Outsider Inside York show at Art Of Protest highlights artist experience from prison life and military service to neurodivergence

Untitled 7, by Neil Bunting, from the Outsider Inside York exhibition at the Art Of Protest Gallery in York

OUTSIDER Inside York, an exhibition of words and pictures at the Art Of Protest Gallery, York, celebrates the diverse voices of five artists who have used creativity to reshape their lives.

Challenging the status quo, this month’s show at the Walmgate art space reveals art’s transformative power in overcoming adversity

Taking part are Boxxhead, alias York mixed-media artist Kevin McNulty; former British Army soldier and PTSD sufferer Kevin Devenport, who began painting as a form of self-expression while in prison for drug offences, and Peter Stapleton, who discovered a gift for painting in oils after 22 years behind bars.

On show too is work by the late neurodivergent artist and musician Neil Bunting, who died last year, having struggled with mental health issues and personal loss throughout his life and never exhibited in his lifetime.

Their works are complemented by poems by Geoff Beacon, whose latest collection, Foreboding, engages with activism and politics in York.

Gallery founder and curator Craig Humble says: “We are excited to present Outsider Inside York, a dynamic new group exhibition that examines the power of art as catharsis and resistance. The show features a selection of artists whose works defy mainstream artistic conventions and explore the role of visual art and written words in activism.

“Outsider Inside York celebrates individuals whose unique personal experience – ranging from life in prison and military service to neurodivergence – have shaped their creativity.”

The concept of “Outsider Art” traces its roots to French artist Jean Dubuffet, who in 1945 coined the term “Art Brut” to describe art produced outside the boundaries of traditional culture. “Today, Outsider Art remains a vital form of expression for those challenging societal norms,” says Craig.

“Outsider Inside York is a platform for UK-based artists whose diverse stories offer new perspectives and reveal art’s transformative power in overcoming adversity. We invite viewers to engage with a range of art that is both deeply personal and universally resonant.”

Featured artists

Kevin McNulty aka Boxxhead

Aura2, by Boxxhead, from Outsiders Inside York exhibition at Art Of Protest Gallery

BOXXHEAD, the pseudonym of York mixed-media artist Kevin McNulty, is known for his expressive works that combine screen prints, large-scale original pieces on canvas and paper. His Aura collection, showcased in 2023 at Art Of Protest, reflected his personal experiences living with epilepsy, capturing the challenges of navigating the modern world with a neurological condition.

Drawing influence from Neo-Expressionism, Surrealism  and figures such as Einstein, Boxxhead’s art blends stencilled layers, automatic mark-making and hand-drawn images. His child-like approach to complex social and political issues presents unfiltered narratives that speak to a 21st-century audience, fusing words and images with raw emotion and provocative insight.

Kevin Devenport

“Through The Barricades is our Valentine’s release by ex-soldier and PTSD sufferer Kevin Devenport, who served in Northern Ireland in the latter stages of the conflict,” says Art Of Protest curator Craig Humble. “The experience was formative for him and had a great effect on his life after he left the army. The narrative of love conquers all is often at the heart of Kevin’s work. There will only be 20 of these pieces available for £75 unframed or £175 framed to conservation standards”

KEVIN Devenport’s gateway into the art world began while serving a prison sentence for drug offences. After years in the British Army, including active tours in Northern Ireland, Kevin was diagnosed with PTSD, which led him to prison and, ultimately, to painting as a form of self-expression.

Despite lacking formal artistic qualifications, Kevin’s work has received national acclaim, including the Koestler Award for painting and prestigious recognition such as the Leonardo de Vinci International Artist Award and the Olympic Art Prize.

Property of HMP, by Peter Stapleton

Peter Stapleton

PETER Stapleton’s creativity began unexpectedly behind prison walls. After spending 22 years incarcerated, including at HMP Full Sutton, near York, Peter discovered a previously unknown ability for painting during a prison art class on the day of a visit by Home Secretary Michael Howard.

Given a canvas and paints, because the tutor had run out of pencils, Peter’s first-ever painting was recognised instantly as a skilled reproduction of an image in a magazine.

During the latter part of his latest sentence after a long record for armed robbery, Peter, from Manchester, completed a Fine Art Degree focusing on oil painting. His art practice has developed ideas and questions of masking and the role of institutions in forming the type of people we are believed to be.

“He had never painted or drawn in his life, where, in the circumstances he had grown up in, he knew only crime, but he turned out to be a natural,” says Craig Humble. “Now he paints photo-realistic corridors, almost abstract in style, striking a balance between prisons’ obsession with polishing floors while the structures of these institutions are falling all around them.”

Neil Bunting

NEIL Bunting, who passed away in 2024, left behind a creative echo of his life through art and music. Having struggled with mental health issues and personal loss throughout his life, Neil found solace in creating intricate visual art and composing music. His works offer insight into his internal world and how he used his creativity to balance challenges he faced living in this world.

His music compositions aired on BBC Radio 6 Music and although his unique artwork inspired those who saw it, none of the work was ever exhibited in his lifetime.

“Last year, not long before his death, I was approached by a retired social worker who had worked with Neil and had collected some of his pieces,” says Craig Humble. “She wanted to share his work with the public and she thought that out of all the galleries in York, we might be interested.

“We first met in May – I never met Neil, who passed way last summer – and I felt his work would be perfect for this show at the beginning of 2025.”

A proportion of sale proceeds will be donated to the I Am Reusable community food bank in York, with plans being put in place to also donate to a drug and alcohol services charity in Scarborough, where Neil’s sister, Christine Tipple, lives.

Geoff Beacon

The cover artwork for the paperback edition of Geoff Beacon’s Foreboding: Poems 1992 To 2024

GEOFF Beacon’s poetry journey began in 1992 with a friendly competition with his daughter, later leading him to write for Longman’s Mapping Awareness magazine.

Geoff’s work is engaged deeply with activism and local politics, particularly in York, where he has become a well-known figure. His latest poetry collection, Foreboding, brings together his poems from 1992 to the present day, offering a voice for social change and reflecting the ongoing human experience through powerful, politically charged language.

“Geoff has been a friend of the gallery by way of a witty quip and friendly face since we relocated to Walmgate five years ago,” says Craig Humble. “Geoff is an activist who uses many avenues to advance progressive conversations.

“As well as the traditional avenues around politics, Geoff also write polemic poetry. The sort of poetry that sits well with our gallery. Like our visual arts, Geoff writing can’t be ignored.

“Whether the reader agrees with the sentiment or goals isn’t so important, rather than it inspires thought, investigation and conversation.”

Outsider Inside York – An Exhibition of Words and Pictures, Art Of Protest Gallery, Walmgate, York, on show until February 16. Opening hours: Monday to Friday, 11am to 6pm; Saturday and Sunday, 10am to 5pm.

Who are the NEW artists in the 2021 York Open Studios? Meet the first six…

Kitty Greenbrown: Spoken-word poet making her York Open Studios debut on the second weekend with Rust, her collaboration with artist Peter Roman

AFTER the Covid-enforced fallow year of 2020, York Open Studios returns next weekend for its 20th showcase of the city’s creative talent

Preceded by next Friday’s preview evening, the event will see 145 artists and makers open 95 studios, homes and workplaces on July 10 and 11 and July 17 and 18, from 10am to 5pm.

Among them will be 43 debutants, prompting CharlesHutchPress to highlight six newcomers a day over the week ahead, in map guide order, as York prepares for a showcase of ceramic, collage, digital art, illustration, jewellery, mixed media, painting, print, photography, furniture, sculpture and textiles skills this month.

A vibrant micro-landscape by Rosebay

Rosebay, vibrant micro-landscapes in acrylic, 25, Turners Croft, Heslington

ROSEBAY uses the quick, direct method of marker pens filled with acrylic to produce big, bold canvases, drawing on elements of pop art, graffiti art and cartography to celebrate the hidden, unsung corners of the natural world. 

Rosebay started painting in 2009, inspired by the Sydney coastline in Australia. Informed by her background in biology, her work incorporated abstracted natural forms, from forest canopies to tiny sea creatures.

After an exhibition in Sydney, her return to the UK brought a fresh palette of increasingly vibrant colours and a move to tightly focused micro-landscapes.
The shoreline remains a huge inspiration and, appropriately, she has  exhibited in Aldeburgh, Suffolk, and Saltburn-by-the-Sea.

“I like to exaggerate and intensify colours,” says Rosebay

“Working from a mixture of memory and photographs, I focus on one small area – a limpet-covered rock, the trunk of a tree – and this becomes my micro-landscape with its own topography,” says Rosebay.

“Features within it are stylised to varying degrees, sometimes to the point where they appear completely abstract. Simple forms, such as the white circles representing barnacles, are often repeated many times.”

Her paintings sometimes resemble maps.Those water channels or rock striations can look like roads, patches of seaweed like green parks in a city. It adds to the feeling of a landscape where observers can lose themselves,” she reasons.

“I like to exaggerate and intensify colours: as well as making everything more vivid, it takes my work a further step away from ‘reality’, which I like. Each block of colour is delineated by a border of dark violet, which is the shade I associate with deepest shadow.”

A bright, intricate hand-cut paper collage by Elena Skoreyko Wagner

Elena Skoreyko Wagner, collage illustration, The Drey Studio, 16a Heslington Road, York

CANADIAN illustrator Elena creates bright, intricate hand-cut paper collages, re-using paper snippets imbued with their own histories to assemble poetic images that illustrate intimate narratives and emotional experiences.

Elena completed a degree in studio art at York University, Toronto, in 2006, and then spent a decade winding her way through odd jobs, a Masters in occupational therapy, interrupted briefly by a surprise baby, followed immediately by a hop across the Atlantic to Bonn, Germany, then York, en route to illustration.

“Some former professors asked me to illustrate a paediatric assessment and suddenly, everything made sense,” she says. “I now work as a freelance illustrator and maker of zines and collages.  My work is often autobiographical, depicting women and children to explore personal and social issues and uncover wonder and magic in the ordinary.”

“My work is often autobiographical, depicting women and children to explore personal and social issues,” says Elena

​Elena, settled into York with her German economist husband, Achim, and their two children, sells original artworks, prints and zines through Elena’s Treehouse. “I can be found most days nestled in a nook, manifesting a rainbow tornado of paper snippets, or making equally impressive messes with my small protégés,” she says.

On May 17 and 18, she took part in York Theatre Royal’s reopening brace of Love Bites performances, collaborating with composer and singer James Cave and writer Bethan Ellis on the five-minute musical theatre piece Magic, inspired by a lockdown poem by Elena, who made a miniature paper theatre that re-created her allotment and was operated by her on stage.

Elena “seeks to find magic and uncover meaning in the mundane”. “York is a beautiful city, which in many ways makes it easier to find magic,” she says. “There are snickelways that look straight out of Tolkien, and crumbling walls, climbing with vines, straight from The Secret Garden!”

Emma Crockatt’s works are works full of brightly coloured animals, flowers and seasons

Emma Crockatt, painting, The Drey Studio, 16a Heslington Road, York

INSPIRED by nature, patterns and objects, Emma moves between painting, collage and drawing and now she is exploring textiles and print too. 

Emma moved to London in 2006 to study History of Art at Goldsmiths, progressing to an MA in Illustration at Camberwell College of Art.

Emma Crockatt at work

In 2017, she returned to York, where she makes works full of brightly coloured animals, flowers and seasons, taking pleasure in her everyday surroundings.

Kitty Greenbrown and Peter Roman, multi-media, Arts Barge, Foss Basin, York. July 17 and 18 only

SPOKEN-WORD poet Kitty (or Katie) Greenbrown and artist Peter Roman collaborate to deliver multi-media storytelling pieces, such as Magpie Bridge for Stockton Arc, marking the 50th anniversary of the Moon landings, and Green In Our Memory for City of York Council’s First World War commemorations.

Rust was premiered on the River Ouse at the 2019 Great Yorkshire Fringe, when presented  in collaboration with York Theatre Royal and Arts Barge. Proving Rust never sleeps, it returns on the second weekend of York Open Studios for screenings 10.30am, 1pm and 3pm.

Artwork for Kitty Greenbrown and Peter Roman’s Rust

“Rust takes us back to when the Ouse teemed with working barges, you knew your place or else and jazz was the devil itself,” says Kitty, who introduces herself as a “performance poet with an incurable appetite for playing with language”.

“I have a huge interest in creating multi-media, immersive storytelling experiences that stretch the bounds of what poetry can be. I’ve been performing live and making film-poems with musicians, artists and filmmakers since 2016. Collaboration is big part of what interests me.”

Kitty adds: “For me, it’s always been about telling stories. I went on a camping holiday to Brittany when I was about eight and it tipped it down with rain. Every day.

Peter Roman and Kitty Greenbrown

“There were loads of bitey insects and the toothpaste tasted weird. My mum burnt a hole in the roof of the tent too, with the camping stove. On the first night.

​“I lay on a camp bed, which was standing in a couple of inches of water, and copied out every word of a Famous Five book into a jotter with squared paper. You’ll find the jotters always have squared paper in France. Then I got bored and started writing my own stuff. I’ve never really stopped.”

​For Love Bites at York Theatre Royal in May, Kitty combined with ​fellow artist-producers Robert Powell and Ben Pugh to present The Angels Of Lendal Bridge.

Gypsy Moth, print, by Carrie Lyall

Carrie Lyall, printmaking, 2a, Riccall Grange, King Rudding Lane, Riccall

SELF-TAUGHT printmaker Carrie runs the Rose & Hen business, selling her linocut prints, illustrations and handmade books inspired by nature. Using botanical themes, she creates delicate silhouettes and patterns in contrasting colours, employing pigment-rich, oil-based inks. 

“I connect with nature while out walking, taking photographs or collecting subject matter, to be sketched and transformed into design ideas at home,” she says.

Carrie Lyall: Creates delicate silhouettes and patterns in contrasting colours

“My favourite part of the process is cutting the designs, and I often get completely immersed in creating marks and lines.”

Carrie is a member of York Printmakers and a volunteer team leader for Etsy Team York (roseandhen.etsy.com). She will be demonstrating her printmaking skills at 11am and 3pm each day over the two weekends.

“I speak through robotic figures and grotesque forms to communicate provocative messages,” says Kevin McNulty

Kevin McNulty, neo-expressive mono prints smeared with social commentary, spray paint and oil stick, 39 Maple Avenue, Bishopthorpe, York

KEVIN describes himself as a compulsive printmaker, who explores themes such as identity and the human condition in his bold limited-edition prints.

“Experimenting with process and technique, I interweave modernity with the absurd to build complex and captivating designs,” he says. “I find inspiration in the everyday. I build layers for my prints using anything I can lay my hands on, including found items.” Even mobile phone parts and discarded teabags.

Influenced by Neo-Expressionism, Surrealism, Einstein and his grandad’s Bedford Rascal van, he mixes stencilled layers, automatic mark making and spontaneous hand-drawn images in his creativity.

“Compulsive” printmaker Kevin McNulty

Kevin’s working practice is underpinned by a desire to make “pure prints by pulling each image by hand and embracing the fortuitous accidents that evolve each design as it transitions from laptop to ink and paper”.

“Using both images and words, I speak through robotic figures and grotesque forms to communicate provocative messages,” he says of his explorations of social and political issues through the eyes of a six-year-old boy.

“Supported by a graphic primitivism, I present unfiltered ideas and emotion by blending naïve child-like expression with a mature consciousness to tackle contemporary issues and to gain a better understanding of the world.” Find his work at kevinmcnultyprints.com.

Tomorrow: Pennie Lordan; Lincoln Lighfoot; Amy Stubbs; Jilly Lovett; Elliot Harrison and Nicola Lee.

No York Open Studios in April, but all that art still needs a new home, so look here…DAY NINE

A screen-print collage by Kevin McNulty

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has been cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing their ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles skills.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Meanwhile, York Open Studios artists are finding their own way to respond to the shutdown by filling windows with their work instead.  Look for #openwindowsyork2020 to locate them. “If you see one in your area while taking your daily exercise, take a picture and let us know,” they urge.

Jill Ford: Her ceramics mirror the seasons

Jill Ford, ceramics

JILL began working as a potter in 2002, converting her garage into a studio and establishing her company Jill Ford Ceramics.

Her contemporary white porcelain encompasses innovative textural wall pieces, vases and bowls thrown on the wheel and a range of candlesticks, her work marked by richly textured decoration inspired by mountains and coastal rock formations.

Jill’s ceramics mirror the seasons, both in the processes she uses and the changing nature of her landscapes, with winter’s extreme temperatures making for a particularly impactful time of year.

Jill Ford at work in her studio

A year spent trekking and sketching in the Scottish Highlands has provided inspiration for a range of Mountain Edge pots that gives a sense of exposure and drama.

Jill, who is a member of the Northern Potters Association and East Riding Artists, exhibits widely in galleries and shops around Britain and abroad, including New York, and she shows work at ceramics and craft fairs too. She also delivers masterclasses to potters’ groups and teaches ceramics in workshop sessions. Find out more at jillford.com.

Cafe scene: a documentary-style photograph by Danny Knight

Danny Knight, photography

AFTER participating in York Open Studios in 2017 with works from Berlin, documentary-style photographer Danny was all set to feature his street photography collated from New York and his home city of York in the 2020 event.

“Old York/New York is a series of still images documenting the mundane events of the people who walk the streets of these two famous cities, while contrasting their similarities/differences.”

Danny Knight: “Capturing the everyday moments in two amazing cities”, York and New York

His work seeks to capture “the everyday moments in these two amazing cities that are quite often missed due to the pace of life we live”.

As well as being a photographer, Danny works for the creative film production company Hewitt & Walker and is a city leader for Sofar Sounds York, the monthly venture that “reimagines live events through curated secret performances in intimate York settings”. For more info, seek out info@dannyknightphotography.co.uk.

Honesty, linocut, by Carrie Lyall

Carrie Lyall, printmaking

CARRIE is a self-taught printmaker, based in Stamford Bridge, from where she runs her Rose & Hen business.

Her linocut prints, illustrations and handmade books are inspired by nature. Using botanical themes, she creates delicate silhouettes and patterns in contrasting colours, employing oil-based inks. 

“I connect with nature while out walking, taking photographs or collecting subject matter, to be sketched and transformed into design ideas at home,” she says.

Carrie Lyall: Connecting with nature in her art…and her clothes

“My favourite part of the process is cutting the designs, and I often get completely immersed in creating marks and lines.”

Carrie is a member of York Printmakers and a volunteer team leader for Etsy Team York. 2020 would have been her first year as a York Open Studios artist. Check her out at roseandhen.etsy.com

Between You And Me And The Gate Post, needle felting, by Alison Spaven

Alison Spaven, textiles

ALISON’S passion for needle felting started six years ago during a chance encounter with the craft.

“I’ve been painting and drawing for a lifetime, and even flirted briefly with ceramics, before a day out with friends to a felting workshop on a canal barge changed my creative drive forever,” she recalls.

“I was inspired to create and work with wet and needle felted wool by some great tuition from friends and professional tutors. Needle felting, in particular, rapidly became an obsession and the husband indoors insisted that new homes had to be found for things, as falling over yet another hare is not his favourite pastime!”

Alison Spaven: hare today, gone today, when her work sells!

Alison’s experience with sculpting in clay gave her the initial skills to work in 3D, before developing her own textural technique when painting with wool. Created with rare breed wool, using a single felting needle, Alison’s pictures consequently have a sculptural quality, a deliberate carry-over from her initial 3D work.

Alison, who trades as The Crafty Wytch from her Wytchwood Gallery and Studio, is a familiar face around Malton and beyond from her work as a stalwart of The Press and Gazette and Herald advertising team. Head to thecraftywytch.co.uk to discover more.

Compulsive printmaker Kevin McNulty

Kevin McNulty, printmaking

KEVIN describes himself as a compulsive printmaker, who explores themes such as identity and the human condition in his bold limited-edition printed collages, wherein he combines photography, arbitrary images, texture and abstract pattern.

“Experimenting with process and technique, I interweave modernity with the absurd to build complex and captivating designs,” he says. “I find inspiration in the everyday. I build layers for my prints using anything I can lay my hands on, including found items.” Even mobile phone parts and discarded teabags.

Millennium Bridge, York, by Kevin McNulty

Kevin’s working practice is underpinned by a desire to make “pure prints by pulling each image by hand and embracing the fortuitous accidents that evolve each design as it transitions from laptop to ink and paper”.

Those prints were to have featured for the first time in this month’s now cancelled York Open Studios. Find his work at kevinmcnultyprints.com.

TOMORROW: Gail Fox; Jane Atkin; Amy Stubbs; Emily Stubbs and Elliot Harrison.