Leo Sayer Archives - charleshutchpress

October 28, 2026October 28, 2026

What’s On in Ryedale, York and beyond. Hutch’s List No. 44, from Gazette & Herald

Alex Keenan’s Chris and Charlie Brooks’s Judy, her mum, in The Curious Incident Of The Dog In The Night-Time, staged by Melting Pot and Birmingham Rep. Picture: Johan Persson

FROM a new female spin on ‘Curious Incident’ to Ricky Gervais’s “most personal” tour, Halloween shows to Leo Sayer’s last tour, Charles Hutchinson finds ways to brighten up darker nights.

Reboot of the week: Melting Pot and Birmingham Rep present The Curious Incident Of The Dog In The Night-Time, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

MELTING Pot and Birmingham Rep are touring a gender-swap reboot of Simon Stephens’s inventive adaptation of Mark Haddon’s compassionate novel, in which neurodivergent 15-year-old Chris Boone is now a female role, played by Alex Keenan and matinee alternate Imi Price.

Ned Bennett’s cast features Joe McFadden as dad Ed and Charlie Brooks as absentee mum Judy in the story of Chris becoming both detective and suspect when a neighbour’s dog is discovered killed, drawing her into a mystery that grows darker and more complex with every clue uncovered. Box office: atgtickets.co.uk/york.

The Addams family in Wharfemede Productions’ The Addams Family Musical at Theatre@41, Monkgate, York

Halloween family entertainment of the week: Wharfemede Productions in The Addams Family Musical, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

COMPANY co-founder Helen Spencer directs North Yorkshire company Wharfemede Productions in Andrew Lippa, Marshall Brickman and Rick Elice’s devilishly funny, deeply kooky comedy The Addams Family Musical.

When Wednesday Addams falls in love with a “normal” young man and invites his respectable parents to dinner, chaos, secrets and macabre mayhem ensue in this spooky celebration of family, love and embracing the wonderfully weird, replete with sharp comedy, dazzling dance numbers, a witty score and a nine-piece band. Box office: tickets.41monkgate.co.uk.

Victoria Delaney’s Kat, left, Beryl Nairn’s Ma and Clare Halliday’s Maudie in York Actors Collective’s The Strongbox

Struggle for survival of the week: York Actors Collective in The Strongbox, York Theatre Royal Studio, tomorrow, 2.30pm & 7.45pm, Friday, 7.45pm, and Saturday, 2pm

YORK Actors Collective presents Stephanie Jacob’s study of freedom and control, The Strongbox, in which a mother (Beryl Nairn’s Ma) and her daughter (Victoria Delaney’s Kat) keep a homeless woman (Clare Halliday’s Maudie) as a slave in their London home. Power shifts, however, when the daughter becomes distracted by business and the mother falls ill.

“Three women learn how to live and survive by making their own rules, but at what cost?” asks director Angie Millard. “As Ma says, ‘ If you do and do and do and do to someone, can it be undone?’ That’s the question the play explores with honesty and some humour.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

New York Brass Band: Having a blast at Malton’s Milton Rooms for the fourth time

Ryedale gig of the week: New York Brass Band, Milton Rooms, Malton, Friday, 7pm

NEW York Brass Band return to the Milton Rooms for a fourth party night of big tunes, huge brass sounds and plenty of dancing. York-born, New Orleans-inspired and Glastonbury festival fixtures for eight years, they have performed for Kylie Minogue, Liam Gallagher, Ellie Goulding and Jamie Oliver with their trademark infectious energy. Tickets: 07813 889085 (Ali) or newyorkbrassband.co.uk.

Leo Sayer: Playing York Barbican on “what could well be his final full UK tour”

The show must go on…for one last tour: Leo Sayer, Can’t Stop Loving You, York Barbican, Friday, 7.30pm

AFTER almost 60 years on the road, Leo Sayer, now 78, returns to the UK stage for “what could well be his final full UK tour”. “I love performing for my fans and look forward to doing so for many more years, but this will be the last time I play so many dates across the country. I am not retiring, just slowing the number of live shows down a little,” clarifies Sayer, in a year when he is releasing his autobiography and a career-spanning box set.

Meanwhile, Brighton folk-rockers Levellers have sold out tomorrow’s return to York Barbican. Box office: yorkbarbican.co.uk.

Fladam Theatre’s Florence Poskitt and Adam Sowter cooking up their Halloween show Hallowbean

Children’s Halloween show of the week: Fladam Theatre in Hallowbean, Acomb Explore, Front Street, Acomb, York today, 3pm, and Helmsley Arts Centre, Saturday, 2.30pm

FLADAM Theatre, the madcap York musical comedy duo of Florence Poskitt and Adam Sowter, head to Acomb and Helmsley with their spooktastic musical comedy Hallowbean. In the town of Ghooul, Dr Frankenheinz is rustling up his Hallowbean for the annual Halloween cooking competition, hoping his tomatoey terror will dazzle Scary Berry, the most frightful food critic of them all.

However, his ‘eeny beany’ lacks scariness. Instead she is downright lovable. Problem! “Will Halloween have to be cancelled? Or can the Hallowbean find her scare in time?” ask Fladam. Find out in this hour-long, pun and puppet-packed Halloween treat for three to ten years olds. Box office: York, https://www.tickettailor.com/events/exploreyorklibrariesandarchives/2432836; Helmsley, 01439 771700 or helmsleyarts.co.uk.

Clare (Isabel Azar) helps Francis (PJ Gregan) to straighten himself out in rehearsal for Black Treacle Theatre’s Poor Clare. Picture: Jim Paterson

Life-changing story of the week: Black Treacle Theatre in Poor Clare, Theatre@41, Monkgate, York, November 3 to 7, 7.30pm plus 2.30pm Saturday matinee

THE lives of the young St Clare and St Francis of Assisi are the subject of American playwright Chiara Atik’s comedy Poor Clare, presented in York for the first time by Black Treacle Theatre, directed by Jim Paterson.

Noblewoman Clare (Isabel Azar) is set for marriage to a rich aristocrat and a life of wealth and privilege in 13th century Assisi, but then she meets Francis (PJ Gregan), whose strong faith and commitment to rejecting the established order and serving the poor makes her look at her life in a new way. Box office: https://tickets.41monkgate.co.uk.

Ricky Gervais: Returning to York Barbican next February, this time in his Legend show

Gig announcement of the week: Ricky Gervais, Legend, York Barbican, February 15 2027

COMEDIAN Ricky Gervais will return to York Barbican as one of the newly added 2027 dates on his 2026-2027 tour after all this year’s shows sold out. Already Legend has been acquired for streaming on Netflix.

“This is my most personal show so far and because both cancel culture, and most people I knew growing up, are dead, I can really say what the **** I want now,” promises Gervais, who once again will donate a portion of the ticket-sale proceeds to charity after giving £2.43 million to worldwide animal charities from his Mortality tour in 2025. Tickets go on sale on Friday at 10am at: https://www.yorkbarbican.co.uk/whats-on/ricky-gervais-legend.

October 24, 2026October 29, 2026

More Things To Do in York and beyond the spooks and ghouls of Halloween. Here’s Hutch’s List No. 43, from The York Press

York drag diva Velma Celli adding vocal oomph to oompah band The Bavarian Strollers in Yorktoberfest’s big top at York Racecourse

FROM a new female spin on ‘Curious Incident’ to Yorktoberfest in a circus big top, Halloween shows to Leo Sayer’s last tour, Charles Hutchinson finds ways to brighten up darker nights.

Festival of the week: Jamboree Entertainment presents Yorktoberfest, Clocktower Enclosure, York Racecourse, today, 1pm to 5pm & 7pm to 11pm

FOR the first time, James Cundall’s Jamboree Entertainment is staging Yorktoberfest, York’s traditional Bavarian beer festival, inside a Big Top, launched last weekend by aerial artist Zoe Kulyk twisting and tumbling from the rooftop.

Look out today for outrageous York drag diva Velma Celli’s powerhouse singing and quick-fire critique of the costumes on display, complemented by oompah band The Bavarian Strollers’ traditional drinking songs and disco classics. Tickets: www.ticketsource.co.uk/yorktoberfest and at the entrance, subject to availability.

Ghost event of the week: The York Ghost Merchants present Mischief Night Ghost Week Trail, York Mansion House, York, today to November 1, 10.30am to 5pm, last entry 4pm

GROWING up in York, the young Guy Fawkes was a mischief-maker who caused no end of havoc for his school masters, long before he set his sights on a more famous prize. Join ghostly headmaster John Pulleyn, who needs your help to keep the peace, before Guy forks out more misrule than the city can handle!

Follow the trail around York Mansion House, solving puzzles and clues as you go. Everyone who completes the trail puzzle book successfully will be entered into a draw to win a unique ghost designed by the Ghost Merchants and inspired by the Mansion House building. Tickets: Available on the door on the day of visit (no online sales).

Troy Hawke: “Navigating conversational minefields” at York Barbican tonight

Comedy gig of the week: Troy Hawke, Never Stop, Never Change!, York Barbican, tonight, 7.30pm

TROY Hawke is the internet sensation creation of Michael Patrick “Milo” McCabe, the British television presenter, actor and stand-up character comedian. In Never Stop, Never Change!, angry security guards, barked compliments and crossed wires abound as Hawke navigates various conversational minefields, both online and in real life. Box office: yorkbarbican.co.uk.

Freedom versus control : Sarah Belcher’s Deborah and Phil Corbitt’s Colin in the shifting sands of Alison Carr’s All At Sea at the SJT

Claustrophobic couple of the week: Stephen Joseph Theatre and Live Theatre, Newcastle, present All At Sea, Stephen Joseph Theatre, Scarborough, until October 31

MARIA Crocker directs Phil Corbitt and Sarah Belcher in All At Sea, Alison Carr’s new play inspired by the escapades of John and Anne Darwin in the early 2000s. Colin and Deborah are a couple with spiralling debt, a sky-high mortgage and seemingly nowhere to turn. Then Colin comes up with the idea of faking his own death in a canoeing accident in the North Sea for an insurance payout. Box office: 01723 370541 or sjt.uk.com.

Alex Keenan’s Chris Boone and her dad, Joe McFadden’s Ed, in Melting Pot and Birmingham Rep’s The Curious Incident Of The Dog In The Night-Time. Picture: Johan Persson

Reboot of the week: Melting Pot and Birmingham Rep present The Curious Incident Of The Dog In The Night-Time, Grand Opera House, York, October 27 to 31, 7.30pm plus 2.30pm Wednesday and Saturday matinees

Book talk of the week: A Way With Media presents John Lydon: I Could Be Wrong, I Could Be Right, Harrogate Theatre, October 27, 7.30pm

JOHN Lydon – aka Johnny Rotten – is a legend, an iconoclast, a revolutionary and a punk immortal, who changed the face of music, causing a political earthquake as frontman and lyricist of the Sex Pistols and Public Image Ltd (PiL).

To coincide with A Way With Media’s special-edition boxed Flexi Bind Version of his I Could Be Wrong, I Could Be Right collection of random thoughts, life philosophies and personal anecdotes, Lydon, now 70, is undertaking a pyrotechnic, one-off tour to discuss how he sees life and to reflect on his extraordinary career, taking audience questions too. Sharing his thoughts, he could be wrong, he could be right. Box office: 01423 502116 or harrogatetheatre.co.uk.

Playing by the ghouls: Halloween In Concert at York Barbican

Graveyard smash of the week: Halloween In Concert, York Barbican, October 27, 7.30pm

IN a frighteningly good night of raves from beyond the grave, Halloween In Concert’s cast and band unleash a thrilling crescendo of all things Halloween. Expect big vocals and killer moves as the greatest spooky hits are resurrected, from Monster Mash, Highway To Hell, The Time Warp and Running Up That Hill to Hungry Like The Wolf, Maneater, Bat Out of Hell, She Wolf and Thriller. Box office: yorkbarbican.co.uk.

The Addams family in Wharfemede Productions’ The Addams Family Musical at Theatre@41, Monkgate. Picture: Simon Trow

Halloween family entertainment of the week: Wharfemede Productions in The Addams Family Musical, Theatre@41, Monkgate, York, October 27 to 31, 7.30pm plus 2.30pm Saturday matinee

Scrum down for former England prop forward Joe Marler’s probing questions at York Barbican on Wednesday

Live podcast tour of the week: Joe Marler Will See You Live, York Barbican, October 28, 8pm

SINCE retiring from Rugby Union in 2024, England prop forward Joe Marler has been pushed into the mainstream by his “Big Dog” theory, people-reading prowess and relentless Traitor hunting in the 2025 debut series of The Celebrity Traitors.

This sparked his show format for Joe Marler Will See You Now, wherein Marler and his co-host and research assistant, comedian Jake Bhardwaj, apply acute observational skills to delve inside the mind of a celebrity guest with probing questions and unusual mind games. Who will be their guest in York? Find out on Wednesday night. Cue “ludicrous set-pieces and immersive audience participation”. Box office: yorkbarbican.co.uk.

Christopher Leslie in his haunting one-man adaptation of Jekyll & Hyde: Unbound at York Medical Society

Halloween solo show of the week: Christopher Leslie in Jekyll & Hyde: Unbound, York Medical Society, Stonegate, York, October 27 to 30, 7.30pm

YORK writer, performer and Pop Yer Clogs Theatre company member Christopher Leslie presents his haunting one-man adaptation of Robert Louis Stevenson’s “bogey tale”, here re-titled Jekyll & Hyde: Unbound.

Lawyer Gabriel John Utterson, now living a sheltered, haunted life, invites you into the Soho house once occupied by his former client, Doctor Henry Jekyll. Tonight, Utterson will speak at last, looking into the darkness of the human psyche and asking are we really who we appear to be? Box office: 01904 623568 or yorktheatreroyal.co.uk.

Victoria Delaney’s Kat, left, Beryl Nain’s Ma and Clare Halliday’s Maudie in York Actors Collective’s The Strongbox

York premiere of the week: York Actors Collective in The Strongbox, York Theatre Royal Studio, October 29, 2.30pm & 7.45pm, October 30, 7.45pm, and October 31, 2pm

YORK Actors Collective presents Stephanie Jacob’s study of freedom and control The Strongbox, in which a mother (Beryl Nairn’s Ma) and her daughter (Victoria Delaney’s Kat) keep a homeless woman (Clare Halliday’s Maudie) as a slave in their London home. Power shifts, however, when the daughter becomes distracted by business and the mother falls ill.

“I am not retiring, just slowing the number of live shows down a little,” says Leo Sayer

The show must go on…for one last tour: Leo Sayer, Can’t Stop Loving You, York Barbican, October 30, 7.30pm

Cue The Show Must Go On, Thunder In My Heart, Moonlighting, One Man Band, When I Need You, You Make Me Feel Like Dancing et al. Meanwhile, Brighton folk-rockers Levellers have sold out October 29’s York Barbican gig. Box office: yorkbarbican.co.uk.

October 7, 2022October 7, 2022

‘I’ve still got my voice, my hair is still growing. I can’t complain’. Leo Sayer feels like dancing all over again at York Barbican

THE rearranged show must go on for Leo Sayer at York Barbican tonight.

Delayed by the pandemic, it now forms part of a 2022 tour to mark the Shoreham-by-Sea-born singer and songwriter’s 50^th anniversary in pop. “I was supposed to be playing in 2020, but then had to hold off the tour for Covid, but all the shows have been rearranged, and if anything, it’s better doing it now,” says Leo, who moved to Australia more than 20 years ago.

Back on home soil, Sayer and his band will perform a Seventies and Eighties’ hit-filled set sure to feature Thunder In My Heart, Moonlighting, One Man Band, I Can’t Stop Loving You, More Than I Can Say, Have You Ever Been In Love, When I Need You, You Make Me Feel Like Dancing and, yes, debut smashThe Show Must Go On.

At 74, “I’ve still got my voice, my hair is still growing. I can’t complain. It’s been lovely coming back. I did a show at the start of the year in Sydney Harbour…one show and then I got Covid,” says Leo, whose home is in a beautiful village high up, between Sydney and Canberra.

“It’s the equivalent of the Caingorms. I love the space, the freedom. I moved there in 2001, and I’ve no regrets at all, but it’s lovely coming back [for the tour].”

Fifty years, Leo, fifty years. Can you believe it?! “It’s like time compresses in an incredible way. You forget the years passing. I’ve got three stents in my heart, a partial kneecap replacement and Crohn’s disease, but with the right medication you can deal with it and I can feel fantastic,” he says.

“I’m still ambitious, I’m still the same guy who started out 50 years ago, still trying to prove myself by finding avenues that mark me out. I’ve always been a great believer in individuality.”

Leo had to break into a dog-eat-dog Seventies’ pop world. “We all hated each other. It was like a war,” he says, the laughter in his voice giving away that he might just be exaggerating. “It was such a competitive industry. If you look back, you can remember all the songs in the Top 40. That music really counted.”

Managed by pop star and actor Adam Faith, Leo struck up a partnership with songwriter and producer David Courtney, co-writing such songs as Long Tall Glasses and Giving It All Away (a 1973 top five hit for The Who’s Roger Daltrey).

“Adam Faith was very dynamic as a pop star, who did the Budgie TV series and a movie with David Essex [Stardust], and wanted to get me a record deal with Warner Music in America. He managed to get Joe from Warner down to Brighton, where David was based, and took them to a fish and chip shop,” recalls Leo.

“Just around the corner, a little guy called Leo Sayer was playing, and on the way back, I was told I had a deal with Warner.”

Sayer’s love of individuality was reflected in his decision to paint his face in the Pierrot clown mode for his early performances. “I loved Les Enfants du Paradis – Children Of Paradise – a movie made at the end of the Second World War by Marcel Carné,” says Leo, recalling the classic French drama that charts the ill-fated love of a mime artist and a sometime actress in 1840s’ Paris.

“I loved how he [the mime artist, played by Jean-Louis Barrault] could describe himself in gestures, rather than speech.”

Sitting with Roger Daltrey, “on the wall were all these big Pierrot pictures, and he said, ‘how do you see yourself’, and I said, ‘like that’, like Jean-Louis Barrault,” says Leo.

He duly borrowed a costume from a street performer called Julian. “He was 6ft tall, I’m 5 ft 4! It became my signature look, and it was extraordinary when we first did it, getting in a famous make-up lady from Australia,” he says.

“They wouldn’t let me look at the mirror as a black bathing cap was put on and the make-up applied, the dark eyes and the dots on the cheeks, and then suddenly I could look at the mirror, and from that moment I knew I’d found my look to be released to the world and really be transformed into Leo Sayer [he was born Gerard Hugh Sayer].

“After shows, I could rush around the block, stand outside in my T-shirts and jeans, and I’d hear people saying, ‘Hey, that guy Leo was amazing’. I got to find out at first hand what they thought!”

Later, Leo would shed that skin. “That was terribly scary. It was me that decided to stop it, which shocked people, but I only ever wanted to do it for a year. I’d seen Gilbert O’Sullivan being stuck for ages with that image of the little lad in the shorts and cap,” he says.

Leo made the transition when he was invited to be the opening act for Rick Wakeman at the Crystal Palace Bowl, South London. “Once I was without the mask, I thought I’d be terrified, but my [now ex-] wife and I put together this Great Gatsby look with the cloth cap, when you had to go from one image to another, as you did with all that glam rock going on, and though it was a baptism of fire, it felt right.”

The hits stacked up, the songwriting continues to this day. “It’s important to still write songs, but over the last couple of albums I’ve been working through a backlog of recordings, like the demos from when I worked with Alan Tarney in 1983. It’s time to put those songs out there,” says Leo. “It’s amazing how those songs from the Seventies and Eighties still sound so current.”

During the pandemic, Leo penned a couple of lockdown songs. “One was about Melbourne, the most locked-down city in the world, My City In Lockdown, which came out on YouTube,” he says. “Then there was How Did We Get Here?, about everyone blaming each other, in the way that disinformation becomes reality.”

Covid-19 reintroduced Leo to wearing masks – albeit of a different kind – all those years later, and although they have now been largely discarded by the public, “I wore a mask on the Tube in London the other day and the negative comments I got really surprised me.” he says.

Leo Sayer plays York Barbican tonight (7/10/2022), 7.30pm. Box office: yorkbarbican.co.uk.

October 1, 2022November 14, 2022

More Things To Do in York and beyond: The Mirror Crack’d and other cracking ideas. Hutch’s List No. 100, from The Press

*On the case: Susie Blake’s bandaged Miss Marple and Oliver Boot’s Detective Inspector Craddock in the Original Theatre Company’s production of The Mirror Crack’d. Picture: Ali Wright*

COINCIDING with Miss Marple’s arrival, Charles Hutchinson applies his investigative skills to to pick out the best prospects to see, whether usual or unusual.

Mystery of the week: Original Theatre Company in Agatha Christie’s The Mirror Crack’d, York Theatre Royal, Tuesday to Saturday, 7.30pm; 2pm, Thursday; 2.30pm, Saturday

SUSIE Blake’s Miss Marple, Sophie Ward and Joe McFadden lead the cast in Rachel Wagstaff’s stage adaptation of Agatha Christie’s 1962 psychological thriller, a story of revenge and the dark secrets that we all hide.

In the sleepy village of St Mary Mead, a new housing estate is making villagers curious and fearful. Even stranger, a rich American film star has bought the Manor House. Cue a vicious murder; cue Jane Marple defying a sprained ankle to unravel a web of lies, tragedy and danger. Box office: 01904 623568 or yorktheatreroyal.co.uk.

*On the move: Dance time for the Barbara Taylor School of Dancing at the Joseph Rowntree Theatre*

Every body dance: It’s Dance Time 2022, Barbara Taylor School of Dancing, Joseph Rowntree Theatre, York, today, 2.30pm and 7.30pm

IT’S Dance Time is “a festival arrangement of dance, infused together to arrange a variety of dance styles”, featuring the whole Barbara Taylor School of Dancing intake.

From tiny toes to fully grown, this song-and- dance parade through the years takes in Commercial Ballet, Tap, and Freestyle Jazz, finishing off with excerpts from Chitty Chitty Bang Bang. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

*Bingham String Quartet: Playing the first Saturday evening concert of the new York Late Music season*

Season launch of the week: York Late Music presents Jakob Fichert, today, 1pm, and Bingham String Quartet, today, 7.30pm, St Saviourgate Unitarian Chapel, York

ON the first weekend of its 2022-2023 season, York Late Music returns with its regular format of a lunchtime and evening concert. First up, pianist Jakob Fichert marks the 75th birthday of American composer John Adams by performing his works China Gates and American Berserk.

Later, the Bingham String Quartet play string quartets by Beethoven, Schnittke, LeFanu and Tippett, preceded by a talk at 6.45pm by Steve Bingham with a complimentary glass of wine or juice. Tickets: latemusic.org or on the door.

*Graham Norton: Discussing his darkly comic new novel, Forever Home, at York Theatre Royal*

Novel event of the week: An Evening With Graham Norton, York Theatre Royal, Monday, 7.30pm

BBC broadcaster, Virgin Radio presenter and novelist Graham Norton is on a promotional tour for his new book, Forever Home, published this week by Coronet. Set in a small Irish town, it revolves around divorced teacher Carol, whose second chance of love brings her unexpected connection, a shared home and a sense of belonging in a darkly comic story of coping with life’s extraordinary challenges.

In conversation with author and presenter Konnie Huq, Norton will discuss the novel’s themes and how he creates his characters and atmospheric locations, share tales from his career and reveal what inspired him to pick up a pen and start writing, with room for audience questions too. Tickets update: sold out; for returns only, check yorktheatreroyal.co.uk.

*Sax to the max: Jean Toussaint leads his quintet at the NCEM*

Jazz gig of the week: Jean Toussaint Quintet, National Centre for Early Music, York, Wednesday, 7.30pm

SAXOPHONIST Jean Toussaint, who came to prominence in Art Blakey’s Jazz Messengers in 1982, after his Berklee College of Music studies in Boston, has released 12 albums since moving to London in 1987.

His latest, Songs For Sisters Brothers And Others, reflects on the turbulent Covid-19 years. “The pandemic caused me to focus on the fragility of life and the fact we’re here one moment and gone the next,” he says of penning songs as a “tribute to my wonderful siblings while they were still around to enjoy it”.

Joining him in York will be Freddie Gavita, trumpet, Jonathan Gee, piano, Conor Murray, bass, and Shane Forbes, drums. Box office: 01904 658338 or ncem.co.uk.

*Feel like dancing? Leo Sayer steps out at York Barbican on Friday*

The rearranged show must go on: Leo Sayer, York Barbican, Friday, 7.30pm

DELAYED by the pandemic, Leo Sayer’s York show now forms part of a 2022 tour to mark his 50th anniversary in pop.

Sayer, 74, who lives in Australia, is back on home soil with his not-so-one-man band to perform a setlist sure to feature One Man Band, Thunder In My Heart, Moonlighting, I Can’t Stop Loving You, More Than I Can Say, Have You Ever Been In Love, When I Need You, You Make Me Feel Like Dancing and, yes, The Show Must Go On. Box office: yorkbarbican.co.uk.

*Buzzing: Maisie Adam heads home for Harrogate Theatre gig. Picture: Matt Crockett*

Homecoming of the week: Maisie Adam: Buzzed, Harrogate Theatre, October 8, 8pm

BORN in Pannal and former head girl at St Aidan’s in Harrogate, anecdotal stand-up Maisie Adam heads home next Saturday on her first full-scale British tour to discuss relationships, house plants, her footballing aplomb, hopefully her beloved Leeds United and that haircut, the one to rival David Bowie’s Aladdin Sane for multiple choices across one barnet.

Adam played her first gig at the Ilkley Literature Festival in 2016 and won the nationwide So You Think You’re Funny? Competition in 2017. Now she pops up on Mock The Week and Have I Got News and co-hosts the podcast That’s A First. She also plays Leeds City Varieties on Friday. Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.com.

*Digging the digital: The poster for Foto/Grafic’s Human After All digital-media exhibition at Fossgate Social and Micklegate Social*

One exhibition, two locations: Foto/Grafic, Human After All, at Micklegate Social and Fossgate Social, York, today until November 27.

TWO sister bars that “show a bit of art every now and then championing local and innovative creativity” present Foto/Grafic’s group show from this weekend.

Human After All features digital-media artwork by young and early-career artists in celebration of their “leap from physical earthbound creations to the stratosphere of the unlimited digital toolbox”.

Exhibition launch of the week outside York: Judy Burnett, Time And Tide, Morten Gallery, High Street, Old Town, Bridlington, today until November 13; open Wednesday to Sunday, 10am to 4pm

YORK artist Judy Burnett’s latest show of paintings and collages at Morten Gallery winds its way across the Wolds from the River Ouse in York to the sea.

Over time, water in all its forms has created the East Yorkshire landscape, firstly as a melting glacier at the end of the Ice Age, gouging out deep valleys and folds on its way down to the Vale of York.

The River Ouse then connects with other Yorkshire waterways to spill out into the North Sea at the mouth of the Humber and return on the tide to crash onto the cliffs of the Wolds coastline.

Judy lives by the Ouse in York, with a view from her studio window directly onto the riverbank, leading to the changing effects of light on moving water being an inspiration for her work. The colours and rhythms of the water alter with the weather, the time of day, the seasons and the frequent floods.

This interest in the luminosity and movement of water is also reflected in Judy’s many paintings of the Yorkshire coast, most particularly at Flamborough Head and Bridlington.

During the past year, she has made many trips across the Wolds, observing the rich tapestry of the countryside that links the river to the sea.

Her sketches are completed on-site in varying weather conditions. Back in the studio, they are developed in a range of media, utilising hand-printed collage paper and paint. The aim is to keep all the mark-making fresh and spontaneous, to echo the power of the elements at the time of observation.

A Meet The Artist event will be held on October 22, from 1pm to 3pm, when “you are welcome to join us for a glass of wine and to enjoy the 30 pieces of work, together with Judy’s sketchbooks on display,” says gallery owner Jenny Morten.

February 4, 2020February 4, 2020

Leo Sayer and Squeeze’s Chris Difford to join Jools Holland for York Barbican gig

Jools Holland: on tour for 32 autumn and winter dates

BOOGIE WOOGIE pianist Jools Holland and His Rhythm & Blues Orchestra will be joined on tour for the first time by veteran singer Leo Sayer, as well as original Squeeze compadre Chris Difford.

Both Sayer and Difford will perform at York Barbican on November 11, Harrogate International Centre on November 27 and Leeds First Direct Arena on the 32-date itinerary’s closing night, December 20. Sayer, but not Difford, will be a guest at Holland’s Sheffield City Hall show on December 3.

Tickets for Holland’s 24^th autumn and winter tour will go on sale at 10am on Friday (February 7) via Ticketmaster, See Tickets, Ticketline and Stargreen, as well as the venues.

Leo Sayer: touring with Jools Holland’s orchestra for the first time in 2020

Joining jaunty Jools too will be two long-term participants, gospel, blues and soul singer Ruby Turner, who has written songs with Holland, and original Squeeze drummer Gilson Lavis. Regular vocalist Louise Marshall will be there each show too.

Sayer, 71, who became an Australian citizen in 2009 after moving to Sydney, New South Wales, in 2005, charted in the Top Ten with all of his first seven hits between 1973 and 1978: The Show Must Go On, One Man Band, Long Tall Glasses (I Can Dance), Moonlighting, You Make Me Feel Like Dancing, the chart-topping When I Need You and How Much Love.

Further success followed with I Can’t Stop Loving You (Though I Try) and More Than I Can Say in 1978, Have You Ever Been In Love in 1982 and Thunder In My Heart, contributing vocals to Meck’s number one in 2006.

Chris Difford: Squeezing in autumn and winter dates with Jools Holland

Difford, Holland’s fellow Squeeze co-founder, has worked through the years with Glen Tilbrook, also writing with Elton John, Paul Carrack, Lisa Stansfield, Bryan Ferry, Helen Shapiro, Elvis Costello and Holland too, who calls him “the John Lennon of London, the John Betjeman of Blackheath and the Alain Delon of Deptford”.

Holland and his orchestra have performed previously with Eddi Reader, Lulu, Joss Stone, Fine Young Cannibals’ Roland Gift, Spice Girl Melanie C and Marc Almond. For his 2020 tour, UB40 featuring Ali and Astro will join him for three November gigs in Guildford and London.

Jools is recording his next album, whose focus will be on piano stylings, duets and collaborations with top instrumentalists, for autumn release.

Tickets for York Barbican, where Holland last played on October 31 2019, will be on sale on 0203 356 5441, at yorkbarbican.co.uk or in person from the Barbican box office; Harrogate, 01423 502116 or harrogatetheatre.co.uk; Leeds, firstdirectarena.com; Sheffield, 0114 278 9789 or sheffieldcityhall.co.uk.