Who are the 30 new artists and makers in York Open Studios? Meet six more here

York Minster, by Duncan Lomax,, at Holgate Gallery

YORK Open Studios returns to its traditional spring slot for the next two weekends after last year’s temporary Covid-enforced detour to July.

More than 150 artists and makers will be showing and selling their work within their homes and workspaces, giving visitors an opportunity to view and buy “bespoke pieces to suit every budget”, from 10am to 5pm on April 2,3, 9 and 10, preceded by a 6pm to 9pm preview on April 1. 

As ever, the range of artists’ work encompasses painting and print, illustration, drawing and mixed media, ceramics, glass and sculpture, jewellery, textiles, photography and installation art. Check out the artists’ directory listings at yorkopenstudios.co.uk to find out who is participating and who will be opening up early for the preview.

CharlesHutchPress will highlight the 30 newcomers in a week-long preview, in map order, that continues today with Toni Mayner; Kimbal Bumstead; Duncan Lomax; Moira Craig; Jo Rodwell and John Hollington.

Toni Mayner: Jewellery inspired by histories, love and loss

Toni Mayner, jewellery, The Cottage, 2 Love Lane, The Mount, York

USING traditional goldsmithing skills and precious stones and materials, Toni makes thematically based one-off narrative pieces and small collections of jewellery inspired by histories, love and loss.

After achieving her Masters in jewellery and silversmithing in 2007, from 2010 to 2020 she lectured at the Institute of Jewellery, Fashion and Textiles, Birmingham City University.

Her work has been exhibited in the UK, Netherlands, Germany, Poland and China, including performance, installation and narrative jewellery practice. Returning to her roots as a maker, Toni relocated to York in 2021 to establish a business making wearable collections and commissioned pieces in her garden studio.

Kimbal Bumstead: “My paintings aren’t just experiments in colour”

Kimbal Bumstead, painting, The Mount School, Dalton Terrace, York

KIMBAL specialises in vibrant abstract paintings that capture traces of journeys into imaginary worlds. His distinctive style uses translucent layers of oil paint and varnish to create sensory-rich and absorbing compositions.

Kimbal’s painting practice stems from his background in participatory performance art and his fascination with maps. “It’s really thrilling to be an artist,” he says. “My job is to bring things into existence that weren’t there before, and I use colour and mark-making to get there. But there are other aspects too. My paintings aren’t just experiments in colour, nor are they just expressions of feelings, they are also explorations of journeys into other worlds.”

Originally from London, Kimbal studied Fine Art at the University of Leeds and has held solo exhibitions at Aeon Gallery in London, de Stoker in Amsterdam and BasementArtsProject in Leeds.

New to York, where he teaches abstract art classes with York Learning, he is also exhibiting with Simon Crawford in According To McGee’s first Return Of The Painter 2022 show in Tower Street until April 4.

Duncan Lomax: “Much more than photography”

Duncan Lomax, photography, Holgate Gallery, 53 Holgate Road, York

DUNCAN is an experienced commercial photographer, running Ravage Productions to serve a wide range of businesses, as well as being the official photographer for York Minster.

Alongside this, he produces creative work to his own brief, work that is  often “much more than just photography”

“As well as ‘traditional’ photography, I utilise in-camera multiple exposures, long exposures and other creative techniques to push the perception of what a photograph can be,” he says. “I also use multi-media techniques to create unique prints with individually applied embellishments.”

Duncan has been conducting a spring clean at Holgate Gallery before reopening for tomorrow evening’s preview from 6pm to 9pm. For the duration of the Open Studios event, the gallery will be showing work solely by owner Duncan, who opened the premises in September 2020.

Moira Craig: “Vibrant memories of summer”

Moira Craig, printmaking, 51 Otterwood Lane, York

PRINTMAKER Moira has come to her creative practice after a career in a range of care settings. “My passion for creativity really took flight on the day after my retirement when I visited York Open Studios,” she says.

Drawing on her long experience of working in textile techniques, she experimented in her garden during lockdown, resulting in her alchemy of flowers, leaves and dyeing techniques in contemporary botanical pieces that blend traditional flowers into impressionistic compositions to create vibrant memories of summer.

Jo Rodwell: “Loves the bright, bold colours of nature”

Jo Rodwell, mixed media, 42 Dikelands Lane, Upper Poppleton, York

JO applies a variety of materials and media to explore how colours and layers interact with each other, depicting light and shadow, and how translucency and opacity affect this. 

“Focusing on creating figurative art inspired by people, places and experiences, I uses painting and printing trying to capture the essence of a moment,” she says.

“I love the bright, bold colours of nature and incorporate these in my art to create vibrant and exciting images, in the hope it triggers a moment of reflection for the viewer, evoking an emotion and enabling a connection with the subject.”

Jo Rodwell: “Exploring how colours and layers interact with each other”

John Hollington, wood, 68 Ouse Lea, Shipton Road, Clifton, York

JOHN changed career from draughtsman to York St John product design student…and then designer-maker in 2015.

Inspired by a lifelong love of 20th century art and architecture, he creates beautiful pieces with a modernist, geometric aesthetic for home, garden, birds and bees.

John Hollington: “Modernist, geometric aesthetic for home, garden, birds and bees”

Crafted from oak or cedar – oiled and left natural or blackened to highlight the grain – they sell in gallery shops at The Hepworth, Wakefield, and Yorkshire Sculpture Park and elsewhere.

John has received awards from Northern Design Festival, been longlisted for the Aesthetica Art Prize in York and was selected by TOAST for their New Makers 2020 programme.

John runs the award-winning John Hollington Studio, designing lighting as well as garden objects.

In focus tomorrow: Andrew Wrigley, painting; Helen Wrigley, painting; Ni Studios, mixed media; Laetitia Newcombe, sculptural ceramics; John Cutting, sculpture; Matilde Tomat, mixed media; Shannon Vertigan, mixed media.

Kimbal Bumstead and Simon Crawford unite to bring bursts of profuse colour to According To McGee in synchronised show

Painter Kimbal Bumstead stands outside According To McGee against a backdrop of the soon-to-reopen Clifford’s Tower

YORK gallery According To McGee launches its Return Of The Painter 2022 series with a duo exhibition by painters Kimbal Bumstead and Simon Crawford.

Gallery co-directors Greg and Ails McGee have opted to put the emphasis on scale and colour. “But it’s not just the ‘wow’ factor,” says Ails. “There are deeper meanings behind the collections of Kimbal and Simon. This, and the fact that their latest paintings dovetail so well with each other, means that the time is right to hand over the reins to both of these fascinating artists.”

Bumstead and Crawford are synchronising their creativity for the first time for this show’s run from Saturday until Monday, April 4 at the Tower Street gallery.

Bumstead, new to York but with years of experience of painting under his belt, brings a new energy to the gallery buoyed by exhibiting in Sheffield, Tokyo, Amsterdam and at the Mall Galleries in London, as well as teaching abstract art classes with York Learning.

“It’s really thrilling to be an artist,” he says. “My job is to bring things into existence that weren’t there before, and I use colour and mark-making to get there. But there are other aspects too. These paintings aren’t just experiments in colour, nor are they just expressions of feelings, they are also explorations of journeys into other worlds.”

Painter Kimbal Bumstead, right, with All Saints School students Emma Storkey, George Clarke and Emmanuelle Butler, on work experience at According To McGee

The Kimbal Bumstead collection, Segments Of Journeys, hangs on the wall of the front gallery opposite Clifford’s Tower, where they “pulse and shimmer, suggesting memories and half-formed ideas”.

“The subject matter isn’t fixed, it’s yet to be defined,” says Bumstead. “If the idea of journeying is the building block of the painting, the overarching theme is that there’s no destination.

“I love the process of trying to let go and getting lost in the painting. That’s a positive to me and reflects on how I live my life. Stuff happens, you navigate it, and hopefully you enjoy the process.

“I like trying to see a street differently each time I walk down it, and the same goes for my paintings. Each time I look at them, I find something new, something I hadn’t noticed before.”

Bumstead points to the intersecting colours and mark making on the surfaces of his paintings, with some strokes sliding into areas that had been painted much earlier. “It’s like landscapes,” he says. “I like how a landscape in real life has different layers. Physical layers, ideas that people project, memories, different stories, traces of the old next to the new. It’s something I’m really keen on capturing.”

Cool Shade, Running Water, by Simon Crawford

Explaining further, he says: “It’s not dissimilar to experiencing York as a city. On the one hand, you see what’s on the surface, the old buildings next to new ones, but then there’s another world, the one you have to imagine, the one where different stories have taken place and settled like sediment. That’s really the case with this collection; there is not just one way of seeing it.”

Gallery co-director Greg says: “It’s heavy stuff, but at its heart it’s an antidote to the current obsession with targets and data. This is less harnessing data and more harnessing dreams, which is a priority in most artists’ manifestos.”

On the opposite wall hangs Cool Shade And Hot Light, the new collection by Knaresborough artist Simon Crawford. “In terms of scope and vividity, the collections complement each other, with Simon’s approach perhaps more relatively literal in his depictions of his experiences,” says Greg.

Crawford’s work comes in response to his travels in India. “To call it a ‘life-changing experience’ is to underestimate it,” he says. “It brought me new textures and colours, and I have been trying to skewer them in my palette and on the surface of my canvases since. I think this collection is a true representation of what I saw and how I saw it.”

After exhibitions in Dean Clough galleries in Halifax, Moscow galleries and Messums North, he brings his impressionistic portraits of India to According To McGee, much to Greg’s delight.

Surrounded by colour: Painter Simon Crawford with his artworks at According To McGee

“What’s especially great is that when Simon now turns his attention to northern subject matters, he filters his depictions through the conduit of tropical heat, so that you get Rievaulx Abbey endowed with the glittering humidity of an Indian jungle,” he says.

“It’s witty and sensual, and it’s exactly what we’re looking for in our search for more excellent painters to represent. Simon’s use of colour is instantly recognisable, and it’s humbling to see he’s showing no signs of backing down.”

Ails adds: “The Punjabi palette seems to work really well with our collectors, especially here in the north. Whether it’s from Simon or Kimbal, or from McGee favourites like Amrik Varkalis, a fearless celebration of hot colour connects with clients. Whether that’s down to the general doom and gloom of our times, or the drizzly weather, we haven’t worked out yet!

“But we’ve worked hard on curating this exhibition, helped in no small way by Emma Storkey, Emmanuelle Butler and George Clarke, who, as Year 10 students from All Saints School, have spent ten days on work experience with us.”

Return Of The Painter 2022: Kimbal Bumstead and Simon Crawford launches at According To McGee, Tower Street, York, on Saturday at 12 noon and closes on April 4. Gallery opening hours: Monday to Friday, 11am to 3pm; Saturdays, 11am to 4pm; or by appointment on 07973 653702.

Colours From A Hot Land, by Simon Crawford