York River Art Market returns with more artists than ever wanting to take part

Laura Joy’s poster for the 2024 York River Art Market summer season

YORK River Art Market returns for its ninth summer season this weekend on the riverside walkway at Dame Judi Dench Walk.

Organised by artist and York College art tutor Charlotte Dawson, York’s answer to the markets on the Parisian Left Bank will be held on August 3 and 4, 10 and 11 and 17 and 18 from 10am to 5pm.

Along the riverside railings, up to 30 artists and makers per day will be exhibiting ceramics, jewellery, paintings, prints, photographs, clothing, candles, T-shirts, shaving products and much more. “We care that each of the six events are never the same, and so we host a different variety of creatives at each one,” says founder and director Charlotte. “That means there is always something for everyone’s creative tastes and budget.

“York River Art Market’s relaxed and vibrant atmosphere has been compared to the Left Bank and we welcome everyone. Admission to the market is free of charge to come along and browse or buy directly from an array of Yorkshire-based artists.”

Looking forward to this weekend, Charlotte says: “Each year presents fresh challenges, but just don’t say the ‘W’ word [the weather}!” Fear not, Charlotte, sunny intervals and a gentle breeze are forecast for Saturday and Sunday.

Charlotte Dawson: York River Art Market founder-director and jewellery designer

“We’ve had more artists and makers than ever wanting to take part – quite a change from our early days. We get hundreds applying now and I do the selection process with a heavy heart, as we can’t feature everyone. We have a reserve list and people are already asking about next year.”

Why is it so popular, Charlotte? “This area of York lends itself to such an event, working in harmony with the York Museum Gardens, the eateries around here, and the whole ambience by the riverside,” she says.

“I think the river is great for a sense of wellbeing, especially for the artists who are spending the day there, saying ‘it’s so relaxing here’. There’s an ambience you can’t get anywhere else in the city.

“York River Art Market really does celebrate art and York’s creative talent, but not only York, as we have artists and makers from Yorkshire among our variety of new participants, such as Ounce Of Style [Lee Henry], a funky graphic designer and illustrator with a food obsession, who works in really bold colours, and Taken Twice, from Derbyshire, who uses that name because she creates jewellery inspired by ancient Greece and Rome,  which is interesting for York with our Roman history.”

Among the returnees will be digital photomontage artist Adele Karmazyn; architectural illustrator Elliot Harrison (York 360); Gerry and Lynn Grant of Fangfoss Pottery; Katrina Mansfield, from PICA Studios in Grape Lane, who specialises in creating “fluid art animal inks” on Yupo paper, and Lincoln Lightfoot, whose surrealist  B-movie poster pastiches “tap into the present condition of fear that our news media and politicians perpetuate in a post Covid-19 world”.

Woodburning artist Anna Kirsty Wood: Travelling from Italy for York River Art Market on August 10 and 11

York artist Emma Whitelock, who took part in the first York River Art Market and now exhibits internationally, including in New York, will be returning to the riverside this summer.

Travelling the farthest to take part is woodburning artist Anna Kirsty Wood, who is heading from Frascati, Italy, with a suitcase full of art to stay with her mother in York. She will be showing her original artwork and prints, created from fragments of memories pieced together and hand-burned on to wood, on August 10 and 11.

Busker and folk singer Deb Simpson is likely to pop up at some point, just as she has in past years, and York singer-songwriter Heather Findlay, from the York duo The Bee Tellers, will be busking on August 18. “She’s an artist too, and hopefully she’ll be showing her work next year,” says Charlotte.

To find out the line-up of artists and makers for each of the six days, head to York River Art Market’s Facebook site, facebook.com/YorkRiverArtMarket. Click on More, then Events, then Discussion.

This year’s poster was designed by the aptly named illustrator and maker Laura Joy, of Laura Joy Design, who will be attending all six events this summer. Artistic joy does indeed await on the banks of the River Ouse from this weekend. 

Copyright of The Press, York

Heather Findlay: Busking on August 18. Picture: Adam Kennedy


No York Open Studios this weekend, but all that art still needs a new home, so look here…DAY 26

York Theatre Royal, illustration, by Ric Liptrot

LAST weekend should have been spent visiting other people’s homes, not staying home. This weekend too.

This is not a cabin-fevered call for a foolhardy Trumpian dropping of the guard on Covid-19, but a forlorn wish that York Open Studios 2020 could have been just that: York Open Studios. Instead, they will be York Shut Studios.

Nevertheless, in the absence of the opportunity to meet 144 artists at 100 locations, banished by the  Coronavirus lockdown, CharlesHutchPress is determinedly championing the creativity of York’s artists and makers, who would have been showcasing their ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles skills.

Each day, in brochure order, a handful of artists who now miss out on the exposure of Open Studios are being given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Home and studio addresses will not be included at this lockdown time.

Meanwhile, York Open Studios artists are finding their own way to respond to the shutdown by filling their windows for #openwindowsyork2020, while plenty are showcasing their work over the York Open Studios period online. Visit yorkopenstudios.co.uk to take your own virtual tour.

The website says: “We’re doing a Virtual Open Studios, with artists posting based on a daily theme for the ten days spanning our two weekends. They’ll be showing you their studios and workshops, favourite processes, answering your questions, and of course lots of pictures of their new work.

“Search for #YorkOpenStudios anywhere on social media or follow your favourite artists to see more.”

First, however, here are six more artists and makers for you to discover…

Birds Heart, by Sarah Raphael-Balme

Sarah Raphael-Balme, painting

SARAH makes figurative work spanning interiors, gardens, portraits and decorative motifs usually involving figures or creatures, painted mainly in oil, sometimes in gouache.

Sarah Raphael-Balme: Painting in oil and gouache

A graduate of Chelsea College of Art, Sarah has shown her work widely in the UK and USA. Her illustrations are published by IPC magazines, BBC publications, Heinneman and countless others.

She is exhibiting solo with House of Hackney concurrently in New York and London. Go to instagram.com/raphael_balme for more.

The Enchanted Forest, depicting the sacred and spiritual nature of trees, from Lesley Seeger’s 2020 series, Whispers Of Spring

Lesley Seeger, painting

INSPIRED by the natural world, Lesley paints landscapes and abstract florals, her lyrical work marked by an exploration of the emotional impact of colour.

“Although all my work begins ‘in the field’ with observation, ‘painting what I see’, I realise that it quickly becomes, ‘how what I see makes me feel’. How trees and hills and furrow sit together in the language of light and dark,” she says.

“I’m interested in the significance of place. This might be somewhere well known, such as Ripon Cathedral or the White Horse at Kilburn, or a random field or view in which the way things are placed in the landscape makes it out of the ordinary.”

“I like to think of my paintings as talismans,” says Lesley Seeger

Lesley is a self-taught artist, whose work over 23 years now has been inspired by sculpture studies at York College, as much as by the art of Gillian Ayres, Howard Hodgkin, Elizabeth Blackadder, Mary Fedden and Ivon Hitchens.

“At a certain point, the painting takes over and I become interested in pattern, mark making, colour and texture as vehicles of expanding what I see,” she says. “The work becomes intuitive…. a hybrid between the observed and imagined, the seen and felt.’

Born in Newcastle in 1958,Lesley studied English and Media at Southampton University, then worked in theatre and publishing and qualified as an art therapist at Sheffield Hallam University. She worked for several years in community arts in York, most notably a six-year residency at York Hospital, where she ran art projects in the renal unit. 

Ripe Corn Before The Storm, by Lesley Seeger

Last year she was artist-in-residence at the Yorkshire Arboretum, near Castle Howard; this year, she holds the same post at Brisons Veor, Cape Cornwall.

Lesley, who runs painting workshops, published the art book Coming Home, A Contemporary Colourist’s Approach To English Landscape in late-2016, and also designs cards and linen cushions. Upcoming shows pencilled in for 2020 are Art for Youth North and Art& York, both in October.

“I like to think of my paintings as talismans,” she says. “They will reveal themselves over time with their rich histories of place, layers and colour.” Time to visit lesleyseeger.com.

Bangle Pair, by Evie Leach

Evie Leach, jewellery

EVIE decided to follow her creative passion by studying jewellery and silversmithing at the Birmingham School of Jewellery.

There, her basic knowledge, learned from her jeweller parents, transformed into traditional skills.

Evie Leach at work

Her trademark is angular designs with inspiration taken from geometry found in nature and architecture, while more recent designs include semi-precious gemstones set beside angled clusters of gold and silver to create dynamic, one-of-a-kind pieces.

Not only would PICA Studios jeweller Evie have been taking part in York Open Studios, but also her husband, self-taught artist Mick Leach, would have been making his YOS debut. Cast an eye over her designs at evieleach.co.uk.

The Hairy Fig and Kiosk, in Fossgate, by Ric Laptrot

Ric Liptrot, illustration

FREELANCE illustrator Ric captures everyday life in York, depicting its distinctive and much-loved sites in acrylics, pencils, collage and mono-print.

“I’m inspired by the architecture and scenes of York,” says the PICA Studios artist. “I combine my passion for these buildings with my support for the independent businesses York has to offer.

Ric Liptrot: Inspired by the architecture and scenes of York

“I’m an ambassador for these shops, bars and cafés and believe they’re important in helping communities grow.”

Take a look at Ric’s illustrations that “capture the places loved by the local community” at liptrotillustration.co.uk.

Ursa Major And Minor, by Katrina Mansfield

Katrina Mansfield, painting

KATRINA creates vivid, fascinating “fluid art animal inks”, using alcohol ink on synthetic Yupo paper to depict the animals, birds and insects.

The paper allows a longer working time with the ink, “the most intriguing medium and at the same time the most frustrating”.

“It can produce magical results that you get lost in for hours and hours, but it can also destroy the most striking pattern in the blink of an eye,” says Katrina. “It is exactly like nature itself, devastatingly beautiful.”

“Ink is the most intriguing medium and at the same time the most frustrating,” says Katrina Mansfield

In turn, this is why she chose the subject of animals. “The creatures of this Earth are both fragile and unbreakable, they are flawless and yet also imperfect. They add colour to our human lives, yet they are increasingly in danger of becoming extinct through our actions. This series of works is a reminder to all that we need the diversity, beauty and intelligence of these creatures in order to survive.”

Now a PICA Studios artist, Katrina trained in fine art and scenic art at York College, Lincoln University and the Royal Academy of Dramatic Art in London. She worked in television, film and theatre for a decade, latterly in the West End and West Yorkshire Playhouse, Leeds, before returning to York in 2018 to focus on developing her new process of fluid art animal inks.

“The paintings take anything from one to four weeks to finish and are principally made without the use of a paintbrush,” she says. “I only use a brush if I have no other option or to place the white in the eyes; everything else is formed from the natural flow of the ink.” Animal ink magic awaits at katrinamansfieldartist.co.uk.

Wall hangings from Kitty Pennybacker’s textile range

Kitty Pennybacker, textiles

KNITWEAR designer Kitty combines cording, knitting, weaving and felting to create a textile collection of super-soft homeware items, such as wall hangings, neckerchiefs, baby blankets and knee throws.

“The work re-imagines the tartan and tweed fabrics of my childhood in North Yorkshire,” says Kitty, who gained an MA in Fashion Design and Society from Parsons School of Design, New York, after her BA in Fashion Textiles Design at the University of Brighton.

She has worked within the fields of fashion and television in New York and London and is now part of the PICA Studios art and design hub. Learn more at kittypennybacker.com.

Kitty Pennybacker : Knitwear designer

TOMORROW: Mim Robson, Lesley Shaw, Elena Skoreyko Wagner, Ealish Wilson and Greg Winrow.