York Mystery Plays Supporters Trust’s young directors to stage A Creation For York trilogy around Micklegate on June 1

Katie Smith: Directing The Creation Of Man at St Columba’s, Priory Street

YORK Mystery Plays Supporters Trust will stage A Creation For York on June 1 in a promenade production around Micklegate in runs at 2pm and 3.30pm.

Three aspiring directors mentored by Dr Tom Straszewski, a past director of the York Wagon Play cycle, will be presenting their visions of a trilogy of 20-minute plays from the Creation cycle with a community cast and production team.

The promenade procession will start with The Creation Of Man at St Columba’s, Priory Street, at 2pm and 3.30pm, and progress to Holy Trinity, Micklegate, for The Fall Of Man at 3pm and 4.30pm, then onwards to St Martin’s Stained Glass Centre, Micklegate, for Cain And Abel at 4pm and 5.30pm. On each run, the weary traveller can enjoy refreshments before the third play begins at St Martin’s.

Katie Smith, director of The Creation Of Man, studied acting at Plymouth Conservatoire and is undertaking a Masters in English Literary Studies in York.

“The essence of any piece of theatre is a vision made a reality through the work of a group of artists,” says Katie. “My own vision for The Creation was inspired by workshops of the Italian Renaissance and the artists and polymaths of that time, and so God became a master artist, an inventor, architect, scientist.

“Lucifer was a talented, arrogant apprentice, the other angels hard-working assistants, and the performance space became a bustling art studio, bringing God’s vision to life.

“In turning these ideas into a reality, I have had the privilege of working with an incredibly talented group of artists, from the actors you see on stage, to our composer, set designers, costume makers, and countless others.

“For a performance so centred on the concept of ‘creation’, their work is not just vital in bringing the piece to life, but a reflection of the imagination, creativity, and artistry at the heart of the play.”

In Katie’s cast will be: Daniel Wilmot as Deus; Harry Summers, Lucifer; Colin Lea, Diabolus; Tess Wingard, Seraphyn/Clarinet; Julie Speedie, Cherabyn; Samuel Jackson, Adam, and Joy Warner, Eve. 

Dan Norman: Director of The Fall Of Man at Holy Trinity, Micklegate

Dan Norman, directing The Fall Of Man, is a writer who has directed short films and is venturing into directing theatre for the first time.

“Reading through the three Mystery Plays that make up The Fall Of Man, it is striking how separate Adam and Eve are,” says Dan. “Adam speaks with the Angel, and Eve speaks with Satan, but there’s no interaction between them until Eve persuades Adam to eat the apple.  Their most prolonged conversation is the climactic argument.

“Adam and Eve’s relationship is uniquely strange. Eve was custom-made for Adam – but from the same material has become someone very different to him. Shared humanity must be an odd concept when you are the first humans, and being a partner holds extra significance when you are the only two people.

“At the start of the play, the Angel instructs Adam and Eve that ‘from this hour ye never twin’. The commandment not to eat from the Tree of Knowledge sticks with them, but this one they seem to forget. Maybe it was just as important.”

Dan’s cast comprises David Lancaster as the Angel; Val Burgess, Satan; Nicola Peard, Eve; Oliver Howard, Adam, and David Denbigh, God/Violin.

Isobel Staton, in charge of Cain And Abel, has completed her PhD in Medieval History and has worked with the Lords of Misrule at the University of York.

“In The Sacrifice Of Cain And Abel, humanity reaps the harvest that was sown during The Fall Of Man,” she says. “The children of Adam and Eve – Cain and Abel – must toil to grow and raise their food by ‘the sweat of [their] brow’. Following his father, Cain takes uparable farming, struggling to grow a crop which is not overtaken by thorns and briars while his harvest gets smaller year on year.

“Abel, on the other hand, takes up sheep-farming and is blessed with bounty and relaxation (although outside a play I would never suggest that sheep-farming was easy work!).

“From Cain and Abel’s differing experiences of farming grows resentment, jealousy, deeply different relationships to God, and a conflicting attitude to tithing and sacrifice. What began as a rift between Adam and Eve ends in murder with their sons.

Isobel Staton: Directing Cain And Abel at St Martin’s Stained Glass Centre, Micklegate

“The script of York’s Cain And Abel has been partially lost. In this performance, that lost portion has been filled with an extract from The Murder Of Abel from the Towneley cycle (a related mystery play tradition thought to have been performed in Wakefield), which shares many of the same preoccupations and tensions.”

Isabel’s cast will feature James Tyler as Cain, Allyson Butler as Abel and Charlotte Turner as the Angel, along with musician Jonathan Brockbank and singer Evie Hartley-Rapson.

Music for the production has been composed by musical director Desmond Clarke, who is joined in the production team by producers Emily Hansen and Janice Newton, wardrobe trio Trisha Campbell, Beverley Foster and Claire Little and set and prop designers Richard Hampton, Linda Lockett and Jon Mills.

Looking forward to next weekend, trust chair Linda Terry says: “We are thrilled to offer the opportunity to new directors to take part in York’s heritage tradition and to offer them the benefit of Dr Tom Straszewski’s support. 

“We decided to make this a promenade production with the audience moving between three venues: St Columba’s, Priory Street, Holy Trinity, Micklegate, and St Martin’s Stained Glass Centre, Micklegate. They will be guided on the short walking distance between the venues by cast members.  

“Micklegate was the historical start for performance of the Mystery Plays in the medieval period, so it seems appropriate to bring them back to their home ground. We’ve had terrific support from the venues themselves in staging the event.”

Tickets are on sale at ympst.co.uk/creation. One ticket gives access to all three plays.

In addition, the trio of plays will be performed for the residents of Hartrigg Oaks, in New Earswick, on June 15 as part of the care home’s 25th anniversary celebrations.

Coming next

YORK Mystery Plays Supporters Trust’s next production will be A Nativity For York, touring to The Tithe Barn, Nether Poppleton, St James the Deacon Church Hall, Acomb, and St Oswald’s Church Hall, Fulford, between November 29 and December 7; seven performances in all.

Dr Tom Straszewski: Mentoring three young directors for A Creation For York

York Mystery Plays Supporters Trust cancels A Nativity For York ‘amid the growing threat from Omicron’

Mark Comer’s production image for York Mystery Plays Supporters Trust’s A Nativity For York…Out Of The Darkness, now called off, alas

FOR the second year running, York Mystery Plays Supporters Trust has had to cancel A Nativity For York at Spurriergate Centre, Spurriergate, York.

The decision has been taken “amid the growing threat from Omicron”, putting paid to performances at 7pm tonight and 2pm, 4pm and 6.30pm tomorrow of A Nativity For York…Out Of The Darkness, Terry Ram’s community production drawn from the York Cycle of Mystery Plays.

Trust chair Linda Terry says: “Due to the uncertainty surrounding the impact of the new variant, we have, with great regret, taken the decision to cancel our Nativity production on December 17 and 18. 

“The cast, crew and the trust are extremely disappointed, but we feel it is a wise option under the circumstances. Ticket holders have been contacted by email and reimbursement of ticket costs are being made.

“We express our grateful thanks to everyone who supported the production in so many ways: our cast and crew; Terry Ram, our director; our sponsors; the Spurriergate team;  Mark Comer, for the production image; John Saunders, for photography, and everyone who contributed to the fundraising efforts.

“We know this will be a disappointment to all involved. Let us hope that we can bring A Nativity for York back in 2022.”

York Mystery Plays to be staged in Dean’s Park in A Resurrection For York in July

Raqhael Harte’s Mary with the infant Jesus in York Mystery Plays Supporters Trust’s production of A Nativity For York in December 2019 at the Spurriergate Centre, York. Picture: John Saunders

A RESURRECTION For York will undergo its own resurrection this summer after Covid-19 put the kibosh on the original theatre production.

Plans for the play had to be put on hold earlier this year under pandemic restrictions, but partners York Mystery Plays Supporters Trust, York Festival Trust and York Minster have settled on new performance dates of July 3 and 4.

Directed by Philip Parr, artistic director of Parrabbola, the show’s format will be retained: one hour long, staged outdoors, on two static wagons.

The location will be the Residents Gardens, at Minster Library, Dean’s Park, alongside York Minster, where the limited audience size for each day’s 11am, 2pm and 4pm performances will be governed by the prevailing social-distancing guidelines.

Linda Terry, chair of York Mystery Plays Supporters Trust, says: “With our partners, we have been working hard to bring back live theatre to the city after such a difficult time. The York Mystery Plays have survived past plagues; we wanted to play our part in a new beginning, creating an optimistic and safe event, bringing people together in a vividly imagined drama from York’s literary and cultural inheritance.”

York Festival Trust director Roger Lee is equally enthusiastic: “With arts and culture among the last areas of our lives allowed to return, York Festival Trust is delighted to be part of this project to bring York Mystery Plays back to the city this summer and to support the rebirth of live performing arts,” he says.

The Dean of York, the Right Reverend Dr Jonathan Frost, is “delighted that after the lockdown we have all experienced, events crucial to the life and story of York are beginning to happen again”.

“The theme for the York Mystery Plays this year is resurrection,” he says. “It would be hard to think of a more appropriate focus for a society, community and city coming back to life after a torrid journey. I do hope everyone will find time to enjoy the Mystery Plays.”

Since his appointment as director in March, Parr has been working on the new script with Tom Straszewski, director of the 2018 wagon production of the York Mystery Plays, and auditioning a community cast.

Previously, Parr directed York Mystery Plays Supporters Trust’s production of A Nativity For York at the Spurriergate Centre, York, in December 2019.

Tickets for A Resurrection For York are on sale at ticketsource.co.uk/whats-on/york/residents-garden-deans-park/a-resurrection-for-york/

New partnership to mount Easter open-air production of The York Passion in April

New partnership: York Festival Trust, York Minster and York Mystery Plays Supporters Trust to present The York Passion at Easter

YORK’S new theatre partnership is seeking a director for The York Passion, an outdoor staging planned for Easter Saturday and Monday.

For the first time, York Festival Trust, York Minster and York Mystery Plays Supporters Trust are working together to present an Easter production, performed on two or possibly three static pageant waggons on the hard standing in front of the Minster School, opposite York Minster.

Three performances per day will be staged on April 2 and 4; tickets will be sold for a nominal charge to ensure appropriate Covid-secure distancing arrangements are applied.

The director will be required to create a single play – no more than 70 minutes straight through – from the pageants in the original York Mystery Plays.

The director’s vision must embrace elements from the Crucifixion, the Death of Christ and the Resurrection, possibly starting with the Road to Calvary and ending with the Appearance of Christ to Mary Magdalene.

Tom Straszewski, artistic director of the 2018 York Mystery Plays’ waggon production and 2022 Lincoln Mystery Plays, has produced a working script that can be adapted to meet the director’s requirements, including cutting and modernising the original text.

Cast and crew will be drawn from open auditions from the York community: a tradition of the York Mystery Plays since mediaeval times. Auditions and rehearsals will be conducted virtually, in accordance with Government Coronavirus measures.

Tom Straszewski: Working script that can be adapted to meet the director’s requirements

Linda Terry, chair of York Mystery Plays Supporters Trust, says: “Despite the current dark times, we felt that it was right to look forward and create an opportunity for people to participate in, and enjoy, a theatrical production that fulfilled our aim of keeping York’s Medieval Mystery Play heritage alive in a format that could be enjoyed safely.

“With the country now in its third lockdown, it is unclear what public health measures will be in place during the rehearsal phase and indeed it is quite possible that we may have to cancel or postpone the production, but any such decision will be taken jointly by the partnership and the director.”

For the Easter production, The Passion Trust – a charity focused on performances of Passion plays, including community events, around Britain – has provided funding specifically for live screening a performance to be uploaded subsequently to YouTube.

Roger Lee, York Festival Trust’s chair, highlights the new partnership’s extensive experience: “All three partners have mounted productions of the York Mystery Plays over the past five to 30 years,” he says.

“With the exception of York Minster, the organisations are not exclusively Christian, but the Festival Trust has directed community groups in producing sections of the cycle on waggons every four years since 2002, but this will be the first time the Crucifixion and Resurrection pageants are staged together as a single play.”

Applicants for the director’s role should provide a CV and a proposal for their vision for the open-air production on one side of A4 by midnight on January 30 2021.

A special director information pack is available. Shortlisted candidates will be invited for discussion by Zoom. Applications and enquiries should be emailed to: linda.terry@ympst.co.uk

York Mystery Plays Supporters Trust seeks director for December’s A Nativity for York

Babe in arms: Raqhael Harte’s Mary with the infant Jesus in York Mystery Plays Supporters Trust’s A Nativity for York at the Spurriergate Centre, York, last December. All pictures: John Saunders

YORK Mystery Plays Supporters Trust is seeking a director for its second production of A Nativity for York, planned for December 2020.

The launch follows the trust’s decision to keep the York Mystery Plays’ tradition alive by staging an annual nativity play.

The YMPST organisation has issued a briefing notice, asking potential candidates to apply before midnight on Saturday, May 30, sending initial ideas for the play on one side of A4 plus a CV.

Wise move: Stephanie Walker’s King seeks the infant Jesus in 2019’s A Nativity for York

In keeping with the existing performance traditions, the mission is to look at medieval nativity plays as a source for the production. 

An information pack is available and applicants are asked to send emails to the YMPST chair at linda.terry@ympst.co.uk. Shortlisted applicants will be invited to interview, probably via video link, on Tuesday, June 16.

Chair Linda Terry says: “Last year we achieved our aim to make the production both visible and accessible. We were delighted that A Nativity for York at the Spurriergate Centre appealed to so many in the community, to both residents and visitors to the city.

Stable relationship: Raqhael Harte’s Mary and Chris Pomfrett’s Joseph with the new-born Jesus in last December’s A Nativity for York

“The trust believes that we can build on the success of 2019 with another innovative production as part of the city of York’s Christmas festival.”

As demonstrated by last December’s debut, directed by Philip Parr, the objective is to keep alive the skills, support and enthusiasm generated through the many productions of the York Mystery Plays over the years.

The trust has confirmed that the Spurriergate Centre, in Spurriergate, will host the 2020 performances, starting in mid-December.

“In the event that this cannot take place because of the pandemic restrictions, all initial work will be rolled over to 2021 or an alternative medium for performance will be considered,” says Linda.