Composer Lillie Harris: “Commissioned piece will stand alone well as an introit or anthem”
ON the eve of Remembrance Sunday, there could be no more perfect choice of repertory than A German Requiem, Brahms’ non-liturgical memorial to the dead. It was given in the original German to the composer’s own piano-duet version, alongside a short unaccompanied new work commissioned from Lillie Harris.
Like so many performers during lockdown, Chapter House Choir under Benjamin Morris has struggled to stay together and survive. So this was a test of its mettle, as well as being the first post-lockdown ticketed musical event at York Minster itself.
While it is true that Brahms intended a “human” requiem, he did not mean a humanist one, as implied by the programme note. The two words are not interchangeable. He selected exclusively biblical texts for his work – as did Miss Harris, who used only texts selected by Brahms, understandably but also courageously, given that comparisons were bound to be made between old and new.
Her motet, entitled Comfort, began with a prolonged hum incorporating a three-note motif. At first this seemed to be the link between the five brief sections of text. But like the grass withering, it faded and the tonality became more diffuse, in a manner reminiscent of Eric Whitacre, with a slight loss of focus.
Alex Ashworth. “Forthright at the top of his range”. Picture: Debbie Scanlan
The ending – “so will I comfort you” – resolved beautifully, speaking of a technique capable of offering more challenges than were on offer here. My feeling is that this piece will stand alone well as an introit or anthem but will tend to be overshadowed in the company of a whole requiem, like a tugboat sheltering beside an ocean liner, largely overlooked.
Commercial nous was what drove Brahms to write this four-hands at one piano version of his Requiem, which was quickly demanded after the success of the orchestral original. It makes for a more intimate atmosphere but should not be regarded as a complete replacement.
A smooth line was immediately apparent in the choir, with sopranos pinging their high notes satisfyingly. In ‘For all flesh is as grass’, each return of the opening unison was progressively firmer and the closing fugato appeared in a crisp staccato.
Soprano Susan Young: “Maternal, consolatory tone”
In the first of his two contributions, baritone Alex Ashworth was forthright at the top of his range while sustaining an impressive legato. The mood-change at “the souls of the righteous” was almost jaunty; no reason why not, given Brahms’ positive attitude and keenness to avoid prolonged lugubriousness.
It was in “How lovely are thy dwellings” that it became clear that the pianists, Eleanor Kornas and Polly Sharpe, who were otherwise unfailingly tasteful, needed to come to the fore at moments when the choir was not involved rather than remain in the background. They were not, it should be added, blessed with a piano in ideal shape: it sounded particularly tinny in the upper reaches.
The maternal, consolatory tone that soprano Susan Young found for “You now therefore have sorrow”, suggesting that a silver lining lay round the corner, was just about ideal. She polished it off with a beautifully controlled piano that distilled the very essence of Isaiah’s words of comfort.
If the last trump fell slightly short of sending shivers down the spine and the fugue that followed it lacked clarity because individual entries were not given enough prominence, there was considerable compensation in the finale, ‘Blessed are the dead’, which was clean, confident and comforting. The Chapter House Choir is back and in fine fettle.
Seasick Steve: Just him, his home-made guitar and you at York Barbican tonight
CHARLES Hutchinson recommends veteran blues at the double, quilts, a dating show, chaotic Hitchcockian comedy capers, a Brahms Requiem and a Geordie comic out to dazzle.
Solo show of the week: Seasick Steve, Just Steve, A Guitar And Your Tour, York Barbican, tonight, 8pm
LAST year, American DIY blues veteran Seasick Steve released two albums, July’s Love & Peace and November’s Blues In Mono, his tribute to trad acoustic country blues recorded with a microphone from the 1940s as Steve performed the songs direct to an old tape machine.
Now, York-bound Steve says: “I‘m lookin’ forward to coming and playing for y’all. Just gonna be me, you and my guitar. A few songs and a few stories, kinda like we just hangin’ out together! Gonna be fun. See ya there.” Tickets update: limited availability at yorkbarbican.co.uk.
Sanna Buck, Stephen Wright and Aran MacRae look on as a prone Daniel Boyle takes centre stage in rehearsal for York Settlement Community Players’ The 39 Steps. Picture: John Saunders
Play of the week: York Settlement Community Players in The 39 Steps, Theatre@41, Monkgate, York, tonight until Sunday
PATRICK Barlow’s riotous West End comedy hit marks the Settlement Players’ return to live performance for the first time since March 2020.
Harri Marshall’s cast of eight takes on the challenge of combining John Buchan’s 1915 novel with Alfred Hitchcock’s 1935 film scenes in a blend of virtuoso performance and wildly inventive stagecraft, playing 150 characters between them as the mysterious 39 Steps chase Aran MacRae’s Richard Hannay’s on a nationwide manhunt. Box office: tickets.41monkgate.co.uk.
Hey, it’s The Manfreds: Playing the Grand Opera House, York, tonight
Nostalgia ain’t what it used to be? It’s even better at Maximum Rhythm N’ Blues with The Manfreds and Georgie Fame, Grand Opera House, York, tonight, 7.30pm
THE Manfreds and Georgie Fame team up for a celebration of Sixties rhythm & blues in an all-star line-up with hits galore to match.
Original Manfred Mann members Paul Jones, Mike Hugg and Tom McGuinness are joined by Family’s Rob Townsend on drums, Marcus Cliffe on bass and Simon Currie on saxophone and flute, plus former member Mike D’Abo to share lead vocals, and Blue Flames leader Fame on keyboards. Box office: atgtickets.com/york.
Ready to dazzle: Sarah Millican kicks off a three-night run at York Barbican tomorrow
Three-night run of the week: Sarah Millican: Bobby Dazzler Tour, York Barbican, tomorrow to Sunday, 8pm
SOUTH Shields humorist Sarah Millican’s new show, Bobby Dazzler, is doing the rounds on her sixth international tour.
“You’ll learn about what happens when your mouth seals shut, trying to lose weight but only losing the tip of your finger, a surprisingly funny smear test, and how truly awful a floatation tank can actually be,” says Millican, who has “spent the last year writing jokes and growing her backside”. Tickets update: limited availability at yorkbarbican.co.uk.
Masks, of the non-Covid protection variety, will be worn by participants in ventriloquist Nina Conti’s dating show. Picture: Matt Crockett
Game show of the week: Nina Conti: The Dating Show, Grand Opera House, York, tomorrow, 7.30pm
FAST-TALKING, faster-thinking ventriloquist Nina Conti and her cheeky Monkey host a pioneering new dating show for participants picked from the York audience.
What’s in store for the chosen ones? Apparently “she’ll be like Cilla Black with masks. Derailed. Not so much a Blind Date as a re-voiced one.” In a nutshell, they wear masks, she/Monkey talks, with no promise that true love will be found. Box office: atgtickets.com/york.
Matthew Miller’s Golden Bird quilt from his Cloth & Colour installation at York Theatre Royal from Saturday
Exhibition launch of the week: Matthew Miller’s Cloth & Colour quilts, York Theatre Royal foyer, from Saturday to November 30
BASED in London, but from York, multi-media artist Matthew Miller launches his debut quilt installation in the first Beyond The Gallery Walls pop-up project to be mounted by Lotte Inch Gallery.
Artist Matthew and curator Lotte will be hosting the launch from 11.30am to 1.30pm on Saturday, happy to discuss his Cloth & Colour quilt designs. Interested in the ecological use of fabric in quilting, Matthew has used end-of-roll and pre-worn fabrics throughout his series of vibrant collages in cloth.
Alex Ashworth: Baritone soloist for Brahms’s Ein Deutsches Requiem at Saturday’s concert by the Chapter House Choir. Picture: Debbie Scanlan
Classical choral concert of the week: Chapter House Choir, York Minster, Saturday, 7.30pm
THE Chapter House Choir performs Brahms’s Ein Deutsches Requiem at York Minster in a rare opportunity to hear Brahms’s own arrangement written for piano – more intimate and transparent – with baritone Alex Ashworth, soprano Susan Young and pianists Eleanor Kornas and Polly Sharpe as the soloists.
This will be complemented by the world premiere of Lillie Harris’s Comfort, specially commissioned for Saturday’s concert. Box office: 01904 557200 or at yorkminster.org.
Open on Saturday: Carolyn Coles’s studio at South Bank Studios
Christmas shopping? Present opportunity at South Bank Studios’ Art & Craft Winter Fair, Southlands Methodist Church, Bishopthorpe Road, York, Saturday, 10am to 5pm
THE South Bank Studios artists’ group open their doors and studios to the public this weekend, when 28 artists will be exhibiting jewellery, ceramics, lino prints, textile art and fine art paintings and prints, all available to buy, just in time for Christmas. Entry is free.
Among those taking part are Carolyn Coles, Caroline Utterson, Jane Dignum, Lincoln Lightfoot, Richard Whitelegg, Mandi Grant and Fiona Lane. York Music Centre’s Senior Concert Band, Guitar Ensemble, Senior Folkestra and Big Band will be playing, and the icing on the cake will be the church team’s homemade refreshments.
Voila! C’est La Voix
Most glamorous show of the weekend:La Voix, Grand Opera House, York, Saturday, 7.30pm
FEISTY, flame-haired Royal Family favourite La Voix – the drag artiste creation of Chris Dennis – takes on the big divas and makes them her own in her Grand Opera House debut in The UK’s Funniest Redhead.
Billed as her “most glamorous show yet”, the 2014 Britain’s Got Talent semi-finalist will be combining stellar songs and saucy gags, high energy and diva impersonations, glamour and gowns – eight of them – as she switches between the vocal tropes of Tina Turner, Shirley Bassey, Liza Minnelli, Judy Garland and Cher at the click of a finger. Box office: atgtickets.com/york.
Millie Manders and The Shutup: Definitely not shutting up at the Fulford Arms on Sunday night
Gig with attitude of the week: Millie Manders & The Shutup, Fulford Arms, York, Sunday, 8pm
MILLIE Manders & The Shutup spark up cross-genre punk with a lyricism that pokes fun, draws you in or leaves you questioning social norms, teamed to vocal dexterity, grinding guitars, irresistible horn hooks and a pumping rhythm section.
The Londoners will be airing songs from October 2020’s debut album, Telling Truths, Breaking Ties. Box office: seetickets.com/event/millie-manders.
Willy Mason: Nine-year gap after he made a record called Carry On, but carry on he does at last with Already Dead album and tour date in York. Picture: Ebru Wildiz
Overdue return of the week: Willy Mason, supported by Voka Gentle, The Crescent, York, Tuesday, 7.30pm; standing show
NEW York singer-songwriter and lovely chap Willy Mason returns with Already Dead, his fourth album of characterful, sharp left-field pop, folk and Americana but his first since 2012’s Carry On.
“Magic, miracles, ghosts, world leaders; these days it seems there’s little left to believe in,” says Mason. “Lies outweigh truth and even truth can be dangerous.
“Already Dead explores honesty and deception, anonymity in the digital age, good intentions with unexpected consequences, freedom, colonialism, love, God and purpose, because now is the time to restore some much-needed faith.” Box office: thecrescentyork.seetickets.com/event/willy-mason.
Soft Cell: 40th anniversary home-coming concert in Leeds. Picture: Andrew Whitton
Oh, and amid all these York events, here is the gig of the week outside the city walls: Soft Cell, Leeds 02 Academy, Saturday, doors, 6pm
IN 1981, Leeds synth-pop pioneers Soft Cell topped the charts with their Northern Soul cover, Tainted Love. This weekend, they play a 40th anniversary home-coming gig with an early start, kicking off with a DJ from 6pm.
LGBTQ icon Marc Almond and producer/instrumentalist Dave Ball will play two sets: the first from 7pm embracing songs from their back catalogue and previewing their first album in 20 years, Happiness Not Included, out on BMG on February 25 2022.
In the second, from 8.20pm, they will perform 1981 debut album Non-Stop Erotic Cabaret in full for the first time. Cue Say Hello, Wave Goodbye, Bedsitter, Memorabilia et al. Box office: myticket.co.uk/artists/soft-cell
Baritone Alex Ashworth: Soloist for Brahms’s Ein Deutsches. Picture: Debbie Scanlan
THE Chapter House Choir performs Brahms’s Ein Deutsches Requiem at York Minster on Saturday night.
This 7.30pm concert is a rare opportunity to hear Brahms’s own arrangement written for piano duet (the ‘London version’ premiered in 1873), revealing the work in a new light: more intimate and transparent, exposing a wider variety of choral timbres and textures.
Baritone Alex Ashworth, who also teaches singing at the Royal Academy of Music, joins soprano Susan Young, who has sung notable roles at English National Opera and Opera Holland Park, to perform the Brahms work alongside pianists Eleanor Kornas and Polly Sharpe.
Soprano Susan Young
“Hearing the Chapter House Choir is never just about the music; it’s about the whole experience,” says choir publicist Richard Long. “That’s why this performance of Brahms’s German Requiem promises to be a remarkable concert, combining one of the best-loved choral works of all time with the magical ambience of York Minster, four outstanding soloists – and a world premiere too.”
Musical director Benjamin Morris, York Minster’s assistant director of music, says: “The opportunity to explore this piece in its more intimate version for piano with four hands accompaniment has been really exciting for all of us.
“Together with the unique acoustics and incredibly grand architecture of York Minster’s Nave, this will offer an exhilarating and emotional experience of the German Requiem.”
Chapter House Choir musical director Benjamin Morris
The world premiere will be Comfort by award-winning emerging composer Lillie Harris, specially commissioned for Saturday’s concert.
Lillie says: “Reflecting the strong themes in Ein Deutsches Requiem of love, loss, acceptance, and human mortality, I have sought to bring these ideas together in Comfort: music to create an embrace of warmth, love and understanding, that acknowledges the sadness of loss but also celebrates the joy and memories in a life well lived, and that brings voices together to express support and comfort.”
This weekend’s concert will be dedicated to the victims of the Covid-19 pandemic. Ticketscan booked on 01904 557200 or at yorkminster.org.
Composer Lillie Harris: Commission for Chapter House Choir
Who is composer Lillie Harris?
LILLIE graduated from the Royal College of Music in 2016, studying composition with Haris Kittos and winning the Elgar Memorial prize for her final portfolio.
Musical from a young age, her interest in composing grew out of learning instruments, a flair for languages and a love of creative writing. Narrative ideas and complex emotions are often a core element in her compositions, and perhaps explain her increasing interest in choral music.
Her pieces have been workshopped and performed by ensembles such as York’s Ebor Singers, the Assembly Project, Florilegium and Ensemble Recherche, and she has participated in young composer schemes with Psappha, the Royal Scottish National Orchestra, London Philharmonic Orchestra, National Youth Choir of Great Britain and London Symphony Orchestra, who commissioned her to write new pieces for its Elmer’s Walk Under-5s concert.
In 2017, she was awarded the Tenso Young Composers Award for her song cycle setting poems by August Stramm; in 2019, she was the joint-winner of Echo Choir’s composition competition for her setting of an Alice Oswold poem; in 2020, two choral works written on the NYCGB’s Young Composer Scheme were released on NMC Recordings.
