How Edward Leigh is making Friends! about more than the friends in musical parody, on tour at Grand Opera House, York

Edward Leigh’s Gunther in Friends! The Musical Parody, on tour at the Grand Opera House, York, next week. Picture: Pamela Raith

FRIENDS! The Musical Parody is the one with new songs and iconic moments – pivot points – from 236 television episodes squeezed into two hours on stage.

After New York and Las Vegas hit runs for satirical duo Bob and Tobly McSmith’s show, now the Hairspray musical producers and The Full Monty stage director are taking the escapades of “the world’s most famous group of twenty-somethings” on the UK road. Next coffee stop, Grand Opera House, York, from September 30 to October 4.

Join not only Rachel, Ross, Monica, Chandler, Joey and Phoebe as they navigate love, friendship and life’s ups and downs in 1990s’ New York City, but also such supporting staples as Central Perk coffee shop worker Gunther, played by Knaresborough actor Edward Leigh, in this nostalgic musical comedy replete with an original musical score and favourite lines aplenty.

“Everyone seems to know Friends but didn’t know there was a musical – and not did I,” admits Edward, as he settles into a multi-role-playing role that calls on him to be the warm-up master of ceremonies for the show-opening re-creation of the live taping of a Friends TV episode and to launch Act Two with a Friends quiz.

“We started rehearsals in London, then did a six-week run at the Barn Theatre in Cirencester over the summer, before coming back for a couple of weeks’ rehearsals for the tour. We opened at Nottingham Theatre Royal last Wednesday and got a very strong response. Really lovely. The cast got a little teary!”

What does putting Friends on stage bring to stories of a love triangle, trying to make it as an actor or never quite quitting the day job? “Because it’s live, it’s on stage and it’s theatrical, it’s heightened, though the TV show has many moments above reality,” says Edward.

Edward Leigh’s Gunther craves to “Part Of Their Gang” in his song in Friends! The Musical Parody. Picture: Pamela Raith

“But because our show is a parody and we’re playing in a live setting, it allows us to be as big in our performances as we want to be.

“Part of the challenge is taking iconic moments from the ten TV seasons and then converting them into a coherent two-hour musical, with some of those moments being turned into original songs, such as for Ross’s ‘pivot’ and Gunther’s aria of unrequited love for Rachel.”

Before landing the role of Gunther, Edward had “watched Friends but never avidly”. “Then I did watch it for professional reasons and I found I knew a lot more of it than I realised,” he says.

Friends! The Musical Parodyis set in Joey’s apartment, Monica’s apartment and Central Perk. “We also have the opening credits on a sofa by the fountain,” says Edward.”We’re cramming in as much as we can on stage in a musical.

“The songs are all original with a slight homage to the Friends theme tune too, so the core of the show is the songs that we learnt from day one in the rehearsal room.”

The inclusion of ‘Parody’ in the show title is significant. “It’s a fair assumption that it’s a comedy show! But that’s not the whole show,” says Edward. “There are definitely satirical songs but genuinely heartfelt moments too, but we do lean into  the parody element, particularly for my song Part Of Their Gang, lamenting how Gunther is never part of the group.

Alicia Belgarde (Monica), left, Daniel Parkinson (Chandler), Enzo Benvenuti (Ross), Eva Hope (Rachel), Amelia Atherton (Phoebe) and Ronnie Burden (Joey) in Friends! The Musical Parody, on tour at Grand Opera House, York. Picture: Pamela Raith

“Maybe other than in the first episode, it was a running gag that Gunther was pretty much in every episode, becoming a fan favourite and consistently part of the show. In our show, I play Gunther and a variety of iconic characters, with Gunther always being on the periphery, but still very much in love with Rachel. For that song there’ll be familiar faces that appear without being expected.”

Why is Friends is still so popular 31 years since its first American broadcast? “I can make an informed guess, but if I knew the answer, I would make my own TV series!” says Edward. “But it offers comfort: you watch it with friends, just as you first did at seven o’clock each episode.

“We’ve noticed the love of fans of the TV show, who bring their family, maybe those who discovered Friends through streaming, and they love how our show has a warmth, a silly warmth, to it. It’s fun and doesn’t take itself too seriously and nor do we. That’s what people are enjoying about  it.”

The central focus may be on Rachel, Ross, Monica, Chandler, Joey and Phoebe, but the likes of Gunther have a chance to shine too. “That’s part of why Friends is such a brilliant TV series. Everyone has a moment in our show to show good they are, so it’s an ensemble piece despite the titular leads.”

Friends! The Musical Parody, Grand Opera House, York, September 30 to October 4, Tuesday to Thursday, 7.30pm; Friday, 5.30pm and 8.30pm; Saturday, 2.30pm and 7.30pm. Box office: atgtickets.com/york. Warning: May cause spontaneous PIVOT-ing!

Knaresborough actor Edward Leigh, who has appeared previously at the Grand Opera House in A Boiling Frog, Shrek The Musical and We Will Rock You

Edward Leigh: the back story

EDWARD’S family moved to Knaresborough, North Yorkshire, when he was three. After attending King James’s School, when he performed at the Frazer Theatre, he moved away to study theatre at Liverpool Institute for Performing Arts from 2011 to 2014.

On graduating, he worked abroad for two years, performing on cruise ships and appearing in an Italian tour of The Blues Bothers that took in Sicily and Sardinia. “Unbeknown to me, The Blues Brothers is really big in Italy!” he says.

Having re-settled in Knaresborough, he married in 2019. “We met at school. It’s a real Knaresborough love story,” he says.

He has appeared in such shows as A Boiling Frog, at the Grand Opera House, York, in his “am-dram” days; Shrek The Musical with Mark Goucher Productions, playing Papa Bear and Shrek cover. “It was a fun role with a lot of prosthetics,” he recalls. “It would take an hour to put them on and 45 minutes to take them off after each show.”

He toured in We Will Rock You on either side of the Covid lockdowns, first as Ensemble and cover Brit, then Ensemble and Brit, playing the Grand Opera House in February 2022.

“It’ll be like coming home to appear there in Friends!,” he says. “I’m really looking forward to it.”

He will be on tour in Friends! The Musical Parody until May 2 2026.

Louise is just right for Snow White in first professional role

Royal appointment: Louise Henry as Princess Snow White in Snow White And The Seven Dwarfs at the Grand Opera House, York. Picture by David Harrison.

LOUISE Henry will swap flat whites for Snow White next week after being picked to lead the Grand Opera House pantomime cast in York.

Louise, 22, from Knaresborough, works at the Hoxton North café bar in Royal Parade, Harrogate, but will join rehearsals for Three Bears Productions’ Snow White And The Seven Dwarfs from Monday (December 2) for the December 13 to January 4 2020 run.

After playing Liesl von Trapp in York Stage Musicals’ The Sound Of Music at the Cumberland Street theatre, now she will star as Princess Snow White alongside Mark Little’s villainous Lord Chamberlain, regular dame Steve Wickenden’s Nurse Brexit, ’Allo, ’Allo! star Vicki Michelle’s Wicked Queen and Martin Daniels’ Muddles.

From producer Chris Moreno’s search for a local principal girl in Three Bears’ fourth Opera House panto, Louise was among 30 invited from the many applicants for a day’s auditions in May.

After queueing in the rain in the line of Snow White hopefuls that formed along the stage door wall, she won through to the shortlist of 12 for the afternoon’ s second session and was then picked for panto principal girl after a nervous wait.

Meet the Grand Opera House pantomime cast: Mark Little, left, Steve Wickenden, Martin Daniels, Louise Henry, Jonny Muir, and Vicki Michelle. Picture by David Harrison.

“The auditions were on the Wednesday, and they rang me just as I was setting off to work on the Friday afternoon,” Louise recalls. “I’d been refreshing my emails, hoping for news, and it was such a euphoric moment when the phone call came.      

“I’m so thankful to have been chosen. I’ve been beaming whenever I’m reminded that I’m signing my first professional contract. I’m really looking forward to getting into the theatre and putting the show together. Performing is all I have ever wanted to do and I feel so lucky that my Christmas this year will be doing just that.”

Although Louise has not studied at drama school since leaving school, “I’ve had acting and singing lessons for as long as I can remember and I’ve done lots of theatre work, like school plays when I was at King James’s in Knaresborough,” she says.

“From the age of nine to 17, I went to the ACTAcademy in Harrogate, run by Kelly Creates, when we took part in the Harrogate Festival of Speech and Drama and did The Big T talent show at Harrogate Theatre, and I’ve had singing tuition with Jacqueline Bell in Wetherby too.”

Louise impressed in Nik Briggs’s April production of The Sound Of Music, playing the eldest von Trapp daughter, Liesl. “I was 21 playing 16, and the next in age to me was 12, playing 15!” she says. “It’s such a nice show to do because it’s so honest, and it was sad when it came to an end as we all made such good friends.

Welcome to York: Louise Henry, from Knaresborough, is pictured by Clifford’s Tower after landing the role of Snow White in the Grand Opera House pantomime. Picture: David Harrison

“It was lovely to be able to become familiar with the Grand Opera House stage too before doing the panto.”

Since The Sound Of Music, Louise has appeared in two more York shows, the first being another Nik Briggs production, Joseph McNeice and Matthew Spalding’s new musical comedy, Twilight Robbery, at 41 Monkgate in May.

“I played Jane, the daughter, who’s 40 years old, so I went from one extreme, 16-year-old Liesl, to another…and now I’ll be playing Snow White!”

The nearest she has come to playing her own age was her most recent role, a young Australian woman, Gabrielle York, in Rigmarole Theatre Company’s debut production, Andrew Bovell’s apocalyptic family drama When The Rain Stops Falling, at 41 Monkgate in November.

Louise Henry, right, playing Gabrielle York in Rigmarole Theatre Company’s When The Rain Stops Falling earlier this month. Picture: Michael J Oakes

Now her focus turns to her professional bow, billed as “York’s very own Louise Henry” in Snow White And The Seven Dwarfs.

“I’ve done one panto before, Aladdin, an amateur one for the Pannal Players when I was maybe 14,” says Louise,

Looking forward to starting rehearsals on Monday, she says: “This opportunity is what I’ve been waiting for, and I’ve just got to have faith in my abilities.

“Snow White is on stage for most of the time, so I’ll always need to react in the moment, and that’s something that will add to my repertoire of skills, which I’m always working on.”

Imagine how Louise feels as the first night approaches, knowing she is taking on the title role in a star-laden show. “I know! It’s my show! How crazy is that!” she says. “When I rang my sister to tell her I’d got the part, she didn’t believe it…and when I rang my mum, I had to say, ‘no, I’m not kidding’. That was a really fantastic day!”

Louise Henry stars in Snow White And The Seven Dwarfs, Grand Opera House, York, December 13 to January 4 2020. Box office: 0844 871 3024 or at atgtickets.com/york.

Charles Hutchinson