceramics, jewellery, paintings, prints, photographs, clothing, candles, T-shirts, shaving products and much more. “We care that each of the six events are never the same, and so we host a different variety of creatives at each one,” says founder and director Charlotte. “That means there is always something for everyone’s creative tastes and budget.
“York River Art Market’s relaxed and vibrant atmosphere has been compared to the Left Bank and we welcome everyone. Admission to the market is free of charge to come along and browse or buy directly from an array of Yorkshire-based artists.”
Looking forward to this weekend, Charlotte says: “Each year presents fresh challenges, but just don’t say the ‘W’ word [the weather}!” Fear not, Charlotte, sunny intervals and a gentle breeze are forecast for Saturday and Sunday.
Charlotte Dawson: York River Art Market founder-director and jewellery designer
“We’ve had more artists and makers than ever wanting to take part – quite a change from our early days. We get hundreds applying now and I do the selection process with a heavy heart, as we can’t feature everyone. We have a reserve list and people are already asking about next year.”
Why is it so popular, Charlotte? “This area of York lends itself to such an event, working in harmony with the York Museum Gardens, the eateries around here, and the whole ambience by the riverside,” she says.
“I think the river is great for a sense of wellbeing, especially for the artists who are spending the day there, saying ‘it’s so relaxing here’. There’s an ambience you can’t get anywhere else in the city.
“York River Art Market really does celebrate art and York’s creative talent, but not only York, as we have artists and makers from Yorkshire among our variety of new participants, such as Ounce Of Style [Lee Henry], a funky graphic designer and illustrator with a food obsession, who works in really bold colours, and Taken Twice, from Derbyshire, who uses that name because she creates jewellery inspired by ancient Greece and Rome, which is interesting for York with our Roman history.”
Among the returnees will be digital photomontage artist Adele Karmazyn; architectural illustrator Elliot Harrison (York 360); Gerry and Lynn Grant of Fangfoss Pottery; Katrina Mansfield, from PICA Studios in Grape Lane, who specialises in creating “fluid art animal inks” on Yupo paper, and Lincoln Lightfoot, whose surrealist B-movie poster pastiches “tap into the present condition of fear that our news media and politicians perpetuate in a post Covid-19 world”.
Woodburning artist Anna Kirsty Wood: Travelling from Italy for York River Art Market on August 10 and 11
York artist Emma Whitelock, who took part in the first York River Art Market and now exhibits internationally, including in New York, will be returning to the riverside this summer.
Travelling the farthest to take part is woodburning artist Anna Kirsty Wood, who is heading from Frascati, Italy, with a suitcase full of art to stay with her mother in York. She will be showing her original artwork and prints, created from fragments of memories pieced together and hand-burned on to wood, on August 10 and 11.
Busker and folk singer Deb Simpson is likely to pop up at some point, just as she has in past years, and York singer-songwriter Heather Findlay, from the York duo The Bee Tellers, will be busking on August 18. “She’s an artist too, and hopefully she’ll be showing her work next year,” says Charlotte.
To find out the line-up of artists and makers for each of the six days, head to York River Art Market’s Facebook site, facebook.com/YorkRiverArtMarket. Click on More, then Events, then Discussion.
This year’s poster was designed by the aptly named illustrator and maker Laura Joy, of Laura Joy Design, who will be attending all six events this summer. Artistic joy does indeed await on the banks of the River Ouse from this weekend.
Copyright of The Press, York
Heather Findlay: Busking on August 18. Picture: Adam Kennedy
LAST
weekend should have been spent visiting other people’s homes, not staying home.
This weekend too.
This is not
a cabin-fevered call for a foolhardy Trumpian dropping of the guard on
Covid-19, but a forlorn wish that York Open Studios 2020 could have been just
that: York Open Studios. Instead, they will be York Shut Studios.
Nevertheless,
in the absence of the opportunity to meet 144 artists at 100 locations,
banished by the Coronavirus lockdown,
CharlesHutchPress is determinedly championing the creativity of York’s artists
and makers, who would have been showcasing their ceramics, collage, digital,
illustration, jewellery, mixed media, painting, print, photography, sculpture
and textiles skills.
Each day,
in brochure order, a handful of artists who now miss out on the exposure of
Open Studios are being given a pen portrait on these pages, because so much art
and craft will have been created for the event and still needs a new home. Home
and studio addresses will not be included at this lockdown time.
Meanwhile,
York Open Studios artists are finding their own way to respond to the shutdown
by filling their windows for #openwindowsyork2020, while plenty are showcasing
their work over the York Open Studios period online. Visit
yorkopenstudios.co.uk to take your own virtual tour.
The website says: “We’re
doing a Virtual Open Studios, with artists posting based on a daily theme for
the ten days spanning our two weekends. They’ll be showing you their studios
and workshops, favourite processes, answering your questions, and of course
lots of pictures of their new work.
“Search for
#YorkOpenStudios anywhere on social media or follow your favourite artists to
see more.”
First, however, here are six more artists and makers for you to discover…
Birds Heart, by Sarah Raphael-Balme
Sarah Raphael-Balme, painting
SARAH makes figurative
work spanning interiors, gardens, portraits and decorative motifs usually
involving figures or creatures, painted mainly in oil, sometimes in gouache.
Sarah Raphael-Balme: Painting in oil and gouache
A graduate of Chelsea
College of Art, Sarah has shown her work widely in the UK and USA. Her
illustrations are published by IPC magazines, BBC publications, Heinneman and
countless others.
She is exhibiting solo with House of Hackney concurrently in New York and London. Go to instagram.com/raphael_balme for more.
The Enchanted Forest, depicting the sacred and spiritual nature of trees, from Lesley Seeger’s 2020 series, Whispers Of Spring
Lesley Seeger, painting
INSPIRED by the natural world, Lesley paints landscapes and abstract florals, her lyrical work marked by an exploration of the emotional impact of colour.
“Although
all my work begins ‘in the field’ with observation, ‘painting what I see’, I
realise that it quickly becomes, ‘how what I see makes me feel’. How trees and
hills and furrow sit together in the language of light and dark,” she says.
“I’m
interested in the significance of place. This might be somewhere well known,
such as Ripon Cathedral or the White Horse at Kilburn, or a random field or
view in which the way things are placed in the landscape makes it out of the
ordinary.”
“I like to think of my paintings as talismans,” says Lesley Seeger
Lesley
is a self-taught artist, whose work over 23 years now has been inspired by
sculpture studies at York College, as much as by the art of Gillian Ayres,
Howard Hodgkin, Elizabeth Blackadder, Mary Fedden and Ivon Hitchens.
“At a certain point, the painting takes over and I become interested in pattern, mark making, colour and texture as vehicles of expanding what I see,” she says. “The work becomes intuitive…. a hybrid between the observed and imagined, the seen and felt.’
Born in Newcastle in 1958,Lesley studied English and Media at Southampton University, then worked in theatre and publishing and qualified as an art therapist at Sheffield Hallam University. She worked for several years in community arts in York, most notably a six-year residency at York Hospital, where she ran art projects in the renal unit.
Ripe Corn Before The Storm, by Lesley Seeger
Last year she was artist-in-residence
at the Yorkshire Arboretum, near Castle Howard; this year, she holds the same
post at Brisons Veor, Cape Cornwall.
Lesley, who runs
painting workshops, published the art book Coming Home, A Contemporary
Colourist’s Approach To English Landscape in late-2016, and also designs cards
and linen cushions. Upcoming shows pencilled in for 2020 are Art for Youth
North and Art& York, both in October.
“I like to think of my paintings as talismans,” she says. “They will reveal themselves over time with their rich histories of place, layers and colour.” Time to visit lesleyseeger.com.
Bangle Pair, by Evie Leach
Evie Leach, jewellery
EVIE decided to follow her creative passion by
studying jewellery and silversmithing at the Birmingham School of Jewellery.
There, her basic knowledge, learned from her
jeweller parents, transformed into traditional skills.
Evie Leach at work
Her trademark is angular
designs with inspiration taken from geometry found in nature and architecture,
while more recent designs include semi-precious gemstones set beside angled
clusters of gold and silver to create dynamic, one-of-a-kind pieces.
Not only would PICA Studios jeweller Evie have been taking part in York Open Studios, but also her husband, self-taught artist Mick Leach, would have been making his YOS debut. Cast an eye over her designs at evieleach.co.uk.
The Hairy Fig and Kiosk, in Fossgate, by Ric Laptrot
Ric Liptrot, illustration
FREELANCE illustrator Ric
captures everyday life in York, depicting its distinctive and much-loved sites
in acrylics, pencils, collage and mono-print.
“I’m inspired by the architecture and scenes of
York,” says the PICA Studios artist. “I combine my passion for these buildings
with my support for the independent businesses York has to offer.
Ric Liptrot: Inspired by the architecture and scenes of York
“I’m an ambassador for these shops, bars and cafés
and believe they’re important in helping communities grow.”
Take a look at Ric’s illustrations that “capture the places loved by the local community” at liptrotillustration.co.uk.
Ursa Major And Minor, by Katrina Mansfield
Katrina Mansfield, painting
KATRINA creates vivid,
fascinating “fluid art animal inks”, using alcohol ink on synthetic Yupo paper
to depict the animals, birds and insects.
The paper allows a
longer working time with the ink, “the most intriguing medium and at the same
time the most frustrating”.
“It can produce magical
results that you get lost in for hours and hours, but it can also destroy the most
striking pattern in the blink of an eye,” says Katrina. “It is exactly like
nature itself, devastatingly beautiful.”
“Ink is the most intriguing medium and at the same time the most frustrating,” says Katrina Mansfield
In turn, this is why she
chose the subject of animals. “The creatures of this Earth are both fragile and
unbreakable, they are flawless and yet also imperfect. They add colour to our
human lives, yet they are increasingly in danger of becoming extinct through
our actions. This series of works is a reminder to all that we need the
diversity, beauty and intelligence of these creatures in order to survive.”
Now a PICA Studios
artist, Katrina trained in fine art and scenic art at York College, Lincoln
University and the Royal Academy of Dramatic Art in London. She worked in
television, film and theatre for a decade, latterly in the West End and West
Yorkshire Playhouse, Leeds, before returning to York in 2018 to focus on
developing her new process of fluid art animal inks.
“The paintings take anything from one to four weeks to finish and are principally made without the use of a paintbrush,” she says. “I only use a brush if I have no other option or to place the white in the eyes; everything else is formed from the natural flow of the ink.” Animal ink magic awaits at katrinamansfieldartist.co.uk.
Wall hangings from Kitty Pennybacker’s textile range
Kitty Pennybacker, textiles
KNITWEAR designer Kitty combines
cording, knitting, weaving and felting to create a textile collection of super-soft
homeware items, such as wall hangings, neckerchiefs, baby blankets and knee
throws.
“The work re-imagines the tartan and tweed fabrics of my childhood in North Yorkshire,” says Kitty, who gained an MA in Fashion Design and Society from Parsons School of Design, New York, after her BA in Fashion Textiles Design at the University of Brighton.
She has worked within the fields of fashion and television in New York and London and is now part of the PICA Studios art and design hub. Learn more at kittypennybacker.com.
Kitty Pennybacker : Knitwear designer
TOMORROW: Mim Robson, Lesley Shaw, Elena Skoreyko Wagner, Ealish Wilson and Greg Winrow.
