“Marge was ahead of her time,” says Maisie Smith, who plays the American writer and photographer in The Talented Mr Ripley. Picture: Mark Senior
THE press release for The Talented Mr Ripley’s visit to the Grand Opera House, York, ends with this question: how far would you go to become someone else?
In the case of the acting world, the answer is the whole way for every change of role. For Maisie Smith that means transforming into Marge Sherwood – the character portrayed by Gwyneth Paltrow in Anthony Minghella’s 2000 film and Dakota Fanning in the 2024 Netflix series – in Mark Leipacher’s touring production. Next stop, Grand Opera House, York, from January 19 to 24.
“I was so, so intrigued when the role came through and it’s very different to any character I’ve played,” says Maisie, who last appeared on a Yorkshire stage as Fran in her musical theatre debut in Strictly Ballroom The Musical at Leeds Grand Theatre in July 2023.
“This time it was a very quick process, at very short notice. I was asked, ‘could you read a scene from the script – and you can pick the scene’. I did it on tape, filming myself when I was on holiday at the time, on a fishing trip with my boyfriend in a little lake cabin.”
Not the ideal audition scenario, especially when Maisie had to evoke living in “the sun-drenched glamour of 1950s’ Italy”. “I was in this wooden cabin, in Shropshire, and I had to drive into the nearest high street to get an internet connection! It’s such a glamorous lifestyle, as they say!”
Nevertheless, the self-tape worked and the role of Marge was hers. “That was in maybe June/July last year, and we started rehearsals in August. The tour began last September [at Cheltenham Everyman Theatre, marking the 70th anniversary of Patricia Highsmith’s novel], and we’ve just had a few weeks off [since November 22] for a Christmas break,” says Maisie. “Our first week back is in York.”
Director Mark Leipacher has adapted Highsmith’s psychological thriller for its first major UK tour, casting The Crown star Ed McVey as dangerously charismatic antihero Tom Ripley, who is scraping by in New York, forging signatures, telling little white lies, until a chance encounter changes everything.
When a wealthy stranger offers him an all-expenses-paid trip to Italy to bring home his wayward son, Dickie Greenleaf (Bruce Herbelin-Earle), Tom leaps at the opportunity. However, surrounded by shimmering waters and whispered secrets on the Amalfi Coast, he is seduced by the freedom, wealth and effortless charm of Dickie’s life.
As fascination turns to obsession and his grip tightens on Dickie’s world, the lines between truth and deception begin to blur in Highsmith’s tale of deception, desire and deadly ambition. What starts as an innocent opportunity spirals into a chilling game of lies, identity theft, and murder.
Maisie has seen the film and the monochrome TV series, but not read the read the book. “I feel a bad actress for not reading it, but I have seen the director’s notes that he wrote years ago as this play has been in the making for six years,” she says. “I couldn’t believe it when Mark said he’d been working on it for so long.”
Maisie Smith’s Marge Sherwood and Bruce Herbelin-Earle’s Dickie Greenleaf in The Talented Mr Ripley. Picture: Mark Senior
Assessing the role of Marge, she says: “I see her as a really interesting character in this play. What I love about her and what I try to drill into is that she is one of the only people who is suspicious and recognises Tom Ripley for what he is, so she’s very valuable person in the story.
“It’s a story that’s ahead of its time because she was ahead of her time: she’s very independent; she’s a writer and photographer and has her own house in Italy. She has a boyfriend but is not in a committed relationship, which was really futuristic for a woman at that time.
“That’s why this story has been told again and again over 70 years because it’s never dated and will never go out of style.”
Marge is new territory for 24-year-old Maisie. “I haven’t played an American before, and the oldest era I’d played before this was Strictly Ballroom, set in the 1980s. Lots of characters I play are of a more juvenile age. Like Tiffany [Butcher], my character in EastEnders, was only a couple of years younger than me,” she says.
“Tiffany was quite cocky, cheeky, whereas Marge is very intelligent – and I’ve really had to rein in my Southend accent! Once I got the part, they brought in someone to work on the accent with me as Marge has this old-school American accent.”
Maisie, you may recall, finished as a finalist in the 2020 series of Strictly Come Dancing, recorded under Covid conditions. “It was so crazy but I was 19, so I think, looking back on it, it was the first time I’d ever done live TV, and the first time I’d ever been Maisie, rather than playing a character, and I did find the whole experience nerve-wracking,” she says.
“I wish I hadn’t stressed about everything – did people like me; did I do that dance right? – but then I thought, ‘no, just be yourself, who cares what people think!”
She continued to play Tiffany for another year, “but I was itching to do theatre”, a change of tack that has been rewarded with significant roles in Strictly Ballroom and now The Talented Mr Ripley. “This new character, Marge, is the most different from me. Everything about her is different from me. It’s always a challenge but that’s what you want.”
Hence Maisie will keep asking herself that question: how far would you go to become someone else?
The Talented Mr Ripley, Grand Opera House, York, January 19 to 24, 7.30pm plus 2.30pm Wednesday and Saturday matinees. Box office: atgtickets.com/york.
