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REVIEW: Shed Seven, Futuresound presents Live in York Museum Gardens, York, July 19

Stars coming out at night: Rick Witter fronting Shed Seven at York Museum Gardens. Picture: David Harrison. To buy David’s photos from Friday’s concert, head to: https://dharrisonyorkphotos.smugmug.com/Music/Shed-Seven-in-Museum-Gardens-2024

COULD this annus miraculum have gone any better for Shed Seven, the year when the York band topped the album charts for the first time, all of30 years since releasing Change Giver.

Getting even better? It just did, last night, in the first of two 30th anniversary homecoming gigs mounted by Leeds promoters Futuresound in the first rock concerts to be staged in York Museum Gardens since Hawkwind, Pink Fairies and Roxy Music in the long-gone 1970s.

Back where the Sheds’ Rick Witter and Paul Banks had “caused chaos” at 12, 13, 14, their loud ghetto blasters “disturbing all the OAPs”.

The music was rather louder last night, cheered on by 4,000 fans, young, Sheds-aged and quite possibly OAPS alike, myriad Shed Seven T-shirts, from their Bile Beans yellow variation to Bully Boy’s I’ll Fight You Till The Death flipside being the dress code for the hottest weather of this sodden summer so far. Annus miraculum? Even Zeus the weather god was smiling on the Sheds.

Peter Doherty: Name-checking York in Albion in acoustic solo set at York Museum Gardens. Picture: David Harrison

After sets by Serotones (son Duke Witter’s band) and Lottery Winners, enter Peter Doherty, a very unrock’n’roll six minutes early, to play charmingly solo and acoustic in dapper chapeau, name-checking York in Albion, the first song he wrote at 16, inspired to pick up a guitar by the Sheds. “I’m sweating like a Leeds fan in a spelling test,” he said in the night’s best one-liner, nevertheless keeping his suit buttoned up.

Performances in York Museum Gardens, notably the York Mystery Plays, have favoured utilising the St Mary’s Abbey backdrop, but Futuresound have broken with tradition, building a stage on the Yorkshire Museum concourse, looking down to the River Ouse, for Jack Savoretti’s Thursday opener and the Sheds’ back-to-back home fixtures.

A good decision, the abbey ruins still playing their supporting role, lit in resplendent blue as the night sky painted its picture. Witter couldn’t resist addressing those gathered on the far riverside, watching for free (always a Yorkshireman’s favourite price, as the saying goes).

A poem, uncredited alas, floated on the night air, as evocative as the smell of chocolate wafting across the city in capturing the essence of York and its characters, cobbles and quirks, to herald the arrival of the Sheds, not the Britpop veterans of lazy labelling, but a vibrant, propulsive, lippy indie band at the height of their second wave.

Let’s Go: Shed Seven’s Paul Banks and Rick Witter in homecoming union on Friday night. Picture: David Harrison

In Witter’s words, they have been reinvigorated by the arrival of new members Rob ‘Maxi’ Mansfield on drums and Tim Wells on guitar & keys. Last night marked their York debut. No fuss, low key at the back, rock solid as a Championship centre-half, and solidly rock.

The adrenaline rush of Let’s Go, as purposeful a title as the Sheds have ever written, opened the show, just as it does A Matter Of Time, whose name is emblazoned on a stage otherwise devoid of frills (no screens, no projections, plenty of northern lights).

The accusation was always that the Sheds were a meat-and-potatoes band, but that is to ignore the quality of the gravy. The way their songs connect, the pride in wearing the T-shirt, the Made In York but mad for the world brio. You’d rather be in this crowd than with the in-crowd.

If you could put together the wish-list Shed Seven-in-heaven gig, this was surely it: the weather, the historic York setting; the special guests, Reverend And The Makers’ Laura McClure, Rowetta and Doherty; the spot-on set list; Duke duetting with Rick on High Hopes; the Yorkshire brass players; She Left Me On Friday, hitting harder on a Friday night; the balance of A Matter Of Time songs and the orchestral overhaul of the upcoming Liquid Gold hits album.

More? How about the Huntington School Choir in their stubby tie uniforms for schoolyard anthem Bully Boy, Going For Gold segueing into a cover of Elvis’s Suspicious Minds and the perfect encore quartet of Room In My House; Throwaways, Witter arm in arm with Doherty; Disco Down with Rowetta in a Happy Mondays vibe, and everyone, choir, support acts, et al on the stage apron for Chasing Rainbows.

Why, there was even a marriage proposal, from Nicki Sullivan to Kevin, orchestrated by Witter as master of ceremonies. Kevin said yes, of course he did. Going for gold in a year when everything the Sheds do has done exactly that.

Crack open a can of Homecoming Hazy Session IPA, Brew York’s 30th anniversary Shed Seven fruity citrus beer, then reconvene tonight for more Shed heaven. Let’s Go Dancing, York, you, me and Peter Doherty. The t-t-t-Talk Of The Town.

Set list

Let’s Go; Speakeasy; She Left Me On Friday; High Hopes (with Duke Witter); Dolphin; Devil In Your Shoes; Tripping With You (with Laura McClure); People Will Talk; Bully Boy (with Huntington School Choir); Ocean Pie; Heroes; In Ecstasy (with Rowetta); On Standby; Going For Gold; Suspicious Minds; Talk Of The Town; Getting Better; Let’s Go Dancing.

Encore: Room In My House; Throwaways (with Peter Doherty); Disco Down (with Rowetta); Chasing Rainbow (with choir, special guests and support acts).

Futuresound presents Shed Seven, York Museum Gardens, tonight (20/7/2024); gates open at 5pm. SOLD OUT.

Running order: Apollo Junction, 5.45pm to 6.15pm; Brooke Combe, 6.35pm to 7.05pm; Peter Doherty, 7.25pm to 8.10pm; Shed Seven, 8.40pm to 10.30pm.

The queue forming in the Friday afternoon sun for Live At York Museum Gardens
Danielle and Gareth, from Hull, enjoying Shed Seven’s set at York Museum Gardens
Duke Witter leading Serotones on Friday evening at York Museum Gardens. Picture: David Harrison
The Lottery Winners’ bassist, Katie Lloyd, at Futuresound’s Live At York Museum Gardens
Thom Rylance, frontman of Leigh band The Lottery Winners, in full voice on Friday. Picture: David Harrison
York singer Jess Steel, front, centre, enjoying Live At York Museum Gardens. Pictire: David Harrison
Peter Doherty and his dapper chapeau at York Mueum Gardens: Picture: David Harrison
Shed Seven singer Rick Witter and bassist Tom Gladwin
Shed Seven drummer Rob ‘Maxi’ Maxfield making his debut York appearance with the band on Friday night. Picture: David Harrison
Making a mark: A Shed Seven tattoo at Friday’s concert. Picture: David Harrison
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Shed Seven promise diffedrent sets, special guests & school choir at 30th anniversary concerts in York Museum Gardens

Shed Seven: Playing York Museum Gardens as the homecoing fulcrum of their 30th anniversary celebrations

AFTER a first ever number one album in January, Shed Seven’s 30th anniversary celebrations hit a homecoming peak with tomorrow (19/7/2024) and Saturday’s sold-out concerts at Futuresound’s inaugural Live At York Museum Gardens festival.

“I’d be quite happy for it chuck it down all week, but then NOT,” says lead singer Rick Witter. “Obviously, it is what it is, but it does make for a better atmosphere if you don’t have to contend with rain.

“We have thought before of selling [Chasing] rainbow-coloured umbrellas, but unfortunately at indoor gigs they’d be classified as offensive weapons!”

Good news for Rick and Shed-heads alike, the weather forecast suggests dry conditions will prevail on both nights, when Shed Seven will perform on the concrete concourse in front of the Yorkshire Museum, rather than against the St Mary’s Abbey backdrop once favoured by the York Mystery Plays.

“We’ll be facing the river [Ouse], with the riverside walk being cordoned off, so I imagine having 4,000 people crammed into the space each night will look amazing,” says Rick, as the Sheds look forward to playing the gardens where The Press first photographed the band after they signed to Polydor Records in late-1993.

“As a small band from York, we’ve managed to close the river for two nights, so it’s going to be a huge York event. We’ve been reminiscing about when we were 13-14, sitting in the Museum Gardens with music blasting out of our ghetto blasters, so it will feel weird but lovely this weekend for me and Paul [guitarist Paul Banks] and Tom [bassist Tom Gladwin].”

If that sepia-faded photo-shoot for The Press does not spring immediately to his mind, “I did see a picture of us in 1992 at the time of the Fibbers’ Battle of the Bands. We looked so hopeful, so youthful. We still do!” says Rick, as whippet-slim as ever at 51.

Shed Seven, who now feature Rob ‘Maxi ‘Maxfield on drums and Tim Wills on guitars and keys, rather than founder members Alan Leach and Joe Johnson, spent last weekend rehearsing intensely for this week’s shows.

“We’re definitely going to mix it up a little bit with the two sets, as we’re in the fortunate position of having too many songs. Some will be played on Friday and not Saturday and vice versa, so those who’ve booked for both nights are in for a treat,” says Rick. “We’ll be cramming in as much as we can into one hour 50 minutes each night.”

Special guests are promised too, but without giving names away, Rick does say: “If you look back to our album that came out in January [A Matter Of Time], we had several guests on that record, and I think you might get to see some of those people in our sets.

“Obviously, Pete [Peter Doherty, of The Libertines] will be in the ‘field’ with us on both nights as a support act, so it would be rude not to perform Throwaways (Witter and Doherty’s album-closing duet] with him.”

Will Happy Mondays’ Rowetta make an appearance for In Ecstasy or Reverend And The Makers’ Laura McClure join the Sheds for Tripping With You? Wait and see, but definitely a York choir will be participating.

“Me and Paul visited our old school last Thursday – Huntington School – for the first time in an awfully long time, which felt lovely but a bit odd as a 51-year-old man being back in the classroom! We’d reached out to the school hoping for a mixture of age groups, boys and girls, and it turns out there’s a choir of 60, so we’ve settled for having 20 on each night.” Which song, Rick? Not telling!

New band members Maxfield, from Manchester, and Wills, from London, will be breaking new ground. “They’ve spent a lot of time with us here rehearsing, but this will be the first time they’ve performed with us in our home city, so that’ll be a big moment for York,” says Rick. “And they’ve both talked about moving to York.”

Likewise, Shed Seven will be playing to more than a home crowd. “It’s just amazing that people from all over the country have bought tickets for these shows, so we’ll have 8,000 people descending on our lovely city, filling our bars and hotels,” says Rick.

The 30th anniversary celebrations do not stop there. “The funny thing is, we’re only half way through. I was speaking to Paul about what we might not be able to fit into the sets from A Matter Of Time, and only six months after its release, it’s almost as if we’re having to put a number one album to one side already, as we’re putting so much into our next album.”

Liquid Gold, an album of orchestral re-workings of 12 Shed Seven hits and live favourites, reimagined by the band in collaboration with arrangers Fiona Brice and Michael Rendall, will be released on September 27.

“We’re very excited about this album coming out to mark 30 years,” says Rick. “Only next year can we sit back and reflect on what we achieved this year.”

Still to come in 2024 are multiple in-store appearances to promote Liquid Gold, with yet more dates soon to be added to the schedule, followed by the 30th Anniversary Tour in the traditional Shedcember slot in  November and December, with Yorkshire gigs at Sheffield Octagon, (November 14), Victoria Theatre, Halifax (November 18) Hull City Hall, November 19, and Leeds O2 Academy (November 30).

Witter and Banks will see out the year with a brace of intimate acoustic concerts at Huntington Working Men’s Club, York, on December 21 and 22. Sold out, of course.

Futuresound presents Live At York Museum Gardens, Jack Savoretti, tonight; Shed Seven, Friday and Saturday. Gates open at 5pm each evening. Box office: seetickets.com/event/jack-savoretti/york-museum-gardens/2929799.

Thursday bill: Ellur, 5.45pm to 6.15pm; Benjamin Francis Leftwich, 6.30pm to 7.15pm; Foy Vance, 7.45pm to 8.30pm; Jack Savoretti, 9p, to 10.30pm.

Friday bill: Serotones (Duke Witter’s band), 5.45pm to 6.15pm; Lottery Winners, 6.35pm to 7.05pm; Peter Doherty, 7.25pm to 8.10pm; Shed Seven, 8.40pm to 10.30pm.

Saturday bill: Apollo Junction, 5.45pm to 6.15pm; Brooke Combe, 6.35pm to 7.05pm; Peter Doherty, 7.25pm to 8.10pm; Shed Seven, 8.40pm to 10.30pm.

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Shed Seven to close 30th anniversary with December 21 and 22 gigs by Rick Witter and Paul Banks at Huntington WMC

Shed Seven’s Paul Banks and Rick Witter: Playing intimate acoustic sets at Huntington Working Men’s Club on December 21 and 22

SHED Seven will end their 30th anniversary celebrations with a brace of intimate acoustic concerts by frontman Rick Witter and guitarist Paul Banks at Huntington Working Men’s Club, York, on December 21 and 22.

“We are genuinely thrilled to announce a pair of very special homecoming shows,” says Rick. “And where better to end our 30th anniversary year than in Huntington, where me, Paul and Tom first met back in the ’80s and the story first began.” Tom, as in Sheds’ bassist Tom Gladwin, will do a DJ set each night.

Tickets will go on sale at store.shedseven.com at 9am on Wednesday (12/6/2024) for this York postscript to the Sheds’ 23-date November and December tour, their biggest ever “Shedcember” itinerary.

Yorkshire venues will be Sheffield Octagon, November 14 (sold out); Victoria Theatre, Halifax, November 18; Hull City Hall, November 19, and Leeds O2 Academy, November 30 (sold out).

The year began with the Sheds’ first ever number one album, A Matter Of Time, followed by vinyl chart-topping single Let’s Go Dancing, and next up will be two sold-out outdoor shows on July 19 and 20 as part of Futuresound Group’s four-day festival at York Museum Gardens.

On September 27, they will release Liquid Gold, an album of orchestral re-workings of 12 Shed Seven hits and live favourites, reimagined by the band in collaboration with arrangers Fiona Brice and Michael Rendall.

Brice’s credits include Liam Gallagher and Placebo, while Rendall worked with the Sheds on 2017’s Top Ten comeback album Instant Pleasures and A Matter Of Time.

Shed Seven’s 2024 line-up: Rob ‘Maxi’ Maxfield, left, Paul Banks, Rick Witter, Tom Gladwin and Tim Wills

For the richly reinventive recording sessions, Shed Seven teamed up with a full orchestra, brass section, gospel singers et al.

Released on Cooking Vinyl, Liquid Gold spans the band’s career, from Speakeasy and Ocean Pie, off 1994 debut album Change Giver, to Better Days, from Instant Pleasures, via a soaring, sweeping Disco Down.

It also revisits the Sheds’ landmark second album, 1996’s A Maximum High, for Getting Better, Going For Gold, On Standby and a dramatic new take on Parallel Lines, described playfully by Paul Banks as “sounding like Shed Zeppelin”.

The more luxuriant scale is encapsulated in Devil In My Shoes. Originally a slow-burning highlight of 1998’s Let It Ride, this new account adds a cinematic sheen: its new-found grandeur providing a shimmering contrast between the initially downbeat melancholy and the full force of optimism that beams through the crescendo.

Liquid Gold is completed by All Roads Lead To You, a new composition written specifically for this project, and a new version of Instant Pleasures-era bonus track Waiting For The Catch, now featuring Issy Ferris, from the UK Americana Award winners Ferris & Sylvester.

“This year we celebrate 30 years as recording artists and, after reminiscing about our career, we thought we’d celebrate the milestone by revisiting some key songs from our past,” says Rick.

“The idea being that if we cherry picked a hatful of songs and recorded them now, it would be a coherent stroll down memory lane but also sit sonically beside our recent number one album A Matter Of Time. A logical next step.”

The cover artwork for Shed Seven’s September 27 album of orchestral reinventions, Liquid Gold

Rick continues: “We see this record as a gateway into the world of Shed Seven. We also felt that adding an orchestra to each track would lend the whole project a unique slant. The songs have become widescreen, full of colour.

“The original recordings will always hold a special place in our hearts but re-recording the chosen songs was an exciting prospect for us. It’s a gift from the band to our loyal supporters and will hopefully introduce some golden moments throughout our career to a whole new audience. Enjoy, and here’s to the next 30 years!”

The Sheds gave a taster of Liquid Gold at their May 30 appearance on BBC Radio 2’s Piano Room, when they performed Chasing Rainbows, Talk Of The Town and a cover of Duran Duran’s Planet Earth live at Maida Vale with the BBC Concert Orchestra, conductor Chris George and arranger Fiona Brice.  

Liquid Gold is available to pre-order at shedsevenn.lnk.to/LiquidGoldPR, where the Sheds’ official store offers exclusives in the shape of a splatter vinyl with unique artwork, a different colour CD and a cassette, while all bundles also add a signed postcard.

Other retailer-specific formats include silver vinyl, from Assai Records, blue vinyl, from HMV, and yellow vinyl, from select indie stores.

After their open-air summertime shows in York and at Blossoms’ Big Bank Holiday Weekend at Wythenshawe Park, Manchester, on August 25, the 30th anniversary Tour will run from November 14 to December 14. Expect the Britpop-era hits, fresh favourites from A Matter Of Time and surprise guest appearances, plus support from special guests The Sherlocks. To check ticket availability amid a raft of sold-out shows, head to gigst.rs/SS24.

Liquid Gold track listing:

Getting Better; Speakeasy; Devil In Your Shoes; On Standby; Going For Gold; Waiting For The Catch, featuring Issy Ferris; Better Days; Parallel Lines; Disco Down; Ocean Pie; All Roads Lead To You; Chasing Rainbows.

The poster artwork for Shed Seven’s Rick Witter & Paul Banks gigs at Huntington Working Men’s Club