Tag: Martin Taylor

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National Centre for Early Music goes global for autumn season opening on Sept 27

Denys Baptiste: Teaming up with Tomorrow’s Warriors band leader and double bass player Gary Crosby in an all-star quartet for A Love Supreme on November 25

THE National Centre for Early Music’s autumn season presents a host of artists from across the world at St Margaret’s Church, Walmgate, York.

Opening the season on September 27 will be Irish singer and bouzouki and mandola player  Andy Irvine, “ a tradition in himself” after 60 years of telling tales and making music. Joining him on the 6.30pm bill will be the award-winning Swedish folk band Quilty, celebrating their 30th anniversary.

Described by the late Jeff Beck as “the best guitarist in the world” and by Pat Metheny as “one of the most awesome solo guitar players in history”, fingerstyle player Martin Taylor returns to the NCEM on October 4 at 6.30pm.

Six decades into his career, his new solo show, Standards, celebrates the golden age of jazz through evocative arrangements of tunes from the Great American Songbook.

Polish-Belarusian band Hajda Banda: Rural music performed on acoustic village instruments on October 9. Picture: Michal Kalita

On October 9, the NCEM teams up with Songlines to present Polish-Belarusian band Hajda Banda, who specialise in traditional dances from eastern Poland’s Podlaise region, the western provinces of Belarus and the wetlands of Polesye, a cultural crossroads on the Poland-Ukraine- Belarus border. Audience members will be encouraged to dance, if they wish, to rural music performed on acoustic village instruments.

City Of Poets’ concert on October 10 reunites musicians across the Soviet-Chinese divide through an exploration of the maqam-based classical repertoire of the Central Asian Uzbek and Uyghur peoples. A group of players from different sides of the border, led by Abror Zufarov and Saniyem Ismail, focus on the works of 17th century mystic poet and wandering dervish Baba Rahim Mashrab, whose poetry continues to inspire musicians on both sides of the divide.

Grammy Award winners Tim Garland, mezzo-soprano saxophone, and Geoffrey Keezer, piano, return to the NCEM on October 12 with their new duet album Mezzo, recorded in a single, five-hour session in New York, capturing the intensity, fearless creativity and breathtaking interplay of their 25-year musical partnership.

The concert will begin at 7.20pm with a performance by York Music Forum young jazz players  after they worked with Garland and Keezer earlier in the day.

Fiddlers at the double: Grace Smith and Sam Sweeney, playing the NCEM on October 25. Picture: Kate Griffin

Revered English folk acoustic and slide guitar player Martin Simpson plays solo on October 20, combining passion, sorrow, love, beauty, tragedy and majesty in his performance after 32 nominations over the 18 years of the BBC Radio 2 Folk Awards. His new album, Some Kind Of Jubilee, arrives on September 25 on Topic Records, marking 50 years since the release of his debut, Golden Vanity.

Bellowhead alumnus Sam Sweeney joins fellow fiddler Grace Smith at the NCEM for the first time on October 25 at 6.30pm. Rooted in tradition, yet constantly pushing boundaries, they bring a shared passion for reimagining archive material, championing new compositions and creating music both authentic and forward-looking.

Northern Silents presents Curtis Bernhardt’s 1929 German silent film The Woman Men Yearn For with a live music score performed by pianist Jonny Best on October 28. Marlene Dietrich ignites the screen in a tale of danger and desire, wherein Henri marries a wealthy heiress to save the family business , but on the eve of his honeymoon, he glimpses a mysterious woman through a frosted train window. Once their eyes meet, a chain of  passion and betrayal hurtles towards disaster.

Based in London, She’Koyokh arrive at the NCEM on November 1 at 6.30pm with a line-up as diverse as their music-making. Their members hail from Turkey, Serbia, Spain and the UK: three are graduates from London’s Royal Academy of Music; two are esteemed jazz players; accordionist Zivorad Nikolic is among Serbia’s finest exponents of traditional folklore; singer Cigdem Aslan is a celebrity in the world of rembetiko music and Susi Evans is a queen of the klezmer clarinet. Together they perform  the folk music traditions of Jewish Eastern Europe, Turkey and the Balkans.

She’Koyokh: Performing folk music traditions of Jewish Eastern Europe, Turkey and the Balkans on November 1

Led by composer, musician and visionary James Lascelles, now returned to the Harewood estate, Talking Spirits play a blend of world-jazz, folk and Caribbean grooves on November 11. Between them, the band members have performed, recorded and collaborated with avant-garde luminary Frank Zappa, pioneering violinist L Shankar, the rock theatricality of Steve Harley & Cockney Rebel and the soulful Joan Armatrading.

Presented by Nava Arts, on November 14, the soulful voice of Samin Ghorbani, the enchanting shurangiz of composer Vahid Taremi and the electronics, clarinet and modern arrangements of Rouzbeh Esfand bring to York what the Persian trio calls “the sound of their shadows from a Trembling Land”, drawn together from three separate cities across Europe.

The Instituto Cervantes, in Manchester, and Iberian and Latin American Music Society link up with the NCEM to present a 7.30pm concert on November 17 and workshop from 1.30pm to 5.30pm on November 22. First up, Spanish soprano Lorena Paz Nieto and British-Hispanic pianist Helen Glaisher-Hernandez present The Secret Art, featuring Spanish and Latin American art song as conceived by beguiling women composers.

Then, as part of The Secret Art: Mujeres Presentes project, the inimitable Odaline de la Martinez leads a half-day Sunday workshop focusing on the sounds of 17th-century Mexican convents, Afro-Cuban beats and the rhythms of the Rio Carnival. The workshop will finish with a short run-through for family and friends at 5pm. Places must be booked by November 8.

Odaline de la Martin: Hosting workshop on November 22. Picture: Malcolm Crowther

King Kong directors Merian C Cooper and Ernest B Schoedsack’s epic 1925 silent film Grass, a documentary about the heroic annual migration of the nomadic Bakhtiari tribes of Iran, will be accompanied by a live performance by Iranian pianist and composer Peyman Yazdanivan, joined by Adib Rostami on kamancheh and tonbak, on November 24.

Mercury Prize-nominated saxophonist Denys Baptiste and Tomorrow’s Warriors band leader and co-founder, double bass player Gary Crosby, lead an all-star quartet for A Love Supreme, a 60th anniversary celebration of John Coltrane’s jazz masterpiece,  on November 25.

The 7.20pm concert will begin with a 20-minute performance by York Music Forum young players after a workshop with band members earlier in the day.

Each December since a one-off pilot in 2015, “festive folk supergroup” A Winter Union reconvene to share their joyous Christmas party around the country, complementing reimagined winter classics from both sides of the Atlantic with little-known Yuletide gems and songs direct from the pens of the songwriting quintet of Jade Rhiannon (from The Willows), Katriona Gilmore and Jamie Roberts (from Gilmore & Roberts) and Hannah Sanders & Ben Savage. On December 12, they make their NCEM debut.

National Centre for Early Music director Delma Tomlin

By way of contrast, Awake Arise make their fourth visit on December 18 to present A Christmas Show For Our Times. Lady Maisery members Hannah James, Rowan Rheingans and Hazel Askew will be joined by Jimmy Aldridge and Sid Goldsmith to celebrate winter traditions and reflect on how the hope and resilience in music and song can bring joy in the darkest season.

Looking forward to the autumn season, NCEM director Delma Tomlin says: “It’s partly serendipitous that so many are on tour, but I’m extremely pleased at the quality of the names and also by the mix of world music artists drawn from all over the globe.

“It means so much to us to continue to share this cultural world with York at this introspective time, whether from Persia or Spain, with our relationship with the Spanish Embassy bringing in acts.

“The Polish-Belarusian band Hajda Banda are a bit of a wild-card that came through a recommendation from my friends at Songlines, and so we decided to book them for the first time. They’re a dancing band, so we’ll need room at the edges because you’ll be encouraged to dance to this Polish high-energy music. Off you go!”

Tickets for the autumn season are on sale on 01904 658338 or at ncem.co.uk. Events start at 7.30pm unless stated otherwise.

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National Centre for Early Music reaps autumn harvest of jazz, world and folk concerts… and a classic icy silent film

Arm in arm: Wife-and-husband duo Kathryn Roberts & Sean Lakeman celebrate 25+ years together in On Reflection at the National Centre for Early Music, York, on October 20

THE autumn and Christmas season of jazz, world, folk, film and classical music at the still socially distanced National Centre for Early Music, York, is under way

Saxophonist Jean Toussaint, who came to prominence with Art Blakey’s Jazz Messengers, returned to St Margaret’s Church, Walmgate, last Friday to launch the NCEM programme in the company of pianist Andrew McCormack and bass player Orlando le Fleming.

Tonight, the Black Swan Folk Club presents Devonian folk singer-songwriter John Smith, supported by Hannah Reed at 7.30pm.

Known for his intimate song-writing, honey-on-gravel voice and pioneering guitar playing, Smith has toured internationally for 15 years, and his session-musician guitar skills have been in demand from Joan Baez and Tom Jones.

Saxophone returns tomorrow at 7.30pm when Tim Garland (saxophone, bass clarinet), Malcolm Creese (double bass) and Gwilym Simcock (piano) celebrate 20 years together as the highly adventurous, ground-breaking British jazz ensemble Acoustic Triangle.

Olcay Bayir: Turkish singer makes her NCEM debut on October 10

Noted for their site-specific work, particularly in sacred buildings, such as St Margaret’s Church, they draw on wide-ranging influences, from ancient themes and folk styles, through impressionism and the jazz era, to the avant-garde, in Garland and Simcock’s compositions, complemented by works by Henry Purcell, John Taylor, Olivier Messiaen, Cole Porter and Maurice Ravel.

A third jazz highlight will be Byron Wallen’s Four Corners showcasing London trumpet player Wallen’s new album, Portrait, on November 10, with guitarist Rob Luft, bass player Paul Michael and drummer Rod Youngs.

Conceived when sitting in the central square in Woolwich, the album’s nucleus is Anthem For Woolwich, composed in response to Wallen being struck by the community around him with its mixture of ages and nationalities.

Taking inspiration from “the timeless sound of the human soul from all corners of the Earth”, Wallen explores and reinvents blues, mode and groove landmarks, while also drawing on early Renaissance music, Central and East African rhythms and polyphony and the works of Miles Davis, Wayne Shorter and Thelonious Monk.

“I’m hoping that York Music Forum’s Ian Chalk will be able to organise for young York jazz players to play with Byron and take part in the concert,” says Delma.

Out of the woods: Fiddle player Sam Sweeney re-emerges with his Unearth Repeat album and concert on November 19. Picture: Elly Lucas

The autumn season presents three world-class guitarists, demonstrating their contrasting styles: Brit Martin Taylor, Spaniard Juan Martin and Italian Antonio Forcione.

First up, on October 15, Grammy-nominated Harlow jazz guitarist Martin Taylor shows why he is widely regarded as the world’s foremost exponent of solo jazz and finger-style playing.

Next, in his solo concert Melodic Beauty And Rhythmic Passion on October 29, Andalusian flamenco master Juan Martin performs pieces from his latest album Guitar Maestro.

Intense, artistic, passionate, unpredictable and formidably inventive jazz guitarist Antonio Forcione, from Molise, Italy, returns to the NCEM on November 26, blessed with “the hands of a tarantula and the heart of a lion”, as one reviewer put it.

Twenty albums to his name, Forcione has toured extensively, to Australia, Hong Kong, Russia and the Caribbean, as well as Europe.

Martin Taylor: Finger-style guitar playing on October 15

“The wonderful acoustics of the NCEM’s beautiful home of St Margaret’s Church provide the perfect setting for the acoustic guitar, adding a special touch of magic to the experience,” says director and programmer Delma Tomlin.

World music is represented by not only Juan Martin but also Olcay Bayir, from Gaziantep, Turkey, and the welcome return of Making Tracks.

Making her NCEM debut on October 10 – and appearing on the cover of the NCEM’s September to December brochure to boot – Olcay Bayir focuses on ancient poems and original songs in Turkish, Kurdish and Armenian in Dream For Anatolia: an evening of music and words that reflect her Anatolian heritage. Note the earlier starting time of 6.30pm.

Set up in 2010 and relaunched with an ambitious new model in 2019, followed by a digital edition in 2020, Making Tracks brings together young artists from the UK and around the world to showcase unique musical traditions, initiate collaborations and contribute towards a global community of environmentally engaged musicians.

Full details of November 1’s NCEM concert are yet to be confirmed but the eight diverse musicians from Britain and Europe have been chosen.

Antonio Forcione: Returning to the NCEM on November 26

Scottish folk multi-instrumentalist, producer and composer John McCusker has cancelled his John McCusker Band 30th Anniversary Tour date on October 3, although The Wishing Tree Tour gig by John Doyle, John McCusker & Michael McGoldrick is still in the diary for The Cresent, York, on November 3.

The enduring folk partnership of wife and husband Kathryn Roberts & Seth Lakeman marks 25+ years of making music with On Reflection at a rearranged NCEM concert on October 20.

Co-promoted by the Black Swan Folk Club, this celebratory night takes a whistle-stop tour through their artistic journey from the early days of folk supergroup Equation to latest album Personae, via a nod or two to their extracurricular musical adventures.

After his Unfinished Violin Project, former Bellowhead fiddle player Sam Sweeney returns the NCEM on November 19 to promote his latest album, Unearth Repeat, wherein he embraces the groove and swagger of traditional English folk and the huge sound, flair, energy and festival spirit of bands from the Celtic and Scandinavian music scenes.

Sweeney first played the NCEM when director of the National Youth Folk Ensemble. This time he will be joined by Jack Rutter on acoustic guitar, Louis Campbell on electric guitar and Ben Nicholls on double bass.

Nanook Of The North: Robert J Flaherty’s 1922 film will be accompanied by an improvised live score by Frame Ensemble at a Yorkshire Silent Film Festival screening on October 14

The Yorkshire Silent Film Festival plays host to Nanook Of The North (certificate U, 79 minutes) on October 14, when the pioneering 1922 documentary film will be accompanied by a live score by Frame Ensemble, a quartet of improvising musicians that specialises in creating spontaneous soundtracks for silent film.

“Pianist Jonny Best, who runs the film festival [as well as being a musician, researcher, producer, educator and writer], will be doing the accompaniment with his ensemble,” says Delma. “I find it so enthralling that they create such musical magic out of nowhere.”

Filmed by director Robert J Flaherty in the vast Canadian Arctic, where Nanook and his family live under an endless sky and in conditions of unimaginable cold, Nanook Of The North is a mix of recorded reality and staged drama, depicting the everyday struggle of the Innuit (Eskimo) people to stay alive.

From the bitter chill of the northern reaches of Arctic Quebec to Christmas at the NCEM in the form of the York Early Music Christmas Festival 2021, running from December 3 to 11.

Guest musicians include The Gesualdo Six; Joglaresa; Pocket Sinfonia; Prisma; tenor James Gilchrist and lutenist Matthew Wadsworth, plus the Yorkshire Baroque Soloists, presenting JS Bach’s B Minor Mass, with more details to follow in a separate preview shortly. 

Green Matthews: Midwinter Revels in the mood for Christmas on December 16

.Christmas revelry continues with modern-day folk balladeers Green Matthews on December 16. That night, Chris Green and Sophie Matthews perform Midwinter Revels: A Celebration Of Christmas Past, a seasonal selection of stories, carols, winter folk songs and tunes played on a plethora of weird and wonderful instruments.

Delma says: “We’re so pleased to be able to bring you this wonderful season of music for all tastes and to welcome friends old and new back to our home in York. We decided: let’s get dates in the diary and enjoy music-making again and try to get back to a sense of normality.

“We’ve put together a programme of world-class musicians, and we’re also looking forward to the return of our community singing group, Cuppa And A Chorus, as well as the latest in our not-to-be-missed series of silent films with live music. We hope to see you at the NCEM very soon.”

Nevertheless, in light of these pandemic times, a reduced capacity will be in operation. “The NCEM realises that audiences are returning to live events with caution, and for added safety and comfort, we are reducing our capacity so that social distancing is possible,” explains Delma.

“We’ve put together a programme of world-class musicians,” says NCEM director Delma Tomlin

“We are continuing to operate with many safety precautions in place and recommend mask wearing and hand sanitising.”

Tickets for the autumn season are on sale on 01904 658338 and at ncem.co.uk, joined by the York Early Music Christmas Festival from October 4. “Tickets for all concerts are selling quickly, so early booking is advisable,” recommends Delma.

“So far, there’s definitely a substantial core audience who do want to return, and we’re so fortunate that there’s no fixed seating, so we can give people more space, and hopefully they will feel more comfortable with that and will gain confidence as we come into the winter.

“That’s why we’re retaining social distancing while ensuring there’s still a three-pronged energy between the venue, the artist and the audience.”

Performances start at 7.30pm unless stated otherwise.

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